Auswahl der wissenschaftlichen Literatur zum Thema „Postcolonial theater“
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Zeitschriftenartikel zum Thema "Postcolonial theater"
Mackenzie, Clayton G., und Moira Arthurs. „"Together Again": Theater in Postcolonial Hong Kong“. Comparative Drama 37, Nr. 1 (2003): 75–87. http://dx.doi.org/10.1353/cdr.2003.0037.
Der volle Inhalt der QuelleVallejo Sameshima, Miguel. „performático en el teatro reciente de la independencia peruana. Rituales que cuestionan los antiguos prejuicios“. Tradición, segunda época, Nr. 21 (27.12.2021): 90–97. http://dx.doi.org/10.31381/tradicion.v0i21.4482.
Der volle Inhalt der QuelleRifandi, Ilham, und Ikhsan Satria Irianto. „"Membingkai Melayu" Perancangan Metode Akting Berbasis Tradisi Untuk Pembelajaran Makyong di Program Studi Seni Pertunjukan UNIMED“. Jurnal Sendratasik 12, Nr. 2 (06.06.2023): 157. http://dx.doi.org/10.24036/js.v12i2.122569.
Der volle Inhalt der QuelleJayathilake, C. „Historicizing anglophone theater in postcolonial South Africa: select political and protest plays“. International Journal of Multidisciplinary Studies 8, Nr. 1 (30.05.2021): 70. http://dx.doi.org/10.4038/ijms.v8i1.134.
Der volle Inhalt der Quellede Waal, Ariane. „Living Suspiciously: Contingent Belonging in British South Asian Theater“. Humanities 9, Nr. 3 (18.08.2020): 85. http://dx.doi.org/10.3390/h9030085.
Der volle Inhalt der QuelleJohnson, Alan, und Nandi Bhatia. „Acts of Authority/Acts of Resistance: Theater and Politics in Colonial and Postcolonial India“. Rocky Mountain Review of Language and Literature 59, Nr. 2 (2005): 108. http://dx.doi.org/10.2307/3655058.
Der volle Inhalt der QuelleRoubaud, Luísa. „After Looking North and West: Portuguese Contemporary Dance and the European Crises“. Congress on Research in Dance Conference Proceedings 2016 (2016): 323–32. http://dx.doi.org/10.1017/cor.2016.43.
Der volle Inhalt der QuelleMinier, Márta. „Translating Welsh Drama Into Hungarian Through English: A Contextual Introduction to Sêra Moore Williams’ Crash in Hungarian Translation“. Hungarian Cultural Studies 6 (12.01.2014): 176–86. http://dx.doi.org/10.5195/ahea.2013.120.
Der volle Inhalt der QuelleSchmidt, Kerstin. „Relations with/to the Text: Four Plays on the Move“. Journal of Contemporary Drama in English 11, Nr. 2 (01.11.2023): 332–42. http://dx.doi.org/10.1515/jcde-2023-0027.
Der volle Inhalt der QuelleDharwadker, Aparna Bhargava. „Acts of Authority/Acts of Resistance: Theater and Politics in Colonial and Postcolonial India (review)“. Modern Drama 48, Nr. 2 (2005): 440–44. http://dx.doi.org/10.1353/mdr.2005.0024.
Der volle Inhalt der QuelleDissertationen zum Thema "Postcolonial theater"
Harass, Azza. „Reading the Israeli/Palestinian conflict through theater : a postcolonial analysis“. Thesis, University of Kent, 2015. https://kar.kent.ac.uk/47909/.
Der volle Inhalt der QuelleChowdhury, Khairul Haque. „Three Bangladeshi plays considered in postcolonial context“. Access E-Book Access E-Book, 1999. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20010919.141455/index.html.
Der volle Inhalt der QuelleRanwalage, Sandamini Yashoda. „Reperforming Sarachchandralatory:A Nationalist Discourse of Postcolonial Theatre in Sri Lanka“. Miami University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami15640466703959.
Der volle Inhalt der QuelleKwon, Kyounghye. „Local Performances, Global Stages: Postcolonial and Indigenous Drama and Performance in Glocal Circuits“. The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1259760023.
