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Thematische Bibliographien / Poetics – History – To 1500 / Zeitschriftenartikel

Zeitschriftenartikel zum Thema „Poetics – History – To 1500“

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Autor: Grafiati

Veröffentlicht am 27. Juli 2024

Zuletzt aktualisiert am 29. Juli 2024

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1

GONZÁLEZ-CASANOVAS, ROBERTO J. „WESTERN NARRATIVES OF EASTERN ADVENTURES: THE CULTURAL POETICS AND POLITICS OF CATALAN EXPANSION, 1300-1500“. Catalan Review: Volume 8, Issue 1-2 8, Nr. 1-2 (01.01.1994): 211–27. http://dx.doi.org/10.3828/catr.8.1.11.

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2

Solares, Blanca. „Figures androgynes de la Vieille Europe et du Mexique Ancien“. Caietele Echinox 42 (30.06.2022): 53–65. http://dx.doi.org/10.24193/cechinox.2022.42.04.

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The symbolic images of the persistent research for integration or synthesis of opposites have been expressed throughout history, in the myth and in an abundant set of plastic, poetic and literary works. In what follows, from some examples of the European Neolithic (7000-3500 B.C.) and the Pre-classic period of Ancient Mexico (2500-1500 B.C.), this symbolism of duality is emphasized as expression of the continuing human quest for completeness.

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3

Ledesma Alonso, Ricardo. „La lectura romántica de una fuente bajomedieval: la Crónica do Descobrimiento do Brasil de F. A. de Varnhagen como refiguración histórico-poética de la Carta a el-rey D. Manuel de Pêro Vaz de Caminha“. Vegueta. Anuario de la Facultad de Geografía e Historia 22, Nr. 2 (29.07.2022): 519–32. http://dx.doi.org/10.51349/veg.2022.2.08.

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La Crónica do Descobrimento do Brasil (1840) de F. A. de Varnhagen es estimada como uno de los textos fundadores de la narrativa de ficción brasileña. Este artículo argumenta que la Crónica fue redactada desde el horizonte del primer romanticismo portugués, bajo los supuestos del proyecto de re-figuración histórico-poética de fuentes medievales promovido por A. Herculano. Utilizando aportaciones de la teoría literaria sobre la novela histórica tradicional, se examinan las estrategias ficcionales que permitieron a Varnhagen apropiarse de la Carta a el-Rei D. Manuel (1500) de Vaz de Caminha y configurar una representación híbrida histórico-ficcional del descubrimiento portugués del Brasil. Crónica do Descobrimento do Brasil (1840) by F. A. de Varnhagen is considered one of the founding texts of Brazilian narrative fiction. This article argues that Crônica was written under the broad aegis of early Portuguese Romanticism, and more specifically A. Herculano’s historical-poetic refiguration of medieval sources. Drawing on literary theory of the traditional historical novel, the article examines Varnhagen‘s fictional strategies for appropriating Pêro Vaz de Caminha’s Carta a el-Rei D. Manuel (1500) in order to create a hybrid historical-fictional representation of the Portuguese discovery of Brazil.

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4

Soranzo, Matteo. „Giovanni Gioviano Pontano (1429–1503) on Astrology and Poetic Authority“. Aries 11, Nr. 1 (2011): 23–52. http://dx.doi.org/10.1163/156798911x546161.

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AbstractL'articolo esamina per quale ragione Giovanni Gioviano Pontano (1429–1503) ha spiegato in termini di causalità astrologica l'origine della sua autorità poetica, con lo scopo di illustrare un elemento di continuità tra Medioevo e Umanesimo. I testi presi in esame sono il poema Urania (scritto nel 1475–1494; stampato nel 1505), il dialogo Actius (scritto nel 1495–1499; stampato nel 1507), il commento al Centiloquio pseudotolemaico (scritto nel 1477; stampato nel 1512) e il trattato De Rebus Coelestibus (scritto nel 1475–1495; stampato nel 1512). Si sostiene che l'approccio astrologico all'autorità poetica di Pontano deriva dalla sua interpretazione del primo aforisma del Centiloquio, e che questa scelta era dettata dal tentativo di mettere in questione la teoria del furor poetico di Marsilio Ficino, le cui opere stavano diventando sempre più diffuse nel contesto della Napoli Aragonese alla fine del Quattrocento.

