Zeitschriftenartikel zum Thema „Poetry Authorship“
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Gómez-Bravo, Ana M. „«Female (co)authorship in Cancionero Poetry»“. Revista de Literatura Medieval 30 (31.12.2018): 153–72. http://dx.doi.org/10.37536/rpm.2018.30.0.74048.
Frishkopf, Michael. „Authorship in Sufi Poetry“. Alif: Journal of Comparative Poetics, Nr. 23 (2003): 78. http://dx.doi.org/10.2307/1350077.
Siebenpfeiffer, Hania. „Sibylle – Clio – Thalia. Inszenierungen mythopoetischer Autorschaft im Titelkupfer und in Gedichten von Sibylla Schwarz“. Daphnis 44, Nr. 1-02 (21.07.2016): 199–222. http://dx.doi.org/10.1163/18796583-04401010.
Zhou, Ai, Yijia Zhang und Mingyu Lu. „Multidimensional Domain Knowledge Framework for Poet Profiling“. Electronics 12, Nr. 3 (28.01.2023): 656. http://dx.doi.org/10.3390/electronics12030656.
Nagy, Gregory. „Authorisation and Authorship in the Hesiodic Theogony“. Ramus 21, Nr. 02 (1992): 119–30. http://dx.doi.org/10.1017/s0048671x00002599.
Mañas, Amelia R. „Repositorios de poder: la poesía visual en México colonial:Repositories of Power: Visual Poetry in Colonial Mexico“. Calíope 27, Nr. 2 (01.10.2022): 203–30. http://dx.doi.org/10.5325/caliope.27.2.0203.
Robinson, Fred C. „Old English Poetry: The Question of Authorship“. ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 3, Nr. 2 (April 1990): 59–64. http://dx.doi.org/10.1080/19403364.1990.11755240.
Helgeson, James. „Poetic Deictics and Extra-Textual Reference (Mallarmé, Scève, Ronsard, Du Bellay)“. Nottingham French Studies 56, Nr. 3 (Dezember 2017): 351–65. http://dx.doi.org/10.3366/nfs.2017.0196.
Hauser, Emily. „Erica Jong’s Sappho’s Leap:(Re-)constructing Gender and Authorship through Sappho“. Synthesis: an Anglophone Journal of Comparative Literary Studies, Nr. 12 (08.11.2020): 55. http://dx.doi.org/10.12681/syn.25258.
Fang, Alex C., Wan-yin Li und Jing Cao. „In search of poetic discourse of classical Chinese poetry“. Chinese Language and Discourse 2, Nr. 2 (21.12.2011): 232–49. http://dx.doi.org/10.1075/cld.2.2.04fan.
Naaman, Erez. „Authorship and Unity of the Classical Arabic Poem through the Lens of Collaborative Composition“. Arabica 67, Nr. 1 (21.05.2020): 1–59. http://dx.doi.org/10.1163/15700585-12341558.
Othman, Arbak. „Malay Authorship in Landskap Ungu: From Artistic Source to Intellectual Impact“. Malay Literature 30, Nr. 1 (01.06.2017): 140–58. http://dx.doi.org/10.37052/ml.30(1)no6.
Sarumi, Kahar Wahab. „Nationalism in Modern Arabic Poetry of Yoruba Authorship“. International Journal of Literary Humanities 15, Nr. 3 (2017): 21–33. http://dx.doi.org/10.18848/2327-7912/cgp/v15i03/21-33.
Ahmed, Al-Falahi, Ramdani Mohamed und Bellafkih Mostafa. „Arabic Poetry Authorship Attribution using Machine Learning Techniques“. Journal of Computer Science 15, Nr. 7 (01.07.2019): 1012–21. http://dx.doi.org/10.3844/jcssp.2019.1012.1021.
Ahmed, Al-Falahi, Ramdani Mohamed und Bellafkih Mostafa. „Machine Learning for Authorship Attribution in Arabic Poetry“. International Journal of Future Computer and Communication 6, Nr. 2 (2017): 42–46. http://dx.doi.org/10.18178/ijfcc.2017.6.2.486.
Müller-Tamm, Jutta. „The Mask in Verse. Imaginary Poets and Their Autobiographical Poetry (Jan Wagner, Die Eulenhasser in den Hallenhäusern)“. European Journal of Life Writing 10 (09.07.2021): SV13—SV32. http://dx.doi.org/10.21827/ejlw.10.37637.
Septia, Emil, Silvia Marni und Armet Armet. „REPRESENTASI NILAI RELIGI DAN KEPENGARANGAN PUISI-PUISI KARYA TAUFIK ISMAIL“. Poetika 7, Nr. 1 (30.07.2019): 32. http://dx.doi.org/10.22146/poetika.v7i1.43493.
