Thematische Bibliographien / Poet as the Historian

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Auswahl der wissenschaftlichen Literatur zum Thema „Poet as the Historian“

Autor: Grafiati

Veröffentlicht am 18. Mai 2024

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Zeitschriftenartikel zum Thema "Poet as the Historian"

Ricks, David. „Cavafy the poet-historian“. Byzantine and Modern Greek Studies 12, Nr. 1 (Januar 1988): 169–84. http://dx.doi.org/10.1179/byz.1988.12.1.169.

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Salter, Mary Jo. „The Poet and The Historian“. Hopkins Review 11, Nr. 3 (2018): 385–93. http://dx.doi.org/10.1353/thr.2018.0068.

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WARSHAUER, MATTHEW, und Marilyn Nelson. „The Poet as Historian: An Interview with Marilyn Nelson, Connecticut Poet Laureate“. Connecticut History Review 44, Nr. 2 (01.10.2005): 275–81. http://dx.doi.org/10.2307/44369694.

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Bershadskaya, Marianna, und Boris Babkin. „Voeslav Mole and Yuri Verkhovsky. Double portrait on the background of the Civil War“. Russian-Slovenian relations in the twentieth century, Nr. IV (2018): 244–60. http://dx.doi.org/10.31168/2618-8562.2018.4.3.3.

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The article focuses on the friendly and creative relations between the Slovenian art historian, poet and essayist Vojeslav Mole (1886– 1973) and the Russian prominent poet, interpreter, literary historian and theorist Yuriy Verhovskiy (1878–1956). Being recruited to army in 1914 Mole got captured almost at once and spent practically six years in Siberia. In 1919 in Tomsk he met Verhovskiy, who translated several of his poems and published them in his book «Sun in captivity» (1922). One of the Mole’s poems in «Tristia ex Siberia» (1922) is devoted «To the friend ― poet Yuriy Nik. Verhovskiy».

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EVANS, S. „Rediscovering Herbert Horne: Poet, Architect, Typographer, Art Historian“. Journal of Design History 11, Nr. 4 (01.01.1998): 343–45. http://dx.doi.org/10.1093/jdh/11.4.343.

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Haft, Adele J. „Marianne Moore’s “Sea Unicorns and Land Unicorns”: The “Unreal realities” of Early Modern Maps and Animals“. Cartographic Perspectives, Nr. 46 (01.09.2003): 28–64. http://dx.doi.org/10.14714/cp46.485.

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This paper is about a poet and two cartographers. The poet is Marianne Moore, one of the most lauded and loved American poets of the twentieth century. In 1924 she published “Sea Unicorns and Land Unicorns,” a poem examining four exotic beasts—narwhals, unicorns, sea lions, lions—and their celebrated, if unreal, relationships to one another. While describing sea unicorns early in the poem, Moore specifies “the cartographers of 1539.” The date can only allude to the Carta Marina of the Swedish mapmaker and historian Olaus Magnus, whose famous 1539 “marine map” features a profusion of Scandinavian land and sea creatures. Moore’s “cartographers of 1539” compels us, in turn, to consider other mapmakers who crowded their maps with animals. The plural phrase also balances and anticipates her comparison, near the end of the poem, of the unicorn and “an equine monster of an old celestial map.” Though vague, the simile may suggest the winged figure of Pegasus on a celestial chart by Peter Apian. This popular German cartographer and astronomer originally designed his chart in 1536, then reproduced it—a year after the Carta Marina—in his exquisite Astronomicum Caesareum (1540). In the end, Moore’s portrayal of animals in “Sea Unicorns and Land Unicorns” captures the spirit that animated mapping, art, and science during the sixteenth-century Age of Exploration.

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Glushakov, P. S. „‘For lack of a better word…’ M. Isakovsky’s two letters on A. Prasolov’s poetry“. Voprosy literatury, Nr. 5 (30.10.2022): 125–40. http://dx.doi.org/10.31425/0042-8795-2022-5-125-140.

