Dissertationen zum Thema „Pirates – history“
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1
Snyder, Amanda J. „Pirates, Exiles, and Empire: English Seamen, Atlantic Expansion, and Jamaican Settlement, 1558-1658“. FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/857.
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A life of piracy offered marginal men a profession with a degree of autonomy, despite the brand of “outlaw” and the fear of prosecution. At various times throughout history, governments and crowned heads suspended much of their piracy prosecution, licensing men to work as “privateers” for the state, supplementing naval forces. This practice has a long history, but in sixteenth-century England, Elizabeth I (1558-1603) significantly altered this tradition. Recognizing her own weakness in effectively prosecuting these men and the profit they could contribute to the government, Elizabeth began incorporating pirates into the English naval corps in peacetime—not just in war. This practice increased English naval resources, income, and presence in the emerging Atlantic World, but also increased conflict with the powerful Spanish empire.
By 1605, making peace with Spain, James VI/I (1603-1625) retracted Elizabeth’s privateering promotion, prompting an emigration of English seamen to the American outposts they had developed in the previous century. Now exiles, no longer beholden to the Crown, seamen reverted back to piracy. The Carolinas and Jamaica served as bases for these rover communities. In 1650, the revolutionary leader Oliver Cromwell (1649-1658) once again recognized the merits of such policies. Determined to demonstrate his authority and solidify his rule, Cromwell offered citizenship and state support to Caribbean exiles in exchange for their aiding of his navy in the taking of Spanish Jamaica. Official chartering of Port Royal, Jamaica served as reward for these men’s efforts and as the culmination of a century-long cycle of piracy legislation, creating one of England’s most lucrative colonies in the middle of a traditionally Spanish Caribbean empire.
Through legal and diplomatic records, correspondence, and naval and demographic records from England and Spain, this dissertation explores early modern piracy/privateering policy and its impact on the development of the Atlantic World. European disputes and imperial competition converged in these piracy debates with significant consequences for the definitions of criminality and citizenship and for the development of Atlantic empire.
2
Liu, Bingqing. „interaction between pirates and the government in Guangdong Province during the 1850s-1900s“. Thesis, University of Macau, 2016. http://umaclib3.umac.mo/record=b3571287.
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3
Teye, Patrick N. „Barbary Pirates: Thomas Jefferson, William Eaton, and the Evolution of U.S. Diplomacy in the Mediterranean“. Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etd/1183.
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This study analyzes U.S. relations with the Barbary States from 1784 to 1805. After the American Revolution, the young nation found its commerce menaced in the Mediterranean by North African pirates sponsored by the rulers of Morocco, Tunis, Algiers, and Tripoli. As the U.S. sought to find a solution to end piracy and the practice of paying tributes or ransom to free Americans held captive, Thomas Jefferson proposed several solutions as a diplomat, vice president, and as president when he authorized the Tripolitan War (1801-1805). Thus, this look at U.S. relations with the Barbary States focuses on Jefferson’s evolving foreign policy proposals and argues that William Eaton’s secret mission in 1805 eventually reshaped U.S. policy in the Mediterranean and brought Jefferson’s ideas for a military solution to fruition. This change in policy would soon bring about the end of piracy against U.S. merchant vessels and the nation’s involvement in tributary treaties.
4
Hewitt, Brett Alan. „PROSECUTING PIRATES: PROCEDURAL INCONSISTENCIES IN ENGLISH PIRACY TRIALS, 1701-1726“. Case Western Reserve University School of Graduate Studies / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=case1496931879080006.
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5
Sessions, Jamie. „Diplomacy of Pirates| Foreign Relations and Changes in the Legal Treatment of Piracy Under Henry VIII“. Thesis, The University of Mississippi, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10616757.
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This work examines Henry VIII’s contribution to the legal defining and treatment of piracy during his reign and his influence over subsequent Tudor monarchs’ own relationship with piracy and privateering. Through examination of the shift in legal language, piracy as a crime to a paid profession, and the ambiguous definition of who a pirate was it becomes clear that Henry’s reign witnessed a significant transformation in piracy which directly influenced diplomatic relations throughout Europe.
6
Anctil, Shawn. „Order and the Atlantic world: A study in the British war against the pirates, 1695--1725“. Thesis, University of Ottawa (Canada), 2008. http://hdl.handle.net/10393/27952.
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This thesis examines the legal and political environment that allowed piracy to expand during the period that many historians now refer to as the "Golden Age of Piracy" (1695-1725). Towards the end of the sixteenth century, metropolitan officials in London began to take a concerted interest in regulating trade and bringing the traditional system of reprisals under control. What they found, however, was a great deal of resistance to these new policies in the North American colonies. The level of uniformity of this resistance varied from port to port. London's legislative initiatives were rooted in what had essentially become a lawless situation both on the American main, as well as the Caribbean. While the trend in the sub-field of pirate history has been to focus on the periods before and after the First War of Spanish Succession, this thesis examines the correspondences of colonial and metropolitan administrators precisely during this period. These reveal a dissonance in how piracy and privateering were discussed during the conflict that is critical to understanding the violent outbreaks of the Golden Age. As is shown, metropolitan efforts to rationalize trade within a mercantilist economic framework were often seen as hindrances to colonial affairs. Furthermore, the lack of adequate defenses for the colonies often encouraged Governors to seek out their colonies' security through private means. Pirates and privateers were intimately tied to this rift between London's ideological expectations and the colonies' practical necessities. While romanticized to posterity, the widespread outbreak of piratical violence during the Golden Age was, in fact, endemic to a British Atlantic world that was in a state of often bloody and violent flux.
