Bücher zum Thema „Poésie – Collections“
Um die anderen Arten von Veröffentlichungen zu diesem Thema anzuzeigen, folgen Sie diesem Link: Poésie – Collections.
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Machen Sie sich mit Top-46 Bücher für die Forschung zum Thema "Poésie – Collections" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Sehen Sie die Bücher für verschiedene Spezialgebieten durch und erstellen Sie Ihre Bibliographie auf korrekte Weise.
1
S, Mesmer Edric, und Copyright Paperback Collection (Library of Congress), Hrsg. The best poems ever: A collection of poetry's greatest voices. New York: Scholastic, 2001.
Den vollen Inhalt der Quelle finden
2
H, Lonsdale Roger, Hrsg. The New Oxford book of eighteenth century verse. Oxford [England]: Oxford University Press, 1994.
Den vollen Inhalt der Quelle finden
3
H, Lonsdale Roger, Hrsg. The New Oxford book of eighteenth century verse. Oxford [England]: Oxford University Press, 1989.
Den vollen Inhalt der Quelle finden
4
Spence, Lila A. The whirring windmills: A complete collection of poems ; &, An Iouanaloaon [sic] mermaids's tale : (a narrative poem). Burnaby, B.C: Morning Star Press, 1997.
Den vollen Inhalt der Quelle finden
5
Ṅag-dbaṅ-chos-grags. Mkhan chen Ṅag-dbaṅ-chos-grags kyi pod chen drug gi ʼgrel pa phyogs sgrigs =: The collection works of mkyen chen Ngag-dwang-chos-grags (sic). Dist. Darjeeling, W.B: Sakya Choepheling Monastery, 2000.
Den vollen Inhalt der Quelle finden
6
Cox, Virginia, und Shannon McHugh, Hrsg. Vittoria Colonna. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463723947.
Der volle Inhalt der QuelleAnnotation:
This edited collection presents fresh and original work on Vittoria Colonna, perhaps the outstanding female figure of the Italian Renaissance, a leading Petrarchist poet, and an important figure in the Italian Reform movement. Until recently best known for her close spiritual friendship with Michelangelo, she is increasingly recognized as a powerful and distinctive poetic voice, a cultural and religious icon, and an important literary model for both men and women. This volume comprises compelling new research by established and emerging scholars in the fields of literature, book history, religious history, and art history, including several studies of Colonna’s influence during the Counter-Reformation, a period long neglected by Italian cultural historiography. The Colonna who emerges from this new reading is one who challenges traditional constructions of women’s place in Italian literature; no mere imitator or follower, but an innovator and founder of schools in her own right.
7
Condren, Edward I. The numerical universe of the Gawain-Pearl poet: Beyond phi. Gainesvillle: University Press of Florida, 2002.
Den vollen Inhalt der Quelle finden
8
1948-, Ferguson Margaret W., Salter Mary Jo und Stallworthy Jon, Hrsg. The Norton anthology of poetry. 4. Aufl. New York: W.W. Norton, 1996.
Den vollen Inhalt der Quelle finden
9
The Wesleyan Tradition. Wesleyan, 1994.
Den vollen Inhalt der Quelle finden
10
Collier, Michael. Wesleyan Tradition: Four Decades of American Poetry. Wesleyan University Press, 2012.
Den vollen Inhalt der Quelle finden
11
Bhowmick, Saptarshi. My Hereditary Experience Vol. 1: Poem Collection - What You See, is truely yours' to claim! Notion Press, 2020.
Den vollen Inhalt der Quelle finden
12
Boon, Tim, Elizabeth Haines, Arnaud Dubois und Klaus Staubermann. Understanding Use: Objects in Museums of Science and Technology (Artefacts 13). Smithsonian Institution Scholarly Press, 2024. http://dx.doi.org/10.5479/si.25444927.
Der volle Inhalt der QuelleAnnotation:
<table><tr><td><p dir="ltr"><i>Understanding Use</i> proposes a way of thinking and of developing practice around four varieties of use of objects in science and technology museums: first, the ways that machines, instruments, and equipment were used in their pre-museum “lives” (which provides the most frequent reason for their acquisition); second, the ways in which research can re-create usage history of obsolete objects; third, the ways that museum staff have employed objects in their “museum lives” as members of collections; and last, the possibility of reconceptualizing museum visitors as users of collections and displays. Thinking of museum objects in these ways—that is, in terms of use—could constitute a coherent approach to museum work that enriches the wider purpose of science and technology museums.</p></td></tr></table><p></p>
13
Waterman, Rory. Wendy Cope. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859524.001.0001.
Der volle Inhalt der QuelleAnnotation:
Wendy Cope (born 1945) is one of Britain's most popular poets: her first two collections have together sold almost half a million copies, and in 1998, when Ted Hughes died, she was the BBC listeners' choice to succeed him as Poet Laureate. She is also contrarian and sometimes controversial, and has been celebrated as one of the finest parodists of her, or any, generation. It is perhaps surprising, then, that her popular appeal has been met with critical near-silence. After five major collections, Cope has received only piecemeal critical attention, mostly confined to book reviews. This is the first in-depth study of her poetry. Drawing on Cope's published work, archival material and correspondence, as well as the available scholarship and journalism, Rory Waterman considers her main collections, her works for children and her uncollected and unpublished poems, with many close readings, and detailed considerations of her cultural and literary contexts and her poetic development.