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Letters of the poet Mikhail Isakovsky to the literary historian Anatoly Abramov (1917–2005) published in this article constitute a portion of the poet’s extensive epistolary legacy. The two selected letters dated 1968 are mainly concerned with the poet Aleksey Prasolov (1930–1972), whose literary career Abramov actively supported. Having approached Isakovsky for an opinion about the Voronezh-based poet’s verses, Abramov received very harsh feedback. There can be a number of reasons why the poems, some later recognised as Prasolov’s best, were dismissed by Isakovsky: the fact that the two poets belonged to very different poetic generations and traditions and adhered to disparate aesthetic principles may have played a key role here. A poet of a traditional folk-poetic formation, Isakovsky rejected Prasolov’s verses, whose poetics is directly influenced by Blok’s modernist experimentations. Isakovsky expected Prasolov, an author of challenging complexity, to write about subjects easily recognisable and clear to the reader. Thus, incompatible ideas about a poet’s purpose and dissimilarity of poetic languages precluded the two remarkable poets from ever meeting in person.

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Nikolsky, I. M. „Dracontius as propagandist and historian: Didactic meaning of Roman history in De Laudibus Dei“. Shagi / Steps 9, Nr. 2 (2023): 57–67. http://dx.doi.org/10.22394/2412-9410-2023-9-2-57-67.

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This article deals with the problem of interpreting the third book of the poem ‘Praises of God” (De Laudibus Dei) by the late antique Carthaginian poet Blossius Aemilius Dracontius. Since the poem is formally of theological character, researchers usually regard it as a Christian anti-pagan manifesto. However, comparison with other works by Dracontius, including the epyllia ‘The Abduction of Helen’ (De Raptu Helenae), ‘The Tragedy of Orestes’ (Orestis Tragoedia), and ‘Medea”, as well as ‘The Atonement’ (Satisfactio), written in prison as a verse plea for mercy, allows us to see in it political allegories that highlight other challenges relevant to the author’s contemporary period. In particular, Dracontius has in mind the collapse of the Roman Empire and the emergence of barbarian kingdoms, the associated redistribution of spheres of influence, and the struggle for power between the old and new elites. Manipulating textbook historical and mythological plots, the Roman poet constructs a didactic model focused on both of these groups in the Vandal kingdom, one that allows him to consider himself a significant political influencer. The conclusions of the article shed light on the relationship between the “intellectual” Roman and the “military” Vandal noble groups in North Africa at the turn of the 5th and 6th centuries.

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Kuhn-Treichel, Thomas. „Was tut ein Geschichtsschreiber?“ Philologus 164, Nr. 2 (04.11.2020): 250–2689. http://dx.doi.org/10.1515/phil-2020-0116.

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AbstractLucian’s work De historia conscribenda not only presents reflections on how one should or should not write history, but also illustrates possible ways to represent the authorial activity of a historian (i. e. how one writes ‘metahistory’). In this, two basic forms can be distinguished, both of which can be understood from a narratological perspective as metalepses. In the first case, the historian is represented as the direct originator of the action; in the second he acts as a mere observer, but one who moves spatially in and with his action. Both forms of statement stand within traditions of motifs that can be traced from antiquity through to the modern era; yet Lucian nonetheless makes an innovative contribution by inscribing value judgements into the motifs. The result is the suggestion that the historian fulfils the role of observer, while the role of originator turns out to be more apt for the poet than for the historian. This permits far-reaching conclusions to be drawn about the conception of poetry and historiography as a whole.

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Vaskul, A. I. „Anatoli Mikhaylovich Krylatykh: Historian and poet of Vyatka region“. Russkij Folklor 37 (2018): 149–62. http://dx.doi.org/10.31860/0136-7447-2018-36-149-162.

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Dissertationen zum Thema "Poet as the Historian"

Bender, Lucas Rambo. „Du Fu: Poet Historian, Poet Sage“. Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493294.

