Auswahl der wissenschaftlichen Literatur zum Thema „Postmodernisme – Origines“
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Zeitschriftenartikel zum Thema "Postmodernisme – Origines"
Nattiez, Jean-Jacques. „La fondation de Circuit et sa première décennie : un coup d’oeil rétrospectif et autocritique“. I. Hier : il y a 20 ans 20, Nr. 1-2 (29.04.2010): 13–23. http://dx.doi.org/10.7202/039639ar.
Der volle Inhalt der QuelleLushnikova, Galina I., und Tatiana Yu Osadchaia. „CONTAMINATION OF POSTMODERNIST AND POST-POSTMODERNIST TENDENCIES IN THE WORKS BY J. FRANZEN“. Philological Class 26, Nr. 2 (2021): 200–211. http://dx.doi.org/10.51762/1fk-2021-26-02-17.
Der volle Inhalt der QuelleErshova, Iuliia. „The technique of postmodernist simulation game in the novel “Supernova: The Knight, The Princess, and The Falling Star” by Indonesian writer Dewi Lestari (2001)“. Litera, Nr. 5 (Mai 2021): 88–96. http://dx.doi.org/10.25136/2409-8698.2021.5.35544.
Der volle Inhalt der QuelleBowden, Bradley G. „Empiricism, epistemology and modern postmodernism: a critique“. Qualitative Research in Organizations and Management: An International Journal 14, Nr. 4 (11.11.2019): 481–97. http://dx.doi.org/10.1108/qrom-02-2019-1726.
Der volle Inhalt der QuelleTurbin, Carole. „Introduction to Roundtable“. Social Science History 22, Nr. 1 (1998): 1–6. http://dx.doi.org/10.1017/s0145553200021659.
Der volle Inhalt der QuelleRemete, George. „The origins of postmodernism“. Altarul Reîntregirii, Nr. 3 (2017): 7–24. http://dx.doi.org/10.29302/ar.2017.3.1.
Der volle Inhalt der QuelleDuniya, Giles, und Kehinde Adewumi. „Contemporary Nigerian Artists' Response to Postmodernist Trends and Its Implications for Effective Artistic Growth“. African Journal of Inter/Multidisciplinary Studies 5, Nr. 1 (2023): 1–11. http://dx.doi.org/10.51415/ajims.v5i1.1202.
Der volle Inhalt der QuelleShaukat, Fakhr ul Munir und Muhammad Hamza. „Anarchism: A Legacy of Postmodernism“. Global Political Review VI, Nr. IV (30.12.2021): 14–20. http://dx.doi.org/10.31703/gpr.2021(vi-iv).02.
Der volle Inhalt der QuelleГерасимов, Илья. „Гипермодерн “инженера” Гарина и преодоление постмодернизма Владимиром Сорокиным“. Ab Imperio 2024, Nr. 1 (2024): 150–84. http://dx.doi.org/10.1353/imp.2024.a927447.
Der volle Inhalt der QuelleSuárez Müller, Fernando. „Gaia and Religious Pluralism in Bruno Latour’s ‘New-Materialism’“. Religions 14, Nr. 8 (25.07.2023): 960. http://dx.doi.org/10.3390/rel14080960.
Der volle Inhalt der QuelleDissertationen zum Thema "Postmodernisme – Origines"
Tabet, Simon. „Le moment postmoderne : interprétations et usages d'un "signifiant voyageur" dans le monde anglophone“. Electronic Thesis or Diss., Paris 10, 2024. http://www.theses.fr/2024PA100015.
Der volle Inhalt der QuelleWhat does the term “postmodern” mean? And above all, what were the forces that changed the way we used it? This work argues that beyond being just an inadequate semantical object, an empty signifier, the term “postmodern” is worth studying as it helps us identify some of the theoretical forces which shaped the end of the 20th century. In that respect, it offers a fitting lens to analyse the reconfiguration of western Marxism in the English-speaking world, the conflicts within the Anglo-Saxon Left at the university level and the regeneration of various streams of critical theory in the United Kingdom as well as in the United States. Taking a transdisciplinary stance, this work studies the emergence and the dissemination of that signifier along a transatlantic axis, the major interpretations that were made about it as well as the often conflicting ways it was used. To chart the intellectual history of that era, our historicist approach will take us to the debates around the modernist controversy in the US in the 1960s and 1970s, the involvement of Jean-François Lyotard and Jürgen Habermas and especially the contributions of Fredric Jameson, Zygmunt Bauman and Stuart Hall in the course of the 1980s and 1990s. Borrowing from the fields of literary theory, political sociology and cultural studies, this work takes into account the combination of theoretical, affective and political dimensions in order to best identify the ideological and institutional strategies at play behind this chapter of the social history of ideas. Being essentially a historical sociology of a transnational, intellectual space, this study explores the various paths that led to the construction of this postmodern moment so that we understand better what was truly behind this intellectual effervescence
Portugais, Daniel. „Origine, mémoire et épiphanie du réel dans l'oeuvre narrative de François Bon“. Thesis, Université Côte d'Azur (ComUE), 2018. http://www.theses.fr/2018AZUR2038.
