Auswahl der wissenschaftlichen Literatur zum Thema „Portraits – fiction“
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Zeitschriftenartikel zum Thema "Portraits – fiction"
Immerman, Jill. „Psychotherapy: Portraits in fiction“. Arts in Psychotherapy 16, Nr. 2 (Juni 1989): 137–39. http://dx.doi.org/10.1016/0197-4556(89)90012-9.
Der volle Inhalt der QuelleCook, Malcolm. „Portraits in Eighteenth-Century French Fiction“. Australian Journal of French Studies 35, Nr. 2 (Mai 1998): 141–55. http://dx.doi.org/10.3828/ajfs.35.2.141.
Der volle Inhalt der QuelleRuskin, Ronald. „Book Review: Psychotherapy: Portraits in Fiction“. Canadian Journal of Psychiatry 34, Nr. 5 (Juni 1989): 470–71. http://dx.doi.org/10.1177/070674378903400525.
Der volle Inhalt der QuelleNo authorship indicated. „Review of Psychotherapy: Portraits in Fiction.“ Contemporary Psychology: A Journal of Reviews 33, Nr. 10 (Oktober 1988): 923–24. http://dx.doi.org/10.1037/026183.
Der volle Inhalt der QuelleMasmoudi, Ikram. „Portraits of Iraqi women: between testimony and fiction“. International Journal of Contemporary Iraqi Studies 4, Nr. 1&2 (Juli 2010): 59–77. http://dx.doi.org/10.1386/ijcis.4.1-2.59_1.
Der volle Inhalt der QuelleMizetska, Vira, Snizhana Korkishko, Hanna Savchuk, Anastasiia Musatova und Albina Ladynenko. „Portrait descriptions in poetry and prose of England of the XVI-XIX centuries: from Shakespeare to Byron (the influence of trends of the past on the present)“. Cuestiones Políticas 39, Nr. 70 (10.10.2021): 832–43. http://dx.doi.org/10.46398/cuestpol.3970.50.
Der volle Inhalt der QuelleCarpenter, Cari. „Indian Territory Reimagined: Ora Eddleman Reed's Twin Territories“. American Periodicals: A Journal of History & Criticism 33, Nr. 2 (2023): 136–51. http://dx.doi.org/10.1353/amp.2023.a911653.
Der volle Inhalt der QuelleJohnson, Joyce. „Shamans, shepherds, scientists, and others in Jamaican fiction“. New West Indian Guide / Nieuwe West-Indische Gids 67, Nr. 3-4 (01.01.1993): 221–38. http://dx.doi.org/10.1163/13822373-90002666.
Der volle Inhalt der QuelleMurphy, P. J. „Reincarnations of Joyce in Beckett's Fiction“. Samuel Beckett Today / Aujourd'hui 22, Nr. 1 (01.10.2010): 67–77. http://dx.doi.org/10.1163/18757405-022001005.
Der volle Inhalt der QuelleDube, Nhlanhla. „Enmeshment of Zimbabwean law and literature in Petina Gappah’s Rotten Row (2016)“. JULACE: Journal of the University of Namibia Language Centre 5, Nr. 2 (29.06.2021): 12–20. http://dx.doi.org/10.32642/julace.v5i2.1483.
Der volle Inhalt der QuelleDissertationen zum Thema "Portraits – fiction"
Lim, Doris. „Twenty-Four Self-Portraits“. PDXScholar, 2014. https://pdxscholar.library.pdx.edu/open_access_etds/2087.
Der volle Inhalt der QuelleBoswell, Timothy. „Portraits: A Collection“. Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28396/.
Der volle Inhalt der QuelleManion, Deborah Maria. „The ekphrastic fantastic: gazing at magic portraits in Victorian fiction“. Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/1360.
Der volle Inhalt der QuelleCeldran, Lynn Y. „LETTERS AS SELF-PORTRAITS: EPISTOLARY FICTIONS BY WOMEN WRITERS IN SPAIN (1986-2002)“. UKnowledge, 2013. http://uknowledge.uky.edu/hisp_etds/17.
Der volle Inhalt der QuellePang, M. W. Petti. „The image of physics and physicists in modern drama portraits and social implications /“. Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22535378.
Der volle Inhalt der Quelle彭文慧 und M. W. Petti Pang. „The image of physics and physicists in modern drama: portraits and social implications“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31225056.
Der volle Inhalt der QuelleClermont, Célia. „Portraits de famille : Étude comparée du motif familial dans la fiction romanesque de la Grande Caraïbe aux XXe-XXIe siècles“. Thesis, Lyon, 2020. http://www.theses.fr/2020LYSES021.