Pisciurnikova, E., und A. Šela. „Works by Afghan Classical Poet ‘Abd al-Hamid Momand: Stylometric Results“. Manuscripta Orientalia. International Journal for Oriental Manuscript Research 27, Nr. 2 (Dezember 2021): 63–68. http://dx.doi.org/10.31250/1238-5018-2021-27-2-63-68.
Kennedy, William J., und Dennis Kezar. „Guilty Creatures: Renaissance Poetry and the Ethics of Authorship“. Sixteenth Century Journal 34, Nr. 3 (01.10.2003): 890. http://dx.doi.org/10.2307/20061602.
IBRAHIM, ROSNANI, MUAMMAR GHADDAFI HANAFIAH und SHAIFU BAHRI MD RADZI. „SYAIR DIRAJA MELAYU PERAK-JOHOR ERA KONTEMPORARI: SATU PERBANDINGAN KEPENGARANGAN (Royal Syair in the Contemporary Era of Perak-Johor: Comparison of Authorship)“. MALIM: JURNAL PENGAJIAN UMUM ASIA TENGGARA (SEA JOURNAL OF GENERAL STUDIES) 22, Nr. 1 (20.11.2021): 290–307. http://dx.doi.org/10.17576/malim-2021-2201-22.
Blaine, Marlin. „George Jeffreys’s Translation of a Latin Epigram on Casimire and Hosschius’s Elegy on Sarbiewski“. Humanistica Lovaniensia 70, Nr. 1 (25.10.2021): 141–48. http://dx.doi.org/10.30986/2021.141.
Brown, Robert. „Three Latin Poems Doubtfully Attributed to Samuel Johnson“. Humanistica Lovaniensia 70, Nr. 1 (25.10.2021): 97–114. http://dx.doi.org/10.30986/2021.97.
Jackson, Kenneth S. „Guilty Creatures: Renaissance Poetry and the Ethics of Authorship (review)“. Shakespeare Quarterly 54, Nr. 2 (2003): 212–14. http://dx.doi.org/10.1353/shq.2003.0072.
DuPlessis, Rachel Blau. „Agency, social authorship, and the political aura of contemporary poetry“. Textual Practice 23, Nr. 6 (Dezember 2009): 987–99. http://dx.doi.org/10.1080/09502360903361592.
González Alva, Rafael. „Tres rasgos estilísticos de la Hernandia (1755): hacia una identidad americana“. Literatura Mexicana 33, Nr. 1 (06.03.2022): 9–47. http://dx.doi.org/10.19130/iifl.litmex.2022.33.1.7122x11.
Plecháč, Petr, Klemens Bobenhausen und Benjamin Hammerich. „Versification and authorship attribution. A pilot study on Czech, German, Spanish, and English poetry“. Studia Metrica et Poetica 5, Nr. 2 (28.01.2019): 29–54. http://dx.doi.org/10.12697/smp.2018.5.2.02.
Azizah, Amany Nurul, und Abdul Basid. „The Poetry Anthology Ar-Robi fii qalbi by Sofi Ghoniyah: A Sociology of Author Perspective“. International Journal of Literature Studies 2, Nr. 2 (02.09.2022): 20–28. http://dx.doi.org/10.32996/ijts.2022.2.2.3.
Balać, Jelena Marićević. „Anonimna poezija u srpskoj književnosti 18. veka“. Kultura Słowian Rocznik Komisji Kultury Słowian PAU 18 (09.11.2022): 271–80. http://dx.doi.org/10.4467/25439561ksr.22.021.16373.
Samin, Nadav. „Poetry, Magic, and the Formation of Wahhabism“. Journal of the Economic and Social History of the Orient 65, Nr. 1-2 (18.02.2022): 1–26. http://dx.doi.org/10.1163/15685209-12341561.
Kern, Martin. „Authorship and the Shijing | Fate and Heroism in Early Chinese Poetry“. L’annuaire du Collège de France, Nr. 111 (01.04.2012): 887–90. http://dx.doi.org/10.4000/annuaire-cdf.1785.
Hammerschmidt, Sören. „Social Authorship and the Mediation of Memory in Anne Grant’s Poetry“. European Romantic Review 30, Nr. 2 (04.03.2019): 199–220. http://dx.doi.org/10.1080/10509585.2019.1582417.
Vayntrub, Jacqueline. „Before Authorship: Solomon and Prov. 1:1“. Biblical Interpretation 26, Nr. 2 (07.05.2018): 182–206. http://dx.doi.org/10.1163/15685152-00262p03.
