Thematische Bibliographien / Petersen, Carl

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Auswahl der wissenschaftlichen Literatur zum Thema „Petersen, Carl“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 2. Februar 2022

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Zeitschriftenartikel zum Thema "Petersen, Carl"

Petersen, Mikkel. „Tak til bidragsydere i 2018“. Dansk Tidsskrift for Akutmedicin 2, Nr. 1 (22.01.2019): 8. http://dx.doi.org/10.7146/akut.v2i1.112143.

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TAK til den faglige følgegruppe Annette Jakobsen Christian Backer-Mogensen Christian Skjærbæk Erika Christensen Finn Erland Nielsen Hans Kirkegaard Jette Møller Ahrensberg Karin Bundgaard Mikkelsen Ole Mølgaard Thomas Andersen Schmidt TAK til reviewere Christian Backer-Mogensen Christian SkjærbækHanne Arildsen Erika Christensen Finn Erland Nielsen Gerhard Tiwald Hans Kirkegaard Jette Møller Ahrensberg Karin Bundgaard Mikkelsen Lars Rasmussen Nikolaj Raaber Ole Mølgaard Peter Hallas Thomas Andersen Schmidt TAK til redaktionen Nuværende Marie Jessen Julie Mackenhauer Gitte Boier Tygesen Mikkel Heide Petersen Tidligere medlemmer Karin Dam Eikhof Karin Bundgaard Mikkelsen TAK til forfattere Jeppe Henriksen Carl Mathias Karlsson Peter Hallas Dan Brun Petersen Marie Jessen Julie Mackenhauer Jeanette Wassar Kirk Per Nilsen Sabina Bay Hermansen Tim Alex Lindskou Nikolaj Raaber Janna Maria Borg Matthias Giebner Halfdan Lauridsen Emil Ejersbo Iversen Marie-Laure Jacobsson Anne Grethe Mølbak Og ikke mindst en stor tak til TrygFonden for at støtte tidskriftet!

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Kaalund, Nanna Katrine Lüders. „What Happened to John Franklin? Danish and British Perspectives from Francis McClintock’s Arctic Expedition, 1857–59“. Journal of Victorian Culture 25, Nr. 2 (04.03.2020): 300–314. http://dx.doi.org/10.1093/jvcult/vcz066.

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Abstract By the autumn of 1847 it was clear that John Franklin and his crew were lost in the Arctic. The explorer John Rae famously reported that Franklin’s men had died, and that the last survivors had resorted to cannibalism. This was not the news Franklin’s widow Lady Jane Franklin wanted to hear, and Rae was subsequently condemned by many prominent British figures including Charles Dickens. Not accepting Rae’s testimony, Lady Franklin organized an expedition led by Captain Francis Leopold McClintock using the steam yacht Fox. One of the crewmembers on board the Fox was the Danish Arctic explorer Carl Petersen. Using both Petersen’s narrative Den Sidste Franklin Expedition med Fox (1860), and McClintock’s narrative from the same expedition, The Voyage of the ‘Fox’ in the Arctic Seas (1859), as its starting point, this article examines key differences in the perceptions of the controversy surrounding Rae’s report to the Admiralty, and how Arctic explorers were represented in the Danish and British contexts. While the idea that Franklin’s men had resorted to cannibalism in a final attempt to sustain themselves before they passed away was a significant affront to the British notion of the heroic Arctic explorer, this was not the case in the Danish context. The lost Franklin expedition generated international interest, international collaboration, and financial assistance for search missions, and therefore affords us an opportunity to explore national differences in the construction of the Arctic and the Arctic explorer.

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Kleinertz, Rainer. „Richard Wagners Begriff der "dichterisch-musikalischen Periode"“. Die Musikforschung 67, Nr. 1 (22.09.2021): 26–47. http://dx.doi.org/10.52412/mf.2014.h1.65.