7
Hunter, Mark C. „The political economy of Anglo-American naval relations : pirates, slavers and the equatorial Atlantic, 1819 to 1863“. Thesis, University of Hull, 2003. http://hydra.hull.ac.uk/resources/hull:5542.
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This thesis analyses the decisions that affected Anglo-American naval relations from the Gulf of Mexico to the West African coast between 1819 and 1863. It places British and American naval deployment within the context of political and economic goals. The study reveals that Britain and the United States used sea power for commerce protection, but also believed that it could be used to further long-term economic goals. However, the different ways in which Britain and the United States used sea power affected Anglo-American diplomatic and naval relations. In Britain, the government and commercial sectors were unified in their belief that sea power could be used for commerce protection and to push African factors of production into legitimate commerce. In the United States, the government only reached a consensus that sea power could be used, during peacetime, for commerce protection and promotion. When these goals of the nations conflicted, tensions increased as their interests clashed. America abhorred a strong military, but deployed naval force to fight piracy. But Britain combined slave trade suppression with economic policy and wanted American help along the West African coast. The Americans expanded their West African presence from occasional warships diverted from West Indian piracy patrols, to a full squadron, but focussed only on economic goals. These differences strained relations, but their common belief that they could use sea power for long-term commercial objectives in peacetime, provided the nations with a common mechanism through which the accumulated tensions could be mitigated. Naval forces in the equatorial Atlantic were rearranged and offending officers and ships withdrawn, to preserve Anglo-American relations. Anglo-American naval relations in the equatorial Atlantic reveal that the nations were neither friends, nor enemies, but sought to contain their disputes so they could further their individual policy objectives that would be harmed by a war.
8
Bilal, Kolby. „Black Pilots, Patriots, and Pirates: African-American Participation in the Virginia State and British Navies during the Revolutionary War in Virginia“. W&M ScholarWorks, 2000. https://scholarworks.wm.edu/etd/1539626268.
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9
Lung, Hong-kay, und 龍康琪. „Britain and the suppression of piracy on the coast of China with special reference to the vicinity of Hong Kong 1842-1870“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31224891.
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10
Siu, Kwok-kin Anthony, und 蕭國健. „Chinese piracy and coastal defence in the eighteen and early nineteen centuries with an emphasis on the Canton Delta“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B42575035.
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11
Mauduit, Benjamin. „Election, héritage, apprentissage : la transmission chez les pirates dans la culture populaire anglophone“. Thesis, Tours, 2017. http://www.theses.fr/2017TOUR2023/document.
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Le but de ce travail est d'analyser les représentations des pirates dans la culture populaire anglophone, représentations qui s'inspirent en premier lieu d'un contexte historique et tendent à montrer les pirates comme des révoltés aux prétentions démocratisantes face aux puissances absolutistes, faisant de l'élection un principe maître qui fait écho à différentes visions de l'implication politique des XXe et XXIe siècles. En parallèle se développe la notion d'une attirance inévitable pour la piraterie due aux liens du sang, un héritage qui mène souvent à diverses formes d'hybridation en mettant sans cesse en question les contenus ainsi transmis. Enfin, que l'on parle d'élection ou d'héritage, ce qui est transmis doit être appris, et les modalités de cet apprentissage sont variables bien que s'inscrivant dans un schéma reconnaissable à travers les artefacts culturels examinésThe purpose of this work is to analyze the representations of pirate in English-speaking popular culture, representations whose foremost source of inspiration for such works is a historical context, and they tend to show pirates as rebels with claims to forms of democracy facing absolutist powers, turning election into a major principle that echoes different visions of political involvement in 20th- and 21st-century America. Along this tendency, the notion of an irresistible attraction towards piracy, due to blood ties, is developed into a form of legacy often leading to diverse forms of hybridization endlessly questioning the contents thus transmitted. Finally, whether election or legacy be dealt with, what is transmitted must be learnt, and the modalities of such learning vary even though they are embedded in a pattern recognizable throughout the cultural artifacts under examination
12
Ditchburn, David. „Merchants, pedlars and pirates : a history of Scotland's relations with Northern Germany and the Baltic in the later Middle Ages“. Thesis, University of Edinburgh, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327783.
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13
Andersson, Anton. „Libertalia, bokstavligen och bildligt talat? : En studie av Captain Charles Johnsons verks skildringar av Libertalia genom nutida historikers tolkningar“. Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-71391.
