Auswahl der wissenschaftlichen Literatur zum Thema „Popular culture – california – los angeles“
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Zeitschriftenartikel zum Thema "Popular culture – california – los angeles"
Zappia, Natale. „Map Room“. California History 91, Nr. 4 (2014): 4–5. http://dx.doi.org/10.1525/ch.2014.91.4.4.
Der volle Inhalt der QuelleHidalgo, Leigh-Anna. „The Love Story against Displacement“. Latin American and Latinx Visual Culture 3, Nr. 2 (01.04.2021): 11–28. http://dx.doi.org/10.1525/lavc.2021.3.2.11.
Der volle Inhalt der QuelleJacobs, Elizabeth. „The Theatrical Politics of Chicana/Chicano Identity: from Valdez to Moraga“. New Theatre Quarterly 23, Nr. 1 (16.01.2007): 25–34. http://dx.doi.org/10.1017/s0266464x06000601.
Der volle Inhalt der QuelleDeNora, Tia. „Popular Music and National Culture in Israel. By Motti Regev and Edwin Seroussi. Berkeley and Los Angeles: University of California Press, 2004. Pp. x+298. $24.95.“ American Journal of Sociology 111, Nr. 4 (Januar 2006): 1245–47. http://dx.doi.org/10.1086/503000.
Der volle Inhalt der QuelleClunas, Craig. „David Johnson and tow others (ed).: Popular culture in late imperial China. xvii, 449 pp. Berkeley, Los Angeles and London: University of California Press, 1985. £33.95.“ Bulletin of the School of Oriental and African Studies 50, Nr. 3 (Oktober 1987): 587–88. http://dx.doi.org/10.1017/s0041977x00040040.
Der volle Inhalt der QuelleSchwartz, Vanessa R. „Pulp Surrealism: Insolent Popular Culture in Early‐Twentieth‐Century Paris. By Robin Walz. Berkeley and Los Angeles: University of California Press, 2000. Pp. xii+206. $35.00.“ Journal of Modern History 74, Nr. 4 (Dezember 2002): 865–67. http://dx.doi.org/10.1086/376236.
Der volle Inhalt der QuelleKruse, K. M. „ERIC AVILA. Popular Culture in the Age of White Flight: Fear and Fantasy in Suburban Los Angeles. (American Crossroads, number 13.) Berkeley and Los Angeles: University of California Press. 2004. Pp. xx, 308. $39.95.“ American Historical Review 111, Nr. 2 (01.04.2006): 526–27. http://dx.doi.org/10.1086/ahr.111.2.526.
Der volle Inhalt der QuelleLink, Perry. „War and Popular Culture: Resistance in Modern China, 1937–1945. By Chang-tai Hung. Berkeley, Los Angeles, London: University of California Press, 1994. xvi, 432 pp. $37.00.“ Journal of Asian Studies 54, Nr. 2 (Mai 1995): 538–40. http://dx.doi.org/10.2307/2058779.
Der volle Inhalt der QuelleHarris, Rachel. „China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978–1997. By Nimrod Baranovitch. [Berkeley, Los Angeles and London: University of California Press, 2003. xiv+332 pp. £16.95; $24.95. ISBN 0-520-23450-2.]“. China Quarterly 178 (Juni 2004): 518–19. http://dx.doi.org/10.1017/s0305741004270291.
Der volle Inhalt der QuelleHolmes, Larry E. „Russian Peasant Schools: Officialdom, Village Culture, and Popular Pedagogy, 1861-1914. By Ben Eklof. Berkeley, Los Angeles, and London: University of California Press, 1986. xv, 652 pp. Figures. Tables. Cloth.“ Slavic Review 46, Nr. 3-4 (1987): 605–6. http://dx.doi.org/10.2307/2498121.
Der volle Inhalt der QuelleDissertationen zum Thema "Popular culture – california – los angeles"
Goldberger, Stephanie. „Mexican-Americans in Los Angeles: Strengthening Their Ethnic Identity Through Chivas USA“. Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/cmc_theses/307.
Der volle Inhalt der QuelleClegg, Mindy L. „"Through the Roof and Underground": Translocal Hardcore Punk in Los Angeles and Ljubljana“. Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/history_theses/44.
Der volle Inhalt der QuelleRios, Bernardo Ramirez. „Culture, Migration, and Sport: A Bi-National Investigation of Southern Mexican Migrant Communities in Oaxaca, Mexico and Los Angeles, California“. The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338140496.
Der volle Inhalt der QuelleWeller, Rebecca Ann. „Los Angeles look(ing) process, perception, and popular culture in the art of Larry Bell, Craig Kauffman, and John McCracken /“. Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 270 p, 2008. http://proquest.umi.com/pqdweb?did=1601513221&sid=2&Fmt=2&clientId=8331&RQT=309&VName=PQD.
Der volle Inhalt der QuelleEvans, Victoria Louise, und n/a. „Douglas Sirk, aesthetic modernism, and the culture of modernity“. University of Otago. Department of Media, Film and Communication Studies, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080707.122544.
Der volle Inhalt der QuelleAlvarez, Luis Alberto. „The power of the zoot : race, community, and resistance in American youth culture, 1940-1945 /“. Thesis, Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3008265.
Der volle Inhalt der QuelleOliveira, Campoy Juliana de. „Framing the presidency : presidential depictions on Fox's fictional drama 24“. Thesis, 2014. http://hdl.handle.net/1805/5754.