Der volle Inhalt der QuelleThis thesis is devoted to the narrative work of François Bon. Therefore it concerns the novels, stories, autobiographies and biographies which were published by the writer from 1982 to 2016. So, the central question of a new way of reading and writing linked to the development of digital technology will only be addressed when it will shed light on the way books by the author of Sortie d’usine work. This thesis is thus focused on three essential dimensions of the contemporary that François Bon’s work constantly and recurrently questions: the origin, the memory and the problematic of a reality that is both imposed as evidence in its most obvious manifestations and retracted as rejected when it calls into question the order and the unfolding of the world in which we find ourselves immersed. It thus addresses a certain number of themes and reflections underlying a literature in the present: the emergence of the new within an ancient world, even contradictory signs that this phenomenon induces, the fundamental importance that the era could have from the point of view of history. It also explores the link between the economic-industrial machine and a new neo-liberal world order that evacuates, escapes and recycles both past and present while at the same time writing a story that we can be sure it does not in any way correspond to the expression of a truth. In this research work, new patterns are most often explored in the very relationship that the author maintains with fields that until recently did not constitute eminently literary concerns: the pop-rock universe, a phenomenology of mechanics and the automobile, the presence of a post-industrial world in which the factories and the workers appear as so many emblems and symbols
Weingrad, Michael Ray. „Benjamin or Bataille : transgression, redemption, and the origins of postmodern thought /“. Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/9520.
Der volle Inhalt der QuelleBejo, Ermir. „Postmodern Multiplicities in Three Original Works“. Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062830/.
Der volle Inhalt der QuelleFrancis, Mary Anne. „The artist as a multifarious agent : an artist's theory of the origin of meaning“. Thesis, Goldsmiths College (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325914.
Der volle Inhalt der QuelleLewis, Luke. „Portfolio of original compositions and critical writing“. Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:be509033-4853-46d8-a78b-b196951dc5ce.
Der volle Inhalt der QuelleMeresse, Bastien. „Thomas Pynchon ou les territoires de la faille“. Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA110.
Der volle Inhalt der QuelleAs a picaresque cartographer standing astride the Atlantic and Pacific coasts, Thomas Ruggles Pynchon Jr. stresses the flawed origin and entropic trajectory of the American continent, seven generations after the great Puritan migration to which his forebear William participated. This dissertation aims to recast the way his work defines these latent figures of the American fault, an “inherent vice,” for such is the title of his penultimate novel, in order to recover the lost prairie of the past and recompose an idealized counter-space within the realm of fiction. This work will consider how the notion of phantasmagoria inhabits a cityscape overcoded by optical devices and deceitful distortions that can only be resisted by the flâneur’s politics of loitering. By exposing the dreamworld of this city upon a hill, Pynchon delves into the depths of the continent and starts a stratigraphic study of America: geological fault-lines engage in a dialogue with deficient founding myths and fracture the revered geography of the continent, signaling the defective nature of its space but also of its time, permeated by the cracks of the crisis. To face the failure of founding narratives and the spasms of History, Pynchon’s work unfolds new modalities that, while not essential to narrative, disrupt reading procedures and suffuse his historical novels with the forking paths and counterfactuals of the “Subjunctive” form
Moffett, Joe. „The search for origins in the twentieth-century long poem : Sumerian, Homeric, Anglo-Saxon /“. Morgantown, W. Va. : West Virginia University Press, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015671691&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Der volle Inhalt der QuelleSteynberg, Johanna Dorothea Irene. „An investigation to explore the impact of construction of reality on motivation in the industry : a narrative investigation / Irene Steynberg“. Thesis, Potchefstroom University for Christian Higher Education, 2001. http://hdl.handle.net/10394/430.
Der volle Inhalt der QuelleThesis (M.A. (Sociology))--Potchefstroom University for Christian Higher Education, 2002.
Bekker, Theo Nico. „Die belewing van God se teenwoordigheid in die erediens (Afrikaans)“. Diss., 2006. http://hdl.handle.net/2263/28116.
Der volle Inhalt der QuelleDissertation (MA(Theology))--University of Pretoria, 2008.
Practical Theology
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Bücher zum Thema "Postmodernisme – Origines"
Perry, Anderson. The origins of postmodernity. London: Verso, 1998.