14
Patel, Mikin V., und Steven Zangan. Drainage of the Multiloculated Collection. Herausgegeben von S. Lowell Kahn, Bulent Arslan und Abdulrahman Masrani. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780199986071.003.0099.
Der volle Inhalt der QuelleAnnotation:
Percutaneous drainage of an abscess is the standard of care and significantly improves patient outcomes. Typically, either trocar or Seldinger technique is used to access the abscess under ultrasound or computed tomography guidance. Pre-procedural planning is the most important step of the procedure, with the goal of using a safe, direct, short route to the collection. Vital anatomic structures such as sizeable arteries, solid organs (with a few exceptions), or a hollow viscus such as the stomach or colon should be avoided. Placement of a drain must balance effective positioning with a safe anatomic window for access. A multiloculated collection presents a special challenge because only one safe catheter approach may be available. In these cases, catheters with multiple side holes or multiple loops can be used to access the separate isolated components. Tissue plasminogen can also be utilized to break down the loculations and improve drainage.
15
Brenner, Robin E. Understanding Manga and Anime. Greenwood Publishing Group, Inc., 2007. http://dx.doi.org/10.5040/9798216029595.
Der volle Inhalt der QuelleAnnotation:
Teens love it. Parents hate it. Librarians are confused by it; and patrons are demanding it. Libraries have begun purchasing both manga and anime, particularly for their teen collections. But the sheer number of titles available can be overwhelming, not to mention the diversity and quirky cultural conventions. In order to build a collection, it is important to understand the media and its cultural nuances. Many librarians have been left adrift, struggling to understand this unique medium while trying to meet patron demands as well as protests. This book gives the novice background information necessary to feel confident in selecting, working with, and advocating for manga and anime collections; and it offers more experienced librarians some fresh insights and ideas for programming and collections. Teens love it. Parents hate it. Librarians are confused by it; and patrons are demanding it. Libraries have begun purchasing both manga and anime, particularly for their teen collections. But the sheer number of titles available can be overwhelming, not to mention the diversity and quirky cultural conventions. In order to build a collection, it is important to understand the media and its cultural nuances. Many librarians have been left adrift, struggling to understand this unique medium while trying to meet patron demands as well as protests. This book gives the novice background information necessary to feel confident in selecting, working with, and advocating for manga and anime collections; and it offers more experienced librarians some fresh insights and ideas for programming and collections. In 2003 the manga (Japanese comics) market was the fastest growing area of pop culture, with 75-100% growth to an estimated market size of $100 million retail. The growth has continued with a 40-50% sales increase in bookstores in recent years. Teens especially love this highly visual, emotionally charged and action-packed media imported from Japan, and its sister media, anime (Japanese animation); and libraries have begun purchasing both. Chock full of checklists and sidebars highlighting key points, this book includes: a brief history of anime and manga in Japan and in the West; a guide to visual styles and cues; a discussion of common themes and genres unique to manga and anime; their intended audiences; cultural differences in format and content; multicultural trends that manga and anime readers embrace and represent; and programming and event ideas. It also includes genre breakdowns and annotated lists of recommended titles, with a focus on the best titles in print and readily available, particularly those appropriate to preteen and teen readers. Classic and benchmark titles are also mentioned as appropriate. A glossary and a list of frequently asked questions complete the volume.
16
Matiazzi, Estevam. O Desvelar da Poesia. Brazil Publishing, 2021. http://dx.doi.org/10.31012/978-65-5861-754-9.
Der volle Inhalt der QuelleAnnotation:
Estevam Matiazzi’s poetics are memorably reflected in the title of his colorful poem collection, most of which are written in poetic prose, with singular didacticism. “Life Seen Through Windows: before and beyond them” is a work marked by movements and approaches in a mutating world view, that established relations with its time. ‘Drunken times’, actually, pandemic times, Covid-19 times. In a cathartic process, the poetic persona gazes outside his window, a narrow spaces’ view that creates an egregore of love. Engaged in the notion of roughness within the historical moment, he creates poems, comforting hearts in distress and full of uncertainties. The title has a direct connection with the works’ poetry; it brings relations in constant change, a shape still undetermined, a state beyond any mold, any casted matter. Beyond anything pre-fixed, anything pre-established. Thus, in a language of light and shadows, “Life Seen Through Windows: before and beyond them” is a beacon in the darkness of these pandemic times (Márcia Lembrança). Life Seen Through Windows – behind and in front of them are 40 poems from quarantine, written in 2020, in the context of Covid-19 pandemic. The view from the windows in the apartment where I live in Belo Horizonte, side by side with the song “Window’s Scenery” – written by Lô Borges and Fernando Brant for the album Corner Club, released in 1972, year in which I was born –, are the inspiration for these poems. Nearly 50 years after this masterpiece, between the slot that remains between buildings, I watch, beyond the windows, the mountain ranges that still encircle the capitol of Minas Gerais, either under blue, open skies or under thick grey clouds… From behind windows, I listen to radios, watch screens and see continued ailments; deforested, burned Amazon, slighted traditional cultures; inflation on the rise, democracy under threat; drama and mire, plots and fire…
17
Ezell, Margaret J. M. ‘Adventurous Song’: Samuel Butler, Abraham Cowley, Katherine Philips, John Milton, and 1660s Verse. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198183112.003.0012.