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Piracy has a big mysterious stamp. In the west, we have a clear picture of the 17th and 18th century pirates through stories about prostheses, planks, parrots and eyepatches. These stories come from one source, Captain Charles Johnson's legendary work that addresses a large number of pirates and their lives on the seven seas. This study investigates how modern historians relate critically to Captain Charles Johnson's work and how they interpret his stories about the fictional pirate utopia, Libertalia. What are their purposes and what have they been affected by? By applying a social-constructive theory, the purpose of course becomes evident by seeing what truths these historians created and carried on and how Charles Johnson's work was used in history. Through a social constructive study influenced by source criticism of the works of Marcus Rediker, David Cordingly and Philip Gosse, their interpretations have been perceived as very different. The different historians seem to have their own personal agendas and perceptions and have through their expertise created perceptions and stories that may characterize future generations' perception of the golden age of the piracy and, in particular, their image of Libertalia as a fair society without rulers. The researchers' source-critical approach varies from seeing Johnson's work as narrative stories for future generations to the fact that Johnson primarily had a profit interest in the authorship. These ideas, however, are something that the historians themselves have concluded and thus become part of the social construction we call reality, in which we exist.
14
Riehle, Ashley. „“The transition from Maritime Knights to Enemies of Mankind”: As seen in the stories of William Kidd and Stede Bonnet“. University of Toledo / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1310064266.
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15
Al, Yat Law. „Merchants, seafarers and pirates: maritime societies of Southeast Fujian in the eyes of local officials from the late Ming period“. HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/473.
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Merchants, seafarers, pirates: the maritime societies of Southeast Fujian played a crucial role in maritime activities during the Ming Dynasty. Regarding the traditional discourse, scholars have discussed the elimination of wokou and local petty pirates during the late Ming period. This study proves otherwise via an extensive examination of the governance and management of the maritime societies implemented by the Ming regime and its local officials. This study considers how the local officials formed their judgements on the cases of seafaring population by examining court opinions and other historical materials. This study also reveals the identities and the cultural habits of the maritime societies. The findings show that the identities of the societies mentioned above were not formed in an arbitrary manner. In addition, wokou and local petty pirates still posed a great threat to the Southeast coast of Fujian during the closing decades of the Ming Dynasty and that the severity of pirate issues was mainly related to cultural habits of the maritime societies and the regime's governance.
16
Fox, Edward Theophilus. „'Piratical schemes and contracts' : pirate articles and their society 1660-1730“. Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/14872.
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During the so-called ‘golden age’ of piracy that occurred in the Atlantic and Indian Oceans in the later seventeenth and early eighteenth centuries, several thousands of men and a handful of women sailed aboard pirate ships. The narrative, operational techniques, and economic repercussions of the waves of piracy that threatened maritime trade during the ‘golden age’ have fascinated researchers, and so too has the social history of the people involved. Traditionally, the historiography of the social history of pirates has portrayed them as democratic and highly egalitarian bandits, divided their spoil fairly amongst their number, offered compensation for comrades injured in battle, and appointed their own officers by popular vote. They have been presented in contrast to the legitimate societies of Europe and America, and as revolutionaries, eschewing the unfair and harsh practices prevalent in legitimate maritime employment. This study, however, argues that the ‘revolutionary’ model of ‘golden age’ pirates is not an accurate reflection of reality. By using the ‘articles’ or shipboard rules created by pirates, this thesis explores the questions of pirates’ hierarchy, economic practices, social control, and systems of justice, and contextualises the pirates’ society within legitimate society to show that pirates were not as egalitarian or democratic as they have been portrayed, and that virtually all of their social practices were based heavily on, or copied directly from, their experiences in legitimate society, on land and at sea. In doing so, this thesis argues that far from being social revolutionaries, pirates sought to improve their own status, within the pre-existing social framework of legitimate society.
17
Goodall, Jamie LeAnne. „Navigating the Atlantic World: Piracy, Illicit Trade, and the Construction of Commercial Networks, 1650-1791“. The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1452157113.
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18
Avila, Beth Eileen. „“I Would Prevent You from Further Violence”: Women, Pirates, and the Problem of Violence in the Antebellum American Imagination“. The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1480437024266303.
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19
Psaltopoulos, Brigitte. „L'écriture de José Manuel Fajardo : entre roman d'aventure et roman historique“. Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE2021/document.
