Bücher: „Postcolonial Genius“

1

Rushdie, Salman. Ta Pedia Tou Mesonihtiou. Athens: Psichogios, 2001.

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2

Rushdie, Salman. Mitternachtskinder: Roman. München: Piper, 1987.

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3

Salman, Rushdie. Midnight's children. New York: A.A. Knopf, 1995.

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4

Salman, Rushdie. Ādhī rāta kī santāneṃ. 3. Aufl. Nayī Dillī: Vāṇī Prakāśana, 2004.

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5

Salman, Rushdie. Ādhī rāta kī santāneṃ. 6. Aufl. Nayī Dillī: Vāṇī Prakāśana, 2007.

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6

Salman, Rushdie. Dzieci północy. Poznań: Dom Wydawniczy Rebis, 1999.

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7

Salman, Rushdie. Midnight's children. Prince Frederick, MD: Recorded Books, 2009.

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8

Salman, Rushdie. Middernachts kinderen. Utrecht: Veen, 1989.

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9

Salman, Rushdie. Midnight's children. 3. Aufl. New York, USA: Penguin Books, 1991.

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10

Salman, Rushdie. Midnight's children: A novel. 4. Aufl. New York: A. A. Knopf, 1989.

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11

Salman, Rushdie. Midnight's Children: A Novel. 2. Aufl. New York: Random House Trade Paperbacks, 2006.

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12

Salman, Rushdie. Wu ye zhi zi: Midnight's children. Beijing: Beijing Yan shan chu ban she, 2015.

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13

Salman, Rushdie. Midnight's Children. New York, N.Y., U.S.A: Penguin Books, 1991.

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14

Salman, Rushdie. I figli della mezzanotte. 8. Aufl. Milano: Oscar Mondadori, 2014.

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15

Salman, Rushdie. Midnight's Children: A novel. Toronto: Vintage Canada, 2012.

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16

Salman, Rushdie. Middernachtskinderen. 8. Aufl. Amsterdam: Pandora, 1997.

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17

Salman, Rushdie. Middernachtskinderen. Amsterdam: Contact, 2002.

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18

Salman, Rushdie. Midnight's children. Toronto: Vintage Canada, 1997.

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19

Salman, Rushdie. Midnight's Children. 4. Aufl. London: Vintage, 1995.

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20

Salman, Rushdie. Deti polunochi: Roman. Sankt-Peterburg: Limbus press, 2006.

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21

Salman, Rushdie. Hijos de la medianoche. Barcelona, Spain: Mondadori, 2009.

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22

Salman, Rushdie. Hanbŏmŭi aidŭl. Kyŏnggi-do P'aju-si: Munhak Tongne, 2011.

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23

Forter, Greg. Critique and Utopia in Postcolonial Historical Fiction. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198830436.001.0001.

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Postcolonial historical fiction offers readers valuable resources for thinking the prehistory of our present. The genre’s treatment of colonialism as geographically omnivorous yet temporally “out of joint” with itself gives it a special purchase on the continuities between the colonial era and our own. These features also enable the genre to distill from our colonial pasts the evanescent, utopian intimations of a properly postcolonial future. Critique and Utopia in Postcolonial Historical Fiction arrives at these insights by juxtaposing novels from the Atlantic world with books from the Indian subcontinent. Attending to the links across these regions, Forter develops luminous readings of novels by Patrick Chamoiseau, J. G. Farrell, Amitav Ghosh, Marlon James, Hari Kunzru, Toni Morrison, Marlene van Niekerk, Arundhati Roy, Kamila Shamsie, and Barry Unsworth. He shows how these works not only transform our understanding of the colonial past and the futures that might issue from it, but also contribute to pressing debates in postcolonial theory—debates about the politics of literary forms, the links between cycles of capital accumulation and the emergence of new genres, the meaning of “working through” traumas in the postcolonial context, the relationship between colonial and panoptical power, the continued salience of hybridity and mimicry for the study of colonialism, and the tension between national liberation struggles and transnational forms of solidarity. Beautifully written and meticulously theorized, Critique and Utopia in Postcolonial Historical Fiction will be of interest to students of world literature, Marxist critics, postcolonial theorists, and thinkers of the utopian.