Der volle Inhalt der Quellede, Toro Alfonso. „Reflexiones sobre fundamentos de investigación transdisciplinaria, transcultural y transtextual en las ciencias del teatro en el contexto de una teoría postmoderna y postcolonial de la "hibridez" e "inter"medialidad“. Universitätsbibliothek Leipzig, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-159158.
Der volle Inhalt der Quellede, Toro Alfonso. „Reflexiones sobre fundamentos de investigación transdisciplinaria, transcultural y transtextual en las ciencias del teatro en el contexto de una teoría postmoderna y postcolonial de la "hibridez" e "inter"medialidad“. Postmodernidad y postcolonialidad / Alfonso de Toro (ed.). Frankfurt 2004, S. 105-159 (Theorie und Praxis des Theaters ; 11) ISBN 3-89354-211-6, 2004. https://ul.qucosa.de/id/qucosa%3A13090.
Der volle Inhalt der QuelleLaure, Charlotte. „Tragédies de la décolonisation. Un théâtre écrit en français depuis l'Afrique, la Caraïbe et Madagascar (1942-1992)“. Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030060.
Der volle Inhalt der QuelleIt may seem paradoxical to choose the dramatic genre of tragedy to represent and support the struggles around the decolonization process of the French empire, as it is a symbol of western culture. However, we demonstrate in this thesis the relevance of this combination of a canonical genre with a protest topic. From the study of a diverse corpus of about thirty plays written in French by African, Caribbean, and Malagasy authors in the second half of the 20th century (1942-1992), we identify a theatrical phenomenon that we call "decolonization tragedies". On the one hand, the genre of tragedy allows to create myths, to celebrate precolonial societies and to highlight anti-colonial struggles. On the other hand, this genre allows to display defeats, which enables the indictment of Europe's self-proclaimed civilizing mission, and reveals the violence of the colonial and slavery system from the standpoint of those who suffer it. Moreover, the specific nature of tragedy encourages to examine its impact on gender. Finally, discussing some distortions in the reception of the plays allows us to show that the dramatic genre is being renewed through the affirmation of a destiny that is no longer transcendental, but historical, and from which one can emancipate oneself
McGregor, Lilicherie. „The praxis of postcolonial intercultural theatre in Aotearoa New Zealand“. Thesis, University of Canterbury. Drama, 2004. http://hdl.handle.net/10092/4845.
Der volle Inhalt der QuelleLe, Gallic Jeanne. „L’immigration algérienne sur la scène théâtrale française (1972-1978) : d’une lutte postcoloniale à l’émergence d’une reconfiguration historique et temporelle“. Thesis, Rennes 2, 2014. http://www.theses.fr/2014REN20049/document.
Der volle Inhalt der QuelleThis doctoral dissertation, falling in the field of postcolonial studies, investigates the emergence of an immigration theatre during the decade 1970 in the continuation of fights that characterise the development of a critical discourse regarding colonisation and its effects. In this context, theatre is used as a weapon, a prolongation of the political and militant activism, permitting to dismantle the mechanisms of alienation and exploitation to which immigrants are subject in contemporary environment. Indeed, it is now impossible to consider immigration without considering outcomes of a history initiated with colonisation. Independences, far from consecrating a rupture in the modes of domination established during colonisation, instead seem to perpetuate some beliefs and practises in a renewed expression: it is in particular through the Algerian immigrant figure, backward excrescence of the French colony Algeria was, that methods for processing, supervising and monitoring immigration, in part inherited from the colonial era, persist during postcolonial times. These domination and exploitation mechanisms directed toward immigrant workers will be fiercely denounced during the decade, which sees apparition at the same time of a new political subjectivity and the emergence of an immigrant theatre, whose practise illustrates Anglo-Saxon theories on colonisation and its consequences in the burst of new discursive and aesthetical forms. The weight of colonial legacy, particularly the one related to Algeria, therefore allows to mobilise workers around a contextual identity and to develop a theatre ideologically and aesthetically based on the panoramic examination of a reality inscribed in complex temporality and territoriality linked to motion
Merriman, Victor Nicholas. „Dramas of postcolonial desire : nation, representation and subjectivity in contemporary Irish theatre“. Thesis, Staffordshire University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402736.