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Cette thèse présente l’analyse de la trilogie de José Manuel Fajardo (1957) constituée par les trois romans, Carta del fin del mundo (1996), El Converso (1998) et Mi nombre es Jamaica (2010). Ces trois œuvres font partie du sous-genre, roman istorique d’aventures. À travers l‘étude du temps, de l’espace et des personnages, ce travail de recherche a pour objectif de délimiter la part de l’histoire et de l’aventure au sein de ces trois œuvres qui renvoient à des périodes marquantes de l’histoire de l’Espagne (la conquête, le Siècle d’or). Les nombreuses références à l’expulsion des Morisques ou à la diaspora sépharade témoignent de la volonté de l’auteur de faire œuvre d’historien en sauvant de l’oubli certains pans de l’histoire d’Espagne délaissés par l’Histoire officielle. Cette récupération historique va de pair avec une fictionnalisation de cette matière historique (la découverte de l’Amérique, la piraterie au XVIIe siècle, dans les Caraïbes et en méditerranée) qui permet à l’auteur de créer de l’aventure. Cette aventure est vécue par les héros comme une quête identitaire qui les conduit, à travers la traversée d’innombrables espaces, vers leur Terre promise ; ce qui leur confère une indéniable épaisseur humaineThis thesis introduces the trilogy by José Manuel Fajardo (1957) composed of Carta del fin del mundo (1996), El Converso (1998) and Mi nombre es Jamaica (2010).These three works are part of the historical adventure novel sub-genre. Focusing on time, space and characters, this research work is aimed at making a distinction between history and adventure in these three works that refer to significant periods in the history of Spain (the conquest, the Golden Age). The numerous references to the expulsion of the Moriscos or the Sephardic diaspora show the author's willingness to work as a historian by saving fromoblivion some parts of Spanish history neglected by official history. This historical exploitation goes hand in hand with fictionalizing the historical matter _such as the discovery of America or piracy in the seventeenth century in the Caribbean and the Mediterranean seas_ which makes it possible for the author to create adventure. This adventure is experienced by the heroes as a search for identity that leads them, through the crossing of countless spaces, to their promised land; whichgives them potent human depth
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Meyers, Stacy. „“Emancipation from that Degrading Yoke”: Thomas Jefferson, William Eaton and “Barbary Piracy” from 1784 to 1805“. ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/448.
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The following essay examines the image of "Barbary piracy" created by two prominent political figures, Thomas Jefferson and William Eaton, and by the American public from 1784 to 1805, and how those images shaped the policy of the American-Barbary War. Eaton‟s Orientalist approach to describing piracy and the North African population limited his views of this region, thus reducing the American conflict to the annihilation of animalistic "brutes." Jefferson‟s practical approach to describing piracy and the North African population focused on emancipating the region from the corrupting influence of greed, allowing him the necessary flexibility to solve the conflict by either by military force or with peace treaties, whichever was necessary. I will show the impact that categorizing piracy as either the result of a depraved society or as a corrupting force had on both American perceptions of the North Africa people and on the outcome of the American-Barbary War.
21
Séébold, Éric. „Hors 1976-1981 : cinq ans d'édition marginale et pirate“. Paris 8, 1993. http://www.theses.fr/1993PA080816.
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La these a pour objet d'expliciter la demarche d'une micro-entreprise d'edition (association a but non lucratif, loi de 1901), nee en 1976 et close en 1981, ayant publie des revues, des livres et des porte-folios originaux et ayant pratique la reimpression clandestine de textes, en majorite d'auteurs du xxe siecle, indisponibles pour diverses raisons. Basee sur les quarante-neuf titres publies et sur les documents conserves en archives (lettres circulaires, correspondances, pieces comptables, documents officiels relatifs a la vie de l'association et a la pratique editoriale), l'etude se developpe selon trois axes : - reconstitution chronologique de la vie de la micro-entreprise - analyse des options et comportements, tant pour ce qui releve des choix editoriaux ou financiers que pour ce qui a trait aux methodes et techniques de travail (composition, impression, brochage, distribution. . . ). Cette analyse est completee d'une comparaison entre cette micro-entreprise et d'autres entreprises semblables de la decennie. - elaboration d'un catalogue raisonne des publications de l'entreprise comprenant, outre un signalement et une description materielle, un ensemble de sections decrivant des particularismes de contenu et de distribution ou relevant des elements sur la vie posterieure des publications (critiques, reeditions. . . )This thesis aims at clarifying the processes of a very small publishing house (non-profit making association, under the 1901 french act), set up in 1976 and which stop all activities in 1981. This association published magazines, original books and portfolios. It also reprinted in secret various texts, mainly from xxth century writers, unavailable for various reasons. Based on the 49 titles published and the documents archived (circulars, correspondence, accounting documents, official documents concerning the association and its publishing procedures), the study focusses on 3 points : - history of the activity, - analysis of options and behavioural aspects, dealing as well with edition and financial issues as with work methods and techniques (typesetting, printing, binding, distribution). The analysis is supplemented by a comparison between the micro-publishing house and similar publishing houses operating at the same period. - setting up of a "reasoned" catalog of the publications, including particulars and a physical description, and chapters describing the special characteristics relating to content and distribution or elements pertaining to post-publishing (critics, new editions. . . )
22
Baumann, Matthew J. „An investigation into the date of the Piraeus Apollo“. Thesis, The University of Arizona, 2003. http://hdl.handle.net/10150/292062.