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24

Gajarawala, Toral Jatin, Neelam Srivastava, Rajeswari Sunder Rajan und Jack Webb, Hrsg. The Bloomsbury Handbook of Postcolonial Print Cultures. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350261785.

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The texts that make up postcolonial print cultures are often found outside the archival catalogue, and in lesser-examined repositories such as personal collections, the streets, or appendages to established collections. This volume examines the published and unpublished writing, magazines, pamphlets, paratexts, advertisements, cartoons, radio, and street art that serve as the intellectual forces behind opposition to colonial orders, as meditations on the futures of embryonic nation states, and as visions of new forms of equality. The print cultures examined here are necessarily anti-institutional; they serve as a counterpoint to the colonial archive and, relatedly, to more traditional genres and text formats coming out of large-scale publishers. This means that much of the primary material analyzed in this book has not been scrutinized before. Many of these print productions articulate collective liberation projects with origins in the grassroots. They include debates around the shape of the postcolonial nation and the new state formation that necessarily draw on a diverse and contentious public sphere of opinion. Their rhetoric ranges from the reformist to the revolutionary. Reflecting the diversity, indeed the disorderliness, of postcolonial print cultures this book covers local, national, and transnational cultures from Asia, Africa, Europe and the Americas. Its wide-ranging essays offer a nuanced and, taken together, a definitive (though that is not to say comprehensive or systematic) study of a global phenomenon: postcolonial print cultures as a distinct literary field. The chapters recover the efforts of writers, readers and publishers to produce a postcolonialism ‘from below’, and thereby offer a range of fresh perspectives on the meaning and history of postcolonialism.

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25

Solheim, Jennifer. The Performance of Listening in Postcolonial Francophone Culture. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940827.001.0001.

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The Performance of Listening in Postcolonial Francophone Culture argues That globalized media has allowed for efficient transmission of transnational culture, and in turn, our everyday experiences are informed by sounds ranging from voices, to music, to advertising, to bombs, and beyond. In considering cultural works from French-speaking North Africa and the Middle East all published or released in France from 1962-2011, Solheim’s study of listening across cultural genres will be of interest to any scholar or lay person interested in contemporary postcolonial France. This book is also a primer to contemporary Francophone culture from North Africa and the Middle East. Some of the French-speaking world’s most renowned and adored artists are the subject of this study, including preeminent Algerian feminist novelist, filmmaker and historian Assia Djebar (1936-2015), the first writer of the Maghreb to become part of the Académie Française; celebrated Iranian graphic novelist and filmmaker Marjane Satrapi (Persepolis, Chicken with Plums); the lauded Lebanese-Québecois playwright and dramaturge Wajdi Mouawad (Littorial, Incendies), and Lebanese comic artist and avant jazz trumpeter Mazen Kerbaj, whose improvisation with Israeli fighter jets during the 2006 Israeli War, “Starry Night,” catapulted him to global recognition. An interdisciplinary study of contemporary Francophone cultures, this book will be of interest to scholars and students in literary studies, performance studies, gender studies, anthropology, history, and ethnomusicology.

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26

Burkitt, Katharine. Literary Form As Postcolonial Critique: Epic Proportions. Taylor & Francis Group, 2016.

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27

Burkitt, Katharine. Literary Form As Postcolonial Critique: Epic Proportions. Taylor & Francis Group, 2016.

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28

Burkitt, Katharine. Literary Form As Postcolonial Critique: Epic Proportions. Taylor & Francis Group, 2016.

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29

Burkitt, Katharine. Literary Form As Postcolonial Critique: Epic Proportions. Taylor & Francis Group, 2017.

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30

Burkitt, Katharine. Literary Form As Postcolonial Critique: Epic Proportions. Taylor & Francis Group, 2016.

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31

Howells, Coral Ann, Paul Sharrad und Gerry Turcotte, Hrsg. The Oxford History of the Novel in English. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.001.0001.

