Auswahl der wissenschaftlichen Literatur zum Thema „Philosophy in art and politics“
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Zeitschriftenartikel zum Thema "Philosophy in art and politics"
Phillips, John W. P. „Art, Politics and Philosophy“. Theory, Culture & Society 27, Nr. 4 (Juli 2010): 146–60. http://dx.doi.org/10.1177/0263276409349284.
Der volle Inhalt der QuelleOlkowski, Dorothea. „Heidegger, Art and Politics“. International Studies in Philosophy 25, Nr. 1 (1993): 89–90. http://dx.doi.org/10.5840/intstudphil199325192.
Der volle Inhalt der QuelleSwanson, Carrie. „Socratic Dialectic between Philosophy and Politics in Euthydemus 305e5-306d1“. PLATO JOURNAL 19 (15.07.2019): 43–90. http://dx.doi.org/10.14195/2183-4105_19_3.
Der volle Inhalt der QuelleKim, Dong-Gyu. „The Philosophy for Public Art and Identity Politics“. Journal of Koreanology 68 (31.08.2018): 213–43. http://dx.doi.org/10.15299/jk.2018.08.68.213.
Der volle Inhalt der QuellePeperzak, Adriaan. „Appearance, Myth, and Art in Politics“. Research in Phenomenology 21, Nr. 1 (1991): 48–61. http://dx.doi.org/10.1163/156916491x00044.
Der volle Inhalt der QuelleKondakov, Igor Vadimovich. „Music versus Politics“. Pan-Art 3, Nr. 1 (10.01.2023): 78–82. http://dx.doi.org/10.30853/pa20230001.
Der volle Inhalt der QuelleRuitenberg, Claudia W. „Art, Politics, and the Pedagogical Relation“. Studies in Philosophy and Education 30, Nr. 2 (02.12.2010): 211–23. http://dx.doi.org/10.1007/s11217-010-9216-5.
Der volle Inhalt der QuelleSalem-Wiseman, Jonathan. „Nature, Deception, and the Politics of Art“. International Studies in Philosophy 30, Nr. 1 (1998): 107–20. http://dx.doi.org/10.5840/intstudphil1998301112.
Der volle Inhalt der QuelleGuogi, Ding. „Art’s Commitment to Liberation in Marcuse’s Philosophy“. AM Journal of Art and Media Studies, Nr. 7 (15.04.2015): 30–38. http://dx.doi.org/10.25038/am.v0i7.86.
Der volle Inhalt der QuelleRewers, Ewa. „Świat post-naturalny? Teoretyczne, empiryczne i artystyczne rewizje“. Przegląd Kulturoznawczy, Nr. 4 (58) (2023): 421–40. http://dx.doi.org/10.4467/20843860pk.23.029.19178.
Der volle Inhalt der QuelleDissertationen zum Thema "Philosophy in art and politics"
Rinaldi, Juan. „Art and geopolitics : politics and autonomy in Argentine contemporary art“. Thesis, Kingston University, 2013. http://eprints.kingston.ac.uk/26287/.
Der volle Inhalt der QuelleKim, Byoungjae. „Sympathy and reflection in Hume's philosophy : mind, morals, art and politics“. Thesis, Durham University, 2018. http://etheses.dur.ac.uk/12958/.
Der volle Inhalt der QuelleWillis, Gary C. „Contemporary art: the key issues: art, philosophy and politics in the context of contemporary cultural production“. Connect to thesis, 2007. http://repository.unimelb.edu.au/10187/2245.
Der volle Inhalt der QuelleMay, Adrian. „Lignes, an intellectual revue : twenty-five years of politics, philosophy, art and literature“. Thesis, University of Cambridge, 2015. https://www.repository.cam.ac.uk/handle/1810/251334.
Der volle Inhalt der QuelleTervo, Juuso Ville. „Corrosive Subjectifications: Theorizing Radical Politics of Art Education in the Intersection of Jacques Ranciere and Giorgio Agamben“. The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1405954690.
Der volle Inhalt der QuelleDaniels, John D. (John David) 1946. „The Political Philosophy of Sam Houston“. Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc501136/.
Der volle Inhalt der QuelleAcosta, Maria del Rosario. „The Dialogue that We Are: Understanding as a Space for Politics“. Pontificia Universidad Católica del Perú - Departamento de Humanidades, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/112870.