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The purpose of this thesis is to study the bronze sculpture known as the Piraeus Apollo and to establish its date of manufacture. It may be the first known monumental bronze sculpture in Greece, dating to the late sixth or early fifth century, or it could be a second century Archaistic bronze. For this investigation several different methods are employed. First, the archaeological context is discussed by reexamining the excavation history. Then Apollo's place in the canon of Greek sculpture is established using an art historical approach with a focus on connoisseurship to find Apollo's place in the canon of Greek sculpture through comparisons with other Greek sculpture. Previous scholarship is key to this section of the thesis. It is then placed chronologically using the current understanding of ancient bronze casting technologies and scientific analysis. Through this analysis, the Piraeus Apollo arises as an example of the Lingering Archaic style from the beginning of the fifth century.
23
Perron, Jean-François. „Flibustiers, corsaires et pirates : l'impact de leurs actions sur le déclin de l'Empire espagnol d'Amérique au XVIIe siècle“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ57906.pdf.
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Bloomer, Jennifer Allyn. „Towards an architecture of desire : the (s) crypt of Joyce and Piranesi“. Diss., Georgia Institute of Technology, 1989. http://hdl.handle.net/1853/23414.
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Cangalaya, Rios Andrea Isabel. „Avances técnicos entre las películas de animación digital “Piratas en el Callao” (2005) y “El Delfín, historia de un soñador” (2009)“. Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2017. https://hdl.handle.net/20.500.12672/7443.
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Publicación a texto completo no autorizada por el autorLa investigación se centra en el estudio de “Piratas en el Callao” y “El Delfín, historia de un soñador” reconociendo importantes avances a nivel técnico que provienen de la incorporación de nuevos equipos tecnológicos, programas y sistemas más adecuados para la creación de estas películas. Sin lugar a dudas, la experiencia es también un elemento clave dentro del contexto. El análisis principal sobre el manejo de los principios y de las técnicas se sostiene en la revisión exhaustiva de cada filme y en las diferentes entrevistas a sus realizadores y a conocedores de la materia. Además, se incluyen una serie de imágenes con la finalidad de explicar y entender mejor el contenido. Finalmente, se dibujan algunas ideas o propuestas que permitirán encarar los problemas en cuestión.
Tesis
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Filho, Rubens Araujo Menezes de Souza. „Os donos das ideias: história e conflitos do direito autoral, do copyright e das patentes na crise contemporânea do capital: da rodada Uruguai (1986) aos partidos piratas (2006)“. Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-12122014-184858/.
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Com a análise histórica da chamada propriedade intelectual, em especial das patentes, copyright e direitos autorais, esta tese trata da crise do capitalismo contemporâneo, e analisa a tendência dissimulada de ascensão de Estados, que com o uso da tecnologia informática e o recrudescimento das legislações, se tornam cada vez mais autoritários e avançam sobre direitos e liberdades civis. Para isso é reconstituída a história dos computadores, da Internet, do Movimento do Software Livre, dos Partidos Piratas, do movimento do Software Livre no Brasil, das legislações de propriedade intelectual no mundo ocidental e da globalização do comércio e das finançasThrough the historical analysis of the \"intellectual property\", in particular patents, copyright and authors rights, this thesis deals with the crisis of contemporary capitalism, and analyzes the covert increasing trend of states, that with the use of computer technology and the intensification of laws, become increasingly authoritarian, eroding civil rights and liberties secured by populations long ago. To reach this objective the history of computers, the Internet, the Free Software Movement, the Pirate Parties, the Free Software movement in Brazil, the intellectual property laws in the Western world and the globalization of trade and finance are reconstituted
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Treguer, Félix. „Pouvoir et résistance dans l’espace public : une contre-histoire d’Internet (XVe -XXIe siècle)“. Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0117/document.
