Auswahl der wissenschaftlichen Literatur zum Thema „Policial novel“
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Zeitschriftenartikel zum Thema "Policial novel"
Agazzi, Giselle Larizzatti. „Um romance policial latinoamericano e os fantasmas do passado“. Diálogos Latinoamericanos 12, Nr. 18 (01.01.2011): 13. http://dx.doi.org/10.7146/dl.v12i18.113436.
Der volle Inhalt der QuelleDe Paula Souza, João Vitor. „A origem do mal: a tríade detetive-criminoso-vítima em O sorriso da hiena, de Gustavo Ávila// The origin of evil: the detective-criminal-victim triad in O sorriso da hiena, by Gustavo Ávila“. O Eixo e a Roda: Revista de Literatura Brasileira 32, Nr. 1 (20.10.2023): 186. http://dx.doi.org/10.17851/2358-9787.32.1.186-216.
Der volle Inhalt der QuelleFranken K, Clemens A. „Vicente Leñero y el fracaso de su inspector“. Literatura y Lingüística, Nr. 21 (25.06.2015): 13. http://dx.doi.org/10.29344/0717621x.21.130.
Der volle Inhalt der QuelleGómez-de-Tejada, Jesús. „Parodia, intertextualidad y sátira en la narrativa policial de Lorenzo Lunar Cardedo“. Studia Romanica Posnaniensia 47, Nr. 1 (15.03.2020): 5–17. http://dx.doi.org/10.14746/strop.2020.471.001.
Der volle Inhalt der QuelleFigueiredo, Vera Lúcia Follain de. „A grande arte: palavra e imagem“. Aletria: Revista de Estudos de Literatura 8 (02.03.2018): 42–49. http://dx.doi.org/10.17851/2317-2096.8..42-49.
Der volle Inhalt der QuelleRivadeneira, Blas Gabriel. „Un policial contra el crimen de lo trascendente: Mario Levrero y un programa para la subversión del género“. Catedral Tomada. Revista de crítica literaria latinoamericana 10, Nr. 18 (09.08.2022): 152–87. http://dx.doi.org/10.5195/ct/2022.544.
Der volle Inhalt der QuelleDelgado Del Aguila, Jesús Miguel. „Taxonomía e incorporación de la violencia en la novela policial peruana contemporánea“. Cuadernos de Literatura, Nr. 32 (02.12.2020): 112–37. http://dx.doi.org/10.15648/cl..32.2020.2866.
Der volle Inhalt der QuelleLeštanin, Branko, und Željko Nikač. „Analysis of characteristic novelties in the Police Law: Critical review“. Bezbednost, Beograd 60, Nr. 2 (2018): 50–66. http://dx.doi.org/10.5937/bezbednost1802050l.
Der volle Inhalt der QuelleHenríquez, Sebastián. „Rastros de la novela de suspenso/espionaje anglosajona en Operación Masacre (1957) de Rodolfo Walsh“. Boletín de Literatura Comparada 1, Nr. 47 (17.08.2022): 49–79. http://dx.doi.org/10.48162/rev.54.011.
Der volle Inhalt der QuelleSITBON, CLARA. „A pulizziesca : genèse du roman policier corse“. Australian Journal of French Studies 59, Nr. 1 (01.01.2022): 8–19. http://dx.doi.org/10.3828/ajfs.2022.02.
Der volle Inhalt der QuelleDissertationen zum Thema "Policial novel"
Reis, Murilo Eduardo dos [UNESP]. „Caracterização do romance policial em Rubem Fonseca“. Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/154065.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
O tema do trabalho é a caracterização do romance policial de Rubem Fonseca, tendo em vista a importância desse gênero em sua obra. O objetivo é verificar, em três livros do autor, o modo como ele se apropria de recursos clássicos desse tipo de composição, trazendo ou não contribuição para o gênero em pauta. O corpus é composto pelos romances O caso Morel, de 1973, A grande arte, de 1983, e Agosto, de 1990. Para a concretização da proposta, realizamos análise detida de cada livro em particular. A história, as personagens, a narração, a focalização, bem como o espaço e o tempo, serão objeto de exame com o intuito de se estabelecer a maneira como, atuando organicamente ou não, tais elementos constituem romances que são classificados como policiais. Entre tais componentes, no que se refere à história, levantamos e analisamos a menção a um homicídio já realizado, cujo autor deve ser descoberto na sequência da narrativa, e o leitor acompanha as investigações. No que diz respeito às personagens, é examinada a presença de detetives, delegados, policiais, advogados, etc., como também a sua caracterização superficial ou mais profunda. Para que os objetivos sejam atingidos, é fundamental a investigação das figuras do narrador (quem fala) e do focalizador (quem vê). O espaço social e a ambientação construída na obra também serão levados em conta, bem como a representação ou não de determinado período histórico do país. Além dos livros pertencentes ao corpus, há inserções relativas a obras anteriores e posteriores de Rubem Fonseca, pois existem elementos dessas obras mencionados nos objetos de nossa pesquisa, como também de autores que o influenciaram. Para isso, tomamos como apoio teórico textos críticos e analíticos de estudiosos que tratam do romance policial, da obra de Rubem Fonseca e de aspectos da narrativa, tais como Ernest Mandel, Boileau e Narcejac, Sandra Lúcia Reimão, Vera Lúcia de Follain Figueiredo, Alfredo Bosi, Tânia Pellegrini e Gérard Genette.