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This dissertation argues that Du Fu’s (712-770) ascent to the pinnacle of the Chinese literary pantheon was bound up with a revolution in the ways poetry was understood to be a serious endeavor. In Du Fu’s time, poetry had been valued for sustaining a time-transcending ritual institution descended from the ancient sages. Those later critics who placed Du Fu at the center of the poetic canon, by contrast, have generally located the his verse’s “serious” value in its embodiment of admirably accurate and appropriately felt perceptions of the precise historical circumstances that occasioned its composition. Although these latter critics have often claimed great antiquity for this latter vision of poetry’s moral significance, I argue that it was not an intellectual possibility in the Tang, and that it only came to be broadly persuasive when Du Fu’s collection was extensively remade through the addition of commentarial and contextualizing paratexts that were previously unprecedented within the Chinese critical tradition. Placed back into its original intellectual and material context, then, Du Fu’s poetry reads very differently than it has to post-medieval critics. It was, however, no coincidence that Du Fu was chosen as the center of this radical reinvention of the Chinese poetic tradition. It is possible to trace in the poet’s early collection a process of divergence from the norms of his time, leading ultimately to the creation of a new poetic language that does in fact raise many of the questions that Du Fu’s most influential critics have sought to answer. Yet this new poetic language never fully delivers the reassuring claim that these later critics have seen in his collection: that the good man will always be able to understand and movingly convey the moral truth of his experience. Instead of demonstrating the poet’s apprehension of such natural and given truth, Du Fu’s mature verse dramatizes itself as within the process of seeking for sense, a process that it leaves always open and unfinished.
East Asian Languages and Civilizations

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Hewitt, Anne. „Between God and beast : an examination of the ethical and political ideas of the poet, Pindar, the historian, Thucydides, and the philosopher, Aristotle“. Thesis, London School of Economics and Political Science (University of London), 2004. http://etheses.lse.ac.uk/1762/.

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Through an analysis of the work of the poet, Pindar, the historian, Thucydides, and the philosopher, Aristotle, this thesis builds on the conception of man as a creature between god and beast in an attempt to develop a sense of the kinds of thought and language that are appropriate for political theorising. It discusses an understanding of political theory that is based on the human capacity for reasonable, creative action. In this, it opposes another model of political theorising, one that has been collapsed under a scientific model that judges itself successful only when it yields precise and definitive answers to dilemmas that grow out of a contingent and indeterminate world. I have argued that man's good, his potential to become a responsible and flourishing actor, is realised through attentive and reflective political experience. This experience is not 'raw', acquired alone by passively 'absorbing' whatever man perceives to be the case in pursuit of his individual whims. It is instead guided, shared, interpreted, evaluated, and demanding. The texts I have chosen serve to supplement direct political experience. Pindar's odes - their elliptical language and use of metaphor, their juxtaposition of seemingly mutually exclusive characteristics in men - demand effort on the part of an audience/reader to cultivate the capacity to derive meaning from culturally-situated complex ideas and images. Thucydides' description of the war through a 'fragmented' perspective, his examples of the kinds of reasoning that precede decisions, point to a perspective that seems to argue that agents should develop the kind of character that can creatively balance a general conception of what man is as a species with the relevant concrete details of a situation and proceed to act accordingly. That man is a species with a fixed good is one of Aristotle's fundamental assumptions, and leads to his conviction that ethics and politics are inherently imprecise. I discuss how he defends this position and its consequences as elaborated in the Nicomachean Ethics and Politics. I then attempt to show how what he has to say in the Poetics realises and supplements his ethical and political goals. The Poetics indicates that men must learn to extract sound generalisations by drawing inferences from disparate actions, to transform mistakes into valuable aspects of life, and be able to carve out the proper, dynamic, realm of responsibility. This generates a conception of man whose good goes beyond mere preference satisfaction but instead grows out of a reasonable (general) sense of what he is which can be used creatively in the specific (concrete) circumstances he confronts.

