Auswahl der wissenschaftlichen Literatur zum Thema „Pin dans la littérature“
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Zeitschriftenartikel zum Thema "Pin dans la littérature"
Bonnet, Francis. „Les francophones dans la littérature internationale“. Le Praticien en Anesthésie Réanimation 8, Nr. 2 (April 2004): 170. http://dx.doi.org/10.1016/s1279-7960(04)98191-0.
Der volle Inhalt der QuelleSpielvogel, Catherine. „Les francophones dans la littérature internationale“. Le Praticien en Anesthésie Réanimation 8, Nr. 3 (Juni 2004): 252. http://dx.doi.org/10.1016/s1279-7960(04)98218-6.
Der volle Inhalt der QuelleTouret, Michèle. „Louis Guilloux et le populisme, une longue histoire“. Études littéraires 44, Nr. 2 (14.03.2014): 127–46. http://dx.doi.org/10.7202/1023765ar.
Der volle Inhalt der QuelleWalkley, Maxwell J. „Le merveilleux et la magie dans la littérature (review)“. Parergon 11, Nr. 2 (1993): 140–42. http://dx.doi.org/10.1353/pgn.1993.0029.
Der volle Inhalt der QuelleMolina Romero, M. Carmen. „Traducción y memoria histórica: El niño pan de Agustín Gómez Arcos“. Çédille 4 (01.04.2008): 237. http://dx.doi.org/10.21071/ced.v4i.5390.
Der volle Inhalt der QuelleGiroux, Dalie. „Éléments de pensée politique autochtone contemporaine“. Articles 27, Nr. 1 (30.05.2008): 29–53. http://dx.doi.org/10.7202/018046ar.
Der volle Inhalt der QuelleTreillet, E. „La kétamine dans la douleur du cancer : une revue narrative de la littérature sur son efficacité“. Douleur et Analgésie 32, Nr. 1 (März 2019): 47–53. http://dx.doi.org/10.3166/dea-2019-0049.
Der volle Inhalt der QuelleTerzulli, C., C. Berlemont, E. Salvat und P. Poisbeau. „La réalité virtuelle : son utilisation en clinique aujourd’hui et les enjeux de demain“. Douleur et Analgésie 32, Nr. 1 (März 2019): 67–68. http://dx.doi.org/10.3166/dea-2019-0053.
Der volle Inhalt der QuelleAttikpoé, Kodjo. „Le rire : formes et fonctions du comique dans la fiction africaine pour la jeunesse“. Jeunesse: Young People, Texts, Cultures 13, Nr. 1 (Juni 2021): 138–58. http://dx.doi.org/10.3138/jeunesse.13.1.138.
Der volle Inhalt der QuelleLonchampt, S., F. Gerber, J. M. Aubry, J. Desmeules, M. Kosel und M. Besson. „Mise au point sur la prise en charge de la douleur chez les patients adultes atteints de déficience intellectuelle“. Douleur et Analgésie 33, Nr. 1 (März 2020): 41–48. http://dx.doi.org/10.3166/dea-2020-0088.
Der volle Inhalt der QuelleDissertationen zum Thema "Pin dans la littérature"
Yang, Guang zheng. „Paysage, corps, parole chez Giono : une lecture thématique de la trilogie de Pan“. Paris 8, 1993. http://www.theses.fr/1993PA080825.
Der volle Inhalt der QuelleThe aim of this research is reading the four elements (earth, water air (wind) and fire) in the three novels of jean giono -- hill, one of the baumugnes and aftergrass. Through a study about the omnipresence and activity of these elements in the textual space, this thesis tries to define the landscape as an imaginary domain. The first part of the thesis treats the elements' forms, mouvement and signifiant dimension. The second gets together the traits of the elements' imaginary body, and tries to state precisely its characteristics and its "landscape" in richard's meaning. The privilege is given to the muscular activity and the sexuality. This part states also the personages' bodies, the "body to body" between the elements and the man, and the reduction of the space. The third deals with the different rhetoric operations who constitute a "syntax of the imaginary". It shows the relation between the figure and the context, the style and the story's circumstances, the metaphorical plan and the representation of the reality. And
Sun, Yu-der. „La révolution intérieure : la femme adultère dans les littératures chinoise (Pan Jinlian) et occidentale (Emma Bovary, Anna Karenine, Effi Briest et Edna Pontellier)“. Limoges, 1999. http://www.theses.fr/1999LIMO2011.