The theme of the work is the characterization of Rubem Fonseca's detective novel, considering the importance of this genre in his work. The objective is to verify, in three books by the author, the way in which he appropriates classical resources of this type of composition, whether or not making a contribution to the genre in question. The corpus is composed by the novels O caso Morel (1995), A grande arte (1990) and Agosto (1990). For the purpose of the proposal, we carry out a detailed analysis of each book in particular. History, characters, narration, focus, as well as space and time, will be examined in order to establish how, acting organically or not, such elements constitute novels that are classified as criminal. Among such components, as far as history is concerned, we raise and analyze the mention of a homicide already made, whose author must be discovered following the narrative, and the reader accompanies the investigations. With regard to the characters, the presence of detectives, delegates, police officers, lawyers, etc., is examined, as well as their superficial or deeper characterization. In order for the objectives to be achieved, it is fundamental to investigate the figures of the narrator (who speaks) and the focus (who sees). The social space and the atmosphere built in the work will also be taken into account, as well as the representation or not of a certain historical period of the country. In addition to the books belonging to the corpus, there are insertions concerning Rubem Fonseca's previous and later works, because there are elements of these works mentioned in the objects of our research, as well as of authors that influenced him. For this, we take as theoretical support critical and analytical texts of researchers dealing with the police novel, the work of Rubem Fonseca and aspects of the narrative, such as Ernest Mandel, Boileau and Narcejac, Sandra Lúcia Reimão, Vera Lúcia de Follain Figueiredo, Alfredo Bosi, Tânia Pellegrini and Gérard Genette.
Piva, Paula Cristina. „Cheira bem pode fazer mal : a configuração de "O perfume" como romance policial /“. Araraquara : [s.n.], 2010. http://hdl.handle.net/11449/99180.
Der volle Inhalt der QuelleBanca: Julio Cesar Pimentel Pinto Filho
Banca: Karin Volobuef
Resumo: Essa dissertação dispõe-se a estudar o romance O perfume do escritor alemão Patrick Süskind, publicado pela primeira vez em 1985. Tem-se o objetivo de demonstrar como essa obra, que antecipa no subtítulo ser a história de um assassino, se configura em romance policial. Para viabilizar o trabalho, busca-se subsídio na teoria da literatura policial e na história desse gênero, permitindo então estabelecer semelhanças e distinções. Antes, porém, discorre-se brevemente sobre os variados gêneros que compõem O perfume, que leva ao extremo a definição de romance, ou seja, uma composição híbrida por excelência. A obra em questão mescla, além das duas categorias principais do romance policial, a saber, enigma e negro, os gêneros predecessores a ele. O perfume rompe as convenções da ficção policial, com isso, aproximá-lo do gênero possibilita que outros romances sejam analisados pelo mesmo viés e possam eventualmente ser considerados também romances policiais, embora aparentemente estejam distantes do romance policial tradicional
Abstract: This essay intends to study one of Patrick Süskind's novels, Perfume, published for the first time in 1985. Our goal is to show how this work, which subtitle foresees the story of a killer, is configured in a crime novel. To make this concrete, we look for some data in the theories of the crime novel and in the history of this gender, which allow us to establish similarities and distinctions. Previously, however, we briefly expose the several literary genders that compose Perfume, carrying the definition of the novel too far; in other words, a hybrid composition par excellence. The work at issue blends, besides the two main categories of the crime novel (the mystery and the noir one) the predecessor genders to it. Perfume tears the conventions of crime fiction; then, approaching this novel to the gender makes it possible for other novels to be analyzed the same way, so that they can occasionally be considered crime novels as well, although apparently far from the traditional crime stories
Mestre
Cordeiro, Fernando Henrique Crepaldi. „Balada da praia dos cães : o desafiante romance policial de Cardoso Pires /“. São José do Rio Preto : [s.n.], 2010. http://hdl.handle.net/11449/94159.