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5

Wade, Elizabeth I., und Sarah Westphal. „Textual Poetics of German Manuscripts, 1300-1500“. German Quarterly 69, Nr. 4 (1996): 441. http://dx.doi.org/10.2307/407998.

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6

TYBJERG, KARIN. „J. LENNART BERGGREN and ALEXANDER JONES, Ptolemy'sGeography: An Annotated Translation of the Theoretical Chapters. Princeton and Oxford: Princeton University Press, 2000. Pp. xiii+192. ISBN 0-691-01042-0. £24.95, $39.50 (hardback).“ British Journal for the History of Science 37, Nr. 2 (24.05.2004): 193–96. http://dx.doi.org/10.1017/s0007087404215813.

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J. Lennart Berggren and Alexander Jones, Ptolemy's Geography: An Annotated Translation of the Theoretical Chapters. By Karin Tybjerg 194Natalia Lozovsky, ‘The Earth is Our Book’: Geographical Knowledge in the Latin West ca. 400–1000. By Evelyn Edson 196David Cantor (ed.), Reinventing Hippocrates. By Daniel Brownstein 197Peter Dear, Revolutionizing the Sciences: European Knowledge and Its Ambitions, 1500–1700. By John Henry 199Paolo Rossi, Logic and the Art of Memory: The Quest for a Universal Language. By John Henry 200Marie Boas Hall, Henry Oldenburg: Shaping the Royal Society. By Christoph Lüthy 201Richard L. Hills, James Watt, Volume 1: His Time in Scotland, 1736–1774. By David Philip Miller 203René Sigrist (ed.), H.-B. de Saussure (1740–1799): Un Regard sur la terre, Albert V. Carozzi and John K. Newman (eds.), Lectures on Physical Geography given in 1775 by Horace-Bénédict de Saussure at the Academy of Geneva/Cours de géographie physique donné en 1775 par Horace-Bénédict de Saussure à l'Académie de Genève and Horace-Bénédict de Saussure, Voyages dans les Alpes: Augmentés des Voyages en Valais, au Mont Cervin et autour du Mont Rose. By Martin Rudwick 206Anke te Heesen, The World in a Box: The Story of an Eighteenth-Century Picture Encyclopedia. By Richard Yeo 208David Boyd Haycock, William Stukeley: Science, Religion and Archaeology in Eighteenth-Century England. By Geoffrey Cantor 209Jessica Riskin, Science in the Age of Sensibility: The Sentimental Empiricists of the French Enlightenment. By Dorinda Outram 210Michel Chaouli, The Laboratory of Poetry: Chemistry and Poetics in the Work of Friedrich Schlegel. By David Knight 211George Levine, Dying to Know: Scientific Epistemology and Narrative in Victorian England. By Michael H. Whitworth 212Agustí Nieto-Galan, Colouring Textiles: A History of Natural Dyestuffs in Industrial Europe. By Ursula Klein 214Stuart McCook, States of Nature: Science, Agriculture, and Environment in the Spanish Caribbean, 1760–1940. By Piers J. Hale 215Paola Govoni, Un pubblico per la scienza: La divulgazione scientifica nell'Italia in formazione. By Pietro Corsi 216R. W. Home, A. M. Lucas, Sara Maroske, D. M. Sinkora and J. H. Voigt (eds.), Regardfully Yours: Selected Correspondence of Ferdinand von Mueller. Volume II: 1860–1875. By Jim Endersby 217Douglas R. Weiner, Models of Nature: Ecology, Conservation and Cultural Revolution in Soviet Russia. With a New Afterword. By Piers J. Hale 219Helge Kragh, Quantum Generations: A History of Physics in the Twentieth Century. By Steven French 220Antony Kamm and Malcolm Baird, John Logie Baird: A Life. By Sean Johnston 221Robin L. Chazdon and T. C. Whitmore (eds.), Foundations of Tropical Forest Biology: Classic Papers with Commentaries. By Joel B. Hagen 223Stephen Jay Gould, I Have Landed: Splashes and Reflections in Natural History. By Peter J. Bowler 223Henry Harris, Things Come to Life: Spontaneous Generation Revisited. By Rainer Brömer 224Hélène Gispert (ed.), ‘Par la Science, pour la patrie’: L'Association française pour l'avancement des sciences (1872–1914), un projet politique pour une société savante. By Cristina Chimisso 225Henry Le Chatelier, Science et industrie: Les Débuts du taylorisme en France. By Robert Fox 227Margit Szöllösi-Janze (ed.), Science in the Third Reich. By Jonathan Harwood 227Vadim J. Birstein, The Perversion of Knowledge; The true Story of Soviet Science. By C. A. J. Chilvers 229Guy Hartcup, The Effect of Science on the Second World War. By David Edgerton 230Lillian Hoddeson and Vicki Daitch, True Genius: The Life and Science of John Bardeen, the Only Winner of Two Nobel Prizes in Physics. By Arne Hessenbruch 230Stephen B. Johnson, The Secret of Apollo: Systems Management in American and European Space Programs, John M. Logsdon (ed.), Exploring the Unknown: Selected Documents in the History of the U.S. Civil Space Program. Volume V: Exploring the Cosmos and Douglas J. Mudgway, Uplink-Downlink: A History of the Deep Space Network 1957–1997. By Jon Agar 231Helen Ross and Cornelis Plug, The Mystery of the Moon Illusion: Exploring Size Perception. By Klaus Hentschel 233Matthew R. Edwards (ed.), Pushing Gravity: New Perspectives on Le Sage's Theory of Gravitation. By Friedrich Steinle 234Ernest B. Hook (ed.), Prematurity in Scientific Discovery: On Resistance and Neglect. By Alex Dolby 235John Waller, Fabulous Science: Fact and Fiction in the History of Scientific Discovery. By Alex Dolby 236Rosalind Williams, Retooling: A Historian Confronts Technological Change. By Keith Vernon 237Colin Divall and Andrew Scott, Making Histories in Transport Museums. By Anthony Coulls 238