Der volle Inhalt der QuelleAnnotation:
The decade after the Restoration saw the publication of several important works and collections of verse. Samuel Butler’s mock-heroic Hudibras satirized the civil war conflict, and although Abraham Cowley’s reputation was at its height, he lamented in his Pindaric odes the lack of reward and recognition for his hardships in the service of the royal family in exile. Katherine Philips’s poems were printed without her consent, and she was preparing an authorized edition when she died from smallpox. John Milton published his epic poem Paradise Lost in 1667, divided in 1674 to form twelve books, followed by Paradise Regain’d and Samson Agonistes in 1671.
18
Parsons, Laurel, und Brenda Ravenscroft. Maddalena Casulana, “Per lei pos’ in oblio” from Cinta di fior (1570). Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190237028.003.0003.
Der volle Inhalt der QuelleAnnotation:
The chapter examines the madrigals of Maddalena Casulana, a sixteenth-century Venetian composer, teacher, and singer who was the first female composer in western music history to have her music published. When she was only twenty, four of her madrigals appeared in a volume with those of Orlando di Lasso and Cipriano de Rore, but later published collections were devoted exclusively to her compositions. Her madrigals exhibit not only what she must have learned singing poetry to the lute, but mastery of sophisticated compositional craft as well. This skill is particularly evident in her handling of chordal music, a basic feature of the mid-sixteenth-century madrigal arioso. This chapter explores her compositional techniques in general and looks closely at the form of “Per lei pos’ in oblio.”
19
Greene, Dana. Endings. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037108.003.0007.
Der volle Inhalt der QuelleAnnotation:
This chapter details the life and career of Denise Levertov from 1972 to 1975. This period was marked by critical endings for Levertov, an extraordinary time of emotional turmoil and confusion. Three centrifugal forces—the end of the Vietnam War, her break with mentor Robert Duncan, and her divorce from Mitch—could have overwhelmed her. In the end they did not. She survived, and haltingly searched for a new life. Two books of poetry appeared. Footprints (1972) and The Freeing of the Dust (1975) both attested to her longing for freedom and desire to leave the past behind, and a collection of essays, The Poet in the World (1973), established her preeminence in poetics. As she groped toward the future, Levertov carried a talisman with her, a new understanding of her name Denise. Previously she assumed Denise derived from the Greek “Dionysus.” Now to her delight she discovered that in Hebrew its origin was in “Daleth,” meaning “door,” “entrance, exit/way through of/giving and receiving.” Obliquely she began to live into this new self-understanding.
20
Bluemel, Nancy Larson, und Rhonda Harris Taylor. Pop-Up Books. ABC-CLIO, LLC, 2012. http://dx.doi.org/10.5040/9798400699092.
Der volle Inhalt der QuelleAnnotation:
A convincing explanation of why interactive or movable books should be included in the library collection that documents their value as motivational instructional tools—in all areas of the school curriculum, across many grade levels. Pop-up books possess universal appeal. Everyone from preschoolers to adults loves to see and tactilely experience the beautiful three-dimensional work of Robert Sabuda, David A. Carter, and other pop-up book creators. Sabuda himself was inspired to become a pop-up book artist after experiencing the 1972 classic pop-up The Adventures of Super Pickle. The effect of these movable books on young minds is uniquely powerful. Besides riveting children's attention, pop-up books can also help build motor skills, teach cause and effect, and develop spatial understanding of objects. Based on their direct experience and many presentations to teachers and librarians, the authors have provided template lesson plans with curriculum and standards links for using the best pop-up books currently available in the instructional program of the school. The book also includes profiles of the most notable authors, a history of the format, definitions of terms such as ""flap book"" and ""paper engineer,"" and information on how to create movable books. Librarians will find the section regarding collection development with the format—how and where to acquire them, proper storage methods—and the annotated listing of the authors' 50 favorite pop-ups extremely helpful.
21
Goodyear, Albert C., und Christopher R. Moore, Hrsg. Early Human Life on the Southeastern Coastal Plain. University Press of Florida, 2018. http://dx.doi.org/10.5744/florida/9781683400349.001.0001.
Der volle Inhalt der QuelleAnnotation:
This book is a collection of articles written by established researchers on the early prehistory of the Coastal Plain of the Southeastern U.S. The Coastal Plain is considered both geographically, as it extends from Virginia to Alabama, and chronologically, over potentially the last 50,000 years. Topics considered are the Pre-Clovis at Topper, Capps, and Vero Site; the potential for inundated early sites on the shelf; the mapping and petrography of Coastal Plain chert sources; the Paleoindians on the South Carolina Coastal Plain; the Younger Dryas and the Cosmic Impact Hypothesis; site burial and Coastal Plain sedimentary processes; the Early Archaic period with different scales of spatial analysis; the broader view of the Southeastern Atlantic Slope as it has been researched over the past forty years; and the long view of early human ecology and migrations from North America and the Old World.
22
Shockley, Evie. A Letter to David Drake from a Friend and a Relation. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199390205.003.0003.
Der volle Inhalt der QuelleAnnotation:
Shockley writes creatively in response to an inscription written on the side of the jar associated with the title of the collection. As a contemporary black woman and as a literary critic and a poet herself, Shockley seeks out her multifaceted relatedness to the person and legacy of Dave the Potter. In this hybrid of creative and scholarly writing, Shockley uses the format of the letter to imaginatively reply directly to “Dave.” In the process, Shockley transforms the terms of historical inquiry to better suit the diasporic terms of her relation to a “him” who is never finally in the past nor an object of impersonal history.
