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Thematische Bibliographien / Port de Shanghai / Bücher

Bücher zum Thema „Port de Shanghai“

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Autor: Grafiati

Veröffentlicht am 25. Mai 2024

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1

Shanghai: From market town to treaty port, 1074-1858. Stanford, Calif: Stanford University Press, 1995.

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2

Kruger, Stanley J. Postal Stationery of Shanghai and Treaty Ports. Bettendorf, Iowa: The China Stamp Society, 1999.

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3

Wenjie, Lu, Hrsg. Zhongguo (Shanghai) zi you mao yi shi yan qu tou zi zhi tong che: China (Shanghai) pilot free trade zone. Shanghai Shi: Shanghai jiao tong da xue chu ban she, 2014.

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4

Shanghai zi mao qu jie du: Perspective on China (Shanghai) pilot free trade zone. Shanghai Shi: Fu dan da xue chu ban she, 2014.

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5

author, Sun Hao, und Huang Bingzhi 1970 author, Hrsg. Zhongguo (Shanghai) Ziyou Maoyi Shiyanqu jian she yu Shanghai guo ji mao yi zhong xin zhuan xing sheng ji. Shanghai: Shanghai ren min chu ban she, 2014.

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6

Christian, Henriot, und Groupe de recherche sur la Chine contemporaine (Université Jean Moulin), Hrsg. Shanghai dans les années 1980: Études urbaines. [Lyon]: Université Jean Moulin-Lyon III, Centre rhônalpin de recherche sur l'Extrême-Orient contemporain, 1989.

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7

Guo, Xiaohe. Zhongguo (Shanghai) zi you mao yi shi yan qu jian she yu fa zhan: Construction and development of China (Shanghai) Pilot Free Trade Zone. Beijing Shi: She hui ke xue wen xian chu ban she, 2016.

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8

Pei, Zhanghong. Zhongguo (Shanghai) Ziyou Maoyi Shiyanqu shi yan si lu yan jiu. Beijing: She hui ke xue wen xian chu ban she, 2015.

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9

Zhongguo (Shanghai) zi you mao yi shi yan qu xin zhan lüe yan jiu: China (Shanghai) pilot free trade zone. Shanghai: Ge zhi chu ban she, 2013.

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10

Pei, Zhanghong. Zhongguo (Shanghai) Ziyou Maoyi Shiyanqu yi zhou nian zong jie yan jiu. Beijing: She hui ke xue wen xian chu ban she, 2015.

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11

Yue, Meilong. Zhongguo (Shanghai) zi you mao yi shi yan qu bian ge yu ji yu. Shanghai Shi: Shanghai jiao tong da xue chu ban she, 2015.

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12

Zhongguo (Shanghai) Ziyou Maoyi Shiyanqu zhi du chuang xin: Hui gu yu qian zhan = China (Shanghai) pilot free trade zone institutional innovation : retrospect and prospect. Shanghai: Ge zhi chu ban she, 2017.

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13

Zhongguo (Shanghai) zi you mao yi shi yan qu 150 wen. Shanghai: Ge zhi chu ban she, 2013.

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14

Haiqian, Ma, Hrsg. Guo jia shi yan: Zhongguo (Shanghai) zi you mao yi shi yan qu zhi du she ji : National test : system design of China (Shanghai) pilot free trade zone. Shanghai: Ge zhi chu ban she, 2014.

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15

Tao, Weilian. Zhongguo (Shanghai) Ziyou Maoyi Shiyanqu jian she yu hai guan jian guan zhi du chuang xin: The construction of China (Shanghai) Pilot Free Trade Zone and the institutional innovation of customs supervision. Shanghai: Shanghai ren min chu ban she, 2014.

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16

Jiang, Shuoliang. Zhongguo (Shanghai) zi mao shi yan qu zhi du chuang xin yu zheng fu zhi neng zhuan bian. Beijing: Jing ji ke xue chu ban she, 2014.

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17

A road is made: Communism in Shanghai, 1920-1927. Richmond, Surrey, UK: Curzon Press, 2000.

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18

Shi xiang shu niu gang: Shanghai, Ningbo liang gang kong jian guan xi yan jiu, 1843-1941 = Forming the new hub : geographical study on the relationship between Shanghai and Ningbo ports, 1843-1941. Hangzhou: Zhejiang da xue chu ban she, 2009.