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Prenant pour point de départ les controverses contemporaines sur la liberté d’expression et la vie privée à l’ère numérique, cette thèse propose de revisiter l’histoire d’Internet au croisement de l’histoire du droit, des théories politiques et de l’histoire des sciences et des techniques. À travers une enquête de temps long sur l’affrontement des stratégies de pouvoir et de résistance associées aux techniques de communication, elle se veut une contribution à l’histoire de l’espace public et de l’activisme numérique. À partir de la « naissance » de l’imprimerie, la première partie retrace les formes de contrôle de l’espace public qui se structurent en même temps que l’État moderne, et la manière dont elles sont reconduites dans le cadre des régimes représentatifs-libéraux (XVe-XXe siècle). Dans un deuxième temps, l’étude suit l’émergence des projets antagonistes qui ont présidé au développement des réseaux informatiques, et ce afin d’expliquer la profonde ambivalence des appropriations politiques de ces technologies, à la fois instrument de la domination technocratique et outil d’émancipation (1930-1990). La troisième partie revient sur les premières controverses autour des libertés sur Internet et la structuration de l’activisme numérique, Internet étant bientôt investi comme un espace et un objet de luttes politiques, dans une période marquée par la mondialisation néo-libérale (1990-2001). La quatrième illustre, à travers les mesures de contrôle d’Internet adoptées au nom de la « guerre contre le terrorisme » et à travers la répression de certaines franges de l’activisme numérique, les mutations illibérales des États (2001-2017). L’étude entend ainsi contribuer à une réflexion collective sur l’un des en jeux identifiés par Michel Foucault dans ses écrits sur le pouvoir, à savoir : « comment déconnecter la croissance des capacités » – en l’espèce, les capacités associées aux « techniques de communication » – « et l’intensification des relations de pouvoir » ?Taking contemporary debates on freedom of expression and privacy in the digital age as a starting point, this thesis revisits the history of the Internet at the intersection of legal history, political theory and history of science and technology. Through a long-time study of the clash between power and resistance strategies associated with communication technologies, it aims to contribute to the history of the public sphere and of digital activism. From the inception of the printing press on, the first part provides an overview of the forms of control of the public sphere developed under the modern state power, and of their extension under liberal-representative regimes (15th 21st century). In the second part, the study follows the antagonist utopias that shaped the development of computing technologies to explain the pro found ambivalence of their political appropriations, these technologies being construed both as an instrument of technocratic domination and a tool for emancipation (1930-1990). The third part analyses early controversies around the protection of civil rights online and the growth of digital activism, as the Internet becomes a locus of political struggles in a period marked by neoliberal globalization (1990-2001). Finally, the fourth part surveys recent Internet control measures adopted in the name of the "war on terror" and the repression of some segments of digital activism to illustrate the illiberal drift in state practices (2001-2017). The study thus aims to advance a collective thinking on one of the key questions identified by Michel Foucault in his writings on power: "How can the growth of capabilities" – and more specifically those brought about by "techniques of communication" – "be disconnected from the intensification of power relations?"
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Charlier, Thierry. „Les relations entre la République de Venise et les Habsbourg : la guerre des Uscoques (1615-1618)“. Paris 4, 2000. http://www.theses.fr/2000PA040068.
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Les relations entre la république de Venise et l'archiduc Ferdinand de Styrie se dégradèrent en 1615, en raison de contentieux frontaliers et économiques, mais aussi d'un groupe de pirates, les Uscoques. Basés à Senj sur la cote croate, ils servaient de fait les intérêts de l'archiduc Ferdinand en attaquant les bateaux vénitiens dans l'adriatique. La guerre éclata en décembre 1615, quand Venise envahit une partie du Frioul autrichien et fit par deux fois le siège de Gradiska. Chacun s'efforça de trouver des alliés, grâce aux systèmes d'alliance traditionnels : l’Espagne en faveur de Ferdinand en fournissant argent et troupes, le vice-roi de Naples, le duc d’Osuna par une campagne navale anti-vénitienne dans l'adriatique et le duc de Savoie en réactivant la guerre du Montferrat. Cependant, l’imminence de la succession impériale, l'enlisement des armées, l'omniprésence de l’Espagne et le renouveau de la France facilitèrent les négociations de paix qui scellèrent lors des traités de Paris et de Madrid (septembre 1617), le statu quo ante sur la frontière et l'échec de Venise, même si les Uscoques disparaissaient, sacrifiés par le futur empereur Ferdinand II. Cette guerre secoua donc l’Europe, sorte de répétition générale avant la guerre de Trente Ans : les traités n'étaient pas encore exécutés en mai 1618 lors de la défenestration de Prague.
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SILVA, Gerson Santos e. „Encantados da “fortaleza” insular: D. Sebastião, natureza em uma história cultural na Amazônia“. Universidade Federal do Pará, 2007. http://repositorio.ufpa.br/jspui/handle/2011/4217.
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Quando se fala em cultura popular, vem ao pensamento do censo comum, música, folclore, dança. Raramente se pensa em literatura, mas lembra-se da religiosidade que permeia todos esses primeiros. Nessas concepções não se lembram de colocar a história, ou melhor, as histórias que foram produzidas pelos sujeitos que construíram todas essas manifestações e ideias. Aqui se procurou fazer um esforço de pensar historicamente a formação de uma religiosidade constituída no meio da região amazônica, na perspectiva de um olhar do povo, aquele a que se refere quando se fala em cultura popular. De um espaço do interior dessa região, a cidade de São João de Pirabas, procuramos ver como essa religiosidade, representada na natureza e a partir dela, se liga a uma história mais ampla com a figura de um rei Português, D. Sebastião, religiões como a pajelança cabocla e afro-brasileiras. Além do esforço de intelectuais de, também, mostrar essas religiões a partir do pensamento dos sujeitos que a fizeram, tornando-a muitas vezes, uma resposta, uma alternativa e ao mesmo tempo parte da religião cristã imposta aos nossos antepassados que a reelaboraram, juntamente com a construção de suas histórias.
