Auswahl der wissenschaftlichen Literatur zum Thema „Photographic techniques“
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Zeitschriftenartikel zum Thema "Photographic techniques"
Feldmann, Rodney M. „Photographic procedures“. Paleontological Society Special Publications 4 (1989): 336–41. http://dx.doi.org/10.1017/s2475262200005311.
Der volle Inhalt der QuelleDamarjati und Yuka Dian Narendra. „Photography Exploration Training using Still Life Techniques for Karmel Tangerang Vocational School Students“. Indonesian Journal of Advanced Research 3, Nr. 1 (30.01.2024): 95–104. http://dx.doi.org/10.55927/ijar.v3i1.7851.
Der volle Inhalt der QuelleKlingle, Matthew. „River Glass“. Boom 5, Nr. 2 (2015): 42–51. http://dx.doi.org/10.1525/boom.2015.5.2.42.
Der volle Inhalt der QuelleSwan, Dean G., und Larry C. Burrill. „Plant Photography Techniques“. Weed Technology 4, Nr. 3 (September 1990): 666–70. http://dx.doi.org/10.1017/s0890037x00026191.
Der volle Inhalt der QuelleWolska, Anna. „HISTORY OF PHOTOGRAPHY ON THE EXAMPLE OF SELECTED PHOTOGRAPHIC TECHNIQUES. A PHOTOGRAPH AS AN OBJECT“. Muzealnictwo 61 (26.08.2020): 192–200. http://dx.doi.org/10.5604/01.3001.0014.3639.
Der volle Inhalt der QuelleMagurean, Irina Dora, Andrei Picos, Lucia Timis, Alina Picos und Dinu I. Dumitrascu. „The Evolution of Photographic Arts Is Linked to Progress in Chemistry: A Review of Two Centuries of Symbiosis“. Journal of Research in Philosophy and History 3, Nr. 2 (11.11.2020): p153. http://dx.doi.org/10.22158/jrph.v3n2p153.
Der volle Inhalt der QuellePutra, Sandy Dwi, und Kankan Kasmana. „Interior Photograph Experiment of The House Tour Hotel Bandung“. ARTic 3, Nr. 1 (15.12.2020): 259–76. http://dx.doi.org/10.34010/artic.v3i2.3696.
Der volle Inhalt der QuellePevec, Iza, und Lukas Birk. „Keeping a Story Alive: Interview with Lukas Birk“. Membrana Journal of Photography, Vol. 3, no. 2 (2018): 4–13. http://dx.doi.org/10.47659/m5.004.int.
Der volle Inhalt der QuelleMaričević, Marko, Petra Ptiček und Ivana Žganjar. „Recognition Model of Counterfeiting Digital Records of Biometric Photographic Image“. Tehnički glasnik 16, Nr. 1 (04.02.2022): 67–73. http://dx.doi.org/10.31803//tg-20210714171523.
Der volle Inhalt der QuelleApriyadi, Wiwid Widya, Arti Wulandari und Oscar Samaratungga. „Yogyakarta Dalam Fotografi Impresionisme“. spectā : Journal of Photography, Arts, and Media 5, Nr. 1 (17.03.2022): 51–60. http://dx.doi.org/10.24821/specta.v5i1.5007.
Der volle Inhalt der QuelleDissertationen zum Thema "Photographic techniques"
Phillips, Carlos. „Photographic transformations and greyscale pictures“. Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=101163.
Der volle Inhalt der QuelleThe presented algorithm used properties of best-fit planes to represent a photograph. There are many other possibilities for measurements which would fit this framework. Further, the representation of photographs presented in this thesis could be combined with existing computer vision algorithms for such tasks as object recognition within photographs for which we do not know the development process.
Carstens, Andries Theunis. „Digitising photographic negatives and prints for preservation“. Thesis, Cape Peninsula University of Technology, 2013. http://hdl.handle.net/20.500.11838/1355.