23
Johnston, Anna, und Elizabeth Webby, Hrsg. Eliza Hamilton Dunlop: Writing from the Colonial Frontier. Sydney University Press, 2021. http://dx.doi.org/10.30722/sup.9781743327487.
Der volle Inhalt der QuelleAnnotation:
Eliza Hamilton Dunlop (1796–1880) arrived in Sydney in 1838 and became almost immediately notorious for her poem “The Aboriginal Mother,” written in response to the infamous Myall Creek massacre. She published more poetry in colonial newspapers during her lifetime, but for the century following her death her work was largely neglected. In recent years, however, critical interest in Dunlop has increased, in Australia and internationally and in a range of fields, including literary studies; settler, postcolonial and imperial studies; and Indigenous studies. This stimulating collection of essays by leading scholars considers Dunlop's work from a range of perspectives and includes a new selection of her poetry.
24
Heller, Natasha. Understanding Retribution in a Changing Religious Landscape. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190278359.003.0015.
Der volle Inhalt der QuelleAnnotation:
This chapter considers ideas of sin, retribution, and injustice from the introduction of Buddhism to China to 600 CE. The concepts of karma and transmigration are usually considered among the most significant contributions Buddhism made to religious belief in China, but these ideas were understood within an existing framework of how transgressions were handled in both the human and superhuman realms. This chapter examines the interaction of these new and old discourses by focusing on the sixth-century collection known as Annals of Avenging Spirits (Yuanhun zhi 冤魂志), compiled by the eminent literatus Yan Zhitui 顏之推 (531–591 CE). This chapter considers how this concept of injustice is in dialogue with both pre-Buddhist and Buddhist texts on sin, revenge, and retribution. It discusses how instances of injustice fit into narrative and the degree to which injustice as a plot device also functions to model moral thinking about misdeeds and retribution.
25
Brumbaugh, Michael. The New Politics of Olympos. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190059262.001.0001.
Der volle Inhalt der QuelleAnnotation:
The New Politics of Olympos offers the first in-depth analysis of Kallimachos’ only fully extant poetry book, the Hymns, by examining its contemporary political setting, engagement with a tradition of political thought stretching back to Homer, and portrayal of the poet as an image-maker for the king. In addition to investigating the political dynamics in the individual hymns, this book details how the poet’s six hymns, once juxtaposed within a single bookroll, constitute a macro-narrative on the prerogatives of Ptolemaic kingship. Throughout the collection Kallimachos refigures the infamously factious divine family as a paradigm of stability and good governance in concert with the self-fashioning of the Ptolemaic dynasty. At the same time, the poet defines the characteristics and behaviors worthy of praise, effectively shaping contemporary political ethics. Thus, for a Ptolemaic reader, this poetry book may have served as an education in and inducement to good kingship.
26
Rosario, Vanessa Pérez. Writing the Nation. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038969.003.0002.
Der volle Inhalt der QuelleAnnotation:
This chapter describes the development of Burgos's social, political, and creative consciousness during the 1930s. It focuses on her first poetry collection, Poema en veinte surcos (Poem in Twenty Furrows, 1938), where she creates images of routes, travel, and water as a way to escape containment. In Poema en veinte surcos, Burgos experimented with various styles of writing prevalent among Puerto Rican writers of the time, including telurismo and neocriollismo, the negrista poetry of Luis Palés Matos, and the eroticism of Luis Lloréns Torres. Her nomadic subject championing freedom and justice fundamentally and ideologically distinguishes her work and aligns her with the vanguardias. Eventually, the nomadic subject becomes a “form of political resistance to hegemonic, fixed, unitary, and exclusionary views of subjectivity.”
27
Salisbury, Joyce. Encyclopedia of Women in the Ancient World. ABC-CLIO, 2001. http://dx.doi.org/10.5040/9798216037378.
Der volle Inhalt der QuelleAnnotation:
An extensive and fascinating collection of stories featuring both famous and everyday women, giving a well-rounded view of the lives of women in the ancient world. When did women first become rulers, athletes, soldiers, heroines, and villains? They always were, observes historian Judith Salisbury. From Mesopotamian priestesses and poets to Egyptian queens and consorts, "there was never a time when women did not participate in all aspects of society." Salisbury tells the stories of 150 women from the ancient world, ranging from the very famous, such as Cleopatra VII, immortalized by Hollywood, to the barely remembered, such as the Roman poet Nossis. Writing for a general audience, Salisbury begins by painting each woman into her historical context, then recounts each woman's story, describing the choices she made as she looked for happiness, wealth, power, or well-being for herself and her family—stories much like our own. In entries on general themes—clothing, cosmetics, work, sexuality, prostitution, gynecology—Salisbury analyzes the commonalties in the lives of these women of antiquity from a cross-cultural perspective.
28
Bland Jr., Sterling Lecater, Hrsg. Understanding 19th-Century Slave Narratives. ABC-CLIO, LLC, 2016. http://dx.doi.org/10.5040/9798216029182.
Der volle Inhalt der QuelleAnnotation:
African American slave narratives of the 19th century recorded the grim realities of the antebellum South; they also provide the foundation for this compelling and revealing work on African American history and experiences. Naturally, it is not possible to really know what being a slave during the antebellum period in America was like without living the experience. But students CAN get eye-opening insight into what it was like through the gripping stories of bravery, courage, persistence, and resiliency in this collection of annotated slave narratives from the period. Each of the collected narratives includes an introduction that provides readers with key historical context on the particular life examined. Moreover, each narrative is accompanied by annotations that broaden the reader's comprehension of that primary document. The primary source documents in this volume tell enthralling stories, such as how slave woman Ellen Craft utilized her particularly pale complexion to pose as a free white man overseeing his slaves to free herself and her husband, and how Henry Brown successfully shipped himself to freedom in a box measuring scarcely 3 feet by two feet by six inches deep—despite being more than six feet tall.