Der volle Inhalt der QuelleBücher zum Thema "Postcolonial theater"
Theatre and postcolonial desires. London: Routledge, 2003.
Den vollen Inhalt der Quelle findenAmkpa, Awam. Theatre and Postcolonial Desires. London: Taylor & Francis Group Plc, 2003.
Den vollen Inhalt der Quelle findenIndonesian postcolonial theatre: Spectral genealogies and absent faces. New York: Palgrave Macmillan, 2010.
Den vollen Inhalt der Quelle findenBhatia, Nandi. Acts of authority, acts of resistance: Theater and politics in colonial and postcolonial India. Ann Arbor: University of Michigan Press, 2004.
Den vollen Inhalt der Quelle findenBehera, Gourhari, und Sunita Murmu. Representation and resistance: Essays on postcolonial theatre and drama. Delhi, [India]: ABS Books, 2015.
Den vollen Inhalt der Quelle findenFeminist visions and queer futures in postcolonial drama: Community, kinship, and citizenship. New York: Routledge, 2010.
Den vollen Inhalt der Quelle finden1939-, Adler Heidrun, und Röttger Kati, Hrsg. Performance, pathos, política de los sexos: Teatro postcolonial de autoras latinoamericanas. Madrid: Iberoamericana, 1999.
Den vollen Inhalt der Quelle findenChowdhury, Khairul. Three Bangladeshi plays considered in postcolonial context: Three Bangladeshi plays. Saarbrücken: LAP Lambert Academic Pub., 2010.
Den vollen Inhalt der Quelle findenBatra, Kanika. Feminist visions and queer futures in postcolonial drama: Community, kinship, and citizenship. New York: Routledge, 2011.
Den vollen Inhalt der Quelle findenIntersecciones.: Ensayos sobre cultura y literatura en la condición postmoderna y postcolonial. Buenos Aires: Galerna, 2002.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Postcolonial theater"
Hoài Tran, Thu. „»Sabotiert das Theater!«“. In Postcolonial Studies, 227–46. Bielefeld, Germany: transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839449868-012.
Der volle Inhalt der QuelleBala, Sruti. „Das Theater verlassen auf der Suche nach dem Theater“. In Postcolonial Studies, 247–66. Bielefeld, Germany: transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839449868-013.
Der volle Inhalt der QuelleKalu, Joy Kristin, und Anja Quickert. „Reenacting Racism“. In Postcolonial Studies, 211–26. Bielefeld, Germany: transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839449868-011.
Der volle Inhalt der QuelleBalestrini, Nassim Winnie. „Transnational and Postcolonial Perspectives on Communicating Climate Change Through Theater“. In Climate Change Management, 247–61. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-98294-6_16.
Der volle Inhalt der QuellePizzato, Mark. „Global, Postcolonial Theatre“. In Mapping Global Theatre Histories, 271–320. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12727-5_14.
Der volle Inhalt der QuelleWinet, Evan Darwin. „Introduction: Colonial Foundations and Precessions of Postcoloniality“. In Indonesian Postcolonial Theatre, 1–37. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230246676_1.
Der volle Inhalt der QuelleWinet, Evan Darwin. „Unimagined Communities: Theatres of Eurasian and Chinese Batavia“. In Indonesian Postcolonial Theatre, 38–68. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230246676_2.
Der volle Inhalt der QuelleWinet, Evan Darwin. „Sites of Disappearance: Expatriate Ghosts on Ephemeral Stages“. In Indonesian Postcolonial Theatre, 69–107. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230246676_3.
Der volle Inhalt der QuelleWinet, Evan Darwin. „Despite Their Failings: Spectres of Foreign Professionalism“. In Indonesian Postcolonial Theatre, 108–40. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230246676_4.
Der volle Inhalt der QuelleWinet, Evan Darwin. „Hamlet and Caligula: Echoes of a Voice Unclear in Origins“. In Indonesian Postcolonial Theatre, 141–73. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230246676_5.
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