Der volle Inhalt der QuelleBanca: Márcia Valéria Zamboni Gobbi
Banca: Antonio Manoel dos Santos Silva
Resumo: Este trabalho propõe-se a estudar Balada da Praia dos Cães (1982), de José Cardoso Pires, sob a perspectiva da paródia do romance policial, tendo em vista que essa obra utiliza-se de procedimentos típicos desse gênero para, a partir de dentro, subvertê-lo. A subversão manifesta-se, principalmente, pelo desvio no foco da narrativa, que deixa de ser a resolução do enigma, como no romance policial clássico, e passa a ser a construção do texto/inquérito por parte do detetive e do narrador, ou seja, a obra não tem como foco principal descobrir quem, como e por que ocorreu o crime, mas sim desvendar o processo de composição narrativa. Nesse sentido, pode-se dizer que o romance cardoseano engendra uma reflexão metalingüística que se desdobra em dois planos: por um lado, vemo-nos diante de um texto que nos revela os próprios mecanismos que o constroem, principalmente, pela recorrência e subversão do paradigma policial, e, por outro, temos um romance sobre o processo pelo qual o detetive elabora uma narrativa a partir das provas, indícios, etc. Tendo em vista essa configuração, destacam-se as instâncias do narrador e do autor, que instauram no romance uma rede de desconfianças que desestabilizam as noções de "verdade" e "autoridade" a partir do exame e questionamento dos mais diversos discursos que se fazem presentes na obra de Cardoso Pires.
Abstract: This paper aims at studying Balada da Praia dos Cães (1982), by José Cardoso Pires, from the perspective of the detective novel parody, considering that the novel uses the typical procedures of this genre and then subverts it. Subversion is manifested mainly by diverting the focus of the narrative, which is no longer the puzzle solving, as it is in the classic detective story, but the construction of the text/inquest by the detective and the narrator, that is, the novel is not focused on finding out who, how and why the crime occurred, but to unravel the process of the narrative composition. In this sense, it can be said that the cardoseano novel engenders a metalinguistic reflection that unfolds on two levels: on the one hand, we are faced with a text that reveals its own mechanisms of construction, mainly for the recurrence and the subversion of the detective paradigm, and, on the other hand, we have a novel about the process by which the detective creates a narrative based on the proof, evidences, etc. Given this setting, the highlights are on the instances of the narrator and the author, which introduce in the novel a network of suspicions that destabilize the notions of "truth" and "authority" from the examination and questioning of many different speeches that are made present in the work of Cardoso Pires.
Mestre
Piva, Paula Cristina [UNESP]. „Cheira bem pode fazer mal: a configuração de O perfume como romance policial“. Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/99180.
Der volle Inhalt der QuelleCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Essa dissertação dispõe-se a estudar o romance O perfume do escritor alemão Patrick Süskind, publicado pela primeira vez em 1985. Tem-se o objetivo de demonstrar como essa obra, que antecipa no subtítulo ser a história de um assassino, se configura em romance policial. Para viabilizar o trabalho, busca-se subsídio na teoria da literatura policial e na história desse gênero, permitindo então estabelecer semelhanças e distinções. Antes, porém, discorre-se brevemente sobre os variados gêneros que compõem O perfume, que leva ao extremo a definição de romance, ou seja, uma composição híbrida por excelência. A obra em questão mescla, além das duas categorias principais do romance policial, a saber, enigma e negro, os gêneros predecessores a ele. O perfume rompe as convenções da ficção policial, com isso, aproximá-lo do gênero possibilita que outros romances sejam analisados pelo mesmo viés e possam eventualmente ser considerados também romances policiais, embora aparentemente estejam distantes do romance policial tradicional
This essay intends to study one of Patrick Süskind’s novels, Perfume, published for the first time in 1985. Our goal is to show how this work, which subtitle foresees the story of a killer, is configured in a crime novel. To make this concrete, we look for some data in the theories of the crime novel and in the history of this gender, which allow us to establish similarities and distinctions. Previously, however, we briefly expose the several literary genders that compose Perfume, carrying the definition of the novel too far; in other words, a hybrid composition par excellence. The work at issue blends, besides the two main categories of the crime novel (the mystery and the noir one) the predecessor genders to it. Perfume tears the conventions of crime fiction; then, approaching this novel to the gender makes it possible for other novels to be analyzed the same way, so that they can occasionally be considered crime novels as well, although apparently far from the traditional crime stories
Mendes, Fábio Marques. „A trajetória dramática do herói e a experiência com a forma do romance policial nas narrativas de Marçal Aquino /“. São José do Rio Preto, 2019. http://hdl.handle.net/11449/191262.
