Dissertationen zum Thema „Postcolonial novels“
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Comorau, Nancy Alla. „Postcolonial refashionings reading forms, reading novels /“. College Park, Md. : University of Maryland, 2009. http://hdl.handle.net/1903/9951.
Der volle Inhalt der QuelleThesis research directed by: Dept. of English. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
Yao, Kouadio Dieudonné. „Mythes et discours postcolonial : approche comparée de quelques romans postcoloniaux“. Electronic Thesis or Diss., Université Côte d'Azur, 2024. http://www.theses.fr/2024COAZ2011.
Der volle Inhalt der QuelleBased on an interdisciplinar and interdiscursive perspective, this study creates a relationship between Myth as an anthropological element and Literature - falling as such in the category of creation - in the form of postcolonial discourse. By considering myth as a framework having its origin in the inconscious background of a human community and being as such able to transcend both societal and historical differences, this relationship is described as a common denominator of the literary discourses practized by the postcolonial writers who are brought together, building so a wide-ranged corpus that reflects the different postcolonial situations. We find here Maurice Bandaman (The Son of the Male Woman), Chinua Achebe (Things Fall Apart), Nadine Gordimer (A World of Strangers), Tahar Ben Jelloun (The Sacred Night), Salman Rushdie (The Satanic Verses) and Patrick Chamoiseau (The Malfini's Nine Consciences). The most used investigative tool is the mythocritical approach, especially represented by the studies of Pierre Brunel and Gilbert Durand taken into account both in their common research orientation and in their reciprocal complementarity. From the perspective of postcolonial world view, our approach is focused of the essential antagonism that consists in the confrontation between « masters » (i.e. the colonists) and the « humiliated autochton » described by Hubert Félix Thiéfaine. In the same way, this study is periodically punctuated by other quotes from Thiéfaine's texts, which provide a suggestive counterpoint to the views exposed in the different chapters. One has to determine to what extent the incorporation of mythical elements actually appears as a key part by the emergence of a postcolonial discourse, while the shift from colonial to postcolonial discourse occurs through the recourse to a mythical legacy which combines reappropriations of the cultural legacy brought by the colonisators and renewal of the local mythic background, in this case with differents accentuations depending on the localisation of the text and its author in Black Africa, Maghreb or India. The recognition of significant divergences concerning the selection of the most important mythical elements goes in fact hand in hand with a large similarity in the treatment modalities concerning their integration in the poscolonial discourse, of which they are an essential part in all the cases studied. Several elements belonging to the mythical domain appear thus to be present in the poscolonial literary texts analysed in the present study. We find in particular symbols and mythems related to the resurgence of very old mythical figures and revealing in this way their eternal return. Apart from those symbolical structures, the investigation of the texts shows that mythical figures like Prometheus or Dionysos appear in postcolonial context as acceptable configurations of representations whose disruptive potentialities contain the possibility of a transition in the transmission of the values and systems of thoughts they convey and that underlie in the same way both the colonial and postcolonial facts. The investigation of the main categories in the novels building our corpus allows to describe the specific dynamics inherent to those novelistic categories and determined by the postcolonial context, which stays itself under the influence of the dynamics inherent to the mythical structures that underlies the thinking of people and also appears as the substrate of the literary and artistic achievements which are in touch with current concerns of our time. Henceforth our study postulates as a last result the presence of a mythical discourse common to all those texts. It appears as a projection of imaginary representations of transition in postcolonial context, grounded in eschatology and tending to the emergence of new cosmologies
Laurušaitė, Laura. „Baltic Novels of Exile: A Postcolonial Analysis“. Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110920_152550-94621.
