Zeitschriftenartikel: „Poetry“

1

Raouf Ali, Luqman. „The concept of poetry in the poems of Sherko Bekas“. Journal of University of Raparin 10, Nr. 4 (29.12.2023): 278–301. http://dx.doi.org/10.26750/vol(10).no(4).paper13.

Der volle Inhalt der Quelle

Annotation:

This research works on the concept of poetry, so the concept and definition of poetry have been discussed in general according to different stages, but in particular the concept of poetry has been worked on and introduced by Sherko Bekas, and this introduction is the first text. Poems that talk about the concept and recognition of poetry in all the poet's divans have become the material of the study, in order to present the opinion and definition of poetry from the poet's point of view, along with bringing back the poet's view of poetry in the dialogues with him, later comparing them, for the purpose of uniting, or having differences in their opinions.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

2

Lim, Woo Young. „Writing poetry, poet's mindset, boldness, superiority, longing for heavenly blessings“. Hankuk University of Foreign Studies Literature Studies 92 (30.11.2023): 131–58. http://dx.doi.org/10.22344/fls.2023.92.131.

Der volle Inhalt der Quelle

Annotation:

In Goethe's 『West-östlicher Divan』(1819), ｢Derb und Tüchtig｣ and ｢Dreistigkeit｣ tell the poet's attitude in writing poetry. In ｢Übermacht, ihr könnt es spüren｣, the poet's 'superiority' is compared to that of a monarch, and in ｢Selige Sehnsucht｣, the poet's attitude of writing poetry at the risk of death is emphasized. In these poem, “strength,” “boldness,” “excellence,” and the poet’s mindset of risking death are emphasized in the poet’s general artistic act of “poetry writing.” The poet's boldness, superiority and even “arrogance” that appear in the “West-Eastern Divan” seem to have arisen from the feeling of liberation and confidence that Goethe felt when he traveled to Frankfurt (in July 1814) after the Napoleonic Wars. He went through a dark period during the Wars and so read Hafis' poetry and wrote Eastern-style poetry to shake off all the pressure around him via his “confidence/boldness” and “arrogance” as a poet. His decision dicision to write poetry in the Eastern style for the first time in the history of Western literature can be said to be Goethe’s “warning and commandment” about “writing poetry.”

APA, Harvard, Vancouver, ISO und andere Zitierweisen

3

John Taylor. „Poetry Today: "Poetic Ljubljana"“. Antioch Review 70, Nr. 1 (2012): 179. http://dx.doi.org/10.7723/antiochreview.70.1.0179.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

4

Isakovna, Ernazrova Gulbahor. „Expression Of The Classical Poetic Tradition Modern Poetry“. American Journal of Social Science and Education Innovations 02, Nr. 07 (30.07.2020): 153–62. http://dx.doi.org/10.37547/tajssei/volume02issue07-18.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

5

Turdybaev, K. „Karakalpak poetry and the artistic character of dedication poetry in the works of I. Yusupov“. Turkology 6, Nr. 104 (12.01.2020): 64–77. http://dx.doi.org/10.47526/2020/2664-3162.019.

Der volle Inhalt der Quelle

Annotation:

The article examines the place of I. Yusupov's poetry in the history of Karakalpak literature and genre features of dedicated poems in the poet's work. Artistic approaches in the poetry of I. Yusupov renew the artistic form of poetry. The poet's additions to the types of initiations in literature increased the significance of the genre. Therefore, we believe that a special study of this genre in the poet's work will serve to reveal the peculiarities of the poet's lyrics. In this article, we will focus on the nature of the development of the genre of initiation in the poet's work. The works of scientists who commented on the poet's work laid the foundation for the methodological conclusions of our article. Dividing I. Yusupov's poems into types, a thematic, genre, poetic analysis will be carried out. Civic pathos, lyrical thought, poetic clarity, poetic culture and other qualities are characteristic of the poet's work. The poetic tradition of Ibragim Yusupov continues in modern Karakalpak poetry.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

6

Turdybaev, K. „Karakalpak poetry and the artistic character of dedication poetry in the works of I. Yusupov“. Turkology 6, Nr. 104 (12.01.2020): 64–77. http://dx.doi.org/10.47526/2020/2664-3162.019.

Der volle Inhalt der Quelle

Annotation:

The article examines the place of I. Yusupov's poetry in the history of Karakalpak literature and genre features of dedicated poems in the poet's work. Artistic approaches in the poetry of I. Yusupov renew the artistic form of poetry. The poet's additions to the types of initiations in literature increased the significance of the genre. Therefore, we believe that a special study of this genre in the poet's work will serve to reveal the peculiarities of the poet's lyrics. In this article, we will focus on the nature of the development of the genre of initiation in the poet's work. The works of scientists who commented on the poet's work laid the foundation for the methodological conclusions of our article. Dividing I. Yusupov's poems into types, a thematic, genre, poetic analysis will be carried out. Civic pathos, lyrical thought, poetic clarity, poetic culture and other qualities are characteristic of the poet's work. The poetic tradition of Ibragim Yusupov continues in modern Karakalpak poetry.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

7

Ilma, Awla Akbar. „DARI PUISI MANTRA HINGGA PUISI ESAI SEBUAH LANSKAP PERPUISIAN INDONESIA“. Jurnal Penelitian Humaniora 17, Nr. 2 (01.10.2016): 194. http://dx.doi.org/10.23917/humaniora.v17i2.2511.

Der volle Inhalt der Quelle

Annotation:

This research specially addresses through a sociological perspective the existence of narrative poetry that lately rampant in Indonesia. Therefore, this research assumes that the existence of a literary work is closely link with the condition of the time. Thisresearch seeks to compare with the kinds of poetry before as traditional poerty, poetry of pujangga baru, mantera poetry, and Mbeling poetry both aesthetic characteristics and social conditions. Based on the research process, it is known that the narrativepoerty has unique characteristics that are different from other types of poetry. It is known that narrative poetry is a real respond to assessment of poems that are considered difficult to understand. Therefore, this poetry tries to synergize with readers, making certain platforms, giving easy access to the meaning of the poetry. Thus sociological characteristics known as the effect of the conditions which always demanding the ease and speed. Such condition if drawn further was the effect of industrialization and technological pace.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

8

Angela Sorby. „Poetry Is Poetry Is Poetry“. Children's Literature 36, Nr. 1 (2008): 235–37. http://dx.doi.org/10.1353/chl.0.0013.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

9

Sholihah, Husniatin, und Nensy Megawati Simanjuntak. „Existentialism in Extracurricular Poetry Creation: A Hermeneutic Analysis“. Journal of Language and Literature Studies 4, Nr. 2 (20.06.2024): 432–44. http://dx.doi.org/10.36312/jolls.v4i2.1894.