Der volle Inhalt der QuelleEl presente artículo tiene como tarea principal señalar algunos aspectos que hacen pertinente a la hermenéutica dentro del marco de la discusión política, defendiéndola de los ataques que se le han propugnado sobre todo desde una fi losofía de la conciencia crítica como la de Habermas, Adorno y algunos de sus seguidores. Se mostrará, a partir de Gadamer, cómo la hermenéutica responde a dichas críticas en el marco de su propuesta de la comprensión como tarea fundamental y como espacio político primordial. Frente a una fi losofía que apela a la necesidad de una toma de distancia” como punto de partida de la crítica, único lugar de una verdadera fi losofía y acción políticas, la hermenéutica de Gadamer presenta una alternativa que vale la pena ser rescatada: es en el diá-logo, en el espacio compartido de la comprensión, más que en la crítica, donde el hombre des-encubre las posibilidades de lo que es, donde se da la apertura de su libertad, y, por consiguiente, donde se desenvuelve, en la acción, antes que en la refl exión, el espacio de lo político.
Abbott, Janet Gail. „Synthesis of the Personal and the Political in the Works of May Stevens“. Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc277656/.
Der volle Inhalt der QuelleGiordano, John. „Between Conviviality and Antagonism| Transactionalism in Contemporary Art Social Practice and Political Life“. Thesis, Union Institute and University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3663907.
Der volle Inhalt der QuelleThe rise of social practice art in Europe and North America since the 1990s has provoked a variety of critical alignments and contestations around multi-authored "post-studio" artwork, aimed at collapsing the boundaries between visual and performing art, and between art and everyday life. One of the most visible and impassioned contestations has centered on the value assigned by different critics to so-called convivial and antagonistic directions for social practice art. This project enters the debate on collaborative and participatory art by highlighting the commonalities between the turn away from spectatorialism in philosophy and the politically-driven, activist social practices coming out of the visual arts. Contending that the more salient problems under debate revolve around what art historian Grant Kester has described as "a series of largely unproductive debates over the epistemological status of the work," I focus on the way different epistemological frames impact the reception of convivial and antagonistic directions in art. With attention to the theory and criticism of Clare Bishop, Grant Kester, Shannon Jackson and Tom Finkelpearl, I examine how a variety of epistemological frames both reflect the work's values around social change, and also impact the critical lenses through which such values are communicated to the public through art criticism. While Bishop raises important questions around the limits of a turn against traditional art spectatorship and singular authorship of visual art, I claim that her view of a convivial tendency in social practice art overlooks key epistemological insights embodied in feminist standpoint theory and American pragmatist epistemology. I contend that John Dewey's view of knowledge as transactional captures the epistemological framing of some of the more socially ameliorative directions social practice work has taken in recent decades because Dewey rejects a view of knowledge that divides subjective entities from each other and from their wider environments. Bishop's traditional spectatorship model fails to capture the aesthetico-political ethos of an area of art that acknowledges the fragile contingency of standpoints. I show that the criticism of Kester, Jackson and Finkelpearl recognize this contingency and then enlarge their perspectives by bringing attention to feminist standpoint theory and pragmatist aesthetics and epistemology. I conclude by claiming that a more robust way of understanding the value of social practices in art recognizes that transactional and contingent standpoints demand an ethos rooted in the continuity of convivial and antagonistic features of aesthetico-political experience.
Bannister, Randee. „The appreciation of political works of art: The example of "Triumph of the Will"“. Thesis, University of Ottawa (Canada), 2004. http://hdl.handle.net/10393/26573.
Der volle Inhalt der QuelleBücher zum Thema "Philosophy in art and politics"
Hörcher, Ferenc. Art and Politics in Roger Scruton's Conservative Philosophy. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-13591-0.
Der volle Inhalt der QuelleZimmerman, Michael E. Heidegger's confrontation with modernity: Technology, politics, and art. Bloomington: Indiana University Press, 1990.
Den vollen Inhalt der Quelle findenPreziosi, Donald. In the aftermath of art: Ethics, aesthetics, politics. London: Routledge, 2006.
Den vollen Inhalt der Quelle findenJohanne, Lamoureux, Hrsg. In the aftermath of art: Ethics, aesthetics, politics. New York: Routledge, 2005.
