Zeitschriftenartikel zum Thema „Photography“
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Noble, Anne, und Geoffrey Batchen. „Had We Lived ... Phantasms & Nieves Penitentes: Conversation between Anne Noble and Geoffrey Batchen“. Grimace, Vol. 2, no. 1 (2017): 20–29. http://dx.doi.org/10.47659/m2.020.art.
Shamriz, Lior. „Photography of indenture“. Journal of New Zealand & Pacific Studies 12, Nr. 1 (01.06.2024): 55–72. http://dx.doi.org/10.1386/nzps_00187_1.
Geurts, Merlijn. „The Atrocity of Representing Atrocity - Watching Kevin Carter's 'Struggling Girl'“. Aesthetic Investigations 1, Nr. 1 (16.07.2015): 1–13. http://dx.doi.org/10.58519/aesthinv.v1i1.12001.
Tomaszczuk, Zbigniew. „Fotografia jako przedłużenie ciała“. DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU 26, Nr. 26 (01.09.2019): 134–49. http://dx.doi.org/10.5604/01.3001.0012.9869.
Tomaszczuk, Zbigniew. „PHOTOGRAPHY AS THE EXTENSION OF A BODY“. DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU 26, Nr. 26 (01.09.2019): 134–47. http://dx.doi.org/10.5604/01.3001.0012.9927.
Kanicki, Witold, und Geoffrey Batchen. „Magical Thinking: Conversation with Geoffrey Batchen“. Magic, Vol. 5, no. 1 (2020): 4–9. http://dx.doi.org/10.47659/m8.004.int.
Qasmiyeh, Yousif M., und Saiful Huq Omi. „Photography as Archive“. Migration and Society 4, Nr. 1 (01.06.2021): 195–202. http://dx.doi.org/10.3167/arms.2021.040118.
Dondero, Maria Giulia. „Photography as a Witness of Theatre“. Recherches sémiotiques 28, Nr. 1-2 (07.10.2010): 43–57. http://dx.doi.org/10.7202/044587ar.
Kleimenova, S. N., und O. I. Yablokova. „Photography as an object of copyright“. Uzhhorod National University Herald. Series: Law 1, Nr. 78 (28.08.2023): 177–80. http://dx.doi.org/10.24144/2307-3322.2023.78.1.28.
Markiewicz, Małgorzata. „„Takie jak w rzeczywistości”. Obraz fotograficzny - obiektywne odwzorowanie czy subiektywna kreacja? Fotografia w badaniach archeologicznych“. Folia Praehistorica Posnaniensia 28 (27.12.2023): 207–30. http://dx.doi.org/10.14746/fpp.2023.28.09.
Sile, Agnese. „Through the mother’s voice: Exposure and intimacy in Lesley McIntyre’s photo project The Time of Her Life and Elisabeth Zahnd Legnazzi’s Chiara A Journey Into Light“. Health: An Interdisciplinary Journal for the Social Study of Health, Illness and Medicine 24, Nr. 5 (02.12.2018): 461–75. http://dx.doi.org/10.1177/1363459318815933.
Huen, Antony. „Photographs, Photography and the Photographer“. Wasafiri 34, Nr. 3 (03.07.2019): 59–63. http://dx.doi.org/10.1080/02690055.2019.1613016.
Padmanabhan, Lakshmi. „A Feminist Still“. Camera Obscura: Feminism, Culture, and Media Studies 35, Nr. 3 (01.12.2020): iv—29. http://dx.doi.org/10.1215/02705346-8631535.
von Brevern, Jan. „Fototopografia: The “Futures Past” of Surveying“. reproduire, Nr. 17 (08.09.2011): 53–67. http://dx.doi.org/10.7202/1005748ar.
Vellanki, Vivek. „Shifting the Frame: Theoretical and Methodological Explorations of Photography in Educational Research“. Cultural Studies ↔ Critical Methodologies 22, Nr. 2 (28.12.2021): 132–42. http://dx.doi.org/10.1177/15327086211045976.
Carville, Justin. „‘This postcard album will tell my name, when I am quite forgotten’: Cultural Memory and First World War Soldier Photograph Albums“. Modernist Cultures 13, Nr. 3 (August 2018): 417–44. http://dx.doi.org/10.3366/mod.2018.0220.
Viditz-Ward, Vera. „Photography in Sierra Leone, 1850–1918“. Africa 57, Nr. 4 (Oktober 1987): 510–18. http://dx.doi.org/10.2307/1159896.
