Dissertationen zum Thema „Philosophie <Motiv>“
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Juli, Mirjam [Verfasser]. „Sorge : Untersuchungen zu einem Motiv bei Kafka und Heidegger / Mirjam Juli“. Gießen : Universitätsbibliothek, 2011. http://d-nb.info/1062973313/34.
Der volle Inhalt der QuelleCoffey, Alexandra. „Höllischer Ehrgeiz und himmlische Macht : Herrschafts- und Magiediskurse im Theater der englischen Renaissance /“. München : Utz, 2009. http://d-nb.info/988230267/04.
Der volle Inhalt der QuelleRochechouart, Alice de. „Un motif eschatologique dans la philosophie contemporaine française : l'eschatologie du présent chez Levinas et Derrida“. Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEP053.
Der volle Inhalt der QuelleThe concept of eschatology originally comes from theology: it is however summoned by contemporary philosophers, first by Heidegger then by Levinas and Derrida. What are the conditions of possibility of this philosophical gesture? How is it specifically philosophical? And what are its operativity and consequences? The genealogical study of eschatology in Kant, Hegel, Nietzsche and Heidegger’s philosophy reveals that eschatology can only be used in philosophy if it is first dissociated from teleology, theology and ontology. It then becomes an original motive (both a pattern and a philosophical driving force) in Levinas and Derrida’s philosophy, in dialog with Jewish messianism and phenomenology. As an ethical and contentless principle, radically anti-ontological, it consists in interrupting presence (both time and essence): an eschatology of the present. It thus constitutes a triple problematization of limit: it bursts limits between disciplines (theology and philosophy); its sets logos’ limitation (its failure); and shatters the historical limit (horizon) to create and ethical conception of the event
Madarasz, Norman. „Le motif du tissu : études à partir de la philosophie française contemporaine d'une figure philosophique descriptive aux confins des théories du nom, de la proposition et du texte“. Paris 8, 1999. https://octaviana.fr/document/181462281#?c=0&m=0&s=0&cv=0.
Der volle Inhalt der QuelleDwyer, Timothy R. „The motif of wonder in the Gospel of Mark“. Thesis, University of Aberdeen, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.277288.
Der volle Inhalt der QuelleFjellström, Daniel. „Gåvan 2.0 : En museologisk studie av förmålsdonationer och dess bakomliggande motiv“. Thesis, Uppsala universitet, Institutionen för ABM, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-158107.
Der volle Inhalt der QuelleKirkbright, Suzanne. „Border and border experience : investigations into the philosophical and literary understanding of a German motif /“. Frankfurt am Main ; Berlin ; Paris [etc.] : P. Lang, 1997. http://catalogue.bnf.fr/ark:/12148/cb369957075.
Der volle Inhalt der QuelleZiegler, Theodor [Verfasser]. „Motive und Alternativentwürfe christlicher Pazifisten : Die vorrangige Option der Gewaltfreiheit im Religionsunterricht der Kursstufe / Theodor Ziegler“. Göttingen : V&R Unipress, 2018. http://www.v-r.de/.
Der volle Inhalt der QuelleHoback, Brady John. „What motive to virtue? Early modern empirical naturalist theories of moral obligation“. Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/3101.
Der volle Inhalt der QuelleRodriguez, Ivette. „Reimagining African Authenticity Through Adichie's Imitation Motif“. FIU Digital Commons, 2017. http://digitalcommons.fiu.edu/etd/3351.
Der volle Inhalt der QuelleHarper, Gordon W. R. „The disgrace of God : some historical studies of the development of the motif of humiliation and exaltation of Jesus Christ as a means of expressing a Christian understanding of God“. Thesis, University of Nottingham, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328420.
Der volle Inhalt der QuelleAubelle, Marie. „Retour à la maison. Le motif de la maison dans l’œuvre romanesque de J.M.G. Le Clézio, Pascal Quignard, Sylvie Germain et Marie NDiaye“. Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA001/document.
Der volle Inhalt der QuelleThe history of home and that of the novel have crossed paths more than once, but hardly ever more so than in the nineteenth century, when literature and architecture began exploring new forms, the similarities of which were aptly pointed out by Philippe Hamon. At the time, both house and home were subjected to deep societal changes, and their worth as literary object was called into question: thus, home, which had long been a favourite topic of the realists, was shaken to its foundations. The very notion of representation lay at the crux of the crises the novel was going through. Around the 1980s, however, the novel began pivoting back towards fiction, thus reviving its core characteristic. Did this return to home promote new building permits, so to speak? Did it make home, as a literary trope, inhabitable once again ? This dissertation shall explore the motif of home in the complete works of four contemporary authors, namely J.M.G. Le Clézio, Pascal Quignard, Sylvie Germain and Marie NDiaye, as analyzed through the prism of sociological changes, as well as of novel-related problematics. By so doing, I hope to demonstrate that home still bears a slew of new perspectives for the fiction genre. I will put forward the notion of a ‘home novel’, which, just like the ‘adventure novel’, is endowed with its very own set of spaces, plots and characters. By delving into various domestic spaces, I shall bring out some of its key aspects, be they aesthetic or poetic, and wonder whether the novel might have become, in the times we live in, the safest and most hospitable haven at our disposal
Veillon, Charlène. „Mythes personnels et mythes pluriels dans l'oeuvre de Kimiko Yoshida : une esthétique de l'entre-deux, 1995-2012“. Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010510.