29
Hall, Patricia, Hrsg. The Oxford Handbook of Music Censorship. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199733163.001.0001.
Der volle Inhalt der QuelleAnnotation:
This volume is a collection of thirty in-depth studies of music censorship from the eighth century to the present and covers music ranging from Gregorian chant to eighteenth-century opera to contemporary pop music. It includes studies from every continent and consists of six sections. Section I explores religion both as an object of censorship and as a censoring agent. Section II focuses on the censorship of three iconic operas during the Enlightenment in France and Austria: Don Giovanni, the Marriage of Figaro, and Fidelio. Section III deals with censorship in transitional governments, from nineteenth-century Italy to present-day Taiwan. Section IV examines censorship in totalitarian governments during the twentieth century. Section V discusses censorship in democracies such as the United Kingdom and the United States. Section VI looks at how censorship intersects with issues of race, gender, and sexual orientation.
30
Ellmann, Maud. Sylvia Townsend Warner. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199935338.013.31.
Der volle Inhalt der QuelleAnnotation:
This article reviews some important recent contributions to the belated recovery of the work of English novelist and poet Sylvia Townsend Warner. Described by Eleanor Perényi as “feminist, Marxist, historical novelist, social comedian, teller of fairy tales,” Warner has received scant critical attention, in stark contrast to her remarkable productivity. Warner published thirty-six books during her lifetime, in addition to four posthumous collections of poems and short stories; at least 154 short stories published in theNew Yorker; her diary, published by Chatto and Windus in 1994; several volumes of correspondence; a revised and expanded edition of her poems; her translation of Marcel Proust’s critical writings inBy Way of Sainte-Beuve; and a volume of previously uncollected writings,With the Hunted, which includes many short pieces previously published in theJournal of the Sylvia Townsend Warner Society. The present article looks at key critical responses to Warner’s work by such writers as Jan Montefiore, Jane Marcus, Gillian Beer, Jean-Jacques Lecercle, and Mary Jacobs.
31
Gildart, Keith, Anna Gough-Yates, Sian Lincoln, Bill Osgerby, Lucy Robinson, John Street, Pete Webb und Matthew Worley, Hrsg. Ripped, torn and cut. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526120595.001.0001.
Der volle Inhalt der QuelleAnnotation:
Ripped, torn and cut offers a collection of original essays exploring the motivations behind – and the politics within – the multitude of fanzines that emerged in the wake of British punk from 1976. Sniffin’ Glue (1976–77), Mark Perry’s iconic punk fanzine, was but the first of many, paving the way for hundreds of home-made magazines to be cut and pasted in bedrooms across the UK. From these, glimpses into provincial cultures, teenage style wars and formative political ideas may be gleaned. An alternative history, away from the often-condescending glare of London’s media and music industry, can be formulated, drawn from such titles as Ripped & Torn, Brass Lip, City Fun, Vague, Kill Your Pet Puppy, Toxic Grafity, Hungry Beat and Hard as Nails. Here, in a pre-internet world, we see the development of networks and the dissemination of punk’s cultural impact as it fractured into myriad sub-scenes: industrial, post-punk, anarcho, Oi!, indie, goth. Ripped, torn and cut brings together academic analysis with practitioner accounts to forge a collaborative history ‘from below’. The first book of its kind, this collection reveals the contested nature of punk’s cultural politics by turning the pages of a vibrant underground press.
32
Williams, Keith, Hrsg. Travels in Scottland: Poems for Walter Scott @250. University of Dundee, 2021. http://dx.doi.org/10.20933/100001227.
Der volle Inhalt der QuelleAnnotation:
Welcome to the fifth collection by Wyvern Poets, in collaboration with the University of Dundee. 2021 marks the 250th anniversary of the birth of Sir Walter Scott (1771-1832), father of the historical novel and, effectively, of a new kind of mass ‘time travel’. Scott’s prolific output exported an image of his homeland with global appeal, if not always scrupulous authenticity. Stuart Kelly’s 2011 biography, Scott-land, is subtitled The Man Who Invented a Nation, perhaps without too much exaggeration. Scott’s antiquarian vision transformed a turbulent past into a pre-industrial landscape for the Romantic imagination, virtually overwhelming its place of origin or at least melding with it, as he rapidly became one the best-selling authors on earth. John Davidson’s ‘The Salvation of Nature’ (1891), fantasised a future Scotland bought out by an entertainment conglomerate. The World’s Pleasance Company, Ltd. demolishes anything built after 1700, ‘rewilding’ Scotland into a kind of neo-medieval theme park re-staging the past for tourists. Davidson’s story was both satirical exaggeration and backhanded tribute to Scott’s work for bringing history to life in a certain form. Hence this collection considers the many ways in which Scott’s evocative, but also problematic reimagining of his homeland remains relevant to our time and beyond.
33
Kinloch, Valerie. June Jordan. Praeger, 2006. http://dx.doi.org/10.5040/9798400675188.