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Gemessen am Gesamtumfang des Schrifttums über Wagner nehmen Studien zu grundsätzlichen Fragen der Analyse von "Form" / "Formen" seiner Musik einen zahlenmäßig untergeordneten Rang ein. Dies könnte nicht zuletzt auch ein Problem der Begrifflichkeit sein, mit der sich das Spezifische der Musik Wagners überhaupt beschreiben ließe. Neben dem Begriff "Motiv" beziehungsweise "Leitmotiv" ist derjenige der "dichterisch-musikalischen Periode" der einzige von Wagner geprägte Begriff. Seiner Bedeutung für die Analyse von Wagners Werken wird im Folgenden nachgegangen. - Ausgehend von Wagners Verwendung von Begriffen wie "Versmelodie" und "Tonart" wird zunächst herausgearbeitet, dass in seinen Opern "musikalische Modulation" stets in Verbindung mit dem Versinhalt auf Empfindungen zurückleitet. Aus entsprechend sprachlich motivierten Modulationen aus einer Grundtonart heraus eröffnen sich neue Möglichkeiten des musikalischen Ausdrucks. Im nächsten Schritt werden Auffassungen von Wagners Periodenbegriff in der Forschungsliteratur erörtert (Alfred Lorenz, Carl Dahlhaus, Peter Petersen, Thomas S. Grey, Werner Breig). Diese werden anhand von Wagners Opern (insbesondere "Der Ring des Nibelungen") sowie den musiktheoretischen Äußerungen des Komponisten (vor allem in "Oper und Drama") auf ihre Tragfähigkeit überprüft. Dabei wird festgehalten, dass das Problem der Motivation von Modulationen durch das Drama für Wagner ein zentrales harmonisches Effektmittel war. Bereits in "Oper und Drama" betonte er, dass der Musiker bei Versen gleicher Empfindung keinen Grund habe, die Tonart zu verlassen. Diesen Grund liefert erst der Wechsel der Empfindungen, die er in seinen Ausführungen zur "dichterisch-musikalischen Periode" formuliert. Der von Wagner geprägte Begriff taugt nicht nur zu Beschreibung einzelner, tonal mehr oder weniger geschlossener Gebilde, sondern vermag auch das Bewusstsein für ein Grundprinzip Wagners im "Ring" zu schärfen: die aus dem "Drama" motivierte Modulation. bms online (Beatrix Obal)

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O'Donnell, Siobhan. „Fit to Play Tennis: Practical Tips to Optimize Training and PerformanceCarl Petersen, Nina NittingerFit to Play Tennis: Practical Tips to Optimize Training and PerformancePetersenCarl, NittingerNinaVancouver: Fit to Play; 2003 Canadian Distributor: Carl Petersen/Fit to Play, City Sports & Physiotherapy Clinic, 420–890 West Pender Street, Vancouver, BC V6C 1J9 ISBN: 0-9734314-0-7 210 p., illustrated Can $19.95“. Physiotherapy Canada 58, Nr. 3 (Juli 2006): 242. http://dx.doi.org/10.3138/ptc.58.3.242.

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Sá, Alexandre Franco de. „DIALÉCTICA DA TEOLOGIA POLÍTICA“. INTERAÇÕES 15, Nr. 1 (10.07.2020): 42–70. http://dx.doi.org/10.5752/p.1983-2478.2020v15n1p42-70.

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O presente artigo apresenta o debate sobre a teologia política entre Carl Schmitt e Erik Peterson sob a forma de uma estrutura dialéctica. Afirmando a decisão do soberano como uma secularização do milagre, a defesa por Carl Schmitt da soberania é apresentada como o momento afirmativo da teologia política. Ao invés, a negação da possibilidade de uma teologia política cristã, por Erik Peterson, aparece como a sua contraposição dialéctica. Ao opor-se a esta possibilidade, na recusa da teologia política imperial proposta por Eusébio de Cesareia, Peterson confronta-se com a concepção por Carl Schmitt de uma Igreja baseada na autoridade infalível do Papa. Erik Peterson, no entanto, estabelece um abismo entre teologia e política, tornando toda a teologia não política. Agamben parece, por seu lado, tenta pensar não uma teologia não política, mas uma teologia que torne possível uma política contra a política teológico-política. É este o sentido de uma teologia económica – uma afirmação da negação – a qual, no entanto, parece permanecer insuficiente.