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Morini, Carolle Robin. „Anne Bradstreet, poet historian, 1612-1672 : the anglicization of puritan new England as reflected in the poems A dialogue between old England and new, The four seasons of the year, and Contemplations /“. Access resource online, 2008. http://scholar.simmons.edu/bitstream/handle/10090/7338/Morini_Thesis_2008.pdf?sequence=1.

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Benassi, Alessandro. „«L'ultima meta de’ simboli» : poetica e retorica delle imprese nel XVI secolo in Italia“. Doctoral thesis, Scuola Normale Superiore, 2016. http://hdl.handle.net/11384/86104.

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Slagle, Judith Bailey. „Joanna Baillie and the Poetry of Intellectual and Historical Romanticism“. Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/459.

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Book Summary: The Encyclopedia of Romantic Literature is an authoritative three-volume reference work that covers British artistic, literary, and intellectual movements between 1780 and 1830, within the context of European, transatlantic and colonial historical and cultural interaction. Comprises over 275 entries ranging from 1,000 to 6,500 words arranged in A-Z format across three fully cross-referenced volumes Written by an international cast of leading and emerging scholars Entries explore genre development in prose, poetry, and drama of the Romantic period, key authors and their works, and key themes Also available online as part of the Wiley-Blackwell Encyclopedia of Literature, providing 24/7 access and powerful searching, browsing and cross-referencing capabilities

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Airas, A. (Aino). „Historian museo Turkuun“. Master's thesis, University of Oulu, 2016. http://urn.fi/URN:NBN:fi:oulu-201606012074.

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Diplomityöni aihe on historian museo Turkuun. Aihe pohjautuu todelliseen projektiin, mutta on tekijän itsenäisesti laatima suunnitelma uudeksi museorakennukseksi. Suunnittelupainoitteinen työ sisältää rakennussuunnitelman ja selostusosan. Tekstiosuus käsittää tonttivalintaa pohjustavan analyysin sekä tarkemman analyysin valitun tontin lähiympäristöstä ja siten lähtökohdat rakennussuunnittelulle. Tarkoituksenani oli suunnitella helposti lähestyttävä museo, joka voisi toimia Suomen ja Turun historian museona sekä tarjota alustan kiertäville näyttelyille. Valitsin tontiksi pysäköintikenttänä toimivan alueen Turun linnan pohjoispuolelta, vanhalta satama-alueelta. Suurin osa alueen varasto- ja teollisuusrakennuksista koostuvista kortteleista on jo kaavoitettu uudelleen asuin- ja liikekäyttöön. Sijoittamalla museon tälle alueelle pyrin tukemaan satama-alueen kaupunkikuvallista muutosta ja lisäämään alueen vetovoimaisuutta tulevaisuudessa. Läheinen matkustajaterminaali takaa museolle hyvän näkyvyyden varsinkin matkailijoiden silmissä. Laadin museon tilaohjelman Turun museohankkeessa mukana olevien tahojen toiveiden pohjalta. Noin 4000 neliöinen museorakennus käsittää lähinnä yleisölle suunnattuja tiloja. Tilat on ryhmitelty niin, että ensimmäisessä kerroksessa sijaitsevat kaikki yleisön vapaasti käytettävissä olevat toiminnot. Pyrin näin helpottamaan lipunmyyntiä ja ennen kaikkea madaltamaan kynnystä poiketa museoon muutenkin kuin katsomaan näyttelyä. Museoon saapuminen tapahtuu Linnankadun puolelta puistomaisen sisäänkäyntiaukion kautta. Olen pyrkinyt näin luomaan yhteyden Linnanpuiston ja uuden museon välille, jättäen kuitenkin tarpeeksi etäisyyttä historialliseen maamerkkiin.

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Kinsella, Michael. „Poet to poet : Seamus Heaney's Wordsworth“. Thesis, University of York, 2003. http://etheses.whiterose.ac.uk/14185/.

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Karamanoglu, Sema. „One Historian Two Books: Beatriz Colomina“. Master's thesis, METU, 2013. http://etd.lib.metu.edu.tr/upload/12615519/index.pdf.