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19

Port of Last Resort: Diaspora Communities of Shanghai. Stanford University Press, 2002.

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20

Johnson, Linda Cooke. Shanghai: From Market Town to Treaty Port, 1074-1858. Stanford Univ Pr, 1995.

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21

Ristaino, Marcia. Port of Last Resort: The Diaspora Communities of Shanghai. Stanford University Press, 2002.

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22

Loy-Wilson, Sophie. Australians in Shanghai: Race, Rights and Nation in Treaty Port China. Taylor & Francis Group, 2017.

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23

Loy-Wilson, Sophie. Australians in Shanghai: Race, Rights and Nation in Treaty Port China. Taylor & Francis Group, 2017.

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24

Maclellan, J. W. The Story Of Shanghai: From The Opening Of The Port To Foreign Trade. Kessinger Publishing, LLC, 2007.

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25

Lin, Jenny. Above Sea. Manchester University Press, 2019. http://dx.doi.org/10.7228/manchester/9781526132604.001.0001.

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Shanghai, long known as mainland China’s most cosmopolitan metropolis, has recently re-emerged as a global capital. Above sea: Contemporary art, urban culture, and the fashioning of global Shanghai offers the first in-depth examination of turn of the twenty-first century Shanghai-based art and design – from state-sponsored exhibitions to fashionable cultural complexes to cutting edge films and installations. This book offers a counter-touristic view of one of the world’s fastest developing megacities that penetrates the contradictions and buried layers of specific locales and artifacts of visual culture. Informed by years of in-situ research including interviews with artists and designers, the book looks beyond contemporary art’s global hype to reveal persistent socio-political tensions accompanying Shanghai’s explosive transitions from semi-colonial capitalism to Maoist socialism to Communist Party-sponsored capitalism. Analyses of exemplary design projects such as Xintiandi and Shanghai Tang, and artworks by Liu Jianhua, Yang Fudong, Gu Wenda and more reveal how Shanghai’s global aesthetics construct glamorizing artifices that mask historically-rooted cross-cultural conflicts between vying notions of foreign-influenced modernity versus anti-colonialist nationalism, and the city’s repressed socialist past versus consumerist present. The book focuses on Shanghai-based art and design from the 1990s-2000s, the decades of the city’s most rapid post-socialist development, while also attending to pivotal Republican and Mao Era examples. Challenging the “East-meets-West” clichés that characterize discussions of urban Shanghai and contemporary Chinese art, this book illuminates critical issues facing today’s artists, architects, and designers, and provides an essential field guide for students of art, design, art history, urban studies, and Chinese culture.

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26

Wright, Arnold. Twentieth Century Impressions of Hong-kong, Shanghai, and Other Treaty Ports of China. Franklin Classics, 2018.

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27

Wright, Arnold. Twentieth Century Impressions of Hong-Kong, Shanghai, and Other Treaty Ports of China. Franklin Classics Trade Press, 2018.

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28

Yuan, Zhigang. New Strategic Research on China (Shanghai) Pilot Free Trade Zone. World Scientific Publishing Co Pte Ltd, 2016.

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29

Desk Hong List; a General and Business Directory for Shanghai and the Northern and River Ports Etc. 1884. Creative Media Partners, LLC, 2021.

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30

Desk Hong List; a General and Business Directory for Shanghai and the Northern and River Ports Etc. 1882. Creative Media Partners, LLC, 2021.

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31

Rossii︠a︡ i Kitaĭ v Shankhaĭskoĭ organizat︠s︡ii sotrudnichestva. Moskva: Institut Dalʹnego Vostoka RAN, 2006.

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32

F, Klimenko A., Hrsg. Problemy stanovlenii︠a︡ Shankhaĭskoĭ organizat︠s︡ii sotrudnichestva i vzaimodeĭstvii︠a︡ Rossii i Kitai︠a︡ v T︠S︡entralʹnoĭ Azii. Moskva: In-t Dalʹnego Vostoka RAN, 2005.

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33

Problemy stanovlenii︠a︡ Shankhaĭskoĭ organizat︠s︡ii sotrudnichestva i vzaimodeĭstvii︠a︡ Rossiĭ i Kitai︠a︡ v T︠s︡entral{s. Moskva: In-t Dalʹnego Vostoka RAN, 2005.