Der volle Inhalt der QuelleFraming theory is one of the most used theories in the discussion of media effects on how people make sense of issues, especially in the political environment. Although it is majorly used for the discussion of news media, framing theory can also be applied in other areas surrounding media production. This thesis uses this theory to discuss how presidents are framed in fiction and implications of race and gender in the assessment of presidential characters by analyzing Fox’s fictional drama 24. Although at first the show seems to bring new options for the presidency, the analysis points Presidents Palmer and Taylor as unfit for office and President Logan as unethical and power-hungry. Following Entman’s (1993) process for analyzing frames in media, embedded white male hegemony was identified in the show. As the show presented a postfeminist and postracial world, it continued to frame femininity and blackness as the opposite to effective executive leadership. Further, white masculinity was associated with power, ambition and ultimately corruption. As other races and gender were pointed as unfit, the status quo was questioned as being corrupt. The show both increases the cynicism that people may develop against politics and damages a more proper consideration of women and people of color to be elected president.
Bücher zum Thema "Popular culture – california – los angeles"
Phoenix, Charles. Southern California in the '50s: Sun, fun, fantasy. Santa Monica: Angel City Press, 2001.
Den vollen Inhalt der Quelle findenMacias, Anthony F. Mexican American mojo: Popular music, dance, and urban culture in Los Angeles, 1935-1968. Durham: Duke University Press, 2008.
Den vollen Inhalt der Quelle findenAvila, Eric. Popular culture in the age of white flight: Fear and fantasy in suburban Los Angeles. Berkeley: University of California Press, 2004.
Den vollen Inhalt der Quelle findenAvila, Eric. Popular culture in the age of white flight: Fear and fantasy in suburban Los Angeles. Berkeley: University of California Press, 2006.
Den vollen Inhalt der Quelle findenHernandez, Robb. The fire of life: The Robert Legorreta-Cyclona collection. Los Angeles: UCLA Chicano Studies Research Center Press, 2009.
Den vollen Inhalt der Quelle findenHernandez, Robb. The fire of life: The Robert Legorreta-Cyclona collection. Los Angeles: UCLA Chicano Studies Research Center Press, 2009.
Den vollen Inhalt der Quelle findenHernandez, Robb. The fire of life: The Robert Legorreta-Cyclona collection, 1962-2002. Los Angeles: UCLA Chicano Studies Research Center Press, 2008.
Den vollen Inhalt der Quelle findenKlein, Norman M. The history of forgetting: Los Angeles and the erasure of memory. London: Verso, 2008.
Den vollen Inhalt der Quelle findenKlein, Norman M. The history of forgetting: Los Angeles and the erasure of memory. London: Verso, 2008.
Den vollen Inhalt der Quelle findenKlein, Norman M. The history of forgetting: Los Angeles and the erasure of memory. London: Verso, 1998.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Popular culture – california – los angeles"
Hartig, Anthea. „“A Most Advantageous Spot on the Map”: Promotion and Popular Culture“. In A Companion to Los Angeles, 289–312. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444390964.ch16.
Der volle Inhalt der QuellePadoongpatt, Mark. „“More Than a Place of Worship”“. In Flavors of Empire. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520293731.003.0005.
Der volle Inhalt der QuelleMoser, Patrick. „Introduction“. In Surf and Rescue, 1–6. University of Illinois Press, 2022. http://dx.doi.org/10.5622/illinois/9780252044441.003.0001.
Der volle Inhalt der QuelleGurza, Agustin. „A Century of Latin Music at the Hollywood Bowl“. In Tide Was Always High. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520294394.003.0006.
Der volle Inhalt der QuelleCourtney, Susan. „Framing the Bomb in the West“. In Cinema's Military Industrial Complex. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520291508.003.0012.
Der volle Inhalt der QuelleSmith, Catherine Parsons. „The New Negro Movement in Los Angeles“. In Making Music in Los AngelesTransforming the Popular, 166–86. University of California Press, 2007. http://dx.doi.org/10.1525/california/9780520251397.003.0012.
Der volle Inhalt der QuelleGandhi, Shreena Niketa. „Yoga in Popular Culture“. In Religion and Popular Culture in America, Third Edition. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520291447.003.0017.
Der volle Inhalt der QuelleRobertson, Jennifer. „Ambivalence and Popular Culture“. In TakarazukaSexual Politics and Popular Culture in Modern Japan, 25–46. University of California Press, 1998. http://dx.doi.org/10.1525/california/9780520211506.003.0002.
Der volle Inhalt der QuelleSmith, Catherine Parsons. „Calling the Tune: The Los Angeles Federal Music Project“. In Making Music in Los AngelesTransforming the Popular, 215–38. University of California Press, 2007. http://dx.doi.org/10.1525/california/9780520251397.003.0015.
Der volle Inhalt der QuelleChidester, David. „Popular“. In Religion, 166–78. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520297654.003.0014.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Popular culture – california – los angeles"
„Exploring the Features of Social Media to Promote Research Activities“. In InSITE 2018: Informing Science + IT Education Conferences: La Verne California. Informing Science Institute, 2018. http://dx.doi.org/10.28945/3991.
Der volle Inhalt der QuellePalacios, Ronald N., Steven S. Fan, Hansong Lee und Michael A. Soto. „From Grease to Gas: Anaerobic Digestion of Fats, Oils, and Grease (FOG) at the Hyperion Treatment Plant“. In ASME 2011 5th International Conference on Energy Sustainability. ASMEDC, 2011. http://dx.doi.org/10.1115/es2011-54108.
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