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7

Hessus (book author), Helius Eobanus, Harry Vredeveld (book editor and translator) und John Considine (review author). „Poetic Works 1: Student Years at Erfurt, 1504-1509“. Renaissance and Reformation 40, Nr. 2 (01.01.2004): 138–39. http://dx.doi.org/10.33137/rr.v40i2.9024.

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8

Steimatsky, Noa. „Cinema’s poetics of history“. Modern Italy 22, Nr. 2 (Mai 2017): 105–22. http://dx.doi.org/10.1017/mit.2017.19.

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In the movie theatre, history risks drowning in sensory response, in pleasure, or in shock. Yet the cinema can also contribute to a special knowledge of history. Cutting across genres and modes of filmmaking, exploring the effects of duration, gesture, movement, mise-en-scène, framing and editing, recognising affective connotations and the intricacy of figural-poetic devices, this article weighs the impact of the senses and the imagination vis-à-vis the cinema’s historical task. In transforming the narrative past tenses of both fiction and history into the present tense of film viewing, the cinema may be said to loosen the critical grip of writing (history’s ‘proper medium’), to destabilise legibility and interpretation, to interfere with the retrospective, synthetic work of history. But this variability, the inherent ‘impurity’, even promiscuity of the medium also invests cinematic experience with a vitality and urgency: it implicates us in what we see, it animates our response, which is at once aesthetic and ethical.

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9

Hejman, Helena. „“Who of us has never traced light over these walls”?: The archaeology of Stanisław Grochowiak’s poems“. Acta Universitatis Lodziensis. Folia Litteraria Polonica 57, Nr. 2 (30.06.2020): 129–44. http://dx.doi.org/10.18778/1505-9057.57.07.