Der volle Inhalt der QuelleAn interdisciplinary and transcultural motif, the study of families has taken root in the genre of the novel. In Caribbean literature, there are but a few studies about the family pattern, despite the fact that the Caribbean area already constitutes a complex geographical family, painfully marked by colonization, slavery and the plantation system. This dissertation aims to study the various meanings of the representation of family, biological but also, figuratively, adoptive family, chosen family, spiritual family, etc. – in a trilingual corpus of texts made of four Caribbean fictional novels from the XXth and XXIst centuries: William Faulkner’s Sartoris, Cien años de soledad by Gabriel García Márquez, Patrick Chamoiseau’s Texaco and La eternidad del instante by Zoé Valdés. Within these four novels, the representation of the biological family soon reveals its dysfunctional dimension: rejected by the characters, fragilized by events, the family seems condemned to being dismembered. The failure allows for other relationships to form; far from being opposed to the way the original family was outlined, these relationships offer other ways to think about how to make a family. The passage from one family to the other allows to reflect upon, on the one hand, the question of familial identity on the part of the characters and, on the other, the relationship that Caribbean fiction writers have with the literary genealogy to which they wish to identify themselves
Sahmadi, Linda. „L’émergence d’un discours féministe dans la fiction courte de Nathaniel Hawthorne (1832-1844) : l’écriture du devenir-femme“. Thesis, Clermont-Ferrand 2, 2015. http://www.theses.fr/2015CLF20024/document.
Der volle Inhalt der QuelleFemale portraits are abundant in Nathaniel Hawthorne’s fiction, short stories and novels alike. The influence of the women evolving in his private sphere may be at the origin of his ambiguous feminist vision, as his allegiance was divided between his Puritan inheritance (both the Mannings and the Hawthornes) on the one hand, and, on the other, the emerging feminist convictions of his in-laws (the Peabodys). Hawthorne’s female portraits are thus characterized by a tendency to binarism as they pit an essentialist view of women against a differentialist one. This binarist perspective reflects the narrow-mindedness of the patriarcal system which the male heroes try to defend and maintain. Deleuze and Guatarri’s concepts of “minor literature” and “becoming-woman” will help us understand how the woman-image of the Puritans is a minored woman in the realm both of the social order and the symbolic order. Hawthorne’s feminist voice is an equivocal one as his text is undergoing a subterranean process of “becoming-woman.”
Bate, Holmberg Elizabet. „In Search of Eros and Freedom : Four Portraits of Women by Kate Chopin“. Thesis, Linköping University, Department of Culture and Communication, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-19111.
Der volle Inhalt der QuelleIn this essay, Kate Chopin's portraits of women in three short stories, 'The Story of an Hour', 'A Respectable Woman', Athénaïse and the novel The Awakening are studied. It is argued that the outcomes depicted can be seen as increasingly provocative and extreme and that the main conflict and ending of The Awakening is a development and combination of the conflicts and resolutions in the three short stories.
I uppsatsen studeras Kate Chopins kvinnoporträtt i tre noveller, 'The Story of an Hour', 'A Respectable Woman', Athénaïse och i romanen The Awakening. Syftet är att visa att huvudhandlingen och slutet på The Awakening är en utveckling och kombination av de alltmer provokativa och extrema handlingarna och upplösningarna i novellerna.
Ramey, Margaret E. „The quest for the fictional Jesus : Gospel rewrites, Gospel (re)interpretation, and Christological portraits within Jesus novels“. Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1861.
Der volle Inhalt der QuelleBücher zum Thema "Portraits – fiction"
Byatt, A. S. Portraits in fiction. London: Chatto & Windus, 2001.
Den vollen Inhalt der Quelle findenD, Geller Jesse, und Spector Paul D, Hrsg. Psychotherapy: Portraits in fiction. Northvale, N.J: Jason Aronson, 1987.
Den vollen Inhalt der Quelle findenFreeman, Cynthia. Portraits. Thorndike, Me: Thorndike Press, 1996.
Den vollen Inhalt der Quelle findenTerry, Eicher, und Geller Jesse D, Hrsg. Fathers and daughters: Portraits in fiction. New York, N.Y: Penguin Books, 1990.
Den vollen Inhalt der Quelle findenTerry, Eicher, und Geller Jesse D, Hrsg. Fathers and daughters: Portraits in fiction. New York, N.Y., U.S.A: Plume, 1991.
Den vollen Inhalt der Quelle findenFreeman, Cynthia. Portraits. Thorndike, Me: Thorndike Press, 1996.
Den vollen Inhalt der Quelle findenCarter, Rosemary. Pillow portraits. Bath, England: Chivers Press, 1990.
Den vollen Inhalt der Quelle findenCarter, Rosemary. Pillow portraits. London: Mills & Boon, 1985.
Den vollen Inhalt der Quelle findenDazai, Osamu. Self portraits. Tokyo: Kodansha International, 1991.