Der volle Inhalt der QuelleResumo: Esta tese apresenta uma análise crítica dos romances de Marçal Aquino, a saber, O invasor (2002), Cabeça a prêmio (2003) e Eu receberia as piores notícias dos seus lindos lábios (2005), tendo por objetivo ressaltar como a trajetória dos heróis Ivan, Brito e Cauby contribuem para a experiência da forma do gênero policial. Para tal percepção, incluímos uma análise do conto “Matadores”, do mesmo autor, que servirá como matriz interpretativa dos romances. Argumentamos que os romances de Marçal Aquino são organizados em torno do ponto de vista de um herói que está inserido no mundo da pistolagem brasileira, contexto onde a violência é racionalizada e tornada matéria-prima do capital. Diante disso, os romances do autor não apenas dão certa continuidade, mas também realizam uma experiência com a forma tradicional da ficção policial, já que os heróis de Aquino, movidos principalmente pelo ressentimento, transitam entre os três elementos fundamentais do gênero, a saber, o detetive, o criminoso e a vítima. Sendo assim, os protagonistas de Aquino são uma espécie de síntese entre as três categorias do romance policial tradicional e o que eles vão fazer é mostrar que em termos de modelo narrativo há uma experiência da forma que problematiza aspectos da sociedade brasileira. Estes heróis tomam parte em um contexto histórico e político demarcado pela intersecção entre lei e ordem, por um Estado que agencia o crime e por matadores ajustados à lógica do trabalho e às leis do mercado, estando ... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: This thesis presents a critical analysis of Marçal Aquino’s novels, namely O invasor (2002), Cabeça a prêmio (2003), and Eu receberia as piores notícias dos seus lindos lábios (2005), with the objective to highlighting how the stories of the heroes Ivan, Brito and Cauby contribute to experimenting with the detective genre form. In order to do so, we have included an analysis of the short story “Matadores”, by the same author, which will function as an interpretative matrix for the novels. We argue that the novels by Marçal Aquino are organized around the point of view of a hero who is immersed in the world of Brazilian pistolagem (banditry), a context where violence is rationalized and turned into raw material for capital. Considering this, the author’s novels not only develop the traditional form of the detective novel, but also experiment on it, since Aquinian heroes, propelled mainly by resentment, vary among the genre’s three fundamental elements: detective, criminal, and victim. In this way, Aquino’s protagonists are a kind of synthesis of the traditional detective novel’s three categories, and what they do is show that, in terms of the narrative model, there is experimentation with the novel’s form which questions and discusses some aspects of Brazilian society. These heroes take part in a historical and political context branded by the intersection between law and order, by a State that administers crime, and by hitmen adjusted to the logic of labor and market laws, vi... (Complete abstract click electronic access below)
Doutor
Azevedo, Fernanda Mara de Almeida. „Romance policial, psicanálise e cultura contemporânea em Luiz Alfredo Garcia-Roza e Dennis Lehane“. Universidade do Estado do Rio de Janeiro, 2012. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4055.
Der volle Inhalt der QuelleThis dissertation aims at outlining a comparative study between the contemporary detective novel and the psychoanalytical discourse in the fictional production by Luiz Alfredo Garcia Roza (1936- ) and Dennis Lahane (1966- ), approaching particular investigative methods in literature and psychoanalysis. To do so, the corpus consists of four novels altogether: O silêncio da chuva (1996) and Espinosa sem saída (2006) by the Brazilian writer and Sagrado [Sacred] (2004) and Paciente 67 [Shutter Island] (2005) by the American fictionist. The analysis on these narratives points out similarities and idiosyncrasies between two discourses within a conflictive and chaotic cultural environment. Moreover, it highlights this new social and cultural realm where characters with undefined identities (the detective, above all) strive to evade from the atmosphere in which they are set and search for the resolution of urban crimes. As lost subjectivities, these private eyes need to decipher psychic dysfunctions of every sort of criminal thence, the representation of the city, featuring sometimes as the ground on which investigators work for the law and, at other times, as a hiding space for murderers. The relation between detective and psychoanalytic discourses remarks the association between the obscurity of the literary text and our cultural background not to mention the overall discomfort triggered by changes in contemporary societies
Cordeiro, Fernando Henrique Crepaldi [UNESP]. „Balada da praia dos cães: o desafiante romance policial de Cardoso Pires“. Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/94159.