Der volle Inhalt der Quelle

Annotation:

Poetry is a literary form that conveys the poet's emotions and thoughts through an imaginative and structured process. It is rich in emotion and distinct in its expression. Writing poetry involves channeling imagination into lines and stanzas, reflecting the poet's creative freedom and ownership. Within the framework of existentialism, poets exercise complete freedom in crafting their poetry without external influence. This study employs a qualitative approach using Hermeneutic analysis and data validation techniques, where data are validated through thorough reading to ascertain the meaning of each word and phrase. The data sources consist of seven poetry texts created by members of the extracurricular poetry group at MTs Miftahul Huda Palang Tuban. Data were collected in the form of words, phrases, and stanzas that depict existentialism, particularly individual freedom. The findings reveal five existential themes in the poetry: "me" (29%), "heart" (14%), "love" (14%), "friends" (29%), and "God" (14%). The terms "me" and "best friend" are the most prevalent, highlighting the themes of self-identity and interpersonal relationships as forms of existence. This study demonstrates that the poet's existence is manifested through the choice of words, with the dominant themes reflecting the poet's exploration of identity, relationships, and individual freedom.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

10

Tajibaeva Dilfuza Erkinovna. „Representation Of Color Imagery in Usman Nasir's Poetry“. Texas Journal of Philology, Culture and History 27 (24.02.2024): 55–57. http://dx.doi.org/10.62480/tjpch.2024.vol27.pp55-57.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

11

Amalia Divani Putri und Anita Sugiarti Dewi. „Analisis Puisi “Penerimaan” Karya Chairil Anwar Dengan Pendekatan Struktural“. Khirani: Jurnal Pendidikan Anak Usia Dini 1, Nr. 1 (22.03.2023): 34–40. http://dx.doi.org/10.47861/khirani.v1i1.276.

Der volle Inhalt der Quelle

Annotation:

Poetry is one of the literary genres that expresses feelings. Poetry is a poet's interpretation of life. The interpretation reflects the poet's view of the surrounding reality. Therefore poetry is a form of outpouring of thoughts and feelings poet to the reality of life. The reason the author analyzed the poem by Chairil Anwar entitled "Acceptance" is to understand and also capture the meaning of the poem "Acceptance" by Chairil Anwar. In analyzing this poem, the author uses a structural approach. To analyze poetry using a structural approach requires a basic understanding of the structure or elements that make up the poem itself.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

12

Tebegenov, Т., und S. Asilbekuli. „ARTISTIC CHARACTER OF ZHUMEKEN NAZHIMEDENOV'S POETRY“. BULLETIN Series of Philological Sciences 74, Nr. 4 (09.12.2020): 344–52. http://dx.doi.org/10.51889/2020-4.1728-7804.70.

Der volle Inhalt der Quelle

Annotation:

The article analyzes the artistic features of lyrical and ethical works in the poetry of the outstanding poet, laureate of the State prize of the Republic of Kazakhstan Zhumeken Nazhimedenov. The poet's poetry is dominated by civil-Patriotic lyric poetry, psychological and philosophical integrity of the sung questions: the native land of the great Steppe, the sacred homeland, the continuity of generations, respect for ancestors, etc. At the same time, the author analyzes the poetic and aesthetic semantic features of artistic images in lyrical poems about nature in the poet's poetry (personification, metaphor, epithet, comparison, symbol, allegory, psychological parallelism, etc.). the Lyrical and psychological nature of civil dedications to things and phenomena in nature is determined by text analysis. We also analyzed critical motives expressed by images of irony and sarcasm in the poet's poems, which assessed gaps and shortcomings in the system of relations in the domestic and social environment. Differentiated features of the historical-philosophical, aesthetic-poetic artistic solution of the poem in the epic poetry of the poet in the generalization and reflection of the reality of life with artistic reality. The research is highlighted in the context of a new consideration of the text analysis of the poetic features of works in the poet's poetry.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

13

Karomova, Supervisor: Sh, und Dilnavoz Berdieva. „COMBINATION OF POETIC IMAGERY AND METAPHORICAL THINKING IN POETRY“. CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES 02, Nr. 10 (01.10.2021): 1–5. http://dx.doi.org/10.37547/philological-crjps-02-10-01.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

14

Kabulova, Zamira, und Dadebaeva Malika. „SPECIFIC SIGNS OF POETIC DEVELOPMENT OF BAKHTIYAR GENJEMURODOV'S POETRY“. American Journal Of Social Sciences And Humanity Research 4, Nr. 6 (01.06.2024): 54–60. http://dx.doi.org/10.37547/ajsshr/volume04issue06-10.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

15

B, Annalakshmi. „Techniques in Tamilanpanin Vanakkam Valluva Poem“. International Research Journal of Tamil 4, S-7 (29.07.2022): 154–61. http://dx.doi.org/10.34256/irjt22s724.

Der volle Inhalt der Quelle

Annotation:

Poetry has a special place in world literature. The traditional poems that were included in the yappu today flourish in many forms with the Yappukkattutaipputan. After the change in literature due to the arrival of the British, Bharati developed new poetry, and Bharati's successors also gave different forms to new poetry and took poetry to the next dimension. Yappu is necessary for traditional poetry and the taste and imagination of the poet are sufficient for new poetry. The forms of Pudukavitha are written today with various forms such as Kaikku(tuḷippa), limaraikku (iyaiput tuḷippa), haipun, kuraṭku, cirkku, kasal. In order to make the poet's ideas understandable to the readers, they compose with many techniques such as imagination, simile, metaphor, allegory, symbolism, irony, and myth. In Erode Tamilanpanin vanakkam valluva Poem, he composed with techniques such as imagination, description, allusion and simile. The poet's view about Valluvam can be found in this article.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

16

Koirala, Prabha Marahatta. „Phonetics in Rajeshwori Poetic Poetry“. Saptagandaki Journal 8 (20.10.2017): 93–100. http://dx.doi.org/10.3126/sj.v8i0.18467.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

17

Lenhart, Gary. „A Poet's Distrust of Poetry“. American Book Review 27, Nr. 4 (2006): 22–23. http://dx.doi.org/10.1353/abr.2006.0134.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

18

Suther, Judith. „Poetry, Poetic, and the Maritains“. Études maritainiennes / Maritain Studies 4 (1988): 3–10. http://dx.doi.org/10.5840/maritain198842.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

19

Ağacan qızı Əliyeva, Gültəkin. „Meaning and stylistic means of Bakhtiyar Vahabzade's free rhymed poetry“. SCIENTIFIC WORK 65, Nr. 04 (21.04.2021): 89–94. http://dx.doi.org/10.36719/2663-4619/65/89-94.