Feldmann, Rodney M. „Photographic procedures“. Paleontological Society Special Publications 4 (1989): 336–41. http://dx.doi.org/10.1017/s2475262200005311.
Kloster Poulsen, Steffen. „Når eksplosioner er kunst“. Periskop – Forum for kunsthistorisk debat, Nr. 31 (13.06.2024): 100–115. http://dx.doi.org/10.7146/periskop.v2024i31.146623.
Battin, Justin Michael. „Explorations on the Event of Photography: Dasein, Dwelling, and Skillful Coping in a Cuban Context“. Review of International American Studies 15, Nr. 2 (31.12.2022): 49–70. http://dx.doi.org/10.31261/rias.14868.
Virkki, Susanna. „Finnish Theatre Photography and the Influence of Technology“. Nordic Theatre Studies 26, Nr. 2 (09.09.2014): 60. http://dx.doi.org/10.7146/nts.v26i2.24310.
Witkovsky, Matthew S. „Photography as Model?“ October 158 (Oktober 2016): 7–18. http://dx.doi.org/10.1162/octo_a_00267.
Foliard, Daniel. „Photography as Absence: Implicit Histories (Africa, Late Nineteenth and Early Twentieth Centuries)“. Sources 6 (2023): 65–84. http://dx.doi.org/10.4000/11tb8.
McQuirter, Marya. „yes. still. movement.“ liquid blackness 7, Nr. 2 (01.10.2023): 102–9. http://dx.doi.org/10.1215/26923874-10658346.
Chervonik, Olena, und Geoffrey Batchen. „Negative Thinking - A History of the Photographic Negative as a Repressed Other: Conversation with Geoffrey Batchen“. Master, Vol. 5, no. 2 (2020): 106–10. http://dx.doi.org/10.47659/m9.106.int.
Castillo, Richmond M., Grace Y. Kim, Kirk D. Wyatt, Christine M. Lohse und Thomas R. Hellmich. „Use of an EHR-Integrated Point-of-Care Mobile Medical Photography Application in a Pediatric Emergency Department“. Applied Clinical Informatics 10, Nr. 05 (Oktober 2019): 888–97. http://dx.doi.org/10.1055/s-0039-1700870.
Baird, Jean. „Photography without Pictures“. Arts 13, Nr. 1 (18.01.2024): 17. http://dx.doi.org/10.3390/arts13010017.
Hillman, John. „How Does Photography Appear to Appear?“ Magic, Vol. 5, no. 1 (2020): 72–79. http://dx.doi.org/10.47659/m8.072.art.
Malkoff, Nicolas, Brigette Cannata, Artur Manasyan, Idean Roohani, Tayla Moshal, Elaine Terr, Misato Koizumi, Maxwell B. Johnson und Justin Gillenwater. „757 Focusing the Lens on Burn Wound Photography: An Institutional Assessment“. Journal of Burn Care & Research 45, Supplement_1 (17.04.2024): 232. http://dx.doi.org/10.1093/jbcr/irae036.299.
Soyref, Polina G. „The Test of Photography“. Koinon 3, Nr. 2 (2022): 86–105. http://dx.doi.org/10.15826/koinon.2022.03.2.018.
Slevin, Tom. „The Zone of Photography: Magic, Ghosts and Haecceity“. Arts 12, Nr. 4 (13.07.2023): 157. http://dx.doi.org/10.3390/arts12040157.
Yavuz, Ozan. „Temporality and Spatiality in In-game Photography“. AM Journal of Art and Media Studies, Nr. 33 (15.04.2024): 97–115. http://dx.doi.org/10.25038/am.v0i28.591.
Susanto, Andreas Arie. „Fotografi adalah Seni: Sanggahan terhadap Analisis Roger Scruton mengenai Keabsahan Nilai Seni dari Sebuah Foto“. Journal of Urban Society's Arts 4, Nr. 1 (30.04.2017): 49–60. http://dx.doi.org/10.24821/jousa.v4i1.1484.
Wilson, Dawn M. „Invisible Images and Indeterminacy: Why We Need a Multi-stage Account of Photography“. Journal of Aesthetics and Art Criticism 79, Nr. 2 (19.04.2021): 161–74. http://dx.doi.org/10.1093/jaac/kpab005.