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This book explores the history of English-language prose fiction in Australia, Canada, New Zealand, and the South Pacific since 1950, focusing not only on the ‘literary’ novel, but also on the processes of production, distribution and reception, and on popular fiction and the fictional sub-genres, as well as the work of major novelists, movements, and tendencies. After World War II, the rise of cultural nationalism in Australia, Canada, and New Zealand and movements towards independence in the Pacific islands, together with the turn toward multiculturalism and transnationalism in the postcolonial world, called into question the standard national frames for literary history. This resulted in an increasing recognition of formerly marginalised peoples and a repositioning of these national literatures in a world literary context. The book explores the implications of such radical change through its focus on the English-language novel and the short story, which model the crises in evolving narratives of nationhood and the reinvention of postcolonial identities. Shifting socio-political and cultural contexts and their effects on novels and novelists, together with shifts in fictional modes (realism, modernism, the Gothic, postmodernism) are traced across these different regions. Attention is given not only to major authors but also to Indigenous and multicultural fiction, children's and young adult novels, and popular fiction. Chapters on book publishing, critical reception, and literary histories for all four areas are included in this innovative presentation of a Trans-Pacific postcolonial history of the novel.

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32

Goyal, Yogita. Runaway Genres. NYU Press, 2019. http://dx.doi.org/10.18574/nyu/9781479829590.001.0001.

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Runaway Genres: The Global Afterlives of Slavery tracks the emergence of slavery as the defining template through which current forms of human rights abuses are understood. To fathom forms of freedom and bondage today—from unlawful detention to sex trafficking, the refugee crisis, genocide—this project reads a vast range of contemporary literature, showing how the literary forms used to tell these stories derive from the antebellum genre of the slave narrative. Exploring the ethics and aesthetics of globalism, the book forwards alternative conceptions of human rights, showing that the revival and proliferation of slave narratives offer a chance not just to rethink the legacy of slavery itself, but also to assess its ongoing relation to race and the human. Taking form seriously in discussions of minority literature, the book examines key genres associated with the slave narrative: sentimentalism, the gothic, satire, ventriloquism, and the bildungsroman. By offering a theory of form and how it travels, the book argues for the slave narrative as a new world literary genre, exploring the full complexity of an ethical globalism. Traversing multiple genres and disciplines, the book speaks to African diaspora and African American studies, transnational and world literatures, American studies, postcolonial and global studies, and human rights. Showing how slavery provides the occasion not just for revisiting the Atlantic past but for renarrating the global present, Runaway Genres creates a new map of contemporary black diaspora literature.

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33

Ahmida, Ali Abdullatif. Libya. Herausgegeben von Waïl S. Hassan. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199349791.013.20.

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This chapter discusses the development of the novelistic tradition in Libya. Until the mid-twentienth century, literary writing in Libya was dominated by classical and oral folk poetry. The modern prose and short story genres began in 1936 and flourished in the three decades after Libyan independence in 1951 and the discovery of oil in 1958. This chapter first provides an overview of Libyan state, society, and culture in the postcolonial period before identifying and contextualizing the origins of the Libyan novel. It then considers the works of the main novelists, the contributions of women authors, and novels written by Libyan dissident writers who were forced into exile by the Qaddafi dictatorship. It suggests that the Libyan novel reflects periods of profound social transformation, from the era of Italian colonialism to the Qaddafi regime.

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34

Gordon, Jane Anna, und Cyrus Ernesto Zirakzadeh, Hrsg. The Politics of Richard Wright. University Press of Kentucky, 2018. http://dx.doi.org/10.5810/kentucky/9780813175164.001.0001.

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Richard Wright left readers with a trove of fictional and nonfictional works about suffering, abuse, and anger in the United States and around the globe. He composed unforgettable images of institutionalized racism, postwar capitalist culture, Cold War neo-imperialism, gender roles and their violent consequences, and the economic and psychological preconditions for personal freedom. He insisted that humans unflinchingly confront and responsibly reconstruct their worlds. He therefore offered not only honest social criticisms but unromantic explorations of political options. The book is organized in five sections. It opens with a series of broad discussions about the content, style, and impact of Wright’s social criticism. Then the book shifts to particular dimensions of and topics in Wright’s writings, such as his interest in postcolonial politics, his approach to gendered forms of oppression, and his creative use of different literary genres to convey his warnings. The anthology closes with discussions of the different political agendas and courses of action that Wright’s thinking prompts—in particular, how his distinctive understanding of psychological life and death fosters opposition to neoslavery, efforts at social connectivity, and experiments in communal refusal. Most of the book’s chapters are original pieces written for this volume. Other entries are excerpts from influential, earlier published works, including four difficult-to-locate writings by Wright on labor solidarity, a miscarriage of justice, the cultural significance Joe Louis, and the political duties of black authors. The contributors include experts in Africana studies, history, literature, philosophy, political science, and psychoanalysis.