Der volle Inhalt der Quelle

Annotation:

The article analyzes the free rhymed poetry of Bakhtiyar Vahabzade, a prominent representative of XXth century Azerbaijani poetry, in terms of meaning and stylistic nuances. It is noted that free rhymed poetry once again entered the stage of self-affirmation in the 50s, which began to decline in the literary environment in the late 30s,. At that time, B.Vahabzadeh began to express himself both in syllables and free rhyme. Starting from the first examples of creativity, the poet increased the journalistic tone in the way of purification and formation of the national consciousness, inspirinig new artistic and aesthetic qualities. One of the main qualities of the poet's poetry is that philosophical shades are expressed in the context of Man and time. At the same time, contrast and contrastivity have enriched the originality and stylistic possibilities of his free rhymed poems. Associative perception and poetic capacity of thought are among the factors ensuring the originality of B.Vahabzadeh's free rhymed poetry. These stylistic enrichments also play an important role in shaping the development of Azerbaijani free rhymed poetry. The stylistic richness of the poet's free rhymed poetry creates wide opportunities for the description and philosophical understanding of life and world events. Key words: B.Vahabzade, free rhymed poetry, structure, meaning, style, contrast

APA, Harvard, Vancouver, ISO und andere Zitierweisen

20

Puteri, Dinike Agustin. „PENERAPAN METODE QUANTUM WRITER UNTUK MENINGKATKAN KEMAMPUAN MENULIS PUISI PADA SISWA SMK TELEKOMUNIKASI DARUL’ULUM“. sarasvati 1, Nr. 2 (09.12.2019): 91. http://dx.doi.org/10.30742/sv.v1i2.744.

Der volle Inhalt der Quelle

Annotation:

Quantum Writer method is good way to help student more easy and attractive to write. Quantum Writer method is contains four steps teaching learning writing ang can be easy to with PAK ! namely: concentrate (P), arrange (A), composing (K), the best (!). This method used to finished that problem appear (1) How to proces learning poerty at begining with Quantum Writer method, (2) How to proces learning poerty when student is writing poerty with Quantum Writer method, (3) How to proces learning poerty at the finishing or after writer poerty with Quantum Writer method, in this case every statement of the problem given student score. This Action Research (PTK) used descriptive kealitatif method is doing two steps is that observation student SMK Telekomunikasi Darul’Ulum. The data take from pre writing is contain students ability to mention theam. Then the result take from when student is writing poerty. With Quantum Writer merhod. Second step is that finished to write the result contains are reading a poerty, give suggestion with friend’s poetry, and revisi again based on friend’s suggestion. The result of the observation is that appliying Quantum Writer writer method can be increase to writing poetry very good for student. Students ability to writing poetry more increase every steps. And the response of the student increase.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

21

Suharsono, Suharsono, Ivan Adilla und Syofyan Hadi. „Kerinduan pada Tanah Air dalam Antologi Puisi ‘Āsyiq Min Falisṭīn Karya Mahmoud Darwish (Analisis Semiotika Riffaterre)“. Jurnal Ilmiah Universitas Batanghari Jambi 23, Nr. 1 (25.02.2023): 1. http://dx.doi.org/10.33087/jiubj.v23i1.3226.

Der volle Inhalt der Quelle

Annotation:

Anthology of poetry Mahmoud Darwish's work Āsyiq min Falisṭīn is a poem about longing, which shows the poet's love for his homeland. On the other hand, the poetry in the anthology also describes the condition of the poet who is in prison, isolated and without a family. To discuss the poetry anthology above, this thesis utilizes the semiotic theory developed by Michael Riffaterre. There are three problems studied in this thesis, they are: 1) What is the form of indirect expression in the poetry anthology of Āsyiq min Falisṭīn by Mahmoud Darwish, 2) What is the meaning contained in the anthology of poetry Āsyiq min Falisṭīn Mahmoud Darwish's work with heuristic and hermeneutic readings, 3) How are the matrices, models, and variants in the poetry anthology of Āsyiq min Falisṭīn by Mahmoud Darwish. The method used in this study is a qualitative descriptive that describes the results of research using Riffaterre's semiotics method. This research concludes the following. First, the indirect form of expression in the poetry anthology Mahmoud Darwish's work Āsyiq min Falisṭīn is in the form of changing meaning, distorting meaning, and creating meaning. Second, through heuristic and hermeneutic reading, it can be concluded that the poems in the anthology above describe the poet's longing for his land of Palestine. Third, the matrix, model, and variant in the poetry anthology Mahmoud Darwish's work Āsyiq min Falisṭīn shows the relationship between the themes of each stanza of his poetry.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

22

Abdullaeva, Gulnoza Vohidjonovna. „Formal Research In Children’s Poetry And The Poetic Mastery Of The Author“. American Journal of Social Science and Education Innovations 03, Nr. 03 (27.03.2021): 240–44. http://dx.doi.org/10.37547/tajssei/volume03issue03-34.

Der volle Inhalt der Quelle

Annotation:

The article examines and discusses the formal and semantic updates of children’s poetry, the poetry of Abdurahmon Akbar, geometric figurative, digital and inverted headings, taking into account the peculiarities of the individual style.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

23

Alıyeva, Saltanat. „GAZI BURHANADDIN’S “DIVAN” AND ITS RESOURCES“. Scientific Journal of Polonia University 58, Nr. 3 (01.09.2023): 15–22. http://dx.doi.org/10.23856/5802.