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This thesis aims to explore selected works of Beatriz Colomina, a revisionist architectural historian who has made influential studies on visuality, domesticity, media and gender, and their reflections in the architectural world. Colomina is a distinguished architectural historian since she places a new lens on a period when architecture ceased to be only for the elite and media has gradually penetrated into everyone&rsquo
s life in order to understand how architecture became accessible to the public through media and how this has affected the perception of modern architecture. This new lens entailed not only the inseparability of media and architecture but also how war and domesticity featured in this relationship. Against this background, this study attempts to investigate the innovative approach of Beatriz Colomina by comparing and contrasting her two prominent books: Privacy and Publicity: Modern Architecture as Mass Media (1994) and Domesticity at War (2007). The former introduces us to the relationship between architecture and media, whereas the latter exemplifies this relationship by focusing on the cold war period as a time where media became an integral part of the domestic environment. This study aims to extract Colomina&rsquo
s contribution to architectural history by first disentangling and analysing and then merging these two books under common themes. In doing so, it seeks to answer the following questions: What is the role of archives in Colomina&rsquo
s methodology in writing these two books? What is the relationship between the document and the historian that emerges from this methodology? What common themes can be extracted from these two books as an analytical framework in order to better understand and study Colomina&rsquo
s approach? What differentiates her as a historian from other historians of modern architecture, specifically from Siegfried Giedion and Kenneth Frampton? What messages does Colomina give her reader through the form as well as the content of her books? What is her contribution to architectural historiography?

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Seibel, George L. IV. „Being a Poet“. Miami University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=miami1346412172.

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Tolley-Stokes, Rebecca. „The Publisher-Poet“. Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/5769.

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Bücher zum Thema "Poet as the Historian"

Bradley, Marshell Carl. Matthew: Poet, historian, dialectician. New York: Peter Lang, 2007.

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The poet-historian Qian Qianyi. New York, NY: Routledge, 2009.

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Johnston, George Burke. Thomas Chalmers McCorvey: Teacher, poet, historian. Blacksburg, Va: White Rhinoceros Press, 1985.

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E, Kerry Paul, Hrsg. Friedrich Schiller: Playwright, poet, philosopher, historian. Oxford: Peter Lang, 2007.

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Ian, Fletcher. Rediscovering Herbert Horne: Poet, architect, typographer, art historian. Greensboro, NC: ELT Press, 1990.

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Whetter, James. Dr. A.L. Rowse: Poet, historian, lover of Cornwall. Gorran, St. Austell: Lyfrow Trelyspen, 2003.

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The Life of Orson F. Whitney: Historian, poet, apostle. Springville, Utah: CFI, 2014.

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Luis, William, und Stephanie Álvarez. AmeRícan poet historian: Essays on the works of Tato Laviera. New York: Center for Puerto Rican Studies, 2013.

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The poet prince. New York: Simon & Schuster, 2010.

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The poet prince. London: Simon & Schuster, 2010.

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Buchteile zum Thema "Poet as the Historian"

Kayalis, Takis. „What Is a “Poet-Historian”?“ In Cavafy's Hellenistic Antiquities, 77–98. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-34902-7_4.

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Ortiz, Ricardo L. „Archive and Diaspora: Julia Alvarez as Poet, Novelist, and Historian“. In Latinx Literature Now, 23–33. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-04708-5_3.

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McCabe, Aislinn. „Mussato the historian: imperial history at the court of Emperor Henry VII“. In Albertino Mussato: The Making of a Poet Laureate, 79–104. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003201144-3.

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Guo, Li. „Ibn Iyās, the Poet: The Literary Profile of a Mamluk Historian“. In Mamluk Historiography Revisited – Narratological Perspectives, 77–90. Göttingen: V&R unipress, 2018. http://dx.doi.org/10.14220/9783737007221.77.

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Meisami, Julie Scott. „The Historian and the Poet: Rāvandī, Nizami, and the Rhetoric of History“. In The Poetry of Nizami Ganjavi: Knowledge, Love, and Rhetoric, 97–128. New York: Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-137-09836-8_6.