Den vollen Inhalt der Quelle findenDazai, Osamu. Self portraits. Tokyo: Kodansha International, 1992.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Portraits – fiction"
Brauner, David. „Philip Roth and Clive Sinclair: Portraits of the Artist as a Jew(ish Other)“. In Post-War Jewish Fiction, 154–84. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230501492_5.
Der volle Inhalt der QuelleWest, Rebecca. „“What” as Ideal and “Who” as Real: Portraits of Wives and Mothers in Italian Postwar Domestic Manuals, Fiction, and Film“. In Women in Italy, 1945–1960, 21–34. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780230601437_2.
Der volle Inhalt der QuelleGülker, Carsten, und Joan Kristin Bleicher. „Pro Sieben — Portrait eines Fiction-Senders“. In Programmprofile kommerzieller Anbieter, 113–28. Wiesbaden: VS Verlag für Sozialwissenschaften, 1997. http://dx.doi.org/10.1007/978-3-322-83276-4_5.
Der volle Inhalt der QuelleHeilmann, Ann. „The Portrait of the Artist as a Young Woman“. In New Woman Fiction, 155–93. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230288355_6.
Der volle Inhalt der QuelleBray, Joe. „The portrait in public“. In The Portrait in Fiction of the Romantic Period, 21–46. Farnham, Surrey, UK, England : Ashgate Publishing Limited ; Burlington, VT : Ashgate Publishing Company, 2016.: Routledge, 2016. http://dx.doi.org/10.4324/9781315554150-2.
Der volle Inhalt der QuelleKilleen, Terence. „Tracing the Curve of an Emotion: Joyce’s Early “Portrait” Essay“. In Joyce’s Non-Fiction Writings, 77–91. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-72242-9_4.
Der volle Inhalt der QuelleWood, Elaine. „Joyce’s portrait of the artist as a young girl“. In Female Sexuality in Modernist Fiction, 65–100. London; New York: Routledge, 2020. | Series: Interdisciplinary research in gender: Routledge, 2020. http://dx.doi.org/10.4324/9781003014591-4.
Der volle Inhalt der QuelleJoyce, James. „A Portrait of the Artist as a Young Man (1916)“. In Reading Fiction: Opening the Text, 91–97. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-137-08108-7_14.
Der volle Inhalt der QuelleBray, Joe. „Introduction“. In The Portrait in Fiction of the Romantic Period, 1–20. Farnham, Surrey, UK, England : Ashgate Publishing Limited ; Burlington, VT : Ashgate Publishing Company, 2016.: Routledge, 2016. http://dx.doi.org/10.4324/9781315554150-1.
Der volle Inhalt der QuelleBray, Joe. „Exchanging ‘dear self’“. In The Portrait in Fiction of the Romantic Period, 47–76. Farnham, Surrey, UK, England : Ashgate Publishing Limited ; Burlington, VT : Ashgate Publishing Company, 2016.: Routledge, 2016. http://dx.doi.org/10.4324/9781315554150-3.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Portraits – fiction"
Kusnierz, Mathias. „La Belle Journée de Ginette Lavigne. Anti-portrait de l’écrivain d’avant-garde en personnage de fiction“. In Portraits et autoportraits des écrivains sur écrans. Fabula, 2020. http://dx.doi.org/10.58282/colloques.6592.
Der volle Inhalt der QuelleSidre, Oriane. „Kenji Miyazawa, de l’écrivain au personnage : variations des portraits dans les œuvres de fiction au cinéma, à la télévision et en jeu vidéo“. In Portraits et autoportraits des écrivains sur écrans. Fabula, 2020. http://dx.doi.org/10.58282/colloques.6581.
Der volle Inhalt der QuelleAkhmadiev, Rif Barievich. „The Genre Of Portrait Sketch In Fiction Journalism Of Mustai Karim“. In International Scientific Congress «Knowledge, Man and Civilization». European Publisher, 2022. http://dx.doi.org/10.15405/epsbs.2022.12.98.
Der volle Inhalt der QuelleKvetanová, Zuzana, und Jana Radošinská. „AQUAMAN THE MOVIE AS A LATE MODERN FAIRY TALE“. In NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/24.
Der volle Inhalt der QuelleGenese-Plaude, Inta. „URBAN CULTURAL PRACTICES AS A MIRROR OF THE MODERNIZATION OF LATE 19TH CENTURY SOCIETY AND LIFESTYLE IN AUGUSTS DEGLAVS� NOVEL �RIGA�“. In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.24.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Portraits – fiction"
Kamminga, Jorrit, Cristina Durán und Miguel Ángel Giner Bou. Zahra: A policewoman in Afghanistan. Oxfam, Dezember 2020. http://dx.doi.org/10.21201/2020.6959.
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