Der volle Inhalt der Quelle

Annotation:

The sources of the XIV century Azerbaijani poet Qazi Burhanaddin's creativity are diverse and rich. These resources are mainly: 1. Oral folklore 2. Written all-Turkic poetry 3. Religious sources, Quran motifs 4. Sufistic philosophy Oral folk literature is defined as the main and primary source for the poet's creativity. As we investigate, it becomes clear that the work of Yunus Amre, one of the representatives of Turkish-language poetry, had a serious impact on the worldview of the poet. The reason for this is primarily Yunus Emre's creativity, including It is shown that the Sufism poetry of XIII,XIV centuries became widespread. The influence of the poet by Nizami Ganjavi's poetry was also emphasized. As well as his excellent religious education and the demands of the time, the motifs of the Qur'an also acted as a source for the poet's creativity. The question of reflection of the Sufism philosophy, which became the object of controversy in the artist's poetry for a long time, was also clarified. As a result, it has been proved by facts that Sufism philosophy plays the role of a source for the poet's creativity.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

24

Muhiaddeen, Dr Galawezh Ibrahim. „Soldier – Poets in Action Research- Paper in Modern Poetry“. Journal of Zankoy Sulaimani Part (B - for Humanities) 6, Nr. 1 (30.01.2000): 55–72. http://dx.doi.org/10.17656/jzsb.10104.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

25

Oktaviantina, Adek Dwi. „CITRAAN DALAM KUMPULAN PUISI ABDUL SALAM HS “MALAIKAT WARINGIN”“. BEBASAN Jurnal Ilmiah Kebahasaan dan Kesastraan 6, Nr. 2 (09.03.2020): 137. http://dx.doi.org/10.26499/bebasan.v6i2.118.

Der volle Inhalt der Quelle

Annotation:

Poetry is arranged beautiful words and understood by the readers. Therefore, poetry is inseparable from the accuracy of the language which is arranged aesthetically and creatively so that the meaning of poetry can be conveyed properly. Interpretive descriptive of images is used as the technique of this research. Image, as a way of looking at the meaning, is identified through the human senses. The method used is interpretative qualitative research method. The formulation of the problem is how the image in the poetru collection of Abdul Salam HS entitled "Malaikat Waringin". The purpose of this research is to describe the image in Abdul Salam HS‟ Poetry Collection. The results from analyzing fifty poems contained in the poetry collection entitled "Malaikat Waringin", it showed that there are 17 visual image data, 9 auditory image data, 4 smell and taste image images, and 6 visualization image data.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

26

Davronova, Mahfuza I., Charros B. Kurbanova, Dilafruz E. Jabborova und Gulbahor Ernazarova. „Mythology in Abdulla Oripovʼs Poetry“. Journal of Law and Sustainable Development 11, Nr. 12 (26.12.2023): e2665. http://dx.doi.org/10.55908/sdgs.v11i12.2665.

Der volle Inhalt der Quelle

Annotation:

Objectives: This section outlines the primary goals and intentions of the article, focusing on the examination of Abdulla Oripov's contribution to 20th-century poetry, specifically his skill in incorporating mythology. The objectives include understanding the poet's unique approach to mythological concepts, analyzing the influence of myth in his work, and exploring the evolution of his style during the period of independence. Methods: This part details the methodology employed in the study, explaining how the analysis of Abdulla Oripov's poetry and its mythological elements was conducted. It may involve a review of the poet's works, an examination of critical commentaries, and an exploration of the historical context to provide a comprehensive understanding of how mythological images are utilized in his verses. Results: In this section, the article presents the findings derived from the analysis of Abdulla Oripov's poetry. This includes insights into the poet's unique style of incorporating mythological elements, the evolution of his approach during the period of independence, and specific examples highlighting the use of traditional images such as the apocalypse, Satan, Javrail, and the angel. The results aim to shed light on the poet's innovation and the significance of these mythological references in the broader context of world literature. Conclusion: The conclusion summarizes the key findings and insights gathered from the study of Abdulla Oripov's poetry and its connection to mythology. It may discuss the broader implications of the poet's work, the impact of myth on his moral concepts, and the establishment of his own literary phenomenon. Additionally, the section may highlight the poet's contribution to the understanding of traditional images in the context of world literature, emphasizing the depth and breadth of his worldview.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

27

Ashfiyah, Za’imatil, Rika Fithratul Ulyah und Muhammad Ardy Zaini. „Al-Wathaniah f? Syi'ir il? Umm? l? Mahm?d Darw?sy (al Dir?s?t al S?miy?iyyah 'inda Roland B?rthes)“. Journal of Language Intelligence and Culture 4, Nr. 2 (30.12.2022): 221–36. http://dx.doi.org/10.35719/jlic.v4i2.98.

Der volle Inhalt der Quelle

Annotation:

This research discusses the patriotism found in Mahmoud Darwish's poetry, entitled "To My Mother", by studying semiotics at Roland Barthes. This is done to find out the declarative and suggestive significance related to the sense of patriotism in Mahmoud Darwish's poetry to my mother and the effect of poetry on the reader. The researcher used the qualitative descriptive approach with the theory of analysis to study the semiotics of Roland Barthes, which explains the meaning of patriotism through declarative significance, suggestive significance, and superstitious significance. It clarifies the linguistic declarative signification according to the actual meaning, while the suggestive gives the meaning of the poetry in depth. The metaphorical signification is an ideological process of suggestive that serves to provide justification and disclosure of the dominant values ??that apply during a certain time period. The primary data in this scientific research is Poetry To My Mother by Mahmoud Darwish and the secondary sources support books related to scientific research. From the analysis, it is known that the declarative significance is that this poetry indicates the poet's longing for his mother, and the suggestive significance of this poem is the poet's longing for his homeland. Likewise, the influence of Mahmoud Darwish's poetry on the readers made them feel nostalgic in the words about longing for the motherland far from their lives.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

28

Kabylov, A. D. „Ideological and Artistic Features of the Poetry of Svetkali Nurzhan“. Iasaýı ýnıversıtetіnіń habarshysy 127, Nr. 1 (30.03.2023): 69–86. http://dx.doi.org/10.47526/2023-1/2664-0686.06.