Der volle Inhalt der QuelleThe work of Kimiko Yoshida (born on June 23rd, 1963, in Japan and living in France since 1995), mainly based on photography, is founded on the creation of « myths ». This study is about searching, defining and analysing the « functions » of Kimiko Yoshida's self-portraits. The « myths of the Photographer », at the origins of her work's functions - aiming. amongst others, to « inform, represent, surprise, signify, create desire» according to Roland Barthes' Camera Lucida - are rooted in the society, the culture and the time the artist belongs to, and as a consequence also in the singularity of his/her personality, experience, and intimate story. Thus, the general title of this study brings forwards a research of « personal and plural myths in Kimiko Yoshida's work of art», whose topic of the « in-between » is the main aesthetic position, the artist and her work situated between Japan and the West between representation and abstraction, between reality and fiction, between quotation and transgression. The fictional speech through and in the image undergoes several transformations which make up the four founding lines of this thesis, that is to say the distinctive in-between of the « conceptual character » defined by Gilles Deleuze and Félix Guattari in Whut is Philosophy ) applied to Kirniko Yoshida's name : the study of a geographical and cultural in-between defining a singular artistic « syncretism » : the illustrations of the several perceptible space-time dimensions in Kimiko Yoshida's work, notably through the games/aims of the images' colours : and the questioning about the subject in the image, between trace and absence
Saunders, Josiah Paul. „Kant's Departure from Hume's Moral Naturalism“. Thesis, University of Canterbury. Philosophy and Religious Studies, 2007. http://hdl.handle.net/10092/992.
Der volle Inhalt der QuelleLing-you, Chang, und 張齡友. „Plato, Vergil, Sidney: the Cave Motif, Erotikos/Daimonion, the Philosopher-king“. Thesis, 1998. http://ndltd.ncl.edu.tw/handle/01371067823879168450.
Der volle Inhalt der Quelle國立師範大學
英語學系
86
Through an examination of parallel motifs, this thesis examines therelationship between Plato and Vergil, suggesting that the Roman poet was profoundly influenced by the Athenian philosopher. It studies as well Sidney's "Arcadia," partly as a way of verifying the connection between Plato and Vergil.Supported by the directly parallel motifs in Plato and Vergil and by the implications of Sidney's work, the author argues that Plato may have had as much influence on the "Aeneid" as the "Iliad" and the "Odyssey" had. The main focus of this thesis (in Chapters Two through Four) is on theinvestigation of the "Aeneid" for elements that derive directly from Plato's dialogues, such as the motif of the cave, the themes of soul and love, and the principles of erotikos and daimonion, which guide the education of Plato's ideal philosopher-king. Chapter One offers an introduction to the historical relationship of the principal figures: Plato and Vergil. In Chapter Two, which examines the caveepisodes in the "Aeneid" and "The Republic," clear correspondences emerge--through a study of Plato's and Vergil's imagery of light and darkness, through the themes of the ascent and descent of their heroes, and through the theme ofeducation. Chapter Three studies Aeneas' pre-cave experience (the love affairwith Dido before his descent to the second cave, the underworld), showing its dependence upon Plato's concepts of soul and love as expressed in the"Phaedrus," "The Symposium" and "The Republic." Here the author focuses on Plato's concept of the erotikos, or a passion-governed person. Chapter Four analyzes Aeneas' post-cave experience, i.e. his practical management of the polis in Books VII to XII of the "Aeneid." Here, like the philosopher-king inhis political career, he acts as a daimonion, a spirit-governed person who passes the divine will to mortals. Chapter Five explores the two cave episodesin Sidney's "Arcadia," demonstrating that their characters and plots echo the amalgam found in Verigl of Platonic ideas and motifs. Chapter Six provides final arguments in support of the author's discovery of the extensive Platonic influence upon the "Aeneid."
Müller, Carsten [Verfasser]. „Gesten des Erinnerns : die sprachtheoretischen Motive Adornos / vorgelegt von Carsten Müller“. 2004. http://d-nb.info/972555463/34.
Der volle Inhalt der QuelleTinsley, Teresann Corbelli. „"Dinner is served" : food, etiquette, and gender in American fiction by women /“. 2000. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018804345&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Der volle Inhalt der QuelleKŘÍHOVÁ, Marie. „Mosty. Autorské zpracování motivu spojení dvou břehů“. Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-136547.
Der volle Inhalt der QuelleBayer-Schur, Barbara. „Das Buch im Buch. Untersuchungen zu einem Motiv in der gegenwärtigen literarischen Kommunikation“. Doctoral thesis, 2011. http://hdl.handle.net/11858/00-1735-0000-0006-AEDD-5.
Der volle Inhalt der QuelleHanovská, Lenka. „Hegelovský proud v československé filosofii 60. let aneb sonda do československé marxistické filosofie na motivu práce“. Doctoral thesis, 2017. http://www.nusl.cz/ntk/nusl-357748.
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