Der volle Inhalt der QuelleDisertacijoje naujai teoriškai konceptualizuojama baltų pokario išeivių bendruomenės situacija bei jos raiška lietuvių ir latvių romanuose. Prievartinė emigracija iš baltų kraštų po II pasaulinio karo susijusi su kardinaliomis permainomis, todėl analizės instrumentais tampa lūžį ir slinktis ženklinantys postkolonializmo konceptai: liminalumas (V. Turner), hibridiškumas ir mimikrija (H. Bhabha), įsivaizduojama bendruomenė (B. Anderson), nostalgija (S. Boym), triksteris (M. Bachtin). Analizės centre – latvių ir lietuvių XX a. II pusės egzodo romanai apie karą, pasitraukimą ir gyvenimą išeivijoje, sukurti rašytojų, kurie patys tą lemtį patyrė. Pasirinktų tekstų korpusui skvarbyti pasitelkiamas dvinaris fizinės ir mentalinės kolonizacijos modelis. „Fizinės kolonizacijos“ skyriuje analizuojami karo romanai pagal vyrų/moterų lyties skirtį. „Mentalinės kolonizacijos“ skyriuje tyrinėjami kūriniai, atspindintys išlikimo strategijas, kurios įvairuoja nuo prisirišimo prie savos kultūros iki savanoriško jos atsižadėjimo. Įžvelgiamos trys išeivio tapatybės transformacijos pakopos: antikolonizacija, hibridizacija, savikolonizacija. Baltų romanų analizei taikyta postkolonializmo metodologija, jos pasiūlytos sąvokos ir tipologizavimo modelis pasirodė funkcionalūs. Konstatuota, kad emigracinė patirtis ir tapatybės virsmai ne tiek pavaldūs etninei prigimčiai, kiek išgyvenami bendražmogiškai.
Daud, Rukhsana. „Retelling the story : postcolonial revisions of the canon“. Thesis, University of Aberdeen, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327296.
Der volle Inhalt der QuelleBurkitt, Katharine Helen. „Epic proportions : post-epic verse-novels and postcolonial critique“. Thesis, University of Salford, 2007. http://usir.salford.ac.uk/26600/.
Der volle Inhalt der QuelleBorrell, Sally. „Challenging humanism : human-animal relations in recent postcolonial novels“. Thesis, Middlesex University, 2009. http://eprints.mdx.ac.uk/6520/.
Der volle Inhalt der QuelleGardner, Barbara J. „Speaking Voices in Postcolonial Indian Novels from Orientalism to Outsourcing“. Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/english_diss/85.
Der volle Inhalt der QuelleTanniou, Sophie Nicole Isabelle. „Decoding identities in 'Francophone' African postcolonial spaces : local novels, global narratives“. Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/6360/.
Der volle Inhalt der QuelleAl-Khaldi, Mubarak Rashed. „Other narratives : representations of history in four postcolonial Native American novels /“. The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu148795220810831.
Der volle Inhalt der QuelleKerskens, Christel. „Escaping the labyrinth of deception: a postcolonial approach to Margaret Atwood's novels“. Doctoral thesis, Universite Libre de Bruxelles, 2007. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210726.
Der volle Inhalt der QuelleThe thesis produces a postcolonial reading of Margaret Atwood's novels, based on the concept of deception. Articulated on six major elements of analysis (intertextual parody, deception, magic realism, trickster figures, hybridity, and quest pattern, the thesis shows how Margaret Atwood's novels can be read from a postcolonial point of view, within which the motif of deception plays a central role.
Doctorat en philosophie et lettres, Orientation langue et littérature
info:eu-repo/semantics/nonPublished
Paine, Juliet. „'Exposing taboo spaces' : the postcolonial body in the novels of J. M. Coetzee /“. Title page, contents and introduction only, 2001. http://web4.library.adelaide.edu.au/theses/09AR/09arp145.pdf.
Der volle Inhalt der QuelleChornokur, Kateryna. „Postcolonial Religion and Motherhood in the Novels by Louise Erdrich and Alice Walker“. Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/4009.
Der volle Inhalt der QuelleKorhonen, Jenny. „Racism and multiculturalism in J.K. Rowling’s Harry Potter novels“. Thesis, Högskolan i Halmstad, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-32144.