Der volle Inhalt der QuelleKoumanoudis, Angélique-Marie. „Le mythe de Pan dans la littérature française et grecque des XIXe et XXe siècles“. Paris 4, 2000. http://www.theses.fr/2000PA040005.
Der volle Inhalt der QuelleNeves, João Manuel. „Soi-même comme un sujet impérial. Littérature coloniale des années 1920 : le cas du Mozambique“. Thesis, Sorbonne Paris Cité, 2016. http://bibnum.univ-paris3.fr/webclient/DeliveryManager?pid=257892.
Der volle Inhalt der QuelleThis research proposes a very thorough examination of Portuguese colonial literature related to Mozambique in the 1920s. In the first part, contextual data is made available and concepts essential for carrying out the study of colonial texts in their historical time are defined. Biographical data about colonial authors and data about their works is presented. The analysis is then centred on the main cores, geographical and morphological, of the constitution and the division of the colonial subjects. The morphological perception of the other, based on a geographical reference, is directly related to the representations of Portuguese race‑thinking, developed to a large extent through Aryan Mythology and Social Darwinism. The texts studied show how the notions of the “struggle of the races” and of survival of the fittest among human communities contributed towards the elaboration of a “strategy of cruelty” and the unleashing of death flows of great intensity. The double process of deterritorialisation of populations through conquest and their reterritorialisation through the social transformation of space by colonial capitalism took place in a political context of totalitarianism. The installation of a racial dictatorship and the generalisation of terror forced the colonised into a position of economic and sexual servitude. The colonial desire also allowed the emergence of hybrid social or cultural forms and a questioning of discursive authority; those found an immediate opposition in the development of a politics of colonial domesticity
Baneth-Nouailhetas, Emilienne L. „Le roman anglo-indien de Rudyard Kipling à Paul Scott : discours colonial et discours poétique“. Paris 3, 1995. http://books.openedition.org/psn/3753.
Der volle Inhalt der QuelleThis study seeks to underline the "generic" characteristics which evince the liberary unity of angloindian fiction. Through an investigation of novels by r. Kipling (kim), f. A. Steel (on the face of the waters), alice perrin (the woman in the bazaar), e. M. Forster (a passage to india), g. Orwell (burmese days), and paul scott (the raj quartet), this analysis underlines the dominance of ideological discourse as an essential element of colonial fiction, and more specifically, of the angloindian novel. The colonial discourse is absorbed by the narrative process and becomes the insturment of a poetic reflection on the modes of textual production. It thus breeds a poetic discourse which demonstrates, in its chronological evolution, the specificity and dynamism of anglo-indian fiction : the ideological discourse initiales a certain novelistic approach, and imposes itself upon narratives which inevitably refer to it. Indeed, whether it confirms or refutes colonial doctrines, the narrative cannot but acknowledge the existence of this discourse, as the colonial situation is the very context of its creation the anglo-indian narrative is therefore always predetermined by a hypotextual discourse, but this discourse becomes a vehicle of literary creation, as the anglo-indian novel constantly seeks to break free from its hold through innovative poetic techniques
Leblanc, Virginie. „Désirs d'enfance : le corps et ses avatars chez Lewis Carroll et James Matthew Barrie : les Alice et Peter Pan“. Paris 10, 2005. http://www.theses.fr/2005PA100043.