Den vollen Inhalt der Quelle findenHarvey, David. The condition of postmodernity: An enquiry into the origins of cultural change. Oxford [England]: Blackwell, 1989.
Den vollen Inhalt der Quelle findenLynne, Cooke, Eiblmayr Silvia und Salzburger Kunstverein, Hrsg. Original: Symposium, Salzburger Kunstverein. Ostfildern: Cantz, 1995.
Den vollen Inhalt der Quelle findenHerbert, David. The faces of origins: A historical survey of the underlying assumptions from the early church to postmodernism. London, Ont: D & I Herbert Pub., 2004.
Den vollen Inhalt der Quelle findenCole, Mike. Marxism and educational theory: Origins and issues. Milton Park, Abingdon, Oxon: Routledge, 2008.
Den vollen Inhalt der Quelle findenHellemans, Babette. Understanding Culture. Übersetzt von Gioia Marini. NL Amsterdam: Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789089649911.
Der volle Inhalt der QuelleErdpohl, Evamaria. Criteria of identity: A comparative analysis of Raymond Federman's The voice in the closet and selected works by Jasper Johns : together with the original text of Raymond Federman's The voice in the closet. Frankfurt am Main: P. Lang, 1992.
Den vollen Inhalt der Quelle findenYu ming yu ren: Yuan shi ru jia lun li jing shen yu xian dai xing wen ti = Destiny and humanity : the ethos of original confucianism and the problems of modernity. Baoding Shi: Hebei da xue chu ban she, 2002.
Den vollen Inhalt der Quelle findenHarrison, Sylvia. Pop Art and the Origins of Post-Modernism. Cambridge University Press, 2009.
Den vollen Inhalt der Quelle findenHarvey, David. The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change. Blackwell Publishing Limited, 1991.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Postmodernisme – Origines"
Unah, Jim I. „Postmodernism is Existential Phenomenology“. In The Origins of Life, 427–44. Dordrecht: Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-011-4058-4_30.
Der volle Inhalt der QuelleBowden, Bradley. „The Intellectual Origins of Postmodernism“. In The Palgrave Handbook of Management History, 645–69. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-62114-2_77.
Der volle Inhalt der QuelleBowden, Bradley. „The Intellectual Origins of Postmodernism“. In The Palgrave Handbook of Management History, 1–25. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-62348-1_77-1.
Der volle Inhalt der QuelleGulda, Przemyław. „Postmodernism as a Completion of Phenomenology and Hermeneutics“. In The Origins of Life, 445–66. Dordrecht: Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-011-4058-4_31.
Der volle Inhalt der QuelleRoth, Zoë. „Introduction:The Matter of Form“. In Formal Matters, 1–50. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474497503.003.0001.
Der volle Inhalt der QuelleEndong, Floribert Patrick C. „Reconciling Homosexuality and Spirituality in Africa as a Heresy and Survival Strategy“. In African Studies, 999–1022. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-3019-1.ch055.
Der volle Inhalt der QuelleEndong, Floribert Patrick C. „Reconciling Homosexuality and Spirituality in Africa as a Heresy and Survival Strategy“. In Research Anthology on Religious Impacts on Society, 575–98. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-3435-9.ch029.
Der volle Inhalt der QuelleDe Bary, Brett. „Karatani Kōjin’s Origins of Modern Japanese Literature“. In Postmodernism and Japan, 235–57. Duke University Press, 1989. http://dx.doi.org/10.1215/9780822381556-013.
Der volle Inhalt der Quelle„The Origins of Postmodernist Historiography“. In Historiography between Modernism and Postmodernism, 87–117. BRILL, 1994. http://dx.doi.org/10.1163/9789004457409_004.
Der volle Inhalt der QuelleCopeland, Rita. „Introduction: Remembering After Postmodernism“. In New Medieval Literatures, 1–6. Oxford University PressOxford, 2002. http://dx.doi.org/10.1093/oso/9780199252503.003.0001.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Postmodernisme – Origines"
Çiftçi, Hakkı, und Murat Koç. „The New Geopolitical Environment of Turkey“. In International Conference on Eurasian Economies. Eurasian Economists Association, 2013. http://dx.doi.org/10.36880/c04.00756.
Der volle Inhalt der QuelleSafronova, Anna. „FEATURES OF THE VISUAL LANGUAGE OF DOCUMENTARY PHOTOGRAPHY IN UKRAINIAN PHOTO BOOKS DEDICATED TO REVOLUTIONARY EVENTS IN UKRAINE“. In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s08.09.
Der volle Inhalt der QuelleChristie, Robyn. „The Great Debate: Campaigns and Conflicts in London in the 1980s“. In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5016p9v9h.
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