Der volle Inhalt der QuelleConselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
Este trabalho propõe-se a estudar Balada da Praia dos Cães (1982), de José Cardoso Pires, sob a perspectiva da paródia do romance policial, tendo em vista que essa obra utiliza-se de procedimentos típicos desse gênero para, a partir de dentro, subvertê-lo. A subversão manifesta-se, principalmente, pelo desvio no foco da narrativa, que deixa de ser a resolução do enigma, como no romance policial clássico, e passa a ser a construção do texto/inquérito por parte do detetive e do narrador, ou seja, a obra não tem como foco principal descobrir quem, como e por que ocorreu o crime, mas sim desvendar o processo de composição narrativa. Nesse sentido, pode-se dizer que o romance cardoseano engendra uma reflexão metalingüística que se desdobra em dois planos: por um lado, vemo-nos diante de um texto que nos revela os próprios mecanismos que o constroem, principalmente, pela recorrência e subversão do paradigma policial, e, por outro, temos um romance sobre o processo pelo qual o detetive elabora uma narrativa a partir das provas, indícios, etc. Tendo em vista essa configuração, destacam-se as instâncias do narrador e do autor, que instauram no romance uma rede de desconfianças que desestabilizam as noções de “verdade” e “autoridade” a partir do exame e questionamento dos mais diversos discursos que se fazem presentes na obra de Cardoso Pires.
This paper aims at studying Balada da Praia dos Cães (1982), by José Cardoso Pires, from the perspective of the detective novel parody, considering that the novel uses the typical procedures of this genre and then subverts it. Subversion is manifested mainly by diverting the focus of the narrative, which is no longer the puzzle solving, as it is in the classic detective story, but the construction of the text/inquest by the detective and the narrator, that is, the novel is not focused on finding out who, how and why the crime occurred, but to unravel the process of the narrative composition. In this sense, it can be said that the cardoseano novel engenders a metalinguistic reflection that unfolds on two levels: on the one hand, we are faced with a text that reveals its own mechanisms of construction, mainly for the recurrence and the subversion of the detective paradigm, and, on the other hand, we have a novel about the process by which the detective creates a narrative based on the proof, evidences, etc. Given this setting, the highlights are on the instances of the narrator and the author, which introduce in the novel a network of suspicions that destabilize the notions of truth and authority from the examination and questioning of many different speeches that are made present in the work of Cardoso Pires.
Santos, Fabiana Rodrigues. „Detetive ou cientista? A literatura policial infanto-juvenil como recurso didático na educação em ciências“. Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/81/81131/tde-10042014-201300/.
Der volle Inhalt der QuelleIn this research we propose a guided didactic use of literature in science education from the use of a specific literary genre, the crime novel, in Scientific Research\'s teaching. The book O caso da borboleta Atíria was used as a model, written by Lucia Machado de Almeida, in which story is based in mystery and police investigation and is part of the publisher Ática, in Vaga Lume collection. The Literary that make up this collection are present in classrooms and school libraries since the seventies and are part of the repertoire of many students currently reading. Moreover, they are filled with content that permeate many areas of knowledge. One of the procedures used for analysis of the work was the use of semiotics of Greimas (1976) who seeks to establish syntactic relations within a text, and may help in a deeper interpretation work. We also conducted the analysis of discourse based in Maingueneau\'s theory (2006), which sets parameters that allow us to assess the main characteristics and the conditions of success for speech genres, studying the production process of the work, based on the social and culture contexts, showing elements to be considered in the process of teaching and learning related to the structure of the work and to the context in which it is embedded. With those analyses, we note that the work has a focus on to the search for knowledge through research, allowing the preparation of didactic proposals for the Scientific Research teaching. Thus, we elaborate didactic proposals using the book to approach scientific research in science teaching aimed at the elementary school. These proposals have been implemented in a school in the city of São Paulo in order to reshape and refine the proposals, enabling its use in different school contexts in an interdisciplinary way.
Pereira, Regina Margaret. „A questão do Sagrado ou uma forma de pensar o romance \"A varanda do Frangipani\", de Mia Couto“. Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-10052013-122226/.
Der volle Inhalt der QuelleThis paper presents an analysis of the novel A varanda do frangipani, from the Mozambican writer Mia Couto, in order to illuminate the reinventions done by he author of the sacred aspects linked to the traditional beliefs of Mozambique. Appropriating and subverting the Standard classic detective novel the symbol of European rationality exaltation the author reinvents within literary sacred animals, rituals of initiation and divination, spirits living among us, as well as divine trees, and shows the reader a different world view and a form of existence from the Eurocentric one. Therefore, there is enlightenment of cultural and social issues from the country where Mia Couto speeks, where the attempt to cultural imposition was operated by years of wars and domination. We based this research, on authors such as Mircea Eliade, Carlos Serrano, Jose Luis gourd, Omar Ribeiro Thomaz, and others, to obtaining the necessary theoretical consistency about the concept of sacred and socio-cultural issues related to Mozambique and other African countries, we rely on authors as Tzvetan Todorov and Ernest Mandel also, to establish the structural pattern and a little bit of the ideology linked to classic detective novel and thus verify the reinvention so on Mozambican soil.