When we apeak about popular culture, come to our thought of the commom sense, music, folklore and dance. We rarelly think in literature, but remember the religiosity that envolve all of these firsts. On that conception we don‟t remember to put the history, or better, the history that was produced for the people that made all of these manifestation and ideas. Here we try to think historically the genesis of a religiousness made in the middle of the Amazon region, with perspective of a sight of the people, the one who refers to when we speak about popular culture. From a site of the countryside of this region, São João de Pirabas city, we tried to see how this religiousness, represents in the nature and from it, to link a wider history with a Portuguese king character, D. Sebastian, religions with shamanism caboclo and afro-brasilian. Beyond the efforts of intelectuals and, also, show these religions from the thoughts of the people who made it, become it the most of the time, and answer, an alternative and at the same time part of the christian religion stabilished to our ancestrals that relaborated, as one the build of their history.
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Wallhammar, Johan. „Searching for the Grandiose“. Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-228495.
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This project is called “Searching for the Grandiose” and consequently dives into this both historical and contemporary field of architecture. With a basis in architectural history, architectural theory and popular culture the project aims to understand and create grandiose architecture. Both built and imaginary, this area of architecture has always inspired and pushed the boundaries for the possibilities of our profession. Furthermore, in the search for the grandiose also follows a possibility of the limitless – both economically, technically and mentally. In trying to design the grandiose, the architect must loosen the chains of reality and strive for the impossible and awesome. Consequently – a vast architectural fantasy is here created on an imaginary site with no restrictions in regards to size, program or economy.
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Nazerian, Simon. „Kan strålar av ljus tyda det förflutna? : Användning av Reflectance Transformation Imaging (RTI) för att tyda runinskrifter på Pireus-lejonet“. Thesis, Stockholms universitet, Arkeologiska forskningslaboratoriet, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-100721.
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This paper deals with testing the method Reflectance Transformation Imaging (RTI) on the copy of the Piraeus-lion in Historic Museum in Stockholm. The purpose is to find out if it is possible to gather more information about the runic inscriptions. RTI is a method that records the surface normal of individual pixels in a digital photograph by analyzing the impact of light coming from different angles of entrance. RTI produces sort of a 3D-image of the object. There will be an overview of earlier interpretations of the runic scripts written on the lion as well as an overview of Varangians in the southeast. After examination of the lion with RTI, has a conclusion been made that the method should be performed again on similar items, and on the copy of the Piraeus-lion to evaluate its full potential.
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Fiallo, Kaminski Ricardo. „Egendom och Stöld : Den juridiska hegemonins svårigheter med teknikens nya matematik“. Thesis, Linköping University, Linköping University, Department of Social and Welfare Studies, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-19101.
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Genom att analysera domstolsmaterialet från rättegången mot fildelningssiten The Pirat Bay, i relation till en idéhistorisk diskussion om äganderätt, har uppsatsen funnit att den liberala tanketraditionen och dess juridiska institutioner står inför en betydelseglidning vad gället begreppsparet ”Egendom” och ”Stöld”. Det har visat sig att Lockes naturtillstånd, varseblivningen av ”det oändliga” på jorden, har skiftat plats; från ”naturen” ut till ”cyberspace”, vilket har resulterat i att fildelningstekniken skapat en ny matematik som omöjliggör tidigare egendomsdefinition.
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Russell, Lucy. „Domesticating Winckelmann : his critical legacy in Italian art scholarship, 1755-1834“. Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:8e2d3058-1ae8-46ab-8fab-8f2c9b473860.
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This thesis explores the reception of Johann Joachim Winckelmann in Italian art scholarship, 1755-1834. Winckelmann posed a problem: he was a presence in Italy that could not be ignored, yet the views he expounded were Italophobic and contentious to an Italian readership. In light of this dilemma, the research question asked is how did Italian art scholarship respond to Winckelmann in this period and why did it respond in that way. The core argument advanced is that there were two opposing reactions to Winckelmann, both of which were motivated by nationalism. On the one hand, Italian art scholars presented Winckelmann, his works, and his views as less attractive to an Italian readership than they would otherwise have appeared and, on the other hand, they presented him as more attractive. Through these reactions â termed foreignization and domestication respectively â art scholarship either defended against and ostracized Winckelmann or, when presented as less offensive, welcomed and embraced him amongst Italians. Thus this thesis argues that both reactions demonstrate a nationalistic attempt to portray Winckelmann in the manner most auspicious to the yet-to-be-united peninsula. In order to explore this response to the German scholar, the thesis centres on three media: translations, art literature, and artistic journalism. Both foreignization and domestication are evident throughout the sources analysed, yet there is a predominance of domestication, achieved through a variety of methods. This investigation adds to existing literature by examining the previously overlooked dilemma that Winckelmann posed. Moreover, employing the original conceptual framework of foreignization and domestication allows for a re-evaluation of how the art scholarship of the period engaged with the German scholar. Finally, demonstrating the infiltration of nationalistic sentiment in this period, even extending to Italian art scholarship, this thesis is the first to posit that nationalism played a significant role in Winckelmann's critical legacy.
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„The Economic and Military Impact of Privateers and Pirates on Britain’s Rise as a World Power“. Master's thesis, 2020. http://hdl.handle.net/2286/R.I.57220.