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Clark, Gary. „Carl Jung, John Layard and Jordan Peterson“. International Journal of Jungian Studies 12, Nr. 2 (12.10.2020): 129–58. http://dx.doi.org/10.1163/19409060-20201001.

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Abstract In this article I discuss the relationship between analytical psychology and theories of human social evolution. More specifically I look at debates in evolutionary studies and anthropology regarding the priority of matrilineal social structure in the emergence of Homo sapiens. These debates were occurring in the late nineteenth and early twentieth centuries and they provide the context for many of the assumptions of psychoanalysis and analytical psychology. In this essay I will explore these issues in relation to analytical psychology. I will also discuss the work of anthropologist John Layard who proposed matriliny was humanity’s original form of social organisation. Interestingly, Layard’s field work had significant impact on Jung. I will also compare the work of Layard, and other theorists who adopt matrilineal theories of human social evolution, with the theories of Jordan Peterson. Peterson has developed an idiosyncratic evolutionary conception of analytical psychology, one in which he explicitly rejects the notion of matrilineal priority in human evolution. He also adopts certain assumptions about the evolutionary origins of contemporary socio-political hierarchy, assumptions I argue are not supported by data from numerous fields of scientific enquiry.

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Peterson, Carla. „Farewell Statement From Carla Peterson“. Young Exceptional Children 14, Nr. 4 (Dezember 2011): 2. http://dx.doi.org/10.1177/1096250611430816.

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Passos, Eduardo Schmidt. „The Blood of the Martyrs: Erik Peterson's Theology of Martyrdom and Carl Schmitt's Political Theology of Sovereignty“. Review of Politics 80, Nr. 3 (2018): 487–510. http://dx.doi.org/10.1017/s0034670518000220.

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AbstractThere is a growing literature on the theological roots of Schmitt's theory, however, such interpretations depart from the same position as Schmitt: from the political into the theological. In this quarrel between politics and theology, there is a less known contender, the theologian Erik Peterson, who developed a theological critique of Schmitt and shows the impossibility of a Christian political theology. InPolitical Theology II(1970), Schmitt criticizes the apolitical nature of Peterson's theology, but he ignores Peterson's theology of martyrdom. This paper recovers the centrality of martyrdom in Peterson's theology and argues that the martyr represents a counter model to Schmitt's sovereign. For Peterson, martyrdom is not apolitical act, but a public claim in which the martyrs testify in the public sphere that the highest human good is not political but eschatological. By recovering this eschatological dimension, Peterson shows the limits of Schmitt's interpretation of the political.

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Mielke, Roger. „Das Politische als Passion und Fragment. Erik Peterson und Carl Schmitt in der Auseinandersetzung um die Grundlagen der Politischen Theologie“. Evangelische Theologie 79, Nr. 6 (01.12.2019): 450–66. http://dx.doi.org/10.14315/evth-2019-790607.

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Abstract In the current dispute over the crisis of democracy arises, among others, the question about a theological concept of the Political. The article traces this problem back to the debate between Erik Peterson and Carl Schmitt after 1933. While Schmitt, apologizing Nazi dictatorship, emphatically proclaimed the Political as the »total«, Peterson responded that the Political in the very moment of its totalization ceases to be political but receives instead a cultlike quality. Opposing this scenario, Peterson developed a concept of the Political which finds its central image in the figure of the martyr whose body is broken by imperial violence. The Political is not conceived out of the political agency, but out of the »passio«, at the place where the new aeon of the crucified and risen Christ and the old aeon of the agonistic political are colliding. The sacramental practice of the church, then, is the place where the presence of the new order of the Political is instituted and anticipated in an eschatological and provisional way.