Der volle Inhalt der QuelleIn the Alices and Peter Pan, Lewis Carroll and James Matthew Barrie form their object of desire, study the body being metamorphosed, the development of monstrosity, up to the distortion of the frames of their dream children who fragment and create doubles. The authors, driven by their will to subject someone, force a unique vision of their works on the reader, manipulate the main protagonist by attempting to direct the progress of his life and to ceaselessly stage his death. Alice and Peter try to become incorporeal in order to forget materiality and mortality; and their creators endow them with androgynous features to deny their sexuality and to find in these beings their own reflection. Nevertheless, their bodies appear as the centre of carnal sensations and expose themselves to the gaze of a loving and voyeuristic observer who wonders about the limit he has to set himself while fantasizing about his fusion with his object of desire
Jollant, Nataly. „L'Amazonie comme identité, géographie imaginaire et cartographie littéraire au Brésil du XIXe siècle. Le vécu au service de l'imaginaire“. Thesis, Paris 3, 2019. http://bibnum.univ-paris3.fr/webclient/DeliveryManager?pid=323339.
Der volle Inhalt der QuelleForeign and national imaginaries of the Brazilian Amazon are the result of a long and incomplete historical and literary construction started by Europeans in the 16th century. The first texts about the region gave accounts of a faraway, exotic and wild place. These representations would be permanently associated to the Amazonian space, in particular during the 19th century, when Brazil initiated its process of political emancipation and identity formation. In the vast project of constructing a national identity, it is important to understand how foreign imaginaries shaped the local imaginaries. And the Amazonian writers had a remarkable participation in establishing a collective identity. Wanting to secure a place for the Amazon in the national architecture, they used the traditions of the indigenous people as well as the knowledge of the Europeans. Using the study of travel narratives, of the press, of regionalist literature, through the lens of scientific theories and literary currents, and at the intersection of various disciplines, we will analyze the formation of imaginaries of the Amazon, how they have consolidated throughout the centuries, and to what extent Amazonian writers appropriated them to create a regional literature
Os imaginários estrangeiros e nacionais sobre a Amazônia brasileira são frutos de um longo e imperfeito trabalho de construção histórica e literária, iniciado no século XVI pelos europeus. Os primeiros textos sobre a região dão conta de um lugar distante, exótico e selvagem. Representações que serão associadas para sempre ao espaço amazônico, notadamente no século XIX quando o Brasil inicia seu processo de emancipação política e de construção identitária. No vasto projeto de constituição da identidade nacional, importa compreender como os imaginários estrangeiros modelaram os imaginários locais. Outrossim, os escritores amazônicos tiveram notável participação no estabelecimento de uma identidade coletiva. Buscando assegurar um lugar para a Amazônia na arquitetura nacional, eles recorreram tanto às tradições dos povos autóctones quanto aos saberes dos europeus. Através da análise de narrativas de viagem, da imprensa, da literatura regionalista, à luz de teorias científicas e de correntes literárias, e na intersecção de várias disciplinas, são analisados a formação dos imaginários sobre a Amazônia, de que forma os mesmos se consolidaram ao longo dos séculos e em que medida os escritores amazônicos deles se apropriaram para criar uma literatura regionalista
De, Benedictis Sara. „Figures et métamorphoses de la douleur dans l’oeuvre de Pier Paolo Pasolini : littérature, théâtre et cinéma“. Thesis, Paris 10, 2019. http://www.theses.fr/2019PA100012.
Der volle Inhalt der QuelleThis dissertation studies the works of Pier Paolo Pasolini (1922-1975) in the light of suffering with the aim of exploring its representations and transformations and of giving a meaning to its expression. The goal it is to show the esthetical, symbolic and political functions of pain: if it is expressed trough different forms and topoï – which are distorted by the author – in the narrative works, it is either accompanied by ostentatious joy (“ab joy”) or it is turned into rage and fury in order to offer a critical view of society at the time of the so-called “economic miracle”. This dissertation investigates Pasolini’s production through an interdisciplinary approach, relaying on works of literature, philosophy, art, history and anthropology. Through the concept of « figure » I mean to show how suffering bodies, lamentations and tears resonate from a poem to a movie, from a play to a novel. This dissertation is made up of three parts: it begins with the analysis of the narrative proses written between 1946 and 1950, then it focuses on the suffering of the wretched, the underclass, the outcasts, and finally it explores the way pain transforms the characters of the plays. The last chapter explores how contemporary filmmakers, novelists and street artists deal with Pasolini’s legacy
Bar-Kochva, Sharon. „Les pseudonymes dans les littératures yiddish et hébraïque du milieu du XIXe siècle au milieu du XXe siècle“. Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCF001.