Faraco, Mariana Bittencourt. „A lupa caleidoscópica: o híbrido policial-histórico em Agosto, de Rubem Fonseca, e Santa Evita, de Tomáz Eloy Martínez“. Pontifícia Universidade Católica de São Paulo, 2011. https://tede2.pucsp.br/handle/handle/14670.
Der volle Inhalt der QuelleCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
This study discusses the effect of hybridization of the historical and the detective novels approaches from the perspective of Latin America (contemporary literature). Emerged in Europe in the 19th century, these two novel subgenres has achieved a prominent position in the literary scene. Since its genesis, both historical and detective novels deal with the question of the search for truth. The objective of this study is to detect how the enigma element, when combined with a historical narrative, reorganizes the belief in the official version of historical events. This study does a comparative analysis of two novels: Agosto, written by the Brazilian Rubem Fonseca, and Santa Evita, written by the Argentinian Tomás Eloy Martinez. Written in the 90's, both noveis look back to the 50's historical events and characters. The research recovers the criticism of both Fonseca and Martinez work, and then examines the long and traditional uneasy relations between literature and history, from Aristotle to Linda Hutcheon's historiographic metafiction. By addressing the origins and transformations of both historical and detective novels, this dissertation shows the evolutions of the subgenres and also puts into dialogue current studies of the hybrid detective-historical novel. The analysis of Agosto and~ Santa Evita, following the methodology of Comparative Literature, focuses specially on the different ways how both novels are constructed. The results demonstrate that the enigma element, when inserted into a historical narrative, contributes to a destabilization of the official report, through a multifaceted view. However, each author's different narrative strategies reveal distinct effects of this destabilization which are discussed in the present study
Este trabalho discute os efeitos da hibridização entre o romance histórico e o romance policial, sob a perspectiva da contemporaneidade latino-americana. Surgidos na Europa, no século XIX, esses dois subgêneros do romance têm alcançado posição de destaque na cena literária. Como ambos, desde sua génese, gravitam em torno da questão da busca pela verdade, o objetivo deste trabalho é detectar como o elemento enigma, ao ser estruturado em uma narrativa de extração histórica, reorganiza a crença na versão oficial dos fetos. Para tanto o estudo faz uma análise comparativa dos romances Agosto, do brasileiro Rubem Fonseca, e Santa Evita, do argentino Tomás Eloy Martinez, que colocam o olhar dos anos 90 sobre acontecimentos e personagens históricos dos anos 50. O estudo recupera a critica sobre a obra dos dois autores para em seguida abordar as relações desde sempre intranquilas entre literatura e história, retomando o pensamento de Aristóteles até a perspectiva da metaficção historiográfica cunhada por Linda Hutcheon. Ao tratar das origens e transformações tanto do romance histórico quanto do romance policial, o trabalho mostra as transformações pelas quais os subgêneros têm passado e põe em diálogo estudos atuais sobre o híbrido policial-histórico. A análise das duas obras, que segue a metodologia da Literatura Comparada, focaliza principalmente as diferentes formas como os romances são construidos. Os resultados demonstram que o elemento enigma, ao ser inserido em uma narrativa de extração histórica, colabora para uma desestabilização do relato oficial, impregnando-o de multiplicidade. No entanto, as diferentes estratégias narrativas de cada autor apontam para efeitos distintos dessa desestabilização, que são discutidos no presente estudo
Bücher zum Thema "Policial novel"
Leiro, Rodolfo Virginio. Violeta: Novela policial. Buenos Aires: RundiNuskín Editor, 1991.
Den vollen Inhalt der Quelle findenLeiro, Rodolfo Virginio. Confabulación: Novela policial. Buenos Aires, República Argentina: Faro Editorial, 1992.
Den vollen Inhalt der Quelle findenLeiro, Rodolfo Virginio. La ladrona: Novela policial. Buenos Aires, República Argentina: Ediciones Filofalsía, 1990.
Den vollen Inhalt der Quelle findenPry, Paul. Casi perfecto: Novela policial. Bs. As. [i.e. Buenos Aires]: Corregidor, 1992.
Den vollen Inhalt der Quelle findenMOTTA, NELSON. Bandidos e mocinhas. Romance policial. Rio de Janeiro: Objetiva, 2004.
Den vollen Inhalt der Quelle findenWilliam, Boyd. Solo: A James Bond novel. Toronto: HarperPerennial, 2014.
Den vollen Inhalt der Quelle findenLos marianitos: Una novela policial. Buenos Aires: El Cuenco de Plata, 2014.
Den vollen Inhalt der Quelle findenEsquibel, Jorge. Tu ganas, Discepolo: Novela policial. [Uruguay]: Jorge Esquibel, 2020.