Den vollen Inhalt der Quelle findenSalim, Kemal, und Gaskell Ivan, Hrsg. Politics and aesthetics in the arts. Cambridge: Cambridge University Press, 2000.
Den vollen Inhalt der Quelle findenSalim, Kemal, und Gaskell Ivan, Hrsg. Politics and aesthetics in the arts. Cambridge [England]: Cambridge University Press, 2000.
Den vollen Inhalt der Quelle findenBakshteĭn, Iosif. Thinking worlds: The Moscow conference on philosophy, politics, and art. Berlin: Sternberg Press, 2008.
Den vollen Inhalt der Quelle findenPenney, James. The structures of love: Art and politics beyond the transference. Albany: State University of New York Press, 2012.
Den vollen Inhalt der Quelle findenHooks, Bell. Art on My Mind: Visual Politics. New York, USA: New Press, 1995.
Den vollen Inhalt der Quelle findenRasmussen, Mikkel Bolt. Gæstfrihed i kunst og politik: Hospitality in art and politics = Hospitalité en art et politique. København: Basilisk, 2016.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Philosophy in art and politics"
Hörcher, Ferenc. „Introduction: Politics, Art and Philosophy“. In Art and Politics in Roger Scruton's Conservative Philosophy, 1–31. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-13591-0_1.
Der volle Inhalt der QuelleBosetti, Giancarlo. „ASHOKA: Ancient Rocks Teaching the Art of Discussion“. In Philosophy and Politics - Critical Explorations, 11–18. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-25523-6_2.
Der volle Inhalt der QuelleJanik, Allan. „Psychoanalysis: Science, Literature or Art?“ In Style, Politics and the Future of Philosophy, 190–96. Dordrecht: Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-009-2251-8_12.
Der volle Inhalt der QuelleRudolph, Enno, und Johannes Picht. „Philosophy and Politics (1972)“. In Pioneers in Arts, Humanities, Science, Engineering, Practice, 123–28. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-31790-4_7.
Der volle Inhalt der QuelleMan, Eva Kit Wah. „Chinese Bodies in Philosophy, Aesthetics, Gender and Politics: Methodologies and Practices“. In Chinese Contemporary Art Series, 131–44. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-0210-1_11.
Der volle Inhalt der QuelleBaldini, Andrea Lorenzo. „Street Art and the Politics of Improvisation“. In The Routledge Handbook of Philosophy and Improvisation in the Arts, 285–99. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003179443-23.
Der volle Inhalt der QuelleVernon, Jim. „Knowledge, or From Art to Religion, Philosophy and Politics“. In Hip Hop, Hegel, and the Art of Emancipation, 173–225. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91304-9_6.
Der volle Inhalt der QuelleHörcher, Ferenc. „The Emergence of a Philosophy of Art and Politics“. In Art and Politics in Roger Scruton's Conservative Philosophy, 33–53. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-13591-0_2.
Der volle Inhalt der QuelleHörcher, Ferenc. „The Theory of Art and Culture“. In Art and Politics in Roger Scruton's Conservative Philosophy, 135–253. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-13591-0_4.
Der volle Inhalt der QuelleHörcher, Ferenc. „The Political Philosophy of Conservatism (Vita Activa)“. In Art and Politics in Roger Scruton's Conservative Philosophy, 55–134. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-13591-0_3.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Philosophy in art and politics"
de Oliveira Gelape, Lucas, und Thiago Álvares Feital. „From Art to Politics: challenging representation“. In XXVI World Congress of Philosophy of Law and Social Philosophy. Initia Via, 2015. http://dx.doi.org/10.17931/ivr2013_wg141_03.
Der volle Inhalt der QuelleNeck, Reinhard. „POLITICS WITH AND WITHOUT ROMANCE: DANTE�S MONARCHIA VERSUS MACHIAVELLI�S IL PRINCIPE“. In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s03.02.
Der volle Inhalt der QuellePetkova, Tatyana V., und Daniel Galily. „When you are named Ruth“. In 8th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2022. http://dx.doi.org/10.32591/coas.e-conf.08.06085p.
Der volle Inhalt der QuelleOrlova, E. A. „Art project as a new form of environmental education for youth“. In Scientific dialogue: Questions of philosophy, sociology, history, political science. ЦНК МОАН, 2020. http://dx.doi.org/10.18411/spc-01-06-2020-03.