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Heinzer, Felix. „The Poet as Historian: Walahfrid Strabo on the Shaping of Office Repertory“. In Epitome musical, 301–12. Turnhout: Brepols Publishers, 2022. http://dx.doi.org/10.1484/m.em-eb.5.136563.

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Tolstaya, Elena. „«Этот хозяин все государство держить»: украинские мотивы в Педагогической поэме А.С. Макаренко“. In Biblioteca di Studi Slavistici, 185–201. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0238-1.17.

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Ukrainian motifs in A. S. Makarenko’s Pedagogical Poem. Makarenko’s Pedagogical Poem in the Stalin era was perceived as a eulogy to the collective, while in late Soviet times the dominance of the collective and the tendency to violent solutions already irritated the Russian reader. The German historian Goetz Hillig saw Makarenko as a world pedagogical genius, created his scientific biography, and published a scholarly edition of his writings in German. Elena Tolstaya looks at The Poem, set in post-revolutionary Ukraine, in the aspect of Russian-Ukrainian bilingualism, and looks for possible responses to the actualities of the late 20s – early 30s.

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„THE HISTORIAN“. In The Poet Shen Yueh (441-513), 26–36. Princeton University Press, 2019. http://dx.doi.org/10.2307/j.ctvckq836.7.

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„4. The Historian“. In The Poet Shen Yueh (441-513), 26–37. Princeton University Press, 2019. http://dx.doi.org/10.1515/9780691197661-005.

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„5. The Poet-Minstrel as Historian“. In Disputatio, 199–224. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.disput-eb.4.00066.

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Konferenzberichte zum Thema "Poet as the Historian"

Eisinger, Daniel, und Steven Putt. „Formeta 3D: Posthuman Participant Historian“. In ACADIA 2016: Post-Human Frontiers. ACADIA, 2016. http://dx.doi.org/10.52842/conf.acadia.2016.394.

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Eisinger, Daniel, und Steven Putt. „Formeta 3D: Posthuman Participant Historian“. In ACADIA 2016: Post-Human Frontiers. ACADIA, 2016. http://dx.doi.org/10.52842/conf.acadia.2016.394.

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Tikhomirova, A. „PARNASSIAN SIGN IN THE LYRICS OF THE FIRST WAVE OF EMIGRATION. THREE POEMS (V. KHODASEVICH, G. IVANOV, YU. TERAPIANO)“. In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3756.rus_lit_20-21/333-336.

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The article is devoted to the problem of continuity of Parnassianism in the oeuvre of poets of the first wave of emigration and it is based on material of an analysis of three poems by V. Khodasevich, G. Ivanov and Yu. Terapiano. The poetic controversy between Khodasevich and G. Ivanov in the early 1920s revolved around different views on the role of the poet in difficult historical times, as well as around the dispute about where art comes from, from above or from the soul of the poet. Ideas close to the views of G. Ivanov stemmed from the views of his teacher N. Gumilev, expressed in his article about Theophile Gautier. Already in the 1930s, the same ideas resonated in the work of Yu. Terapiano. He creates a cycle of poems “French Poets”. The Parnassian poet Leconte de Lisle in his poem subordinates the feelings and the world around him in difficult times when “there is no support”.

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Cardini, Franco. „EXTRAORDINARY WRITER WHO LOVED THE ART OF WORDSAND THE GREAT RULER WHO LOVED THE KINGDOM“. In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/eavn1706.

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In this article, the attention is focused on the great historical, cultural, and scientific contributions of Eastern peoples by the Westernacademic community, as well as the interest in the political and creative activities of the poet and statesman Bobur.

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Ehsonullo, Quvonch. „THE HISTORICAL AND CURRENT SITUATION OF BABUR GARDEN IN AFGHANISTAN“. In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/wgwe1478.