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Through a simple wall, a transparent element of everyday life, Stanisław Grochowiak’s poems enable one to uncover the existential concrete element, matter endowed with an amazing hypnagogic potential, a chronicle of ‘objectness’. In the poet’s imagined world, the wall constitutes both an empirical item and a phenomenon, which transcends the ontology of matter, which determines its semantic fluidity: at one point it resembles an anthropological document (a place of cultural/biographical inscription) only to, a moment later, resemble the basis for surrealist visions or the material of an artifact. The wall seems to be the limit of the zone of mental comfort or, e.g., expose the in-body plane, which, like the walls of pre-historic caves, is covered with archetypal images from (the) childhood (of humanity). This study, based on contexts in art history, psychoanalysis, and a material turn, is an attempt at identifying the references which focus “on the wall” in the following works: “Płonąca żyrafa”, “Malarstwo”, “Zejście”, and “Ars Poetica”.

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10

Davidson, Michael 1944. „Crosstown poetics“. American Quarterly 49, Nr. 3 (1997): 665–70. http://dx.doi.org/10.1353/aq.1997.0043.

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11

Elphick, Jeremy. „Cinematic poetics and reclaiming history“. Alphaville: Journal of Film and Screen Media, Nr. 18 (01.12.2019): 199–204. http://dx.doi.org/10.33178/alpha.18.18.

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Australia’s brutal legacy of offshore detention has been marked by tragedy, human rights abuses and international condemnation, framed within an overarching failure to reach any true resolution. The difference between Australia’s two major political parties’ approach to immigration policy has been largely cosmetic and there is little tangible difference between the actual policies they have implemented and sustained. Human Rights Watch bluntly diagnosed Australia as having “serious unresolved human rights problems”, calling the conditions on Manus and Nauru “abysmal” (Giakoumelos). This paper examines the process by which successive Australian governments have advocated and implemented border and immigration policies and, more specifically, how control of information has been a central tactic in defining how such policies are perceived by the public. There is a questionable disconnect between Australia’s political class and those targeted by the immigration policies it sustains. Chauka, Please Tell Us the Time (Boochani and Kamali Sarvestani 2017) captures the cruelty of Australia’s offshore detention policy, while intimately mapping the emotional and psychological experience of living in detention. Chauka, Please Tell Us the Time marks a fundamental shift, blunting attempts to dehumanise those in detention from a distance, while highlighting the moral crisis that this dehumanisation has created.

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12

Dawson, P. M. S. „Review: Byron, Poetics and History“. Review of English Studies 55, Nr. 221 (01.09.2004): 630–32. http://dx.doi.org/10.1093/res/55.221.630.

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13

Tenace, Edward Shannon, und Jan Glete. „Naval History, 1500-1680“. Sixteenth Century Journal 39, Nr. 2 (01.07.2008): 485. http://dx.doi.org/10.2307/20478909.

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14

Koman, Aleksandra. „With rhymes about the human fate. Philosophy in the poetry of Giacomo Leopardi“. Acta Universitatis Lodziensis. Folia Litteraria Polonica 59, Nr. 4 (30.12.2020): 101–14. http://dx.doi.org/10.18778/1505-9057.59.06.

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Giacomo Leopardi is one of those authors whose texts oscillate on the border between literature and philosophy. It is true that Leopardi does not use traditional forms of philosophical expression, but the fact is that most of the considerations of the Italian thinker are expressed by the simultaneous conduct of two discourses: literary and philosophical. Leopardi experimented almost every form of literary expression, but he went down in history mainly as a poet, who contained a significant part of his highest beliefs in poetry. The practice of philosophizing through poetry is nothing new in literature, and the various connections between literature and philosophy are almost ancient, but the ongoing discussions in the world of Italian critics about the relationship between Leopardi and philosophy suggest that the reflective lyrics of the famous poet from Recanati are an noteworthy case. This article is a reflection on the use of figures of speech in the process of explaining the worldview by Leopardi, with particular emphasis on metaphor, and on the overall impact of the poetic medium on the presentation and shaping of adopted ideology.