Der volle Inhalt der QuelleModern Yiddish and Hebrew literatures are closely connected by a common long history, sharing many stylistic and thematic features. However, both literatures significantly differ in their use of pseudonyms. In Yiddish literature, authors’ pseudonyms appear rather frequently, and a significant number of the most important writers are known mainly in their pseudonyms, while in modern Hebrew literature pen names remained a relatively marginal occurrence. This research analyses pseudonymity in both literatures in order to explain this discrepancy. In the first chapter, the various patterns used in building pseudonyms are analysed, so to establish a general typology of the phenomenon. Subsequently, I focus on the "lasting" pseudonyms, namely those that accompany authors for a long time, shaping and determining their public image. In the second chapter I describe in detail under which circumstances and in what ways the "lasting" pseudonyms were created and used. Finally, in the last part the information analysed previously is utilised, clarifying that pseudonymity is actually a social phenomenon, and defining the social and historical factors that led to the adoption of pseudonymity as one of the "invented traditions" of modern Yiddish literature
Bernasconi, Carine. „Poétique de la vie dans des oeuvres romanesques des littératures provençale et italienne : La trilogie de Pan de Jean Giono, La trilogie d'Hyacinthe d'Henri Bosco, La coupe de bois, Le chasseur et Anna de Volterra de Carlo Cassola, Le Christ s'est arrêté à Eboli de Carlo Levi et L'île d'Arturo d'Elsa Morante“. Nice, 1999. http://www.theses.fr/1999NICE2021.
Der volle Inhalt der QuelleBücher zum Thema "Pin dans la littérature"
author, Wright Zachary Valentine, und Syed Amir author, Hrsg. Jihad of the pen: The Sufi literature of West Africa. Cairo: The American University in Cairo Press, 2018.
Den vollen Inhalt der Quelle findenKhafājī, Laylá Naʻīm ʻAṭīyah. Thunāʼīyat al-ladhdhah wa-al-alam fī al-shiʻr al-ʻArabi qabla al-Islām min manẓūr naqdī fannī. Baghdād: Wizārat al-Thaqāfah, 2013.
Den vollen Inhalt der Quelle findenKaren, Haddad-Wotling, Hrsg. Ecritures de la douleur: Dostoïevski, Sarraute, Nabokov : essai sur l'usage de la fiction. Paris: le Manuscrit, 2007.
Den vollen Inhalt der Quelle findenUniversité d'Angers. Centre d'études et de recherche sur imaginaire, écritures et cultures, Hrsg. L'imposture dans la littérature. Angers: Presses de l'Université d'Angers, 2011.
Den vollen Inhalt der Quelle findenChristiane, Bénardeau, Hrsg. Napoléon dans la littérature. [Paris]: Nouveau Monde, 2004.
Den vollen Inhalt der Quelle findenChristiane, Benardeau, Hrsg. Napoléon dans la littérature. Paris: Nouveau monde, 2004.
Den vollen Inhalt der Quelle findenDelaroche, Bruno. Figures christiques dans la littérature. Angers, France: Association Saint-Yves, Université Catholique de l'Ouest, 1992.
Den vollen Inhalt der Quelle findenDamien, Michel. Raymond Pin: Vingt ans dans la foret. Paris: Ed. Calmann-Levy, 1989.
Den vollen Inhalt der Quelle findenDale, Spender, Hrsg. Living by the pen: Early British women writers. New York: Teachers College Press, 1992.
Den vollen Inhalt der Quelle findenRobert, Allard James, und Martin Mathew R. 1970-, Hrsg. Staging pain, 1580-1800: Violence and trauma in British theater. Burlington, VT, USA: Ashgate, 2009.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Pin dans la littérature"
Daros, Philippe. „Discours anthropologique et littérature“. In Interactions dans les Sciences du Langage. Interactions disciplinaires dans les Études littéraires, 230–42. Београд: Универзитет у Београду, Филолошки факултет, 2019. http://dx.doi.org/10.18485/efa.2019.11.ch17.