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This article provides a comprehensive examination of the Babur Garden in Kabul, constructed by the illustrious king and poet Zahirad-Din Muhammad Babur. It covers the garden's historical and cultural significance, including its importance in Afghan society and government. The article offers a brief historicalcontext of the Kabul region, Babur's genealogy, and the garden's evolution over time, notably during the reign of Shahjahan. Additionally, it explores the various historical sites within Babur garden, shedding light on its contemporary status. This multifaceted analysis offers a thorough understanding of the garden's enduring heritage.

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Ивонина, Людмила Ивановна. „MARGINALS OF THE BORDER TERRITORIES: A TRANSYLVANIAN PRINCE AND A POLISH POET“. In Международная конференция «Феномен пограничного и трансграничного в истории и культуре». Crossref, 2023. http://dx.doi.org/10.54016/svitok.2023.23.62.026.

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Понятие пограничной территории, можно на полном основании причислить к глобальным концептам, распространяющимся на все сферы бытия и требующим многостороннего осмысления и подхода. Особый статус пограничья обуславливается тем, что в силу своего положения на рубеже, т.е. в состоянии постоянной готовности к переходу от старого к новому и от «своего» к «чужому», его резиденты в первую очередь становятся субъектами различных социокультурных процессов. Длительное пребывание в пограничной зоне способствует формированию маргинального типа личности, сознательно участвующей в культурной жизни и традициях разных народов. В статье на примере двух исторических деятелей XVII в.- трансильванского князя и короля Венгрии Бетлена Габора и польского поэта, воина и дипломата Яна Куновского показано как длительное пребывание в пограничье оказывало влияние на духовное развитие и деятельность людей, принадлежавших к политической и культурной элите своего времени. The concept of a border area can rightly be considered a global concept that extends to all spheres of life and requires a multilateral understanding and approach. The special status of the borderlands is due to the fact that, due to their position at the border, i.e., in a state of constant readiness for the transition from the old to the new and from “ours” to “theirs”, its residents first of all become subjects of various sociocultural processes. A long stay in the border zone contributes to the formation of a marginal type of personality, consciously participating in the cultural life and traditions of different peoples. In the article, on the example of two historical figures of the 17th century.- the Transylvanian prince and king of Hungary Bethlen Gabor and the Polish poet, warrior and diplomat Jan Kunowski show how a long stay in the borderlands influenced the spiritual development and activities of people who belonged to the political and cultural elite of their time.

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Xu, Liu. „POETRY BY N.A. KLYUEV AND OLD BELIEVER ICONOGRAPHY“. In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3694.rus_lit_20-21/59-63.

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Poetry of N.A. Klyuev has a special system of images and a deep religious sense. The origins of Klyuev’s poetic world are closely connected with culture and tradition of Old Believers, and with culture of Ancient Russia in general. Klyuev knew well and highly valued ancient Russian icons, his poems contain a lot of information about the meaning and existence of icons in the life of the people; historical memories and realities are also perceived and consecrated by the poet through the prism of the icons. In this article we will try to give some information about Old Believer icons in the life and work of the poet, compare the figurative world of the poet’s work with the iconographic and theme features of Old Believer icons, analyze the possible connections of the poet’s poetic worldview, his religious and historiosophical ideas with the tradition of Old Believer icons.

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Nikolaeva, S. „THE NATIONAL HISTORICAL CONCEPT OF RUSSIA IN Y.P. KUZNETSOV'S POEM “FEDORA”“. In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3741.rus_lit_20-21/261-265.

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The article deals with historiosophical meaning of the verses by J.P. Kuznetsov “Fedora”. It is concluded that the poet defines the essence of the current historical moment in the fate of Russia in 1993, outlines historical Parallels with previous eras, enters into a polemic with Chaadaev and Vyazemsky, develops the ideas of Dostoevsky and Blok. In the center of attention Yu.P. has the way of Russia in world history, the “Russian idea”, which is not a movement in a circle or on a curve, without a goal, as Chaadaev believed, not trampling on the spot, but a conscious and bequeathed by the ancestors of standing on their own, forward movement through disasters and rebirth. The poet's idiostyle is subordinate to the solution of this artistic problem.