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Anisimov, A. „Arabic Political Caricature. History and Poetics“. Science and Education a New Dimension IX(249), Nr. 44 (22.02.2021): 7–12. http://dx.doi.org/10.31174/send-hs2021-249ix44-01.

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16

Reibetanz, Julia M. „American Poetics of Self and History“. Canadian Review of American Studies 17, Nr. 2 (Mai 1986): 257–64. http://dx.doi.org/10.3138/cras-017-02-10.

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17

O'Neill, Michael. „Byron, Poetics and History. Jane Stabler.“ Wordsworth Circle 34, Nr. 4 (September 2003): 215–16. http://dx.doi.org/10.1086/twc24045042.

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18

Gallop, David. „"Poetry" versus "History" in Aristotle's Poetics“. Philosophy and Literature 42, Nr. 2 (2018): 420–33. http://dx.doi.org/10.1353/phl.2018.0029.

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19

White, Hayden. „شعرية التاريخ = The Poetics of History“. أسطور للدراسات التاريخية, Nr. 4 (2016): 127–58. http://dx.doi.org/10.12816/0029948.

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20

Rojas, Rafael, und Luis P. Aguilar-Moreno. „Origenes and the Poetics of History“. CR: The New Centennial Review 2, Nr. 2 (2002): 151–85. http://dx.doi.org/10.1353/ncr.2002.0040.

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21

McDonald, Archie P., H. Roger Grant und Robert Lindsay. „Sampling World History Textbooks“. Teaching History: A Journal of Methods 14, Nr. 1 (05.05.1989): 29–33. http://dx.doi.org/10.33043/th.14.1.29-33.

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Review essay of Anthony Esler. The Human Venture. Vol. I: The Great Enterprise, A World History to 1500. Vol. II: The Globe Encompassed, A World History since 1500. Englewood Cliffs NJ: Prentice-Hall, 1986. Pp. xii, 340; xii, 399. Paper, $25.33 each volume. Instructor's manual available; William H. McNeill. A History of the Human Community. Second edition. Vol. 1: Prehistory to 1500. Vol. II: 1500 to the Present. Englewood Cliffs NJ: Prentice-Hall, 1987. Pp. xii, 474; xii, 430. paper, $25.00 each volume. Clothbound combined edition, $36.00; Peter N. Stearns. World History: Patterns of Change and Continuity. New York: Harper and Row, 1987. Pp. x, 598. $25.95. Instructor's manual available. Essay by Stephen S. Gosch of the University of Wisconsin-Eau Claire.

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22

Halliwell, Stephen. „The Poetics“. Classical Review 55, Nr. 2 (Oktober 2005): 445–46. http://dx.doi.org/10.1093/clrevj/bni246.

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23

Kahane, A. „PUCCI’S POETICS“. Classical Review 50, Nr. 2 (Oktober 2000): 399–401. http://dx.doi.org/10.1093/cr/50.2.399.

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24

Halliwell, Stephen. „THE POETICS“. Classical Review 53, Nr. 2 (Oktober 2003): 304–5. http://dx.doi.org/10.1093/cr/53.2.304.

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25

Sather, Lee, und Ole Feldbaek. „Danmark's Economic History, 1500-1840.“ American Historical Review 100, Nr. 1 (Februar 1995): 173. http://dx.doi.org/10.2307/2168047.

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26

Grash, Valerie S., und Ian D. Whyte. „Landscape and History since 1500“. Sixteenth Century Journal 35, Nr. 4 (01.12.2004): 1219. http://dx.doi.org/10.2307/20477213.

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27

Smout, T. C. „Landscape and History since 1500“. English Historical Review 118, Nr. 477 (01.06.2003): 848–50. http://dx.doi.org/10.1093/ehr/118.477.848.

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28

Walton, John K. „English Urban History, 1500-1914“. Journal of Urban History 15, Nr. 1 (November 1988): 69–86. http://dx.doi.org/10.1177/009614428801500104.