Aquilina, Mario. „The Event of Style in Shakespeare's Sonnets“. Oxford Literary Review 37, Nr. 1 (Juli 2015): 119–39. http://dx.doi.org/10.3366/olr.2015.0153.
Priventa, Hendrike. „AESTHETIC VALUE IN TITLE IN “HUJAN BULAN JUNI” BY SAPARDI DJOKO DAMONO AND “MALAIKAT JUGA TAHU” BY DEWI LESTARI“. Multilingual 19, Nr. 2 (19.12.2020): 174–82. http://dx.doi.org/10.26499/multilingual.v19i2.166.
Kern, Martin. „“XI SHUAI” 蟋蟀 (“CRICKET”) AND ITS CONSEQUENCES: ISSUES IN EARLY CHINESE POETRY AND TEXTUAL STUDIES“. Early China 42 (2019): 39–74. http://dx.doi.org/10.1017/eac.2019.1.
Borkent, Mike. „At the Limits of Translation? Visual Poetry and Bashō’s Multimodal Frog“. Translation and Literature 25, Nr. 2 (Juli 2016): 189–212. http://dx.doi.org/10.3366/tal.2016.0246.
Bernsdorff, Hans. „P.Oxy. 4711 And The Poetry Of Parthenius“. Journal of Hellenic Studies 127 (November 2007): 1–18. http://dx.doi.org/10.1017/s0075426900001580.
Drozdov, V. A. „The authorship of the poem ‘Ushshaq-nama from the prospect of academic orientalist studies and modern computer technologies“. Orientalistica 3, Nr. 5 (29.12.2020): 1360–78. http://dx.doi.org/10.31696/2618-7043-2020-3-5-1360-1378.
Fata, Frank, und Olivia Holmes. „Assembling the Lyric Self: Authorship from Troubadour Song to Italian Poetry Book“. Italica 78, Nr. 1 (2001): 99. http://dx.doi.org/10.2307/480226.
Hartung, Blake. „The Authorship and Dating of the Syriac Corpus attributed to Ephrem of Nisibis: A Reassessment“. Zeitschrift für Antikes Christentum / Journal of Ancient Christianity 22, Nr. 2 (03.09.2018): 296–321. http://dx.doi.org/10.1515/zac-2018-0033.
Frolova, N. S. „Swahili Poetic Tradition: Main Stages of Development (on Example of Tendi and Mashairi Genres)“. Nauchnyi dialog 11, Nr. 9 (01.12.2022): 227–51. http://dx.doi.org/10.24224/2227-1295-2022-11-9-227-251.
King’ei, Kitula. „Aspects of Autobiography in the Classical Swahili Poetry: Problems of Identity of Authorship“. Folklore: Electronic Journal of Folklore 16 (2001): 87–96. http://dx.doi.org/10.7592/fejf2001.16.swahili.
Cebrián, José. „Texto crítico del Hernán Cortés de Viera y Clavijo“. (an)ecdótica 6, Nr. 2 (30.06.2022): 9–50. http://dx.doi.org/10.19130/iifl.anec.2022.6.2.651x0021.
Tomadaki, Maria. „An unpublished poem on Porphyry“. Byzantinische Zeitschrift 111, Nr. 3 (01.09.2018): 777–92. http://dx.doi.org/10.1515/bz-2018-0021.
Merkle, Denise. „Language, politics, and the nineteenth-century French–Canadian official translator“. Beyond transfiction 11, Nr. 3 (07.11.2016): 436–56. http://dx.doi.org/10.1075/tis.11.3.07mer.
Kern, Martin. „Cultural Memory and the Epic in Early Chinese Literature: The Case of Qu Yuan 屈原 and the Lisao 離騷“. Journal of Chinese Literature and Culture 9, Nr. 1 (01.04.2022): 131–69. http://dx.doi.org/10.1215/23290048-9681189.
Müller, Juliane. „Planets in Alchemy“. Journal of Arabic and Islamic Studies 22 (01.03.2022): 1–30. http://dx.doi.org/10.5617/jais.9570.
Kotásek, Miroslav. „Terre I. Bl.: Ivan Blatný a (re)konstrukce jeho místa v české kultuře“. Slavica Wratislaviensia 173 (07.10.2020): 371–82. http://dx.doi.org/10.19195/0137-1150.173.30.
Williamson, Thea. „Authoring Selves in School: Adolescent Writing Identity“. Literacy Research: Theory, Method, and Practice 68, Nr. 1 (22.08.2019): 250–70. http://dx.doi.org/10.1177/2381336919870291.
Stuart-Thompson, Andrzej. „Ethically inclined models of authorship and lyric subjectivity in the poetry of Adília Lopes“. Elyra, Nr. 14 (2019): 19–47. http://dx.doi.org/10.21747/21828954/ely14a1.