Der volle Inhalt der QuelleThis study deals with the pitfalls and standards associated with the digitisation of photographic artefacts in formal collections. The popularity of the digital medium caused a rapid increase in the demand for converting images into digital files. The need for equipment capable of executing the task successfully, the pressure on collection managers to display their collections to the world and the demand for knowledge needed by managers and operators created pressure to perform optimally and often in great haste. As a result of the rush to create digital image files to be displayed and to be preserved, the decisions that are being made may be questionable. The best choice of file formats for longevity, setting and maintaining standards to guarantee quality digital files and consultation with experts in the field of digitisation as well as attention to best practices are important aspects which must be considered. In order to determine the state of affairs in countries with an advanced knowledge and experience in the field of digitisation, a comprehensive literature study was done. It was found that enough information exists to enable collection managers in South Africa to make well informed decisions to ensure a high quality of digital collection. By means of questionnaires, a survey was undertaken amongst selected Western Cape image preservation institutions to determine the level of knowledge of the managers who are required to make informed decisions. The questionnaire was designed to give insight into choices being made regarding the technical quality, workflow and best practice aspects of digitisation. Comparing the outcome of the questionnaires with best practices and recommended standards in countries with an advanced level of experience it was found that not enough of this experience and knowledge is used by local collection managers although readily available. In some cases standards are disregarded completely. The study also investigated by means of questionnaires the perception of the digital preservation of image files by fulltime photographic students and volunteer members of the Photographic Society of South Africa. It was found that uncertainty exist within both groups with regard to file longevity and access to files in five to ten year's time. Digitisation standards are set and maintained by the use of specially designed targets which enable digitising managers to maintain control over the quality of the digital content as well as monitoring of equipment performance. The use of these targets to set standards were investigated and found to be an accurate and easy method of maintaining control over the standard and quality of digital files. Suppliers of digitising equipment very often market their equipment as being of a high quality and being able to fulfil the required digitisation tasks. Testing selected digitising equipment by means of specially designed targets proved however that potential buyers of equipment in the high cost range should be very cautious about suppliers' claims without proof of performance. Using targets to verify performance should be a routine check before any purchase. The study concludes with recommendations of implementing standards and it points to potential future research.
Santa, Clara Miguel Eduardo. „The application of digital photographic technologies to lighting research“. Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609406.
Der volle Inhalt der QuelleHeiss, Detlef Guntram. „Calibrating the photographic reproduction of colour digital images“. Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/24680.
Der volle Inhalt der QuelleScience, Faculty of
Computer Science, Department of
Graduate
Cedillos, Elizabeth M. „Use of Intelligent Tutor Dialogues on Photographic Techniques: Explanation versus Argumentation“. Miami University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=miami1386087498.
Der volle Inhalt der QuellePolignano, Sergio. „Do sensivel a significação : uma poetica da fotografia“. [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284754.
Der volle Inhalt der QuelleDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-07T06:14:51Z (GMT). No. of bitstreams: 1 Polignano_Sergio_M.pdf: 19138121 bytes, checksum: a2a1fa7467459819c2d2f07679e2acbd (MD5) Previous issue date: 2006
Resumo: Este trabalho propõe uma abordagem conceitual, dos diversos conteúdos da imagem fotográfica, a sua leitura e decodificação, que vai da sensibilidade aos significados. Apresenta uma proposta de análise que busca justificar e demonstrar a condição da poética (Arte) da fotografia. Nesse sentido, mostra o que de incomum pode deter o olhar que eterniza e o olhar que ressuscita, dando um real valor às imagens fotográficas, sejam elas quais forem e mostrem o que de mais importante possam mostrar, mantendo as informações ao longo do tempo. Desse modo, busca contribuir para uma melhor compreensão da época em que as fotografias foram feitas, dos cenários que as mesmas registram, de seus contextos, assim como das implicações e relações que tenham com as formas de expressão diferenciadas, que chamamos: Arte
Abstract: This work proposes an conceptual approach to the various contents of photographic image, its interpretation, and decoding, which goes from sensibility to signification; it brings a proposal for an analysis that can effectively justify and demonstrate the condition of poetry (art) of photography, showing which of its uncommon aspects can capture the point of view that makes it eternal and the point of view that resuscitates it, bringing the real value to photographic images, being them whatever they are, showing whatever most important subject they can hold, maintaining their image content throughout time, and serving for a better understanding of the time in which photographs were taken, their scenarios, contexts, implications, and relationships that they have with the different forms of expression that we cal!: Art
Mestrado
Mestre em Artes
Hardesty, Rudd Matthew. „Development of sensitometric techniques for the characterization of stereolitographic resins /“. Online version of thesis, 1994. http://hdl.handle.net/1850/11735.
