Auswahl der wissenschaftlichen Literatur zum Thema „Postmoderne dance“
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Zeitschriftenartikel zum Thema "Postmoderne dance"
Osumare, Halifu. „Choreographing Social Change: Reflections on Dancing in Blackness“. Dance Research Journal 53, Nr. 2 (August 2021): 130–42. http://dx.doi.org/10.1017/s0149767721000218.
Der volle Inhalt der QuelleNjaradi, Dunja. „Rethinking participation through dance: A historical-theoretical intersection“. Bulletin de l'Institut etnographique 70, Nr. 2 (2022): 199–215. http://dx.doi.org/10.2298/gei2202199n.
Der volle Inhalt der Quellevon Rosen, Astrid. „Bildaktivism i dansarkivet: Betydelsen av Anna Wikströms Akademi för dans“. Nordic Journal of Dance 11, Nr. 1 (01.06.2020): 4–15. http://dx.doi.org/10.2478/njd-2020-0002.
Der volle Inhalt der QuelleAlderson, Evan. „Dance and Postmodern Communities“. Contemporary Theatre Review 6, Nr. 4 (Oktober 1997): 63–74. http://dx.doi.org/10.1080/10486809708568436.
Der volle Inhalt der QuelleStanich, Veronica Dittman. „Turning the World Upside Down“. Dance Research 36, Nr. 2 (November 2018): 198–223. http://dx.doi.org/10.3366/drs.2018.0238.
Der volle Inhalt der QuelleGiersdorf, Jens Richard. „Trio ACanonical“. Dance Research Journal 41, Nr. 2 (2009): 19–24. http://dx.doi.org/10.1017/s0149767700000620.
Der volle Inhalt der QuelleUCHIYAMA, Sumiko. „Semantics of dance for postmodern“. Journal of the Philosophy of Sport and Physical Education 21, Nr. 2 (1999): 1–9. http://dx.doi.org/10.9772/jpspe1979.21.2_1.
Der volle Inhalt der QuelleRosenthal, Sarah. „Postmodern Dance: A Feminist Lineage“. American Book Review 40, Nr. 4 (2019): 4–5. http://dx.doi.org/10.1353/abr.2019.0049.
Der volle Inhalt der QuelleBanes, Sally, und Noël Carroll. „Cunningham, Balanchine, and Postmodern Dance“. Dance Chronicle 29, Nr. 1 (Juli 2006): 49–68. http://dx.doi.org/10.1080/01472520500538057.
Der volle Inhalt der QuelleKasyanova, Olena. „Architectonics of the "Dance of The Seven Veils "From Richard Strauss's Opera "Salome" Through the Prism of Historical Reconstruction“. Часопис Національної музичної академії України ім.П.І.Чайковського, Nr. 3-4(52-53) (14.12.2021): 160–80. http://dx.doi.org/10.31318/2414-052x.3-4(52-53).2021.251819.
Der volle Inhalt der QuelleDissertationen zum Thema "Postmoderne dance"
Fleischle-Braun, Claudia. „Der Moderne Tanz : Geschichte und Vermittlungskonzepte /“. Butzbach-Griedel : Afra, 2001. http://catalogue.bnf.fr/ark:/12148/cb389105358.
Der volle Inhalt der QuelleStanich, Veronica Dittman. „Poetics and Perception: Making Sense of Postmodern Dance“. The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1402089308.
Der volle Inhalt der QuelleForster, Lou. „Page à la main. ː : Lucinda Childs et les pratiques de danse lettrée“. Electronic Thesis or Diss., Paris, EHESS, 2024. http://www.theses.fr/2024EHES0015.