Der volle Inhalt der QuelleAlghamdi, Alaa. „The representation of home and identity of Muslim characters in selected British postcolonial novels“. Thesis, University of Leeds, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.555964.
Der volle Inhalt der QuelleNdomaina, Aiah K. „Repetition, Resistance, and Renewal: Postmodern and Postcolonial Narrative Strategies in Selected Francophone African Novels“. The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392392192.
Der volle Inhalt der QuelleNdomaïna, Aiah K. „Repetiton, resistance, and renewal : postmodern and postcolonial narrative strategies in selected francophone African novels /“. The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487950658545574.
Der volle Inhalt der QuelleWhite, Laura. „Fictions of progress the eco-politics of temporal constructions in colonial and postcolonial novels /“. Diss., Online access via UMI:, 2009.
Den vollen Inhalt der Quelle findenPaul, Nalini Caroline. „Identities displaced and misplaced : aspects of postcolonial subjectivity in the novels of Jean Rhys“. Thesis, University of Glasgow, 2008. http://theses.gla.ac.uk/474/.
Der volle Inhalt der QuelleKirca, Mustafa. „Postmodernist Historical Novels: Jeanette Winterson“. Phd thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/12610813/index.pdf.
Der volle Inhalt der Quellehistoriographic metafictions&rdquo
(Hutcheon 1989: 92), in terms of their allowing for different voices and alternative, plural histories by subverting the historical documents and events that they refer to. The study analyzes texts from feminist and postcolonial literature, Jeanette Winterson&rsquo
s The Passion and Sexing the Cherry, and Salman Rushdie&rsquo
s Midnight&rsquo
s Children and Shame as examples in which the transgression of boundaries between fact and fiction is achieved. Basing its arguments on postmodern understanding of history, the thesis puts forward that historiography not only represents past events but it also gives meaning to them, as it is a signifying system, and turns historical events into historical facts. Historiography, while constructing historical facts, singles out certain past events while omitting others, for ideological reasons. This inevitably leads to the fact that marginalized groups are denied an official voice by hegemonic ideologies. Therefore, history is regarded as monologic, representing the dominant discourse. The thesis will analyze four novels by Winterson and Rushdie as double-voiced discourses where the dominant voice of history is refracted through subversion and gives way to other voices that have been suppressed. While analyzing the novels themselves, the thesis will look for the metafictional elements of the texts, stressing self-reflexivity, non-linear narrative, and parodic intention to pinpoint the refraction and the co-existence of plural voices. As a result, historiographic metafiction is proved to be a liberating genre, for feminist and postcolonial writers, that enables other histories to be verbalized.
Lutsyshyna, Oksana. „Postcolonial Herstory: The Novels of Assia Djebar (Algeria) and Oksana Zabuzhko (Ukraine): A Comparative Analysis“. [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001459.
Der volle Inhalt der QuelleAl, Janabi Hazam K. A. „Postcolonial nationalism and contemporary literary theory : Algerian and Iraqi novels from 1962 to the present“. Thesis, University of Leicester, 2018. http://hdl.handle.net/2381/43044.
Der volle Inhalt der QuelleBiswas, Amrit Lal. „"Newness" and anti-absolutism in Salman Rushdie's novels : the aesthetics of postcolonial hybridity and postmodernism“. Thesis, University of Northampton, 2006. http://nectar.northampton.ac.uk/2956/.
Der volle Inhalt der QuelleMaufort, Jessica. „Ecological Magic Realism and Magic Realist Ecopoetics: Storying Place in Postcolonial Canadian and Australasian Novels“. Doctoral thesis, Universite Libre de Bruxelles, 2018. https://dipot.ulb.ac.be/dspace/bitstream/2013/276457/5/Contrat.pdf.