Der volle Inhalt der QuelleAnnotation:
June Jordan was born on July 9, 1936, in Harlem, New York, to Mildred and Granville Jordan, Jamaican natives. During her life, she became one of the most prolific, important, and influential African American writers of her time. Before her death from breast cancer in 2002, Jordan published more than 27 books, includingSome of Us Did Not Die,Solider: A Poet's Childhood,Poetry for the People: Finding a Voice through Verse,Haruko Love Poems, andNaming Our Destiny. Her workCivil Wars, a collection of letters and essays, addressed such topics as violence, homosexuality, race, and black feminism. Working in many genres and touching on many themes and issues, Jordan was a powerful force in American literature. This biography reveals the woman, the writer, the poet, the activist, the leader, and the educator in all her complexity. Working in many genres and touching on many themes and issues, June Jordan was a powerful force in American literature. This biography reveals the woman, the writer, the speaker, the poet, the activist, the leader, and the educator in all her complexity. June Jordan was born on July 9, 1936, in Harlem, New York, to Mildred and Granville Jordan, Jamaican natives. During her life, she became one of the most prolific, important, and influential African American writers of her time. Before her death from breast cancer in 2002, Jordan published more than 27 books, includingSome of Us Did Not Die,Solider: A Poet's Childhood,Poetry for the People: Finding a Voice through Verse,Haruko Love Poems, andNaming Our Destiny. Her workCivil Wars, a collection of letters and essays, addressed such topics as violence, homosexuality, race, and black feminism. Kinloch offers a life and letters of this prolific writer, delving into both her biography and her contributions as a writer and activist. This approach unveils the power of language in Jordan's poems, essays, speeches, books—and ultimately in her own life—as she challenged political systems of injustice, racism, and sexism. Kinloch examines questions surrounding the pain of writing, the anger of oppression, and the struggle of African American women to assert their voices. Attention is paid to the ways in which Jordan's life informed her writings her perspectives, and her contributions to the global landscape of class, race, and gender issues. The writer's major works are explored in detail, as Kinloch weaves discussions of her life into critical considerations of her writings. Ultimately, this portrait illustrates the ways in which Jordan's career represented her dedication to making words work; her ability to rally and revolutionize the spirit of people invested in decolonization, love, and freedom; and her responsiveness to the world in which she lived.
34
Cox, Virginia, und Shannon McHugh, Hrsg. Vittoria Colonna. Amsterdam University Press, 2021. http://dx.doi.org/10.1017/9789048552603.
Der volle Inhalt der QuelleAnnotation:
This edited collection presents fresh and original work on Vittoria Colonna, perhaps the outstanding female figure of the Italian Renaissance, a leading Petrarchist poet, and an important figure in the Italian Reform movement. Until recently best known for her close spiritual friendship with Michelangelo, she is increasingly recognized as a powerful and distinctive poetic voice, a cultural and religious icon, and an important literary model for both men and women. This volume comprises compelling new research by established and emerging scholars in the fields of literature, book history, religious history, and art history, including several studies of Colonna's influence during the Counter-Reformation, a period long neglected by Italian cultural historiography. The Colonna who emerges from this new reading is one who challenges traditional constructions of women's place in Italian literature; no mere imitator or follower, but an innovator and founder of schools in her own right.
35
Hall, Patricia. Introduction. Herausgegeben von Patricia Hall. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199733163.013.28.
Der volle Inhalt der QuelleAnnotation:
This volume is a collection of thirty in-depth studies of music censorship from the eighth century to the present and covers music ranging from Gregorian chant to eighteenth-century opera to contemporary pop music. It includes studies from every continent and consists of six sections. Section I explores religion both as an object of censorship and as a censoring agent; Section II focuses on the censorship of three iconic operas during the Enlightenment in France and Austria: Don Giovanni, The Marriage of Figaro, and Fidelio; Section III deals with censorship in transitional governments, from nineteenth-century Italy to present-day Taiwan; Section IV examines censorship in totalitarian governments during the twentieth century; Section V discusses censorship in democracies such as the United Kingdom and the United States; and Section VI looks at how censorship intersects with issues of race, gender and sexual orientation.
36
Lewis, Maxine. Gender, Geography, and Genre. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198768098.003.0006.
Der volle Inhalt der QuelleAnnotation:
This chapter offers a new reading of Catullus’ Lesbia by examining the poet’s spatial poetics. These poetics play a crucial role in shaping the worlds created in the poems. Catullus’ collection features three distinct poetics of place: topical, neoteric, and abstracted, clustered in specific groups of poems: the polymetrics, the carmina maiora, and the elegiac epigrams, respectively. As Lesbia is the only character (apart from the ‘Catullus’ persona) who appears in each group, she presents the ideal subject for examining how Catullus’ distinct poetics of place shape characterization in different genres of poetry. Furthermore, as a woman whose gender is frequently thematized, Lesbia presents a fulcrum for investigating how gendered ideologies of certain spaces might have shaped Catullus’ spatial poetics. This chapter offers close readings of three ‘Lesbia’ poems: 37, 68b, and 70, to highlight the importance of place and space to Lesbia’s role in each poem.
37
Sánchez-Eppler, Karen, und Cristanne Miller, Hrsg. The Oxford Handbook of Emily Dickinson. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780198833932.001.0001.