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29

Nikolaev, Sergey G., und Svetlana V. Nikolaeva. „“A Part of Speech” by Joseph Brodsky: Bilingualism as a Creative Method in Poetry“. Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, Nr. 6 (20.12.2021): 86–97. http://dx.doi.org/10.37482/2687-1505-v145.

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This article is an attempt of textological conceptualization of an interlingual transfer (doubling) of a literary text. This transfer, in case it has been done by the author him/herself, is traditionally called self-translation, yet it can also by qualified as an adaptation of the “old” text to the perceptive abilities of the “new” recipient, i.e. a collective reader representing a different national and cultural medium and bearing its values as a prevalent aesthetic waymark. Special importance in the above process is attached to such a significant feature of any literary text of high quality as its elasticity. The textological approach to the scientific understanding of the differentlanguage text binary is often complemented by the bilinguological categorization of the subject, i.e. a text of poetry and, at the same time, a poetic cycle. From this standpoint, the mode of primary/secondary character of the two interconnected texts might lose its substantial preciseness. Further on, the article scrutinizes a landmark (for the Russian culture) literary text and its self-translation: the poetic cycle “A Part of Speech” by Joseph Brodsky. Four conceptual dominants of the cycle, with regard to their axiological hierarchy, are distinguished: 1) space/distance – location – oblivion; 2) time (epoch) – history – event – oblivion; 3) love – breakup – oblivion; 4) speech – art – extension – immortality. Further, a comparative analysis of their different-language verbalization is carried out. It is stated that Brodsky’s creation of this bilingual cycle reflects his striving for a cultural adaptation of each version to the background knowledge, historical experience, principles, traditions, aesthetic attitudes and, generally, sentiments of different groups of readers. In some cases this is done by means of the national language only, in other cases by the general complication of the poems’ figurative fabric.

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Xu, Denise. „Thoreau’s Econational Poetics“. ELH 88, Nr. 3 (2021): 685–713. http://dx.doi.org/10.1353/elh.2021.0026.

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31

Carlson, Julia S. „Historical Poetics, Poetics of History: Priestley’s Time Charts and the Visualization of Meter“. Wordsworth Circle 52, Nr. 1 (01.01.2021): 1–33. http://dx.doi.org/10.1086/712480.

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32

Rabinovich, E. G. „The Poetics of Jargon“. Anthropology & Archeology of Eurasia 32, Nr. 4 (April 1994): 56–84. http://dx.doi.org/10.2753/aae1061-1959320456.

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33

Reid, Joshua, und Michael Mack. „Sidney's Poetics: Imitating Creation“. Sixteenth Century Journal 37, Nr. 4 (01.12.2006): 1122. http://dx.doi.org/10.2307/20478160.

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34

Ardolino, Frank, und Carol Kaske. „Spenser and Biblical Poetics“. Sixteenth Century Journal 31, Nr. 4 (2000): 1144. http://dx.doi.org/10.2307/2671223.

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35

Bollig, Ben. „Perlongher, Poetics and Transvestism“. Journal of Latin American Cultural Studies 12, Nr. 1 (März 2003): 55–69. http://dx.doi.org/10.1080/13569320305834.

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Gurval, Robert, und V. G. Kiernan. „Horace: Poetics and Politics“. American Historical Review 106, Nr. 2 (April 2001): 624. http://dx.doi.org/10.2307/2651721.

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37

Tüske, László. „Ibn Ṭabāṭabā’s Poetics“. Arabist: Budapest Studies in Arabic 23 (2001): 211–18. http://dx.doi.org/10.58513/arabist.2001.23.20.