Der volle Inhalt der QuelleSparrow, Ryan J. „Photographic disconnect : examining the divide between newspaper photographers and designers on the matter of digital alteration of photographs on the front page“. Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1391238.
Der volle Inhalt der QuelleDepartment of Journalism
McQuade, Patrick John Art College of Fine Arts UNSW. „Visualising the invisible :articulating the inherent features of the digital image“. Awarded by:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/43307.
Der volle Inhalt der QuelleGavard, Sandra. „Photo-graft : a critical analysis of image manipulation“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0015/MQ54990.pdf.
Der volle Inhalt der QuelleBücher zum Thema "Photographic techniques"
Mark, Galer, Hrsg. Photographic lighting. 2. Aufl. Oxford: Focal, 2002.
Den vollen Inhalt der Quelle findenLeach, Sid DelMar. Photographic perspective drawing techniques. New York: McGraw-Hill, 1990.
Den vollen Inhalt der Quelle findenHedgecoe, John. John Hedgecoe's Photographic techniques. New York: Simon and Schuster, 1985.
Den vollen Inhalt der Quelle findenReed, Vilia. Professional photographic retouching techniques. Rochester, N.Y: Eastman Kodak Co., 1986.
Den vollen Inhalt der Quelle findenDavid, Litschel, und Davis Robert, Hrsg. Digital photographic capture. Amsterdam: Elsevier/Focal Press, 2005.
Den vollen Inhalt der Quelle findenAronoff, Janee, Nyree Costello, Gavin Cromhout und Vikas Shah. Photoshop 7 Professional Photographic Techniques. Berkeley, CA: Apress, 2002. http://dx.doi.org/10.1007/978-1-4302-0779-5.
Der volle Inhalt der QuelleLeboffe, Michael J. Photographic atlas for the microbiology laboratory. Englewood,co: Morton, 1996.
Den vollen Inhalt der Quelle findenJudy, Martin. Handtinting Photographs: Materials, Techniques and Special Effects. London, England: Macdonald Orbis, 1989.
Den vollen Inhalt der Quelle findenMarr, Don. Beginner's Guide to Photographic Lighting. Chicago: Amherst Media, Inc., 2010.
Den vollen Inhalt der Quelle findenDavies, Adrian. Digital imaging for photographers. 3. Aufl. Oxford: Focal Press, 1998.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Photographic techniques"
DiMaggio, John A., und Wesley Vernon. „Photographic Techniques“. In Forensic Podiatry, 27–49. Totowa, NJ: Humana Press, 2010. http://dx.doi.org/10.1007/978-1-61737-976-5_3.
Der volle Inhalt der QuelleDruker, Elina. „Chapter 8. In and out of focus“. In Children’s Literature, Culture, and Cognition, 189–209. Amsterdam: John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/clcc.17.08dru.
Der volle Inhalt der Quelleda Machado, L. E. S. „A Photographic Astrometric Telescope for Brazil“. In Astrometric Techniques, 229–30. Dordrecht: Springer Netherlands, 1986. http://dx.doi.org/10.1007/978-94-009-4676-7_27.
Der volle Inhalt der QuelleAronoff, Janee, Nyree Costello, Gavin Cromhout und Vikas Shah. „Hand Coloring Techniques“. In Photoshop 7 Professional Photographic Techniques, 143–54. Berkeley, CA: Apress, 2002. http://dx.doi.org/10.1007/978-1-4302-0779-5_7.