Der volle Inhalt der Quelle

Annotation:

Svetkali Nurzhan (Aitman) is one of the outstanding poets who came to the world of poetry with their style, won the hearts of readers, determined their place in modern Kazakh poetry. His poems and stories depict various problems of the historical era and the present with a special artistic manner and deep socio-philosophical overtones and give rise to their own thoughts. The poet's desire to reveal the deep layers of social reality and human nature is distinguished by its ideological scope and poetic innovation. In addition to the subtle lyricism that penetrates deep into the human soul, epic poetry is clearly visible in his works, mixed with lofty thoughts and sharp civic wisdom. This article highlights the themes, ideological and artistic features of the poetry of the famous Kazakh poet Svetkali Nurzhan. Various themes in the poet's poems are depicted in a broad artistic and ideological manner. The poet's poetry is analyzed through the concepts of the Great Steppe and the native land, which are the main conceptual core and invariable poetic orientation of the poet's work. Whatever topic the poet approaches, it is noted that he sings from the standpoint of the national spirit and national identity, Kazakh traditions, from the point of view of his civic position. The poet brings his unique character and thoughts into his lyrical character, thereby revealing his poetic personality. On specific examples, it is proved that the images, captivating the reader and evoking the real thought and reality of life, philosophical thought, leading to deep reflection, reveal the poetic individuality of the author and show the originality of his poetry.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

29

Xing, Yijun, und Yipeng Liu. „Poetry and Leadership in Light of Ambiguity and Logic of Appropriateness“. Management and Organization Review 11, Nr. 4 (29.07.2015): 763–93. http://dx.doi.org/10.1017/mor.2015.18.

Der volle Inhalt der Quelle

Annotation:

ABSTRACTThis paper explores the relationship between poetry and leadership – in particular, how business leaders might leverage poetry in practice. Drawing on the theoretical lenses of logic of appropriateness and ambiguity, we suggest a conceptual model to understand the multilayered meaning of poetry, noting that poetry has four layers of meaning: the superficial meaning, the poet's evocative meaning, the reader's recasting into a modern situation, and the recipient's interpretation. Using the storytelling research method, we collected leadership narrative stories that indicate poetry as an effective communication tool in practicing leadership. From these data, we identify four approaches that leaders use to apply the multilayered meaning of poetry in contemporary business practice: drawing lessons from poets' experience through critical interpretation of the poem, inspiring leaders' heroic spirits, guiding leaders' rules of behavior, and adopting poetry as a tactic to influence others. Our study contributes to the argument of ambiguity as a source of intelligence and illuminates how poetry as an artistic form of story facilitates contemporary leadership practice in light of the logic of appropriateness framework.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

30

TANIK, Hilal. „Enderunlu Hasan Yâver'in Şiir Anlayışı“. International Journal of Social Sciences 8, Nr. 34 (22.05.2024): 241–55. http://dx.doi.org/10.52096/usbd.8.34.14.

Der volle Inhalt der Quelle

Annotation:

Poetics includes a poet's individual views on poetry or poetry, as well as a scientific field. In Dîvân literature, the poetics of the poet are not expressed in a precise language. The poet usually deals with information about his poetry and understanding of poetry in his poetry. In this study, the 18th century, which has an important place in classical Turkish literature. The poetics of the poet of the century, Hasan Yâver of Enderun, was tried to be explained by processing it based on ten couplets. First of all, the elements related to the understanding of poetry in Dîvân were identified, and the relevant couplets were registered. The plugged couplets are listed under the relevant items and examined and explained respectively under sub-headings. In each title, first of all, information about the article is given, what the substance means in terms of poetics and how it is the subject of poetry is explained. Finally, the couplet about the article is given with the translation into prose. Keyword: Dîvân Literature, Poetics, Understanding of Poetry, Enderunlu Hasan Yâver

APA, Harvard, Vancouver, ISO und andere Zitierweisen

31

Dahami, Yahya Saleh Hasan, und Abdullah Al Ghamdi. „MUA'LLAGAT ZOHAYR IBN ABI SOLMA: ELEGANT PIECE OF ARABIC POETRY (1)“. International Journal of Applied Research in Social Sciences 3, Nr. 1 (29.03.2021): 1–11. http://dx.doi.org/10.51594/ijarss.v3i1.208.

Der volle Inhalt der Quelle

Annotation:

Zohayr ibn Abi Solma is identified as an eminent poet who produced poetry distinguished with preeminence in courtly and virtuous love. The study employs an analytical and critical methodology, attempting to elucidate the influence of virtuous love narrated by the poet in the first verse lines of his great Mua'llagah. It commences with a terse introductory synopsis shedding light on the importance of classical Arabic and its involvement with poetry. The paper attempts to prove, via the poetry of Zohayr ibn Abi Solma, the greatness of the Arabic classical poetry and demonstrate the aptitudes of the poet through his Mua'llagah. It is divided into four main parts. The first part deals with the greatness of the Arabic language then it moves to the second section that focuses on Arabic Poetry: Treasure of Wisdom. The third one sheds light on the poet's 'The Man and the Poet', and the last main part goes with an analytical and critical endeavor of the first ten verse lines of Al-Mua'llagah of Zohayr. It comes to an end with a conclusion. Keywords: Arabic Literature, Arabic Poetry, Courtly Love Poetry, Courteous Arabic Poetry, Umm Awfa, Virtuous Poetry.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

32

Xu, Bao-yu. „Tang Poetry Hermeneutics in Korean Poetic Discourse“. Society for Chinese Humanities in Korea 84 (31.08.2023): 155–70. http://dx.doi.org/10.35955/jch.2023.08.84.155.