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In the history of Arabic literature, ‛amūd aš-šiʿr (the pillars or principles of poetry) is considered a control for the poetic activity, as well as being an important reference in classifying poets and measuring their abilities in their art. The theory is also considered one of the first critical issues that preoccupied poets and worked to establish standards and characteristics that the poet relies on so as not to deviate from the pattern followed by the ancients. This article deals with Ibn Ṭabāṭabā al-ʿAlawī’s treatise entitled ʿIyār aš-šiʿr (The Standard of Poetry). by analyzing his theoretical work and organizing the author’s thoughts. The article shows that Ibn Ṭabāṭabā systematized the knowledge and expectations related to the craft of poetry in the framework of ʿamūd aš-šiʿr. In the history of medieval Arabic criticism, Ibn Ṭabāṭabā occupies a position where he articulates a widely held view: namely, that poetry is ultimately a craft governed by established rules. In this way, he discusses the tools of poetry, the process of creating a poem, and also – in a unique way – the effect of poetic creation.

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Oostdijk, Diederik. „A Transnational Poetics“. Journal of Transatlantic Studies 9, Nr. 2 (Juni 2011): 178–79. http://dx.doi.org/10.1080/14794012.2011.568173.

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39

Saunt, Claudio, und Patricia Galloway. „Choctaw Genesis, 1500-1700.“ Journal of Southern History 63, Nr. 2 (Mai 1997): 379. http://dx.doi.org/10.2307/2211287.

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40

Ellis, Clyde, und Patricia Galloway. „Choctaw Genesis, 1500-1700“. Western Historical Quarterly 28, Nr. 2 (1997): 257. http://dx.doi.org/10.2307/970927.

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Cook, Weston F., und Rhoads Murphey. „Ottoman Warfare, 1500-1700“. Journal of Military History 63, Nr. 4 (Oktober 1999): 962. http://dx.doi.org/10.2307/120566.

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Rasula, Jed. „NOB's Poetics“. boundary 2 49, Nr. 3 (01.08.2022): 29–38. http://dx.doi.org/10.1215/01903659-9789640.

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Annotation:

Abstract This article addresses the turn in Norman O. Brown's intellectual orientation during the 1960s, a reorientation reflecting his newfound alliance with poets, and an internalization of a spirit of poetry that he explicitly derived from the heady atmosphere of the 1960s counterculture. Consequently, he professed a Dionysian outlook on the body politic as a single and singular corporeality, and pledged allegiance to the rhetorical principle of paronomasia—a play on words that sound alike but have different meanings. In his final works Brown came to repeatedly affirm that “there is only poetry.”

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43

Luebbe, Chris, und Linda Hutcheon. „A Poetics of Postmodernism: History, Theory, Fiction.“ MLN 105, Nr. 5 (Dezember 1990): 1113. http://dx.doi.org/10.2307/2905181.

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Mackridge, Peter, und Gregory Jusdanis. „The Poetics of Cavafy: Textuality, Eroticism, History“. Comparative Literature 43, Nr. 3 (1991): 288. http://dx.doi.org/10.2307/1770667.

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Reinarz, J. „The History and Poetics of Scientific Biography“. Social History of Medicine 22, Nr. 1 (04.10.2008): 201–4. http://dx.doi.org/10.1093/shm/hkn086.

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46

WOODWARD, ANTHONY. „GIAMBATTISTA VICO AND THE POETICS OF HISTORY“. English Studies in Africa 41, Nr. 1 (Januar 1998): 1–9. http://dx.doi.org/10.1080/00138399808691262.

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Rexine, John E., und Gregory Jusdanis. „The Poetics of Cavafy: Textuality, Eroticism, History“. World Literature Today 62, Nr. 2 (1988): 317. http://dx.doi.org/10.2307/40143723.

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48

Philcox, Richard, und Willis Barnstone. „The Poetics of Translation: History, Theory, Practice“. World Literature Today 67, Nr. 4 (1993): 907. http://dx.doi.org/10.2307/40149825.

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49

Nowell Smith, David. „Historical poetics and the register of history“. Critical Quarterly 61, Nr. 1 (April 2019): 82–98. http://dx.doi.org/10.1111/criq.12455.

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50

Bell, Desmond. „Documentary film and the poetics of history“. Journal of Media Practice 12, Nr. 1 (01.01.2011): 3–25. http://dx.doi.org/10.1386/jmpr.12.1.3_1.

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