Der volle Inhalt der QuelleMourlan, Lou. „Humanisme et littérature d’après-guerre“. In Interactions dans les Sciences du Langage. Interactions disciplinaires dans les Études littéraires, 337–47. Београд: Универзитет у Београду, Филолошки факултет, 2019. http://dx.doi.org/10.18485/efa.2019.11.ch25.
Der volle Inhalt der Quelle„Échanger dans un contexte global: — La redécouverte du sens d’autrui dans Un fou noir au pays des blancs de Pie Tshibanda“. In The Changing Face of African Literature / Les nouveaux visages de la littérature africaine, 135–51. Brill | Rodopi, 2009. http://dx.doi.org/10.1163/9789042028852_010.
Der volle Inhalt der Quelle„Littérature“. In Journalisme et littérature dans la gauche des années 1930, 147–48. Presses universitaires de Rennes, 2014. http://dx.doi.org/10.4000/books.pur.49712.
Der volle Inhalt der QuelleWalter, Roland. „Littérature panaméricaine:“. In Le nouveau récit des frontières dans les Amériques, 73–90. Presses de l'Université Laval, 2005. http://dx.doi.org/10.2307/j.ctv32nxxvz.6.
Der volle Inhalt der QuelleHerzfeld, Claude. „Aspect du Graal dans quelques œuvres contemporaines“. In 37 études critiques : littérature générale, littérature française et francophone, littérature étrangère, 95–127. Presses universitaires de Rennes, 1999. http://dx.doi.org/10.4000/books.pur.64379.
Der volle Inhalt der QuelleMohr, Manuela. „L’apparition du monstre dans Maître Zacharius de Jules Verne :“. In Littérature monstre, 169–81. Presses universitaires de Liège, 2020. http://dx.doi.org/10.4000/books.pulg.16730.
Der volle Inhalt der QuelleBaron, Philippe. „Médecins et malades dans Le Passage et dans Place des Angoisses de Jean Reverzy“. In Littérature et médecine, 269–78. Presses universitaires de Franche-Comté, 2000. http://dx.doi.org/10.4000/books.pufc.1309.
Der volle Inhalt der QuelleLacoste, Francis. „L’écriture jubilatoire dans l’œuvre de Flaubert“. In Littérature et jubilation, 67–83. Presses Universitaires de Bordeaux, 2015. http://dx.doi.org/10.4000/books.pub.8474.
Der volle Inhalt der QuelleCzyba, Lucette. „Médecine et médecins dans Madame Bovary“. In Littérature et médecine, 127–49. Presses universitaires de Franche-Comté, 2000. http://dx.doi.org/10.4000/books.pufc.1261.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Pin dans la littérature"
Martínez Rodríguez, Carlos. „Le flux des textes français en Espagne: de Le beau Solignac (1880) de Jules Claretie à La ducha de Mariano Pina (1884)“. In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3087.
Der volle Inhalt der QuelleM'selmi, Sana. „Lecture croisée du désir dans Hable con ella de Pedro Almodóvar et La Macération de Rachid Boudjedra à travers le motif de l’eau“. In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.2969.
Der volle Inhalt der QuellePetitier, Paule, und Claude Millet. „L’histoire dans tous ses états“. In Littérature et histoire en débats. Fabula, 2013. http://dx.doi.org/10.58282/colloques.2104.
Der volle Inhalt der QuelleDebaene, Vincent, und Jean-Louis Jeannelle. „Où est la littérature ?“ In L'idée de littérature dans les années 1950. Fabula, 2004. http://dx.doi.org/10.58282/colloques.66.
Der volle Inhalt der QuellePoels, Géraldine. „La littérature dans les collections de l’INA“. In Mémoire audiovisuelle de la littérature. Fabula, 2023. http://dx.doi.org/10.58282/colloques.9231.
Der volle Inhalt der QuelleMurat, Michel. „Progrès dans le roman assez lents“. In Jean Paulhan et l’idée de littérature. Fabula, 2012. http://dx.doi.org/10.58282/colloques.1712.
Der volle Inhalt der QuelleDitche, Élisabeth Rallo. „Voix et émotions dans DanielDeronda de George Eliot“. In L'émotion, puissance de la littérature. Fabula, 2014. http://dx.doi.org/10.58282/colloques.2333.