Den vollen Inhalt der Quelle findenPadura, Leonardo. Modernidad, posmodernidad y novela policial. La Habana: Unión, 2000.
Den vollen Inhalt der Quelle findenAcosta, Leonardo. Novela policial y medios masivos. La Habana, Cuba: Editorial Letras Cubanas, 1986.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Policial novel"
Kampa, Eleftheria. „Policy Framework for Hydropower Mitigation“. In Novel Developments for Sustainable Hydropower, 1–11. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-99138-8_1.
Der volle Inhalt der QuelleAlqahtani, Dalal Abdullah, Eiad Abdelmohsen Alfaris und Naghma Naeem. „Faculty Policies and Career Pathways“. In Novel Health Interprofessional Education and Collaborative Practice Program: Strategy and Implementation, 287–93. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-3420-1_15.
Der volle Inhalt der QuelleParham, Kiyan, und Mohsen Assadi. „A Parametric Performance Analysis of a Novel Geothermal Based Cogeneration System“. In Sustainable Energy Technology and Policies, 167–82. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-8393-8_7.
Der volle Inhalt der QuelleGirard, Marie-Andree, Nouf Alrumaihi und Mohammad Azzam. „Interprofessional Education: Accreditation Standards, Regulatory Policies, and Legal Structures“. In Novel Health Interprofessional Education and Collaborative Practice Program: Strategy and Implementation, 171–86. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-3420-1_8.
Der volle Inhalt der QuelleManias, George, Argyro Mavrogiorgou, Athanasios Kiourtis und Dimosthenis Kyriazis. „SemAI: A Novel Approach for Achieving Enhanced Semantic Interoperability in Public Policies“. In IFIP Advances in Information and Communication Technology, 687–99. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-79150-6_54.
Der volle Inhalt der QuelleLiang, Qiushuang, Haiyan Yang und Qiujin Liang. „Development Situation of Assembly Building in Chongqing“. In Novel Technology and Whole-Process Management in Prefabricated Building, 183–90. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-5108-2_20.
Der volle Inhalt der QuelleJothimurugan, Kishor, Suguman Bansal, Osbert Bastani und Rajeev Alur. „Specification-Guided Learning of Nash Equilibria with High Social Welfare“. In Computer Aided Verification, 343–63. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-13188-2_17.
Der volle Inhalt der QuelleGan, Qili, Langhua Li, Qiming Huang und Wanqing Chen. „Urban Development Potential Evaluation of Prefabricated Buildings Based on PCA-TOPSIS Model“. In Novel Technology and Whole-Process Management in Prefabricated Building, 126–33. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-5108-2_13.
Der volle Inhalt der Quellede Leeuw, Evelyne. „Is Local Better? Evolving Hybrid Theorising for Local Health Policies“. In Integrating Science and Politics for Public Health, 153–85. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-98985-9_8.
Der volle Inhalt der QuelleManorama, Swatija, und Radhika Desai. „Menstrual Justice: A Missing Element in India’s Health Policies“. In The Palgrave Handbook of Critical Menstruation Studies, 511–27. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-0614-7_39.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Policial novel"
Niculescu, Virginia. „Efficient Decorator Pattern Variants through C++ Policies“. In 15th International Conference on Evaluation of Novel Approaches to Software Engineering. SCITEPRESS - Science and Technology Publications, 2020. http://dx.doi.org/10.5220/0009342802810288.
Der volle Inhalt der QuelleMohammadi, Nazila, Jens Leicht, Ludger Goeke und Maritta Heisel. „Assisted Generation of Privacy Policies using Textual Patterns“. In 15th International Conference on Evaluation of Novel Approaches to Software Engineering. SCITEPRESS - Science and Technology Publications, 2020. http://dx.doi.org/10.5220/0009371103470358.
Der volle Inhalt der QuelleMaamar, Zakaria, Amel Benna und Fadwa Yahya. „Impact of Policies on Organizations Engaged in Partnership“. In 19th International Conference on Evaluation of Novel Approaches to Software Engineering. SCITEPRESS - Science and Technology Publications, 2024. http://dx.doi.org/10.5220/0012718500003687.
Der volle Inhalt der QuelleHaggag, Omar, John Grundy und Mohamed Abdelrazek. „An Analysis of Privacy Issues and Policies of eHealth Apps“. In 19th International Conference on Evaluation of Novel Approaches to Software Engineering. SCITEPRESS - Science and Technology Publications, 2024. http://dx.doi.org/10.5220/0012635000003687.
Der volle Inhalt der QuelleLeicht, Jens, und Maritta Heisel. „Extending PriPoCoG: A Privacy Policy Editor for GDPR-Compliant Privacy Policies“. In 19th International Conference on Evaluation of Novel Approaches to Software Engineering. SCITEPRESS - Science and Technology Publications, 2024. http://dx.doi.org/10.5220/0012599600003687.