Der volle Inhalt der QuelleYing, Zirui. „From Plato to Locke: The Development of Western Political Philosophy“. In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.393.
Der volle Inhalt der QuelleIrrgang, Daniel. „Thought Exhibition. On critical zones, cosmograms, and the impossible outside“. In 28th International Symposium on Electronic Art. Paris: Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-66-full-irrgang-thought-exhibition.
Der volle Inhalt der QuelleMarci-Boehncke, Gudrun, Matthias O. Rath, Thomas Goll und Michael Steinbrecher. „HOW TO BECOME POLITICAL? BASIC CONCEPTS FOR EXPLORING EARLY CHILDHOOD UNDERSTANDING OF POLITICS“. In International Conference on Education and New Developments. inScience Press, 2022. http://dx.doi.org/10.36315/2022v1end038.
Der volle Inhalt der QuellePresnyakov, K. A., und A. A. Kupriyanova. „ROMANTICISM AS A STYLE IN SOVIET CULTURE AND ART“. In A glance through the century: the revolutionary transformation of 1917 (society, political communication, philosophy, culture). Vědecko vydavatelskě centrum «Sociosfera-CZ», 2017. http://dx.doi.org/10.24045/conf.2017.1.9.
Der volle Inhalt der QuelleDidmanidze, Ibraim, und Irma Bagrationi. „INFORMATION PARADIGMS OF ART FROM THE HISTORY OF SOCIAL AESTHETICS“. In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s07.06.
Der volle Inhalt der QuelleSkender, Lana. „THE SPECTATOR PHENOMENON AND THE POWER OF THE GAZE“. In European realities - Power : 5th International Scientific Conference. Academy of Arts and Culture in Osijek, J. J. Strossmayer University of Osijek, 2023. http://dx.doi.org/10.59014/gonk4945.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Philosophy in art and politics"
Mandaville, Peter. Worlding the Inward Dimensions of Islam. IIIT, Oktober 2020. http://dx.doi.org/10.47816/01.003.20.
Der volle Inhalt der QuelleHEFNER, Robert. IHSAN ETHICS AND POLITICAL REVITALIZATION Appreciating Muqtedar Khan’s Islam and Good Governance. IIIT, Oktober 2020. http://dx.doi.org/10.47816/01.001.20.
Der volle Inhalt der QuelleMiller, Jennifer. The Politics of Nazi Art: The Portrayal of Women in Nazi Painting. Portland State University Library, Januar 2000. http://dx.doi.org/10.15760/etd.7033.
Der volle Inhalt der QuellePrud’homme, Joseph. Quakerism, Christian Tradition, and Secular Misconceptions: A Christian’s Thoughts on the Political Philosophy of Ihsan. IIIT, Oktober 2020. http://dx.doi.org/10.47816/01.006.20.
Der volle Inhalt der QuellePapadopoulos, Yannis. Ethics Lost: The severance of the entrenched relationship between ethics and economics by contemporary neoclassical mainstream economics. Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp1en.
Der volle Inhalt der QuelleTyson, Paul. Climate Change Mitigation and Human Flourishing: Recovering Teleology, Avoiding Tyranny. Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp5.
Der volle Inhalt der QuelleBuchanan, Riley, Daniel Elias, Darren Holden, Daniel Baldino, Martin Drum und Richard P. Hamilton. The archive hunter: The life and work of Leslie R. Marchant. The University of Notre Dame Australia, 2021. http://dx.doi.org/10.32613/reports/2021.2.
Der volle Inhalt der QuelleGarcía Canclini, Néstor, Ronald Inglehart, Wayne E. Baker und Camile Herrera. Cultural Capital and its Impact on Development: Modernization, Cultural Change, and the Persistence of Traditional Values: Culture Industries and the Development Crisis in Latin America. Inter-American Development Bank, Oktober 2001. http://dx.doi.org/10.18235/0007946.
Der volle Inhalt der QuelleKost’, Stepan. THE CONCEPT OF CREATIVITY IN JOURNALISM. Ivan Franko National University of Lviv, März 2021. http://dx.doi.org/10.30970/vjo.2021.50.11092.
Der volle Inhalt der QuelleMaron, Nancy, und Peter Potter. TOME Stakeholder Value Assessment: Final Report. Association of American Universities, Association of Research Libraries, and Association of University Presses, August 2023. http://dx.doi.org/10.29242/report.tome2023.
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