Der volle Inhalt der Quelle

Annotation:

Koreans have adopted a variety of methods in the interpretation of Tang poetry, among which the five aspects of interpretaion of poetry by Chinese classics(以經解詩), Neo-Confucianism(以理解詩), other Tang poetry(以唐解唐), dialect slang and customs(以方言风俗解詩), and personal experience are the most distinctive. The interpretation of poetry by Chinese classics shows the role of Confucian classics such as the Book of Poetry in regulating and restraining poetry, highlighting the complex and insoluble relationship between scripture and literature. Some neo-Confucianism had a hostile attitude towards literature, believing that literature was harmful, such as Er-Cheng(二程), and some neo-Confucianism had a tolerant attitude towards literature, such as Zhu Xi(朱熹). This had also created some characteristics of Koreans in understanding poetry. Interpreting poetry in dialect slang and customs brought Tang poetry into the Korean context, and tried to interpret Tang poetry regionally with its own social customs and linguistic environment, which could indeed increase and expand the ways and methods of interpretation, but it also made some misunderstandings because it was separated from the specific environment created by Tang poetry. On the contrary, the interpretation of poetry by experiencing it was somewhat in the spirit of textual research in Qing Dynasty, and the interpreter only felt some emotions and even facts in Tang poetry after experiencing certain scenes or events personally, so as to better experience the charm of Tang poetry, which can be said to be a step further in the hermeneutics of Tang poetry. There are also some foreseeable problems in the methods used by Koreans in interpreting Tang poetry, such as curious interpretation, overinterpretation, etc., which existed in Chinese poetics, and also existed in Korean poetics. If it can be rooted in the local environment of Chinese poetics, combined with the interpretive experience of Koreans, and reasonable speculation and deduction within the limits of interpretation, Korean Tang poetry hermeneutics still has important academic historical value, especially as an exotic eye, Korean poetics criticism of China should attract the attention of Chinese scholars.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

33

Dahami, Yahya Saleh Hasan. „Home in the Poetry of Saudi Arabia Poets: Abdus-Salam Hafeth an Example of a Distinguished Arab (3)“. Ihya al-Arabiyah: Jurnal Pendidikan Bahasa dan Sastra Arab 8, Nr. 2 (31.12.2022): 14. http://dx.doi.org/10.30821/ihya.v8i2.12118.

Der volle Inhalt der Quelle

Annotation:

<p>With particular reference to the Saudi poet Abdus-Salam Hashem Hafeth, this study tries to shed light on some literary characteristics of modern Saudi Arabic poetry. It specifically focuses on the concept of homeland as an illustration of the status of modern Saudi Arabic poetry. One may argue that Arabic poetry is in a good place right now among Arab authors, critics, and poets. By using the poet's magnificent city as a representation of his affection for his big country, the Kingdom of Saudi Arabia, the researcher attempts to demonstrate the poet's intelligence by showing his gorgeous city as a symbol of his love.</p><p>An introduction starts the study, then, it analyzes the subtitle Arabic Poetry: The Tongue of the Arabs. Afterward, a brief analysis of Glimpse at Eternal Saudi Poetry and the Conception of Home in Saudi Poetry. The study's primary section employs a critical-analytical method to evaluate Abdus-Salam Hafeth's poem Nostalgia, Oh My Home. The examination of the poem concentrates on the idea of home as its central theme and covers verse lines nine through eleven. Finally, the research comes to a brief conclusion with some remarks.</p>

APA, Harvard, Vancouver, ISO und andere Zitierweisen

34

Obaid Najm, Assistant Professor Dr Muneer. „Poetic Lexicon At Andalusia Feminist Poetry“. Psychology and Education Journal 58, Nr. 1 (01.01.2021): 3393–403. http://dx.doi.org/10.17762/pae.v58i1.1277.

Der volle Inhalt der Quelle

Annotation:

Every poet has a set of vocalizations that he used to use in his poetry until it became his own stylistic feature, and Ibn Rashiq Al-Qayrawani referred to this idea in his saying, “The well-known poets are well-known and familiar examples that the poet should not prepare nor use any other” (1). Each poet has his own language that distinguishes him from other poets, and they are multi-cultural and literary. They take care of it, as it represents the basic element of building poetry. Lexical even carries a great aura of synonym It has congeners (2), for each creative product has its own linguistic texture in which the poet uses a special use in what his spiritual experience interacts with and intensifies in its accomplishment of his artistic ability and his philosophy of using language to reveal the spirit of renewal and the power of poetic (3), and by this, he may come out with words from Its established nature with its frozen dictionary conditions to a new nature imposed on it by the development of meanings and connotations that the poetic experience underwent in the same poet was subjected to formulate his poetic experience, realizing in the same reader and listener a delicious presence and repercussion (4), and the skillful poet is the one who can formulate from the word what he wants and give it Hair heat. The headmaster of the poetic dictionary of the Andalusian poet finds that the word varies with the contrast of the subject that you are dealing with. For example, spinning requires words characterized by tenderness and sweetness, while rough preaching requires a luxurious sentence and the situation with praise, and if we find that the Andalusian poet has participated in most poetry arts and recorded thin poems in Most of its doors were used to flirt with a man just as it does in a man, and they were praised, spoiled and inherited in a manner similar to that of the man (5). Therefore, we found it appropriate to address the feminist Andalusian poetic lexicon, according to the purposes that the Andalusian poet addressed and became famous for.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

35

Kozhashev, Mukhit. „Zhambyl’s Poetic Art: Formation and Poetry“. Bulletin of L.N. Gumilyov Eurasian National University. Philology Series 129, Nr. 4 (2019): 53–60. http://dx.doi.org/10.32523/2616-678x-2019-129-4-53-60.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

36

Adeleke, Duro. „Poetic Exploration of Obasa’s Prolegomenous Poetry“. Yoruba Studies Review 5, Nr. 1 (21.12.2021): 1–43. http://dx.doi.org/10.32473/ysr.v5i1.130057.

Der volle Inhalt der Quelle

Annotation:

Mere mentioning of poetics often ignites the memory of Aristotle whose admiration is hinged on the elegance and clarity of his style in poetics. Tis is as a result of the historic influence of poetics or aesthetics as well as the quality of its thought. Tus, poetics is not devoid of philosophical nuances. Based on this premise, an attempt is made here to explore the poetic strands in Obasa’s trilogy, wherein Yorubá proverbs are strung together. The paper, therefore, considers aesthetic category of artistic mimesis, intertextuality and components of all diction alongside stylistic elements because the principal task of poetics is to measure its legitimate domain in language. Tus, it is averred that literature depends on linguistic structure for its existence since language is the substance of literature (in our own instance, poetry). The essay adopts an eclectic theoretical approach since Obasa’s craftsmanship and subject-matter span an avalanche of forms and structures imbued with stylistic features. Primary data are largely drawn from his anthologies which facilitate the content analysis. In its findings, the paper has brought to the fore the fact that Obasa employed adaptation and mimesis in his presentation creatively, ̣ while different stylistic elements in his trilogy are replete with deviation. An attempt is made to bring into bold relief the suggestion that metaphor forms the hub of all other tropes that give grandeur to poetics in Obasa.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

37

Jackson, Virginia Walker. „American Victorian Poetry: The Transatlantic Poetic“. Victorian Poetry 43, Nr. 2 (2005): 157–64. http://dx.doi.org/10.1353/vp.2005.0023.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

38

Serote, Mongane Wally. „Post‐Sharpeville poetry: A poet's view“. Third World Quarterly 10, Nr. 4 (Oktober 1988): 1600–1606. http://dx.doi.org/10.1080/01436598808420127.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

39

Park, Sun-Young. „A Study on the Water Image of Kim Jong-sam's poetry and its Educational Significance“. Korean Association For Learner-Centered Curriculum And Instruction 22, Nr. 22 (30.11.2022): 675–95. http://dx.doi.org/10.22251/jlcci.2022.22.22.675.