Der volle Inhalt der QuelleAronoff, Janee, Nyree Costello, Gavin Cromhout und Vikas Shah. „Magazine Retouching Techniques“. In Photoshop 7 Professional Photographic Techniques, 157–85. Berkeley, CA: Apress, 2002. http://dx.doi.org/10.1007/978-1-4302-0779-5_8.
Der volle Inhalt der QuelleMurry, Natalie. „Adding Photographic Elements to a Composite“. In Digital Forensic Art Techniques, 167–85. Boca Raton, FL : CRC Press, [2018]: CRC Press, 2018. http://dx.doi.org/10.4324/9781351047166-10.
Der volle Inhalt der QuelleAronoff, Janee, Nyree Costello, Gavin Cromhout und Vikas Shah. „Introduction“. In Photoshop 7 Professional Photographic Techniques, 1–5. Berkeley, CA: Apress, 2002. http://dx.doi.org/10.1007/978-1-4302-0779-5_1.
Der volle Inhalt der QuelleAronoff, Janee, Nyree Costello, Gavin Cromhout und Vikas Shah. „Infra-red Imaging and Cross-processing“. In Photoshop 7 Professional Photographic Techniques, 207–18. Berkeley, CA: Apress, 2002. http://dx.doi.org/10.1007/978-1-4302-0779-5_10.
Der volle Inhalt der QuelleAronoff, Janee, Nyree Costello, Gavin Cromhout und Vikas Shah. „Special Effects“. In Photoshop 7 Professional Photographic Techniques, 221–42. Berkeley, CA: Apress, 2002. http://dx.doi.org/10.1007/978-1-4302-0779-5_11.
Der volle Inhalt der QuelleAronoff, Janee, Nyree Costello, Gavin Cromhout und Vikas Shah. „Preparing Images for Print and Optimizing for the Web“. In Photoshop 7 Professional Photographic Techniques, 245–61. Berkeley, CA: Apress, 2002. http://dx.doi.org/10.1007/978-1-4302-0779-5_12.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Photographic techniques"
Kerkhoff, John F. „Photographic Techniques for Accident Reconstruction“. In SAE International Congress and Exposition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 1985. http://dx.doi.org/10.4271/850248.
Der volle Inhalt der QuelleLi, Zinuo, Xuhang Chen, Shuqiang Wang und Chi-Man Pun. „A Large-Scale Film Style Dataset for Learning Multi-frequency Driven Film Enhancement“. In Thirty-Second International Joint Conference on Artificial Intelligence {IJCAI-23}. California: International Joint Conferences on Artificial Intelligence Organization, 2023. http://dx.doi.org/10.24963/ijcai.2023/129.
Der volle Inhalt der QuelleAline, Kenneth M., und James A. Dowdall. „Dark Field Photographic Techniques For Documenting Optical Surface Contamination.“ In 33rd Annual Techincal Symposium, herausgegeben von John C. Stover. SPIE, 1990. http://dx.doi.org/10.1117/12.962868.
Der volle Inhalt der QuelleShrauger, Vernon E., Laura L. Erwin und Cardinal Warde. „Computer-generated multiple-phase-level holograms using color printer techniques“. In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1990. http://dx.doi.org/10.1364/oam.1990.mff2.
Der volle Inhalt der QuelleRazik, Abdul Halim Abdul, Firdaus Yusof und Noor Halilah Buari. „Process systems engineering for sustainable photographic lens production: A review“. In THE FOURTH SCIENTIFIC CONFERENCE FOR ELECTRICAL ENGINEERING TECHNIQUES RESEARCH (EETR2022). AIP Publishing, 2023. http://dx.doi.org/10.1063/5.0148714.
Der volle Inhalt der QuelleToglia, Angelo, Gregory D. Stephens, David J. Michalski und Joy L. Rodriguez. „Applications of PhotoModeler in Accident Reconstruction“. In ASME 2005 International Mechanical Engineering Congress and Exposition. ASMEDC, 2005. http://dx.doi.org/10.1115/imece2005-79250.
Der volle Inhalt der QuelleKovesi, Peter. „Phase Preserving Tone Mapping of Non-Photographic High Dynamic Range Images“. In 2012 International Conference on Digital Image Computing: Techniques and Applications (DICTA). IEEE, 2012. http://dx.doi.org/10.1109/dicta.2012.6411698.