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abstract: Privateers and pirates were instrumental in the development of English and British colonies and territories through military support and economic enrichment. British policy was to use privateers to help break into the New World when it was dominated by Spain, and Britain’s navy was no match for Spain’s navy. The privateers were used to protect the colonies, like Jamaica, from Spanish invasion and to militarily weaken Spain, Portugal, and others by taking or destroying their ships. Plundering brought in substantial wealth to the colonies and the crown while working for British governors. Eventually, Britain’s policy changed when it became more established in the Caribbean and the New World, and because some of its pro-Catholic monarchs made peace with Spain. Sugar production increased and there was less need for privateers. Most privateers moved to new bases in the North American colonies and Madagascar where they continued to be paid to work on behalf of others, in this case mostly for merchants and local politicians. Besides enriching the North American colonies economies through plunder, the privateers also helped protect them from the Native Americans. As pirates from Madagascar, they raided Mughal merchant fleets, bringing loot and exotic goods to the North American colonies in the seventeenth century, which also helped boost trade with Asia because colonists desired Asian goods. The pirates brought massive numbers of slaves from Madagascar to the colonies to sell. Pirates also operated in the Caribbean. There, they were beneficial to the colonies by bringing in money, yet problematic because they would sometimes raid British ships. When Britain became a global power, privateers and pirates became more of a nuisance than a help to the empire and it stopped using them. Still, in the 1800s, a privateer resurgence occurred in the United States and these individuals and their ships served the same function as they had with Britain, helping a new power break into areas across the sea when it lacked a strong navy. Though somewhat problematic to Britain these privateers did benefit the empire by helping Spain’s colonies gain their independence.Dissertation/Thesis
Masters Thesis History 2020
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„When piracy meets the Internet: the diverse film consumption of China in an unorthodox globalization“. 2008. http://library.cuhk.edu.hk/record=b5896813.
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Wu, Xiao.Thesis (M.Phil.)--Chinese University of Hong Kong, 2008.
Includes bibliographical references (leaves 111-124).
Abstracts in English and Chinese.
Abstract --- p.i
Acknowledgement --- p.iv
Table of Contents --- p.v
Chapter Chapter One: --- Chinese Film Piracy Consumption and Media Globalization --- p.1
Introduction: The Rampant Film Piracy in China --- p.1
Literature Review --- p.4
Focuses in Chinese Film Piracy --- p.4
Four Theoretical Positions in Media Globalization --- p.7
Summary --- p.17
Chapter Chapter Two: --- Problematics of Chinese Film Piracy Consumption --- p.19
Two Concepts --- p.19
Diversity --- p.19
Filmic Gene Pool --- p.20
Two Arguments and One Deduction --- p.23
The Argument for the Expanding Global Capital --- p.23
The Argument for National Protectionism --- p.25
The Long Tail --- p.26
The Theoretical Deduction for the Chinese Case --- p.27
Research Questions --- p.28
Methodological Note --- p.28
Chapter Chapter Three: --- A Re-Examination of Chinese Film Piracy Market --- p.32
The Myth of Market Access --- p.32
State Censorship Overlooked --- p.34
The First-Release Obsession --- p.35
An Internet Take-over? --- p.38
Summary --- p.39
Chapter Chapter Four: --- "In Search of the “Invisible"" Audience/Viewers" --- p.42
The “Official´ح Audience --- p.42
Chinese Film Audiences Re-Captured --- p.45
Sketches on the ´بInvisible´ة Viewers --- p.51
Conclusion --- p.56
Chapter Chapter Five: --- Structural Analysis for Chinese Film Piracy Consumption --- p.58
Chinese Piracy Viewers: An Idle Spare of the Nexus? --- p.58
The Film Piracy Market in China --- p.61
Summary --- p.63
Chapter Chapter Six: --- A Brief History of Chinese Piracy Consumption --- p.67
Video Hall (Mid-1980s to Mid-1990s) --- p.68
Epoch of the Videodisc (Since mid-1990s) --- p.70
Online Movie Forums and Blogs (1998-Present) --- p.73
Online Social Networks of Cinephiles (2004-Present) --- p.76
The Accompanying Print Media (1999-Present) --- p.78
Conclusion --- p.82
Chapter Chapter Seven: --- The Chinese Public Cine-Space --- p.83
The Publicness of Piracy Viewing --- p.83
A Public Cine-Space --- p.84
Cultural Public Sphere: The Concept --- p.84
The Chinese Internet --- p.85
The Chinese Online Film Critics --- p.87
The Chinese Public Cine-Space --- p.89
A Trajectory of the Online Cine-Space --- p.90
Mechanism towards Diversity --- p.93
The Techno-Divide --- p.98
Chapter Chapter Eight: --- Conclusion --- p.100
Contributions --- p.100
Historical Account of Chinese Film Piracy Consumption --- p.100
Inclusive Model for Diversity of Cultural Market --- p.101
Weaknesses and Future Suggestions --- p.103
Final Remark --- p.106
Appendix A --- p.108
Bibliography --- p.111