Der volle Inhalt der QuelleLucinda Childs is a major figure in twentieth-century dance. In the early 1960s, she was one of the founding members of the Judson Dance Theater, a group of dancers, choreographers, artists and composers in New York City who reinvigorated dance forms and practices. With the establishment of her company in 1973, she emerged as one of the leading figures of American minimal dance and postmodern dance, while collaborating from the 1980s onward with major ballet companies in Europe and the United States. Whether with her own company, with repertory dance companies, or at Judson, literacy plays a crucial role in the conceiving, embodying, and performing of her dances. Through an anthropological investigation within dance studios, Lou Forster demonstrates that the technical gesture of dancing, page in hand, is constructed at the intersection of two parallel histories. In the 1950s, John Cage and Merce Cunningham devised a range of reading and writing practices in order to oppose, divert and reconfigure academic methods in which literacy serves as a foundation to establish disciplinary divisions and hierarchies. This neo-avant-garde approach played a crucial role at Judson. Among the members of this group, Childs was one of the choreographers who paid the most attention to these literacy practices, as they tied in with a lesser-known aspect of her dance training. From 1955 to 1962, she studied modern dance within the extensive network of the German diaspora in New York. Specifically, she attended the school run by the choreographer Hanya Holm (1893-1992), where an Americanised form of dance of expression (Ausdruckstanz) was taught. There Childs discovered Kinetography Laban or Labanotation, the system of analysing and writing movement developed by the Austro-Hungarian choreographer Rudolf Laban (1879-1958), in which dancers rehearse with page in hand. Fifteen years later she turned toward this literacy event, unusual for the dance world, to work with her company. Art history and dance history dissociated these two aspects of choreographic modernity when, from 1933, part of the dance of expression became involved with the Nazi regime. In the United States, the myth of the originality of American Modern dance began to take shape, further emphasized during the Cold War. Childs' unique position in this connected history meant that graphic practices became a matrix for postmodernism. Since 1973, she embraced all canonical techniques of Western dance, moving over the years from dance of expression to pedestrian activities, to Neoclassical and then to the Baroque. Positioning herself as an appropriationist, she developed a historical and critical perspective on these borrowed techniques. In her pieces, she seeks to bring together practices, genres and histories of dance that have been separated and disjointed, crafting a genuine poetics of relation
Griffiths, Carolyn Margaret. „Tracing image and bodily displacement in modern and postmodern dance“. Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2000. https://ro.ecu.edu.au/theses/1362.
Der volle Inhalt der QuelleMathews, Rachel A. „Postmodern Theory and the Choreography of Michael Clark“. Thesis, University of Surrey, 1992. https://eprints.qut.edu.au/74785/6/Postmodern%20Theory%20and%20the%20Choreography%20of%20Michael%20Clark_Mathews_1992.pdf.
Der volle Inhalt der QuelleMonten, Joshua Lee. „"Something old, something new, something borrowed...": eclecticism in postmodern dance“. The Ohio State University, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=osu1407405704.
Der volle Inhalt der QuelleSears, Linda Roseanne. „Resistant corporealities contemporary British dance-theater /“. For electronic version search Digital dissertations database. Restricted to UC campuses. Access is free to UC campus dissertations, 2002. http://uclibs.org/PID/11984.
Der volle Inhalt der QuellePostle, Julia. „Dancing through the postmodern : Australian choreography in relation to postmodernism“. Thesis, Queensland University of Technology, 1996.
Den vollen Inhalt der Quelle findenPeter, Frank-Manuel. „Zwischen Ausdruckstanz und Postmodern Dance Dore Hoyers Beitrag zur Weiterentwicklung des modernen Tanzes in den 1930er Jahren /“. [S.l. : s.n.], 2003. http://www.diss.fu-berlin.de/2004/245/index.html.
Der volle Inhalt der QuelleCampbell, Daly Janis. „A perplexing pilgrimage : the spectator as Mitreisender in the Tanztheater of Pina Bausch“. Thesis, University of Roehampton, 2009. https://pure.roehampton.ac.uk/portal/en/studentthesis/a-perplexing-pilgrimage(220e92fb-9910-4017-8174-e85ab543ae95).html.
Der volle Inhalt der QuelleBücher zum Thema "Postmoderne dance"
Midol, Nancy. La démiurgie dans les sports et la danse: Consciences traditionnelle, moderne et postmoderne. Paris: L'Harmattan, 1995.