Der volle Inhalt der QuelleDoctorat en Langues, lettres et traductologie
info:eu-repo/semantics/nonPublished
Jones, Diana. „Postcolonial concerns : gender, race and the dynamics of representation in six novels by Alin Laubreaux /“. [St Lucia, Qld.], 2001. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16320.pdf.
Der volle Inhalt der QuelleBower, Kerstin. „The postcolonial rewriting of Latin American history : with special reference to four novels by Abel Posse“. Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.270615.
Der volle Inhalt der QuelleRosales, Figueroa Iliana. „Rebellious Detours: Creative Everyday Strategies of Resistance in Four Caribbean Novels“. University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337716381.
Der volle Inhalt der QuelleBarclay, Fiona J. „Postcolonial France? : the problematisation of Frenchness through North African immigration : a literary study of metropolitan novels 1980-2000“. Thesis, University of Glasgow, 2006. http://theses.gla.ac.uk/3248/.
Der volle Inhalt der QuelleSchwerdt, Dianne. „Reconstructing identity in postcolonial African fiction / individualism and community in the novels of Ngugi wa Thiong'o / Dianne O. Schwerdt“. Title page, abstract and contents only, 1994. http://web4.library.adelaide.edu.au/theses/09PH/09phs4148.pdf.
Der volle Inhalt der QuelleSirkin, Elizabeth Taryn. „Popular Images and Cosmopolitan Mediation: Mass Media and Western Pop Culture in the Anglophone South Asian Novel“. online version, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=case1175776213.
Der volle Inhalt der QuelleRine, Dana. „Small Flowerings of Unhu: the Survival of Community in Tsitsi Dangarembga's Novels“. Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3312.
Der volle Inhalt der QuelleLau, Hor-ying Esther. „The migrant experience, identity politics, and representation in postcolonial London : contemporary British Novels by Zadie Smith, Hanif Kureishi and Monica Ali /“. Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B39634309.
Der volle Inhalt der QuelleMostafa, D. S. „Re-Cycling the Flâneur : The Image of the Narrator in Three Postcolonial Novels on the Cities of Cairo, Karachi, and Beirut“. Thesis, University of Manchester, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.502113.
Der volle Inhalt der QuelleTeal, Scott Allen. „Specters of poverty and sources of hope in the novels of Amitav Ghosh and Rohinton Mistry“. Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:ab0fd761-9143-4192-82bf-43336c48f070.
Der volle Inhalt der QuelleFransson, Sophia. „Using Selected Novels of Harry Potter as a Tool for Discussion in the English as a Foreign Language Classroom with Postcolonial and Marxist Perspectives“. Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-29560.
Der volle Inhalt der QuelleKarshmer, Elana D. „The Karoo, The Veld, and the Co-Op: The Farm as Microcosm and Place for Change in Schreiner, Lessing, and Head“. Scholar Commons, 2019. https://scholarcommons.usf.edu/etd/7823.
Der volle Inhalt der QuelleCorbett, Sarah. „Dreamriser : writing the postcolonial body in Les Murray's Fredy Neptune“. Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/dreamriser-writing-the-postcolonial-body-in-les-murrays-fredy-neptune(6391ca97-1959-47b3-8b71-2ed6b337941d).html.
Der volle Inhalt der QuelleKhan, Shoukat Yaseen. „History, culture and identity in the novels of Bapsi Sidhwa, Bharati Mukherjee and Hanif Kureishi“. Thesis, Tours, 2017. http://www.theses.fr/2017TOUR2018/document.