Blos-Jáni, Melinda. „The Visibility of a City in the Interwar Period. Scopic Regimes in the Photographs of Lajos Orbán (1897–1972) From Cluj“. Studia Universitatis Babeș-Bolyai Historia Artium 68 (30.12.2023): 141–64. http://dx.doi.org/10.24193/subbhistart.2023.06.
Kephart, Richard E. „Photographic Standards in Rhinoplasty“. American Journal of Cosmetic Surgery 12, Nr. 1 (März 1995): 71–74. http://dx.doi.org/10.1177/074880689501200113.
AGUIAR, JONAS JOSÉ MENDES, JEAN CARLOS SANTOS und MARIA VIRGINIA URSO-GUIMARÃES. „On the use of photography in science and taxonomy: how images can provide a basis for their own authentication“. Bionomina 12, Nr. 1 (24.03.2017): 44–47. http://dx.doi.org/10.11646/bionomina.12.1.4.
Cocker, Alan. „Photographers Hart, Campbell and Company: The role of photography in exploration, tourism and national promotion in nineteenth century New Zealand.“ Back Story Journal of New Zealand Art, Media & Design History, Nr. 2 (01.07.2017): 93–103. http://dx.doi.org/10.24135/backstory.vi2.24.
Bajraghosa, Terra, Budi Irawanto und Seno Gumira Ajidarma. „Family Photography as Object and Practice in Independent Comics in Indonesia“. International Journal of Creative and Arts Studies 10, Nr. 2 (05.12.2023): 133–48. http://dx.doi.org/10.24821/ijcas.v10i2.11166.
Puškaš, Nela, und Ivana Arađanin. „Photography Department of professor Aleksandar Kostić: Establishment, achievements and significance“. Zdravstvena zastita 51, Nr. 4 (2022): 16–31. http://dx.doi.org/10.5937/zdravzast51-41664.
Langmann, Sten, und Paul Gardner. „The intersemiotic affordances of photography and poetry“. Semiotica 2020, Nr. 236-237 (16.12.2020): 85–102. http://dx.doi.org/10.1515/sem-2018-0050.
Ruzgienė, Birutė. „REQUIREMENTS FOR AERIAL PHOTOGRAPHY“. Geodesy and cartography 30, Nr. 3 (03.08.2012): 75–79. http://dx.doi.org/10.3846/13921541.2004.9636646.
Molloy, Caroline. „The Studio Photograph as a Conceptual Framework“. Membrana Journal of Photography, Vol. 3, no. 2 (2018): 38–47. http://dx.doi.org/10.47659/m5.038.art.
Wyatt, Kirk D., Anissa Finley, Richard Uribe, Peter Pallagi, Brian Willaert, Steve Ommen, James Yiannias und Thomas Hellmich. „Patients' Experiences and Attitudes of Using a Secure Mobile Phone App for Medical Photography: Qualitative Survey Study“. Journal of Medical Internet Research 22, Nr. 5 (12.05.2020): e14412. http://dx.doi.org/10.2196/14412.
Takai, J. „Involvement through photography“. Annals of the ICRP 45, Nr. 2_suppl (Dezember 2016): 48–57. http://dx.doi.org/10.1177/0146645316680579.
Vogelsang, Helena. „A Nostalgic Longing for the 20th Century: Past and Present Backdrops and Scenes in the Skylight Studio of Josip Pelikan“. Membrana Journal of Photography, Vol. 3, no. 2 (2018): 56–61. http://dx.doi.org/10.47659/m5.056.art.
Kea, Pamela. „Photography, care and the visual economy of Gambian transatlantic kinship relations“. Journal of Material Culture 22, Nr. 1 (14.12.2016): 51–71. http://dx.doi.org/10.1177/1359183516679188.
Colner, Miha. „Miroslav Zdovc: Contextualising the Archive“. Život umjetnosti, Nr. 111 (Juli 2023): 132–45. http://dx.doi.org/10.31664/zu.2022.111.10.
Paradis, James G. „PHOTOGRAPHY AND IRONY: THE SAMUEL BUTLER PHOTOGRAPHY EXHIBITION AT THE TATE BRITAIN“. Victorian Literature and Culture 33, Nr. 1 (März 2005): 318–22. http://dx.doi.org/10.1017/s1060150305230863.
Colner, Miha, und Ivan Petrović. „Ivan Petrović, Photographer, Archivist and Artist: Interview with Ivan Petrović“. Cabinet, Vol. 2, no. 2 (2017): 4–9. http://dx.doi.org/10.47659/m3.004.int.