Den vollen Inhalt der Quelle findenBültzingslöwen, Cora von. Unorthodox: Wegbereiterinnen der tänzerischen Moderne und Postmoderne in Texten und Bildern : Maya Plisetkaya, Marcia Haydée, Gelsey Kirkland, Sylvie Guillem, Pina Bausch. Wilhelmshaven: Florian Noetzel Verlag, 2020.
Den vollen Inhalt der Quelle findenLouis, Murray. Murray Louis on dance. Chicago, IL: A Cappella Books, 1992.
Den vollen Inhalt der Quelle findenTampini, Marina. Cuerpo e ideas en danza: Una mirada sobre el Contact improvisation. Buenos Aires: IUNA, Instituto Universitario Nacional de Arte, 2012.
Den vollen Inhalt der Quelle findenLouis, Murray. Murray Louis ondance. Chicago, IL: A Cappella Books, 1992.
Den vollen Inhalt der Quelle findenSilva, Eliana Rodrigues. Dança e pós-modernidade. Salvador: EDUFBA, 2004.
Den vollen Inhalt der Quelle findenKlein, Susan Blakeley. Ankoku Butō: The premodern and postmodern influences on the dance of Utter Darkness. Ithaca, N.Y: East Asia Program, Cornell University, 1988.
Den vollen Inhalt der Quelle findenRowell, Bonnie. An investigation into critical analysis of postmodern dances. London: University of Surrey Roehampton, 2003.
Den vollen Inhalt der Quelle findenPortzamparc, Christian de. De la danse: Ecole du ballet de l'Opéra de Paris à Nanterre. Paris: Editions du Demi-Cercle, 1990.
Den vollen Inhalt der Quelle findenDyke, Jan Van. Modern dance in a postmodern world: An analysis of federal arts funding and its impact on the field of modern dance. Reston, VA: National Dance Association, 1992.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Postmoderne dance"
Banes, Sally. „2.4 Postmodern Dance“. In Comparative History of Literatures in European Languages, 151. Amsterdam: John Benjamins Publishing Company, 1997. http://dx.doi.org/10.1075/chlel.xi.15ban.
Der volle Inhalt der QuelleMattingly, Kate. „Modern and Postmodern Dance“. In Milestones in Dance History, 108–33. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003185918-5.
Der volle Inhalt der QuelleAdair, Christy. „We say no — postmodern dance“. In Women And Dance, 139–59. London: Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-22374-9_8.
Der volle Inhalt der QuelleDodds, Sherril. „Postmodern Dance Strategies on Television“. In Dance on Screen, 95–125. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230509580_4.
Der volle Inhalt der QuelleBurt, Ramsay. „Masculinity, Dance, and the Postmodern“. In The Male Dancer, 133–54. 3. Aufl. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003159926-7.
Der volle Inhalt der QuelleCruz, Décio Torres. „Revisiting the Biblical Tradition: Dante, Blake and Milton in Blade Runner“. In Postmodern Metanarratives, 60–75. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137439734_5.
Der volle Inhalt der QuelleKaye, Nick. „The Collapse of Hierarchies and a Postmodern Dance“. In Postmodernism and Performance, 90–117. London: Macmillan Education UK, 1994. http://dx.doi.org/10.1007/978-1-349-23334-2_6.
Der volle Inhalt der QuelleStewart, Nigel. „A Theological Turn? French Postmodern Dance and Herman Diephuis’s D’Après J.-C.“ In Contemporary French Theatre and Performance, 200–212. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230305663_16.
Der volle Inhalt der QuellePakes, Anna. „Postmodern Works“. In Choreography Invisible, 93–116. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199988211.003.0005.
Der volle Inhalt der QuelleMattingly, Kate. „Who Is a Critic?“ In Shaping Dance Canons, 55–88. University Press of Florida, 2023. http://dx.doi.org/10.5744/florida/9780813069630.003.0003.
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