Auswahl der wissenschaftlichen Literatur zum Thema „Popular culture – Japan – Comic books, strips, etc“
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Dissertationen zum Thema "Popular culture – Japan – Comic books, strips, etc"
Ricard, Jennifer. „Ugly ducklings: the construction and deconstruction of gender in Shôjo Manga“. Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83838.
Der volle Inhalt der QuelleBrienza, Casey Elizabeth. „Domesticating Manga : Japanese comics, American publishing, and the transnational production of culture“. Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648154.
Der volle Inhalt der QuelleRawson, Angela. „A critical linguistic analysis of a popular comic genre in Japan“. Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2001. https://ro.ecu.edu.au/theses/1021.
Der volle Inhalt der QuelleLau, Cheung-cheung. „A study of Manga and adolescent popular fiction in Hong Kong /“. Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20354010.
Der volle Inhalt der QuellePhelps, Valarie L. „Pedagogy of Graphic Novels“. TopSCHOLAR®, 2011. http://digitalcommons.wku.edu/theses/1065.
Der volle Inhalt der QuelleAcres, Harley Blue. „Gender bending and comic books as art issues of appropriation, gender, and sexuality in Japanese art /“. Birmingham, Ala. : University of Alabama at Birmingham, 2007. http://www.mhsl.uab.edu/dt/2007m/acres.pdf.
Der volle Inhalt der QuelleRhodes, Molly Rae. „Doctoring culture : literary intellectuals, psychology and mass culture in the twentieth-century United States /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1997. http://wwwlib.umi.com/cr/ucsd/fullcit?p9809139.
Der volle Inhalt der QuelleDarowski, Joseph J. „The American Way: What Superman, Batman, Spider-Man, and the X-Men Reveal About America“. Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1515.pdf.
Der volle Inhalt der QuelleLau, Cheung-cheung, und 劉章璋. „A study of Manga and adolescent popular fiction in Hong Kong“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31221142.
Der volle Inhalt der QuellePaz, Liber Eugenio. „Tecnologia e cultura nos quadrinhos independentes brasileiros“. Universidade Tecnológica Federal do Paraná, 2017. http://repositorio.utfpr.edu.br/jspui/handle/1/2946.
Der volle Inhalt der QuelleThis study seeks to reflect on the meanings, senses, tensions and contradictions related to the term “independent” and its counterpart, the term “mainstream”, connected to the process of development of comics as a cultural formation. These reflections are guided by Raymond William’s set of ideas, especially the concepts of technology, hegemony and alternative, oppositional, residual, and emerging cultures. We structured the work in five moments. First, we approach comics as a cultural form and observe the relations between culture and technology in its process of formation. Next, we observe particularities of this process within the Brazilian context. In a third moment, we present Williams’ concepts on alternative cultures and anticipate the part devoted to the intense cultural manifestations of the 1960s and their unfolding. Finally, we attempt to give an overview of the scenario of changes that develops from the 1980s, emphasizing the comics published in Brazil. From the observation of the emergence and consolidation of events such as the HQ Mix Trophy and the comics fairs and biennials related to new publication and distribution processes, we sought to analyze the works and profiles of four contemporary comic authors and to better understand the meanings of terms such as "independent", "authorial", "commercial", "mainstream", "alternative" and others, commonly used in various comic book practices. Among the results obtained, we noticed that: many contemporary "independent" productions present thematic, stylistic and material characteristics practically indistinguishable from "mainstream" productions; some "mainstream" productions incorporate themes and proposals of cultures that are alternatives to hegemony; the use of the term “independent” often covers the unfavorable conditions of production and livelihood of several professionals; rigorously considering the opposing cultures as a set of actions of a revolutionary dimension, it is difficult to find works that effectively meet this condition.
Bücher zum Thema "Popular culture – Japan – Comic books, strips, etc"
1950-, Allen Kate, Hrsg. Reading Japan cool: Patterns of manga literacy and discourse. Lanham, Md: Lexington Books, 2009.
Den vollen Inhalt der Quelle findenCusack, Carole M., 1962- author, Hrsg. Anime, religion and spirituality: Profane and sacred worlds in contemporary Japan. Sheffield, UK: Equinox, 2015.
Den vollen Inhalt der Quelle findenAllison, Anne. Permitted and prohibited desires: Mothers, comics, and censorship in Japan. Boulder, Colo: WestviewPress, 1996.
Den vollen Inhalt der Quelle findenAllison, Anne. Permitted and prohibited desires: Mothers, comics, and censorship in Japan. Berkeley, Calif: University of California Press, 2000.
Den vollen Inhalt der Quelle findenBijutsukan, Hyōgo Kenritsu, und Media Āto Kokusaika Suishin Iinkai, Hrsg. Manga*anime*games from Japan. Tokyo: Kokushokankokai, 2015.
Den vollen Inhalt der Quelle findenSabin, Roger. Comics, comix & graphic novels. London: Phaidon Press, 1996.
Den vollen Inhalt der Quelle findenSabin, Roger. Comics, comix & graphic novels. London: Phaidon, 1996.
Den vollen Inhalt der Quelle findenSabin, Roger. Comics, comix & graphic novels. London: Phaidon, 1996.
Den vollen Inhalt der Quelle findenMcCue, Greg S. Dark knights: The new comics in context. London: Pluto Press, 1993.
Den vollen Inhalt der Quelle findenBob, Callahan, Hrsg. The New comics anthology. New York: Collier Books, 1991.
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