Der volle Inhalt der QuelleRobinson, Jenefer. „L’empathie, l’expression, et l’expressivité dans la poésie lyrique“. In L'émotion, puissance de la littérature. Fabula, 2014. http://dx.doi.org/10.58282/colloques.2329.
Der volle Inhalt der QuelleVérilhac, Yoan. „Science et sensationnalisme dans Détective (1928-1940)“. In Séminaire PéLiAS (Périodiques, Littérature, Arts, Sciences). MSH Paris-Saclay Éditions, 2023. http://dx.doi.org/10.52983/ieub4478.
Der volle Inhalt der QuelleAbramovici, Jean-Christophe. „Les traces littéraires dans La Fable mystique“. In Michel de Certeau et la littérature. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5058.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Pin dans la littérature"
Gobeil-Proulx, Julien. Recension des besoins en compétences suscités par le développement et la mise en oeuvre de l'IA. Observatoire international sur les impacts sociétaux de l’intelligence artificielle et du numérique, 2021. http://dx.doi.org/10.61737/hsuj4131.
Der volle Inhalt der QuelleBelkaïd, Meryem. Figures de la marginalité dans la littérature policière française contemporaine. Edicions de la Universitat de Lleida, 2018. http://dx.doi.org/10.21001/luc.21.22.14.
Der volle Inhalt der QuelleReverdy, Thomas, und Alicia Roehrich. Incertitude et résilience dans les projets technologiques. Fondation pour une culture de sécurité industrielle, Januar 2016. http://dx.doi.org/10.57071/582prj.
Der volle Inhalt der QuelleAlaoui, Siham, Nadia Naffi und Simon Collin. Les technologies éducatives en milieu scolaire et universitaire. Observatoire international sur les impacts sociétaux de l'IA et du numérique, Juni 2023. http://dx.doi.org/10.61737/nvtm1722.
Der volle Inhalt der QuelleMaubert, Camille, Jeremy Allouche, Irene Hamuli, Eustache Kuliumbwa Lulego, Gauthier Marchais, Ferdinand Mushi Mugumo und Sohela Nazneen. Le pouvoir d’action des femmes et la protection humanitaire au Nord et au Sud-Kivu, RDC. Institute of Development Studies, März 2023. http://dx.doi.org/10.19088/ids.2023.015.
Der volle Inhalt der QuelleAlexis, Alex, und Alexandra Bahary-Dionne. Réduire les impacts de la fracture numérique sur les populations marginalisées : leçons apprises de la littérature à la portée des organismes communautaires. Observatoire international sur les impacts sociétaux de l'IA et du numérique, September 2022. http://dx.doi.org/10.61737/ctfe9118.
Der volle Inhalt der QuelleBellwood-Howard, Imogen, Peter Taylor, Aminata Niang, Kaderi Bukari, Eric Kioko, Peter Wangai, Lansine Sountoura, Bronson Eran’Ogwa und Mohammed Yamusah. Les arts dans le dialogue et la communication sur l’environnement en Afrique de l’Ouest et de l’Est. Institute of Development Studies, August 2023. http://dx.doi.org/10.19088/ids.2023.037.
Der volle Inhalt der QuelleScarpini, Celeste, Oyebola Okunogbe und Fabrizio Santoro. Les promesses et les limites des technologies de l’information dans la mobilisation fiscale. Institute of Development Studies, April 2023. http://dx.doi.org/10.19088/ictd.2023.019.
Der volle Inhalt der QuelleGaillard, Irène. Facteurs socio-culturels de réussite du REX industriel par l'analyse bibliographique. Fondation pour une culture de sécurité industrielle, Juni 2005. http://dx.doi.org/10.57071/867rex.
Der volle Inhalt der QuelleLucinda, Cazdow, Martin Hearson, Frederik Heitmüller, Katharina Kuhn, Okagna Okagna und Tovony Randriamanalina. Une coopération fiscale internationale inclusive et efficace : Points de vue des pays du Sud. Institute of Development Studies, Dezember 2023. http://dx.doi.org/10.19088/ictd.2023.059.
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