Der volle Inhalt der Quelle

Annotation:

Objectives This study examines the orientation of the poet's world of consciousness by analyzing the transformation and implementation of the water image that penetrates Kim Jong-sam's poetry, and examines its educational significance in connection with the university's poetry education. Methods To this end, this paper took a phenomenological position to reveal the orientation of consciousness through poetic objects, and analyzed the transformation and implementation of the water image in Kim Jong-sam’s poetry in terms of Gaston Bachelard's conscious phenomenology. Furthermore, it aims to explore the educational significance that can be obtained when applying this to the poetry education of college students. Results As a result of the study, the “water” image, which is variously transformed in Kim Jong-sam’s poetry, showed three transition patterns: the transition from “rotten water” to “pure water,” the transition from “tough water” to “burning water,” and the transition from “dead water” to “maternal water.” Through this, it was possible to comprehensively grasp the consciousness orientation of poet Kim Jong-sam, who lost absolute paradise and longed for an ideal world in his thirst. In addition, it was examined that when used for college students' poetry education, it can have significant educational effects such as cultivating aesthetic sensitivity, enhancing creative imagination, cultivating flexibility in thinking, and expanding the possibility of communication and communication with the world. Conclusions This paper is meaningful in that it examines the transformation and implementation of water image in Kim Jong-sam's poetry to comprehensively clarify the poet's orientation, and further examines its educational significance to seek application points for college students' poetry education.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

40

Patmawati, Leni, Sumiharti Sumiharti und Sujoko Sujoko. „ANALISIS CITRAAN PENGLIHATAN DALAM ANTOLOGI PUISI DI HADAPAN RAHASIA KARYA ADIMAS IMMANUEL“. Aksara: Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia 2, Nr. 1 (07.05.2018): 159. http://dx.doi.org/10.33087/aksara.v2i1.45.

Der volle Inhalt der Quelle

Annotation:

This research is intended to decribe imagery that is found in Poetry Anthology Di Hadapan Rahasia by Adimas Immanuel. The method of this research is descriptive by using content analysis. The sourec of the data is pramary and secondary data. In this research, the primary data is taken from the sequence of beutiful words that have a meaning and visual imagery in their every linein Poetry Anthology in Di Hadapan Rahasia by Adimas Immanuel. The secondary data is taken from books and literature. Based on the result of the research, it can be concluded that there are 30 imagery in the poetry written by Adimas Immanuel. The types of the imagery is follows: (1) 4 visual imagery. Thus, imagery is one of the way that can be used in identifying a poetry.Key words: imagery,poetryi,poetry anthology

APA, Harvard, Vancouver, ISO und andere Zitierweisen

41

P, Vinthiya Gowri. „Realism in the Poems of A.S.M. Muniandi“. International Research Journal of Tamil 4, S-7 (30.07.2022): 324–34. http://dx.doi.org/10.34256/irjt22s752.

Der volle Inhalt der Quelle

Annotation:

Literature is a life experience. Modern Tamil poetry inspires the thought of writing freely. Tamil poetry is broadly divided into two types: classical (i.e., Marabu Kavithai) and modern (i.e., Puthu Kavithai). Modern poetry has freed itself from the shackles of grammar. It has a wide range of songs. The definitions of poetry are new. He realised that poetry of experience, the poetry of longing, the poetry of longing, the poetry of anger, poetry of hope, the poetry of wisdom, and Tamil poetry will come, and he knows life and sings in Tamil. He has written a wonderful poem saying that God and poetry are one. He has created poetry, understanding that in modern times, there is more falsehood and less truth in man. The poet has established through his poems that realism is the aesthetic of modern times. In the poem, the poet's imagination can realize the promise of the candidate. He emphasises that those who want to make a career in life should first know themselves. Prayer is the highest, but that alone does not make a man live. He says, "Charity is needed and gives importance to actions with humanity." In his new poem, thinking of Buddha, he has created the life of people in Kaliyuga as it is. Through poetry, he criticises the people who live as uncivilised people because of the TV craze. While voicing support for religious harmony and world peace, it highlights the violence happening in the country. The aim of the article is to attempt to express the feelings and the community, which is emphasised in Muniandi's poems. The uniqueness of the poet is that he not only praises the height of love but also sings about the other side of love.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

42

Paramita Susanti, Wahyuni Kusumadewi und Otin Otin. „Analisis Penggunaan Gaya Bahasa dalam Buku Antologi Puisi 16 Penyair Memeluk Bumi“. Pragmatik : Jurnal Rumpun Ilmu Bahasa dan Pendidikan 2, Nr. 2 (24.04.2024): 165–73. http://dx.doi.org/10.61132/pragmatik.v2i2.558.

Der volle Inhalt der Quelle

Annotation:

Poetry is a type of literary work that expresses the emotions, ideas and contents of the poet's heart. Poetry usually expresses its contents using linguistic types. The aim of this research is to provide a detailed description of the language style used in the poetry anthology book 16 Poets Embrace the Earth. A qualitative descriptive approach was used. The book 16 Poets Hugging the Earth by Rayakultura was used as the data source. Data collection methods, including collecting and examining written data on poetry, were used to conduct data analysis. Data reduction is also used in processing the data to classify and identify the language styles contained in the poetry. The results of the research show that the poetry in the book 16 Poets Hugging the Earth contains several language styles, namely the group of comparative and contradictory language styles. The several language styles found in the poem aim to move society to prioritize caring for and protecting the environment.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

43

POZHARYTSKA, Olena. „Generative poetry and remixed poetry as digital poetry genres“. Humanities science current issues 4, Nr. 35 (2021): 145–54. http://dx.doi.org/10.24919/2308-4863/35-4-21.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

44

Phillips, John W. P. „The Poetic Thing (On Poetry and Deconstruction)“. Oxford Literary Review 33, Nr. 2 (Dezember 2011): 231–43. http://dx.doi.org/10.3366/olr.2011.0019.