Der volle Inhalt der QuelleThe objective of this thesis is to study three novels written by English-speaking authors of Pakistan or India, namely Bapsi Sidhwa, Bharati Mukherjee and Hanif Kureishi. One might be tempted to place the three writers of this study in the category of "literature of immigrants." They all write at a time of mass migration when the idea of "cultural shock" among Western peoples begins to be more evident. All three writers are affected by themes which appear only marginally in the debate evoked above, much of the emphasis being on the cultural and social difficulties of women in Indo-Pakistani society. As for Kureishi, the polarization mentioned above assumes a very different emphasis, involving the situation of an Asian born and brought up inside Western society. Within this overall assessment of the ideological and historical context common to all three writers, it will thus be important to examine the specific attitudes adopted by each writer in relation to his or her own personal experience. The main focus of this study will therefore be thematic, centering on these writers’ specific preoccupations and the way this is seen in their peculiar depiction of the tensions at stake
Sorensen, Eli Park. „Postcolonial melancholia : theory, interpretation and the novel“. Thesis, University College London (University of London), 2007. http://discovery.ucl.ac.uk/1446117/.
Der volle Inhalt der QuelleClarke, Anna. „In a postcolonial world : the Indian novel in English“. Thesis, University of Essex, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.423519.
Der volle Inhalt der QuelleWarnes, Christopher Graham. „Magical realism and the cultural politics of the postcolonial novel“. Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.411212.
Der volle Inhalt der QuelleBhattacharya, Sourit. „The crisis of modernity : realism and the postcolonial Indian novel“. Thesis, University of Warwick, 2017. http://wrap.warwick.ac.uk/97322/.
Der volle Inhalt der QuelleMavromatidou, Eleni. „The Role Of The (Postcolonial) Intellectual/Critic: Textualization Of History As Trauma: The African American And Modern Greek Paradigm“. Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1213616340.
Der volle Inhalt der QuelleQuiroz, Ciriaco Victor Felipe Segundo. „Pensamiento andino y crítica postcolonial. Un estudio de Rosa Cuchillo de Óscar Colchado“. Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2006. https://hdl.handle.net/20.500.12672/440.
Der volle Inhalt der QuelleTesis
Stein, Mark. „Black British literature : novels of transformation /“. Columbus (Ohio) : the Ohio state university press, 2004. http://catalogue.bnf.fr/ark:/12148/cb39937052q.
Der volle Inhalt der QuellePalapala, Joan Linda. „There Is No Place For African Women: Gender Politics in the Writings of Chimamanda Ngozi Adichie“. OpenSIUC, 2018. https://opensiuc.lib.siu.edu/dissertations/1537.
Der volle Inhalt der QuelleDaigle, Amelie. „Transnational Communities and the Novel in the Age of Globalization:“. Thesis, Boston College, 2019. http://hdl.handle.net/2345/bc-ir:108571.
Der volle Inhalt der QuelleThe novel is generally read through a Western lens that privileges both individual subjectivity and the nation-state. My dissertation acts as an intervention into the critical tradition that sees the novel as a genre preoccupied with the individual, the nation-state, and the rights and responsibilities of citizenship through which the two relate to each other. This tradition includes seminal theorists Ian Watt, Fredric Jameson, and Benedict Anderson as well as contemporary critics such as Pascale Casanova and Joseph Slaughter. Transnational Communities challenges this accepted framework for understanding the novel genre through an examination of novels which decenter the categories of individual and nation-state and argues that in this moment of unprecedented globalization, the novel’s ability to imagine new forms of community is an increasingly relevant social function
Thesis (PhD) — Boston College, 2019
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: English
Juarez, Sarah. „A Question of Power: Reinstating Political Agency in the Postcolonial Novel“. Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1100.
Der volle Inhalt der QuelleMingay, Philip Frederick James. „Vivisectors and the vivisected, the painter figure in the postcolonial novel“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ60328.pdf.
Der volle Inhalt der QuelleRochester, Rachel. „Postcolonial Cli-Fi: Advocacy and the Novel Form in the Anthropocene“. Thesis, University of Oregon, 2018. http://hdl.handle.net/1794/23736.
Der volle Inhalt der QuelleKarajayerlian, Asdghig. „Large Worlds/Small Places: Critical Cosmopolitanism and Stereoscopic Vision in the Global Postcolonial Novel“. Case Western Reserve University School of Graduate Studies / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=case1264031967.
Der volle Inhalt der Quelle