Auswahl der wissenschaftlichen Literatur zum Thema „Photographie colorisée“
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Zeitschriftenartikel zum Thema "Photographie colorisée"
Hudgins, Nicole, und Jean-François Cornu. „Le genre de la coloration“. Photographica, Nr. 4 (04.04.2022): 22–39. http://dx.doi.org/10.54390/photographica.720.
Der volle Inhalt der QuelleParadis, James G. „PHOTOGRAPHY AND IRONY: THE SAMUEL BUTLER PHOTOGRAPHY EXHIBITION AT THE TATE BRITAIN“. Victorian Literature and Culture 33, Nr. 1 (März 2005): 318–22. http://dx.doi.org/10.1017/s1060150305230863.
Der volle Inhalt der QuelleFagioli, Simone. „«Rimpiango proprio che l’umidità m’abbia per sempre guastata una fotografia». Elio Modigliani, le fotografie dell’isola di Nías (1886-1889) e la colorazione automatica di immagini antropologiche. Spunti e ricerche“. Archivio per l'Antropologia e la Etnologia 153 (01.11.2023): 31–46. http://dx.doi.org/10.36253/aae-2341.
Der volle Inhalt der QuelleAlexander Franco und Scott S. Roach. „COLOURISM AS A CATALYST FOR THE SKIN WHITENING INDUSTRY IN THAILAND“. Malaysian Journal of Business and Economics (MJBE) 10, Nr. 1 (30.06.2023): 80–94. http://dx.doi.org/10.51200/mjbe.v10i1.3823.
Der volle Inhalt der QuelleQuintero Balbas, Diego, Barbara Cattaneo, Andrea Cagnini, Paolo Belluzzo, Silvia Innocenti, Sandra Rossi, Raffaella Fontana und Jana Striova. „The Colors of the Butterfly Wings: Non-Invasive Microanalytical Studies of Hand-Coloring Materials in 19th-Century Daguerreotypes“. Heritage 5, Nr. 4 (18.12.2022): 4306–24. http://dx.doi.org/10.3390/heritage5040221.
Der volle Inhalt der QuelleNihalaani, Rachaell. „Image Colorization Using Autoencoders“. International Journal for Research in Applied Science and Engineering Technology 9, Nr. 9 (30.09.2021): 1679–83. http://dx.doi.org/10.22214/ijraset.2021.38218.
Der volle Inhalt der QuelleWILLIAMS, MEGAN E. „“Meet the Real Lena Horne”: Representations of Lena Horne in Ebony Magazine, 1945–1949“. Journal of American Studies 43, Nr. 1 (April 2009): 117–30. http://dx.doi.org/10.1017/s0021875809006094.
Der volle Inhalt der QuelleSerebriakova, Natalia, und Evgeniya Surova. „Classification of arboreal taxa for landscaping in Central Russia based on leaf coloristics“. Сельское хозяйство, Nr. 4 (April 2021): 50–58. http://dx.doi.org/10.7256/2453-8809.2021.4.37834.
Der volle Inhalt der QuelleZhang, Shaowen. „Mending Memory by Hand and Brush: Socialist China's Colored Photographs“. Trans Asia Photography 13, Nr. 2 (01.11.2023). http://dx.doi.org/10.1215/21582025-10924848.
Der volle Inhalt der QuelleButkowski, Chelsea, Lee Humphreys und Utkarsh Mall. „Computing colorism: skin tone in online retail imagery“. Visual Communication, 13.03.2022, 147035722210774. http://dx.doi.org/10.1177/14703572221077444.
Der volle Inhalt der QuelleDissertationen zum Thema "Photographie colorisée"
Carrillo, Hernan. „Colorisation d'images avec réseaux de neurones guidés par l'intéraction humaine“. Electronic Thesis or Diss., Bordeaux, 2024. http://www.theses.fr/2024BORD0016.
Der volle Inhalt der QuelleColorization is the process of adding colors to grayscale images. It is an important task in the image-editing and animation community. Although automatic colorization methods exist, they often produce unsatisfying results due to artifacts such as color bleeding, inconsistency, unnatural colors, and the ill-posed nature of the problem. Manual intervention is often necessary to achieve the desired outcome. Consequently, there is a growing interest in automating the colorization process while allowing artists to transfer their own style and vision to the process. In this thesis, we investigate various interaction formats by guiding colors of specific areas of an image or transferring them from a reference image or object. As part of this research, we introduce two semi-automatic colorization frameworks. First, we describe a deep learning architecture for exemplar-based image colorization that takes into account user’s reference images. Our second framework uses a diffusion model to colorize line art using user-provided color scribbles. This thesis first delves into a comprehensive overview of state-of-the-art image colorization methods, color spaces, evaluation metrics, and losses. While recent colorization methods based on deep-learning techniques are achieving the best results on this task, these methods are based on complex architectures and a high number of joint losses, which makes the reasoning behind each of these methods difficult. Here, we leverage a simple architecture in order to analyze the impact of different color spaces and several losses. Then, we propose a novel attention layer based on superpixel features to establish robust correspondences between high-resolution deep features from target and reference image pairs, called super-attention. This proposal deals with the quadratic complexity problem of the non-local calculation in the attention layer. Additionally, it helps to overcome color bleeding artifacts. We study its use in color transfer and exemplar-based colorization. We finally extend this model to specifically guide the colorization on segmented objects. Finally, we propose a diffusion probabilistic model based on implicit and explicit conditioning mechanism, to learn colorizing line art. Our approach enables the incorporation of user guidance through explicit color hints while leveraging on the prior knowledge from the trained diffusion model. We condition with an application-specific encoder that learns to extract meaningful information on user-provided scribbles. The method generates diverse and high-quality colorized images
Bücher zum Thema "Photographie colorisée"
McKinnis, James A. Handcoloring photographs. New York: Amphoto, 1994.
Den vollen Inhalt der Quelle findenLawrence, Rinder, und EVO Gallery, Hrsg. Gerry Snyder: American idyll : [exhibition] June 5-July 18, 2007. Santa Fe, NM: EVO Gallery, 2007.
Den vollen Inhalt der Quelle findenNiépce, Musée Nicéphore, Hrsg. Traditionnel Japon: 240 photographies du XIXe siècle coloriées au pinceau. Paris: Chêne, 2009.
Den vollen Inhalt der Quelle findenNiépce, Musée Nicéphore. Souvenirs du Japon en couleurs: Photographies de la fin du XIXe siècle coloriées au pinceau. Paris: Éditions du Chêne, 2008.
Den vollen Inhalt der Quelle findenTransformational Imagemaking: Handmade Photography Since 1960. New York, USA: Focal Press, 2014.
Den vollen Inhalt der Quelle findenHirsch, Robert. Transformational Imagemaking: Handmade Photography Since 1960. Taylor & Francis Group, 2014.
Den vollen Inhalt der Quelle findenHirsch, Robert. Transformational Imagemaking: Handmade Photography Since 1960. Taylor & Francis Group, 2014.
Den vollen Inhalt der Quelle findenNews Art: Manipulated Photographs from the Burns Archive. powerHouse Cultural Entertainment, Incorporated, 2010.
Den vollen Inhalt der Quelle findenWild, Wolfgang, und Jordan Lloyd. Quand le passé reprend vie en couleurs: Photographies colorisées du monde de 1839 à 1949. GLENAT, 2020.
Den vollen Inhalt der Quelle findenGihon, John L. Photographic Colorists' Guide: Contains Explanations of the Methods by Which Photographs Are Colored in Oil, Water Colors, and Pastel. Creative Media Partners, LLC, 2022.
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