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Paul, Johns, Jie Liang Ang, Tianyuan Fu, Bingsheng He, Shengliang Lu, Sien Yi Tan und Feng Cheng. „Poet“. In SIGSPATIAL '20: 28th International Conference on Advances in Geographic Information Systems. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3397536.3422230.

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Wang, Rui, Joel Lehman, Jeff Clune und Kenneth O. Stanley. „POET“. In GECCO '19: Genetic and Evolutionary Computation Conference. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3321707.3321799.

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Berichte der Organisationen zum Thema "Poet as the Historian"

Hotsur, Oksana, und Anastasiia Bila. Епістолярна спадщина Олени Теліги як виразник творчої особистості. Ivan Franko National University of Lviv, März 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11723.

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The scientific research considers and analyzes the epistolary heritage of Olena Teliha. Excerpts from her correspondence are presented, which testify to the formation of a brilliant woman, a creative personality who played an extremely important role in the struggle for the formation of Ukrainian statehood. It is from the letters that we learn that for her letters are almost an ideal way of communication. The epistolary heritage of Olena Teliha allows us to reveal the vision of the main processes in her personal life against the background of the general historical discourse. In addition, the main communicative visions that determine her creative personality are highlighted: communicative vision of friendship, love, creation of literary talent, perseverance and strength, resistance to rejection. Attention is focused on the importance of studying and researching the epistolary heritage of creative personalities in the context of social communications. From the quoted letters, which are distinguished by their sincerity and accuracy of expression, it is possible to determine and formulate what positions and ideas the civic activist, poet and publicist adhered to. In addition, we can see the line of consistency in the formation of a creative personality who not only lives and writes, but acts – creates history, its moment, the value of which is felt and understood by future generations. It is found that the life path in its interconnection with historical circumstances and social environment influenced the formation of the creative personality of the genius poet and publicist. The peculiarities of the epistolary of Olena Teliha are determined by the circumstances, people and personalities that she had to face in life. The promising areas of research are the letters of Olena Teliha, which are in the archives of other countries and the allocation of journalistic and documentary aspects of her epistolary heritage. Keywords: epistolary heritage, letters, public figure, journalism, creative personality.

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Abramitzky, Ran. Economics and the Modern Economic Historian. Cambridge, MA: National Bureau of Economic Research, Oktober 2015. http://dx.doi.org/10.3386/w21636.

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Sanchez, Tamara. The Poet, the Rebel, and the Wardrobe Coat. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1679.

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Boyle, Edward. The Poet Revealed: A Future for Human-Centered Design. Fort Belvoir, VA: Defense Technical Information Center, September 1990. http://dx.doi.org/10.21236/ada226648.

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Meade, R. A. Total Quality Management and nuclear weapons: A historian`s perspective. Office of Scientific and Technical Information (OSTI), November 1993. http://dx.doi.org/10.2172/10194041.

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Reades, Jon, und Jennie Williams. Dataset to accompany Clustering and Visualising Documents using Word Embeddings. Programming Historian, Juli 2023. http://dx.doi.org/10.46430/phen0112.

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Simmons, Blake, und Gabriella Papa. Assessment of JBEI Ionic Liquid Biomass Pretreatment Technology on POET Feedstocks. Office of Scientific and Technical Information (OSTI), August 2018. http://dx.doi.org/10.2172/1463704.

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Arciniegas, Germán. How the History of America Began. Inter-American Development Bank, April 1993. http://dx.doi.org/10.18235/0007907.

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Gallegos de Donoso, Magdalena. The Development of Sculpture in the Quito School. Inter-American Development Bank, Oktober 1994. http://dx.doi.org/10.18235/0007914.

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Lovelace, Earl. Welcoming Each Other: Cultural Transformation of the Caribbean in the 21st Century. Inter-American Development Bank, Januar 1998. http://dx.doi.org/10.18235/0007927.

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