Der volle Inhalt der QuelleTsai, Chen-Fang, Weidong Li und Kuo-Ming Chao. „The novel design policies for green production“. In 2011 15th International Conference on Computer Supported Cooperative Work in Design (CSCWD). IEEE, 2011. http://dx.doi.org/10.1109/cscwd.2011.5960182.
Der volle Inhalt der QuelleDa-li, Li, und Cao Long. „A novel method to represent spectrum management policies“. In 2012 3rd International Conference on System Science, Engineering Design and Manufacturing Informatization (ICSEM). IEEE, 2012. http://dx.doi.org/10.1109/icssem.2012.6340833.
Der volle Inhalt der Quelle„A Novel Model of Security Policies and Requirements“. In 1st International Conference on Information Systems Security and Privacy. SCITEPRESS - Science and and Technology Publications, 2015. http://dx.doi.org/10.5220/0005239400730082.
Der volle Inhalt der QuellePedersen, J. M., T. M. Riaz und O. B. Madsen. „Five Novel Selection Policies for N2R Network Structures“. In 8th International Conference on Advanced Communication Technology. IEEE, 2006. http://dx.doi.org/10.1109/icact.2006.206430.
Der volle Inhalt der QuelleHanafy, Walid A., Amr E. Mohamed und Sameh A. Salem. „Novel selection policies for container-based cloud deployment models“. In 2017 13th International Computer Engineering Conference (ICENCO). IEEE, 2017. http://dx.doi.org/10.1109/icenco.2017.8289794.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Policial novel"
Barros, Fernando, Fábio Gomes und André Victor D. Luduvice. The welfare costs of business cycles unveiled: measuring the extent of stabilization policies. Federal Reserve Bank of Cleveland, März 2023. http://dx.doi.org/10.26509/frbc-wp-202114r2.
Der volle Inhalt der QuelleCabrales, Antonio, Samuel Berlinski und Facundo Albornoz. Motivation, Resources and the Organization of the School System. Inter-American Development Bank, Juli 2016. http://dx.doi.org/10.18235/0011749.
Der volle Inhalt der QuelleDu, Xinming, Elaine S. Tan, Yesim Elhan-Kayalar und Yasuyuki Sawada. Economic Impact of COVID-19 Containment Policies: Evidence Based on Novel Surface Heat Data from the People’s Republic of China. Asian Development Bank, Oktober 2022. http://dx.doi.org/10.22617/wps220243-2.
Der volle Inhalt der QuelleGehlhaus, Diana, Joanne Boisson, Sara Abdulla, Jacob Feldgoise, Luke Koslosky und Dahlia Peterson. China’s AI Workforce. Center for Security and Emerging Technology, November 2022. http://dx.doi.org/10.51593/20220003.
Der volle Inhalt der QuelleCafferata, Fernando G., Bridget Lynn Hoffmann und Carlos Scartascini. How Can We Improve Air Pollution?: Try Increasing Trust First. Inter-American Development Bank, August 2021. http://dx.doi.org/10.18235/0003453.
Der volle Inhalt der QuelleRuzante, Juliana M., Ellen Thomas Shumaker, Sidney Holt, Susan Mayer, Adam Kokotovich, Maude Cuchiara, Andrew R. Binder, Jennifer Kuzma und Khara Grieger. Eliciting Stakeholder Perceptions Using a Novel Online Engagement Platform: A Case Study on Nano-Agrifoods. RTI Press, Januar 2022. http://dx.doi.org/10.3768/rtipress.2022.op.0071.2201.
Der volle Inhalt der QuelleAngrist, Noam, David K. Evans, Deon Filmer, Rachel Glennerster, Halsey Rogers und Shwetlena Sabarwal. How to improve education outcomes most efficiently? What Works Hub for Global Education, Dezember 2023. http://dx.doi.org/10.35489/bsg-whatworkshubforglobaleducation-wp_2023/02.
Der volle Inhalt der QuelleBroek, Emilie, Nicholas Olczak und Lisa Dellmuth. The Involvement of Civil Society Organizations in Arctic Governance. Stockholm International Peace Research Institute, Februar 2023. http://dx.doi.org/10.55163/nkqm8574.
Der volle Inhalt der QuelleAndrews, Matt. Getting Real about Unknowns in Complex Policy Work. Research on Improving Systems of Education (RISE), November 2021. http://dx.doi.org/10.35489/bsg-rise-wp_2021/083.
Der volle Inhalt der QuelleBest, James, und Keshav Dogra. Capital Management and Wealth Inequality. Federal Reserve Bank of New York, September 2023. http://dx.doi.org/10.59576/sr.1072.
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