Der volle Inhalt der QuelleAnnotation:
The Oxford Handbook of Emily Dickinson is designed to engage, inform, interest, and delight students and scholars of Emily Dickinson, of nineteenth-century US literature and cultural studies, of American poetry, and of the lyric. It also aims to establish potential agendas for future work in the field of Dickinson studies. This is the first essay collection on Dickinson to foreground the material and social culture of her time while opening new windows to interpretive possibility in ours. The collection strives to balance Dickinson’s own center of gravity in the material culture and historical context of nineteenth-century Amherst with the significance of important critical conversations of our present, thus understanding her poetry with the broadest “Latitude of Home”—as she puts it in her poem “Forever – is composed of Nows –”. Debates about the lyric, about Dickinson’s manuscripts and practices of composition, about the viability of translation across language, media, and culture, and about the politics of class, gender, place, and race circulate through this volume. These debates matter to our moment but also to our understanding of hers. Although rooted in the evolving history of Dickinson criticism, the essays in this handbook foreground truly new original research and a wide range of innovative critical methodologies, including artistic responses to her poetry by musicians, visual artists, and other poets. The suppleness and daring of Dickinson’s thought and uses of language remain open to new possibilities and meanings, even while they are grounded in contexts from over 150 years ago, and this collection seeks to express and celebrate the breadth of her accomplishments and relevance.
38
Grace, Dominick, und Eric Hoffman, Hrsg. The Canadian Alternative. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496815118.001.0001.
Der volle Inhalt der QuelleAnnotation:
This overview of the history of Canadian comics explores not only the few Canadian cartoonists who have received study, but many who have not. Contributors look at the myriad ways that English-language, Francophone, indigenous, and queer Canadian comics and cartoonists pose alternatives to American comics, to dominant perceptions, even to gender and racial categories. Specific works covered range from the earliest Canadian comic books to the work of contemporary creators. In contrast to the United States’ melting pot, Canada has been understood to comprise a social, cultural, and ethnic mosaic, with distinct cultural variation as part of its identity. This volume reveals differences that often reflect in highly regional and localized comics such as Paul MacKinnon’s Cape Breton-specific Old Trout Funnies, Michel Rabagliati’s Montreal-based Paul comics, and Kurt Martell and Christopher Merkley’s Thunder Bay-specific zombie apocalypse. The collection also considers some of the conventionally “alternative” cartoonists, such as Seth, Dave Sim, and Chester Brown. It offers alternate views of the diverse and engaging work of two very different Canadian cartoonists who bring their own alternatives into play: Jeff Lemire in his bridging of Canadian/US and mainstream / alternative sensibilities and Nina Bunjevac in her own blending of realism and fantasy as well as of insider / outsider status. Despite an upsurge in research on Canadian comics, there is still remarkably little written about most major and all minor Canadian cartoonists.This volume provides insight into some of the lesser-known Canadian alternatives still awaiting full exploration.
39
Babayan, Kathryn. The City as Anthology. Stanford University Press, 2021. http://dx.doi.org/10.11126/stanford/9781503613386.001.0001.
Der volle Inhalt der QuelleAnnotation:
Household anthologies of seventeenth-century Isfahan collected everyday texts and objects, from portraits, letters, and poems to marriage contracts and talismans. With these family collections, Kathryn Babayan tells a new history of the city, at the transformative moment it became a cosmopolitan center of imperial rule. Bringing people's lives into view for a city with no extant state or civic archives, Babayan reimagines the archive of anthologies to recover how residents shaped their communities and crafted their urban, religious, and sexual selves. Babayan highlights eight residents—from king to widow, painter to religious scholar, poet to bureaucrat—who anthologized their city, writing their engagements with friends and family, divulging the many dimensions of the social, cultural, and religious spheres of life in Isfahan. Through them, we see the gestures, manners, and sensibilities of a shared culture that configured their relations and negotiated the lines between friendship and eroticism. These entangled acts of seeing and reading, desiring and writing converge to fashion the refined urban self through the sensual and the sexual—and give us a new and enticing view of the city of Isfahan.
40
Pentiuc, Eugen J. Hearing the Scriptures. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190239633.001.0001.
Der volle Inhalt der QuelleAnnotation:
This book explores a specific area of “reception history”: Byzantine hymnography’s use and interpretation of Scriptures, primarily the Old Testament (Septuagint), as part of Orthodox tradition. Lexical-biblical-theological analyses of selected Holy Week hymns show the distinctiveness of “liturgical exegesis” (hymnographic biblical interpretation) and its complementarity to “patristic exegesis.” Even though patristic exegesis and liturgical exegesis are closely interrelated in terms of authorship and basic methodology, this volume seeks to show the main dissimilarities between patristic (i.e., discursive) and liturgical (i.e., imagistic or intuitive) modes of biblical interpretation. The book aims to demonstrate the creativeness of “pre-critical” interpreters of the Bible, i.e., the Byzantine hymnographers. The volume’s introduction sums up the most important moments in the emergence of Byzantine Orthodox Holy Week, as well as the current structure of this liturgical cycle, with an emphasis on Byzantine hymnography. Part I of the book is a collection of lexical-biblical-theological analyses of selected Holy Week hymns spread over six days (and six chapters). The Holy Week hymnography was chosen as a case study for the rich and vast Byzantine hymnography. The analyses show different ways the Byzantine liturgists (i.e., hymnographers) incorporated and interpreted scriptural material, primarily Old Testament, in their hymns. Part II deals with liturgical exegesis and its key features and hermeneutical procedures. It also seeks to underline the differences between patristic biblical commentaries and Byzantine hymns, while advancing an analogy between liturgical exegesis and cubist art.
41
Cheyne, Peter, Hrsg. Coleridge and Contemplation. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198799511.001.0001.