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35

Fludernik, Monika. Metaphors of Confinement. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198840909.001.0001.

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Metaphors of Confinement: The Prison in Fact, Fiction, and Fantasy focuses on a historical survey of our imaginings of the prison as expressed in carceral metaphors that occur in great numbers in texts about imprisonment from Antiquity to the present but are also used to describe many non-penal situations as confining or restrictive. These imaginings are argued to coalesce into a ‘carceral imaginary’ that determines the way we think about prisons, just as social debates about punishment and criminals feed into the way our carceral imaginary develops over time. The book juxtaposes literary and non-literary contexts and contrasts fictional and non-fictional representations of (im)prison(ment) and discussions about the prison as institution and experiential reality. It comments on present-day trends of punitivity and foregrounds the ethical dimensions of penal punishment. The main argument of the book concerns the continuity of carceral metaphors through the centuries despite historical developments that included major shifts in policy (like the invention of the penitentiary). The study looks at selected carceral metaphors, often from two complementary perspectives, such as the home as prison or the prison as home (Chapter 4) or the factory as prison and the prison as factory (Chapter 7). Within chapters, case studies of particularly relevant genres and texts employing these metaphors are presented, often from a historical perspective in which their development through several periods is analysed. The book examines not only English-language prose fiction but also poetry and drama from the Middle Ages to postcolonial, particularly African, literature.

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36

Howells, Coral Ann, Paul Sharrad und Gerry Turcotte. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0001.

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THE Oxford History of the Novel in English concludes with the present volume, which focuses on the novels written in Australia, Canada, New Zealand, and the South Pacific since 1950. A sequel of sorts to Volume 9, The World Novel in English to 1950, the present work examines the literary production of a set of diverse writings from a geographically varied and extensive region. Its component cultural entities are connected by historical networks of trading and colonialism and by contemporary systems of global production and circulation. The fiction covered in this volume emanates from countries either bordering on the Pacific Ocean or surrounded by it. For at least one century they were all interconnected by sailing ships, and they have all faced the crisis of reinventing themselves as postcolonial nations since the Second World War. In that regard, this volume—allowing for many differences in historical and sociological circumstances—also serves as a companion to studies of Asian and African fiction in Volumes 10 and 11. At the same time, each zone of literary production surveyed here retains specific differences of temporal, political, and ethnic formations that cannot be contained within one neat comparative frame. This fact is reflected in the structure of the volume: a mix of comparative surveys centred on genres or modes, a section on book history, another providing sociocultural contexts focused on the notion of shifting identities, a series of regional analyses with more detailed discussion of key figures from each zone, and concluding with chapters on the periodicals supporting literary production and on literary histories across the entire area....

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37

Rushdie, Salman. Những đứa con của nửa đêm. 2014.

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38

Midnight's Children. New York, USA: Random House Trade Paperbacks, 1991.

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39

Salman, Rushdie. Midnight's Children. Penguin Random House, 2010.

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40

Salman, Rushdie. Mitternachtskinder. Rowohlt Taschenbuch Verla, 2005.

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41

Salman, Rushdie. Midnight's Children. Penguin Random House, 2011.

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42

Midnight's Children. New York: Penguin Books, 1991.

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43

Midnight’s Children. Random House Trade Paperbacks, 2006.

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44

Salman, Rushdie. Hijos de La Medianoche. Plaza & Janes Editores, S.A., 1997.

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45

Salman, Rushdie. Midnight's Children. Vintage, 2010.

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46

Salman, Rushdie. Midnight's Children. Tandem Library, 1999.

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47

Salman, Rushdie. Midnight's Children. Vintage, 2006.

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48

Salman, Rushdie, und Lyndam Gregory. Midnight's Children. Recorded Books on Brilliance Audio, 2015.

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49

Midnight's Children. London: Vintage Books, 2008.

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50

Salman, Rushdie. Deti polunochi. Limbus Press (SPb.), 2006.

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Bücher zum Thema „Postcolonial Genius“

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