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34

Zou, Hongyan. Western China on Screen. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474477857.001.0001.

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This book examines how films set in western China have represented cities since the 1980s by drawing on spatial theories first proposed by Henry Lefebvre and further developed in Edward Soja’s Thirdspace theory. Focusing on the cinematic representation of urban centres located in western China, this book breaks the long-standing stereotypes of the region established in the ethnographic films of China’s Fifth Generation filmmakers. The twelve films examined in this book record and represent a dynamic space transforming from enclosed spaces of production, traditional values, political inertia and socialist capsules to heterogeneous spaces of consumption, modern practices, national power and disappearance under the discourses of urbanisation and modernisation. This spatial transformation of western China diversifies the glamourised images of the post-socialist, technocratic metropolises of Beijing and Shanghai. Analysing the real and imagined spaces represented in and by the films, this book advances the current research on China’s urban cinema by orchestrating space, class, gender, post-colonialism and post-socialism in discussion. It concludes that cinematic western China acts as a space of resistance that reflects the political and ideological power imposed on urban development and lives of the residents in the region; This space of resistance also breaks down such dichotomies as China’s developing west-developed east, countryside-city, tradition-modernity and submission-domination by preserving and presenting multi-layered realities in contemporary western China.

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35

Macauley, Melissa. Distant Shores. Princeton University Press, 2021. http://dx.doi.org/10.23943/princeton/9780691213484.001.0001.

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China has conventionally been considered a land empire whose lack of maritime and colonial reach contributed to its economic decline after the mid-eighteenth century. This book challenges this view, showing that the economic expansion of southeastern Chinese rivaled the colonial ambitions of Europeans overseas. In a story that dawns with the Industrial Revolution and culminates in the Great Depression, the book explains how sojourners from an ungovernable corner of China emerged among the commercial masters of the South China Sea. The book focuses on Chaozhou, a region in the great maritime province of Guangdong, whose people shared a repertoire of ritual, cultural, and economic practices. It traces how Chaozhouese at home and abroad reaped many of the benefits of an overseas colonial system without establishing formal governing authority. Their power was sustained instead through a mosaic of familial, fraternal, and commercial relationships spread across the ports of Bangkok, Singapore, Saigon, Hong Kong, Shanghai, and Swatow. The picture that emerges is not one of Chinese divergence from European modernity but rather of a convergence in colonial sites that were critical to modern development and accelerating levels of capital accumulation. The book reveals how the transoceanic migration of Chaozhouese laborers and merchants across a far-flung maritime world linked the Chinese homeland to an ever-expanding frontier of settlement and economic extraction.

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36

Zhou, Keyu. Zou xiang shi chang jing ji: Zhongguo xing zheng qu yu jing ji qu de guan xi ji qi zheng he (Shanghai Shi she hui ke xue bo shi wen ku). Fu dan da xue chu ban she, 1999.

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37

Mules, Warwick. Film Figures. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9781501361241.

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Film Figures develops a figural account of the memory structure of films. Employing theoretical concepts drawn from a range of sources, including French post-humanist philosophy and German Idealism, this book undertakes an organology of film guided by the work of Bernard Stiegler whose philosophy of mnemotechnesis provides a framework of analysis. Situating films in the quantum field of spacetime relativity as a field of cosmic views, Film Figures begins with disturbances in the experience of films themselves, posing questions of the relation between the dead past and the living future in film story-telling. By breaking the façade of the continuing present through self-questioning, Mules opens films to their figural dimensions in the counter-movement of drive as negentropic resistance. Following the back-movement of drive switches, our perception to the figural register in which characters become figures probing blindly for what the film will have been in another time – a time yet to be lived. By following the anterior possibilities of this other time, we open films to the archival future in which a new future comes forth. Film Figures provides theoretical and analytical concepts, as well as strategies for taking a step into this future, guided by questions of the right path to take given the relativity of views in which the film can be experienced. Films analysed include Murnau’s The Last Laugh, Capra’s It’s a Wonderful Life, Hitchcock’s Rear Window, Welles’s The Lady from Shanghai, Fellini’s Intervista, Antonioni’s L’Eclisse, Bresson’s Une Femme Douce, and Zeller’s The Father.

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38

Smith, Steve. A Road Is Made (Chinese Worlds). RoutledgeCurzon, 2000.

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