Der volle Inhalt der Quelle

Annotation:

Deconstruction has sometimes been championed as if it was a kind of poetic (as opposed to say analytic) writing. The identification has encouraged some to relegate deconstruction to the shadows or sidelines, the sideshows, of serious philosophy. Both tendencies are foolish. There nonetheless remains the question of the relation between two enigmatic discourses: poetry and deconstruction; some deep complicity is surely implied. Reading in the texts of philosophy and poetry the adventure and performance of the names themselves, philosophy, poetry and deconstruction, it is possible to outline the consistency of a logic, according to which: as poetry must have its thing, so too must deconstruction; and philosophy would be deconstruction's poetic thing. The common ground (of poetry and deconstruction) would be the photograph (in ancient and modern senses) recording the loss of what disappears into its appearance. After deconstruction philosophy can therefore only be accomplished otherwise, not as poetry, but as a poetic thing.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

45

Intekhab, Sadia. „Exploring the Intersection of Feminist and Psychoanalytic Theory in the Confessional Poetry of Anita Nair and Kamala Das“. East Asian Journal of Multidisciplinary Research 2, Nr. 10 (04.11.2023): 4321–30. http://dx.doi.org/10.55927/eajmr.v2i10.5552.

Der volle Inhalt der Quelle

Annotation:

The genre of confessional poetry is defined by the poet's personal and frequently extremely emotional experiences. It first appeared in the middle of the 20th century and is characterised by a personal tone and the first-person point of view. This paper shall examine the confessional elements in the poetry of two prominent Indian poets, Anita Nair and Kamala Das, through a feminist and psychoanalytic perspective. In order to examine themes of love, relationships, and identity in their poetry, Nair and Das use personal experiences, emotions, and thoughts in their poems. The paper will examine the intricate power relationships between men and women underlying Nair and Das' poetry. The paper will emphasise the complex intersection of gender, power, and personal experience that underlies Anita Nair's and Kamala Das's poetry through an analysis of the confessional elements in their works.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

46

Lestari, Wahyu Fajar, Edi Suryanto und Sugit Zulianto. „PENDEKATAN STRUKTURALISME PADA PUISI “GUGUR” KARYA W.S. RENDRA (KAJIAN APRESIASI PUISI)“. Jurnal Kata : Bahasa, Sastra, dan Pembelajarannya 11, Nr. 1 (2023): 165–81. http://dx.doi.org/10.23960/kata/v11i1.2023.18.

Der volle Inhalt der Quelle

Annotation:

Poetry is a literary work that generally contains expressions of a poet's feelings wrapped in beautiful diction and accompanied by a meaningful style of language. To understand, appreciate, and appreciate a poem specifically, it is necessary to study poetry, of course, by involving a certain approach. One approach that can be used to study poetry is the structuralism approach. Structuralism approach is an approach that emphasizes more on the study of the building elements of the poem itself. In this case, a poem is considered as a unified whole. Furthermore, in this study, the poem that will be analyzed is the poem "Gugur" by W.S. Rendra. W.S. Rendra is an Indonesian poet, playwright, actor and theater director. Since he was young, he has been involved in writing poetry, drama scenarios, short stories, and writing literary essays for various mass media. The research method used is descriptive qualitative using a structural approach. Meanwhile, the purpose of this research is to examine the poem "Gugur" by W.S. Rendra uses a structuralism approach based on the physical elements of poetry and the inner elements of poetry. The physical elements of poetry include diction, rhyme, typography, imagery, concrete words, and language style. Meanwhile, the inner elements of poetry include theme, tone and atmosphere, message, and taste.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

47

Varenko, Tatyana, und Anna Rohozha. „POETRY. ABOUT TATYANA VARENKO’S POETRY“. Astraea 2, Nr. 2 (2021): 158–59. http://dx.doi.org/10.34142/astraea.2021.2.2.10.

Der volle Inhalt der Quelle

Annotation:

Tatyana Varenko’s poetry is enchanting and inspiring. It reads like a song while gently touching upon what is important in life. Thus, for instance, her Awesome World is a reminder that the world around us is a wonderful place to live in and to enjoy every bit of it. In our busy bustling problem filled life, it is a call to remember that happiness can be found even in simple pleasures and tiny things. All it takes is merely looking around and treating everything this world has to offer with the same fascination and awe a child would.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

48

Pedrosa, Celia, und Patricia Lavelle. „Poetry and musing: philosophising poetry“. Gragoatá 27, Nr. 57 (20.01.2022): 5–15. http://dx.doi.org/10.22409/gragoata.v27i57.52893.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

49

De Regt, Lénart J. „Translating Biblical Poetry as Poetry“. Między Oryginałem a Przekładem 27, Nr. 3(53) (21.09.2021): 103–16. http://dx.doi.org/10.12797/moap.27.2021.53.06.

Der volle Inhalt der Quelle

Annotation:

After an introduction into translating biblical poetry as a new communication event in the target culture (and not as a documentation of a source culture event), an analysis is made of a Dutch poetic translation of Psalms 23 and 121 and a Frisian poetic translation of Psalm 23. Of the poetic features and means of expression in these translations, Dutch and Frisian patterns ofmeter are the most important. When a poetic translation of biblical poetry follows genre conventions of the target language and culture (rather than attempting but failing to reproduce the poetic features of the source text), such a translation is able to generate a new, direct communication event that reduces the distance between the hearer/receiver of the target culture and the text of the source culture. Such a translation engages the hearer more effectively in responding to the text, because the poetic features of the target language facilitate the expressive, appellative and phatic functions of the communication. This should be an encouragement to translators to render different types of biblical poetry into different genres and poetic patterns of the target language that will actually fit the subject matter of the text into the context of the target culture.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

50

McConnell, Robin. „Poetry, Poets, and Poetry Teachers“. Set: Research Information for Teachers, Nr. 2 (01.08.1991): 1–6. http://dx.doi.org/10.18296/set.1056.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Zeitschriftenartikel zum Thema „Poetry“

Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an