Der volle Inhalt der QuelleGrant, I., und G. H. Smith. „Recent Advances in Pulsed Laser("Speckle") Velocimetry“. In Photon Correlation Techniques and Applications. Washington, D.C.: Optica Publishing Group, 1988. http://dx.doi.org/10.1364/pcta.1988.dsopp207.
Der volle Inhalt der QuelleBauman, Paul. „New Techniques in Volumetric Imaging and Photographic Documentation of Salt Contaminated Soil“. In SPE International Conference on Health, Safety, and Environment in Oil and Gas Exploration and Production. Society of Petroleum Engineers, 2004. http://dx.doi.org/10.2118/86814-ms.
Der volle Inhalt der QuelleYu, Francis T. S., Shudong Wu, Andy Mayers und Sumati Rajan. „Color holographic storage in LiNbO3“. In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1990. http://dx.doi.org/10.1364/oam.1990.tuaa5.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Photographic techniques"
Pitts, W. K., Nicole M. Dahl, Erin S. Fuller, Bruce D. Geelhood, Randy R. Hansen, Michael A. Knopf, Richard T. Kouzes und Cory R. Wyatt. A Case Study of Selected Photographic Inspection Techniques for a Transparency Regime. Office of Scientific and Technical Information (OSTI), Januar 2003. http://dx.doi.org/10.2172/15010190.
Der volle Inhalt der QuelleShaw, L. L., und S. A. Muelder. High-resolution imaging of hypervelocity metal jets using advanced high-speed photographic techniques. Office of Scientific and Technical Information (OSTI), August 1995. http://dx.doi.org/10.2172/119980.
Der volle Inhalt der QuelleOnikzeh, Parinaz, Afshin Heidari, Aida Kazemi, Parisa Najjariasl, Kamran Dalvandi, Hamidreza Sadeghsalehi und Hadi Zamanian. 3D photography versus digital planimetry in wound measurement : a systematic review protocol. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, Oktober 2021. http://dx.doi.org/10.37766/inplasy2021.10.0069.
Der volle Inhalt der QuelleInanici, Mehlika, und Jim Galvin. Evaluation of High Dynamic Range Photography as a Luminance Mapping Technique. Office of Scientific and Technical Information (OSTI), Dezember 2004. http://dx.doi.org/10.2172/841925.
Der volle Inhalt der QuelleKeane, Robert E., und Laura J. Dickinson. The photoload sampling technique: estimating surface fuel loadings from downward-looking photographs of synthetic fuelbeds. Ft. Collins, CO: U.S. Department of Agriculture, Forest Service, Rocky Mountain Research Station, 2007. http://dx.doi.org/10.2737/rmrs-gtr-190.
Der volle Inhalt der QuelleSingh, Ravinder, Altafuddin Syd und Sunil Vaddamanu. Comparative Analysis of Digital Versus Traditional Dental Photography Techniques for Documentation and Analysis: A Systematic Review and Meta-analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, Mai 2024. http://dx.doi.org/10.37766/inplasy2024.5.0065.
Der volle Inhalt der QuelleGreaves, C., und J. B. R. Eamer. Focus stacking for cataloguing, presentation, and identification of microfossils in marine sediments. Natural Resources Canada/CMSS/Information Management, 2023. http://dx.doi.org/10.4095/331355.
Der volle Inhalt der QuelleRuschau. L51771 Alternative Acceptance Criteria of Girth Weld Defects. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), Juni 1997. http://dx.doi.org/10.55274/r0010187.
Der volle Inhalt der QuelleAtkinson, Dan, und Alex Hale, Hrsg. From Source to Sea: ScARF Marine and Maritime Panel Report. Society of Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.126.
Der volle Inhalt der QuelleKarlstrom, Karl, Laura Crossey, Allyson Matthis und Carl Bowman. Telling time at Grand Canyon National Park: 2020 update. National Park Service, April 2021. http://dx.doi.org/10.36967/nrr-2285173.
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