Der volle Inhalt der QuelleAnnotation:
In his philosophical writings, Coleridge increasingly developed his thinking about imagination, a symbolizing precursor to contemplation, to a theory of contemplation itself, which for him occurs in its purest form as a manifestation of ‘Reason’. Coleridge is a particularly challenging figure because he was a thinker in process, and something of an omnimath, a Renaissance man of the Romantic era. The dynamic quality of his thinking, the ‘dark fluxion’ pursued but ultimately ‘unfixable by thought’, and his extensive range of interests make essential an approach that is philosophical yet also multi-disciplinary. This is the first collection of essays to be written mainly by philosophers and intellectual historians on a wide range of Coleridge’s philosophical writings. With a foreword by Baroness Mary Warnock, and original essays on Coleridge and Contemplation by prominent philosophers such as Sir Roger Scruton, David E. Cooper, Michael McGhee, and Andy Hamilton, this volume provides a stimulating collection of insights and explorations into what Britain’s foremost philosopher-poet had to say about the contemplation that he considered to be the highest of the human mental powers. The essays by philosophers are supported by new developments in philosophically minded criticism from Coleridge scholars in English departments, including Jim Mays, Kathleen Wheeler, and James Engell. They approach Coleridge as an energetic yet contemplative thinker concerned with the intuition of ideas and the processes of cultivation in self and society. Other essays, from intellectual historians and theologians, clarify the historical background, and ‘religious musings’, of Coleridge’s thought regarding contemplation.
42
Sweedman, Luke, und David Merritt. Australian Seeds. CSIRO Publishing, 2006. http://dx.doi.org/10.1071/9780643094079.
Der volle Inhalt der QuelleAnnotation:
This is the first complete guide to the collection, processing and storage of wild collected seed. While the main focus is on Australian seeds, the procedures and protocols described within the book are of international standard and apply to users throughout the world.
The book provides a basic understanding to seed biology, evolution and morphology, and includes chapters on all aspects of harvesting, processing and storage of seeds. This will enable users to collect, process and store seed more efficiently, thus reducing loss of seed viability during the storage process with potentially huge savings in time, effort and expense in the rehabilitation and restoration industries.
With a strong emphasis on the species-rich Western Australian region, Australian Seeds features photographs of more than 1200 species showing clearly their size and shape. Comprehensive seed germination data enables users to know how long to allow for germination times and whether some form of pre-germination treatment is required and what this should be. This is of major importance to horticulturists and agriculturists planning crop and weed control programmes. It will also be a valuable resource to anyone interested in Australian flora.
43
Rogers, Susan Fox, Hrsg. When Birds Are Near. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501750915.001.0001.
Der volle Inhalt der QuelleAnnotation:
In this literary collection, writers explore and celebrate their lives with and love for birds — detailing experiences from Alaska to Bermuda, South Dakota to Panama. The book offers tales of adventure, perseverance, and fun, whether taking us on a journey down Highway 1 to see a rare California Condor, fighting the destruction of our grasslands, or simply watching the feeder from a kitchen window. But these essays are more than just field notes. The authors reflect on love, loss, and family, engaging a broad array of emotions, from wonder to amusement. As one author writes, “Sometimes the best bird experiences are defined less by a rare sighting than by a quality of presence, some sense of overall occasion that sets in motion memories of a particular landscape, a particular light, a particular choral effect, a particular hiking partner.” Or, as the poet Elizabeth Bradfield remarks, “We resonate with certain animals, I believe, because they are a physical embodiment of an answer we are seeking. A sense of ourselves in the world that is nearly inexpressible.” This book gives us the chance to walk alongside these avid appreciators of birds and reflect on our own interactions with our winged companions.
44
Smith, Michèle Hayeur. The Valkyries' Loom. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066622.001.0001.
Der volle Inhalt der QuelleAnnotation:
In The Valkyries’ Loom, Michèle Hayeur Smith examines Viking textiles as evidence of the little-known work of women in the Norse colonies that expanded from Scandinavia across the North Atlantic in the ninth century AD. While previous researchers have overlooked textiles as insignificant artifacts, Hayeur Smith is the first to use them to understand gender and economy in Norse societies of the North Atlantic.This groundbreaking study is based on the author’s systematic comparative analysis of the vast textile collections in Iceland, Greenland, Denmark, Scotland, and the Faroe Islands, materials that are largely unknown even to archaeologists and span 1,000 years. Through these garments and fragments, Hayeur Smith provides new insights into how the women of these island nations influenced international trade by producing cloth (vaðmál); how they shaped the development of national identities by creating clothing; and how they helped their communities survive climate change by reengineering clothes during the Little Ice Age. She supplements her analysis by revealing societal attitudes about weaving through the poem “Darraðarljoð” from Njál’s Saga, in which the Valkyries—Óðin’s female warrior spirits—produce the cloth of history and decide the fates of men and nations.Bringing Norse women and their labor to the forefront of research, Hayeur Smith establishes the foundation for a gendered archaeology of the North Atlantic that has never been attempted before. This monumental and innovative work contributes to global discussions about the hidden roles of women in past societies in preserving tradition and guiding change.
45
Le Mythe végétarien: Nourriture, justice et pérennité. Les Editions Pilule Rouge, 2013.
Den vollen Inhalt der Quelle finden
46
El Mito Vegetariano: Alimento, justicia y sustentabilidad. FisicalBook, 2012.
Den vollen Inhalt der Quelle finden