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Skjenneberg (ed.), Sven. „Carl Johan Petersson; Reindeer herd production - a modelling approach“. Rangifer 13, Nr. 5 (01.12.1993): 227. http://dx.doi.org/10.7557/2.13.4.1124.

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Dissertationen zum Thema "Petersen, Carl"

Orden, Verónica Analía. „Luz del norte“. Doctoral thesis, Universitat Politècnica de Catalunya, 2010. http://hdl.handle.net/10803/397716.

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An infinite gray roof with different degrees of transparency is displayed with authority on a Scandinavia made of pieces, fragmented. However, the sky that covers these lands unifies it. The light passes through it and reaches the level of human development in an ethereal way, like an intense white mist, with an almost liquid consistency that allows it to spill on every corner, object, person or building. These particular characteristics can be reflected through art in paintings, films, writings and architectural works. The sensitivity of some artists to this imprecise reality, this forbidden heaven and this invasive northern light was sometimes the real pattern to recreate their art. Vilhelm Hammershøi lived among grays, in a home with stripped interiors. The succession of one gray after in his paintings and images out of focus with fuzzy boundaries constitute a constant grisaille. This unreal light invades Hammershøi's exteriors and architectural paintings, creating a particular atmosphere that was the main inspiration for the films of Carl Theodor Dreyer. Black and white is manipulated in Dreyer's films. White prevails over black. The scale of lighter grays is used to show neutrality, purity, reality without sieves. The manipulation of the northern light in Dreyer's films creates oppressive or ethereal indoor spaces. It also creates backlight exterior scenes where the characters struggle against being dissolved by the intense light or quiet outdoors where the characters disintegrate and almost merge with the background. Poul Henningsen was obsessed with the manipulation of artificial light. He searched the warmth that the Nordic daylight was deprived of. The perfect balance between light and shadow was his goal in order to achieve quiet environments and meeting places. He searched for the vibration of fire in his lamps, longing for the colour of sunlight and feeling nostalgia for his childhood which had passed around an oil lamp light. The search for this vibration can also be found in the Faaborg Museum, designed by Carl Petersen, and it is also mentioned in his three conferences "Textures", "Contrasts" and "Colours." The light passes through the sieve of colour to generate a feeling of warmth characteristic of other latitudes. Red, blue and yellow invade the art galleries, and create the background where the works of art are exhibited. Petersen considers light as the source of colour, all colours are present in it. Erik Gunnar Asplund materialized the transition between tradition and modernity, having a critical and selective look over the new trends. With a tendency to stand out the functionally most important spaces of each building, he gave them relevance morphologically and with the use of light. Arne Jacobsen follows Asplund's steps. A distinct identity emerges and Jacobsen is one of the architects that build on an anonymous Danish architecture background and the prospects of modern architecture. The northern light in the Scandinavian buildings is filtered through designed openings, gaps through which the light slips creating domes, walls and beams, defined by the shadow gradually gaining ground. From light to darkness there is an innumerable range of tonalities, curves and planes, in other words, architectural forms. The simplicity and minimalism present in these artists is unintentional. The light fills their paintings, cinematic landscapes, objects and architecture. The density of the northern light compensates the characteristic nudity of their works; emptiness does not have a place in the Nordic reality.
Una cubierta en infinitos grises y con distintos grados de transparencia se despliega autoritariamente sobre una Escandinavia hecha de trozos, partida, fragmentada. Sin embargo el cielo que sobre ella se extiende la unifica. La luz la atraviesa y llega al plano del desarrollo humano de forma etérea, como una neblina de color blanco intenso, con un carácter casi líquido que le permite derramarse sobre cada rincón, objeto, persona o edificio. Estas características particulares pueden verse plasmadas a través del arte en lienzos, películas, escritos y obras arquitectónicas. La sensibilidad de algunos artistas a esta realidad imprecisa, a este cielo prohibido y a esta invasiva luz del norte, fue, en algunos casos, el motivo elegido para recrear su arte. Entre grises Vilhelm Hammershøi recorrió su hogar, vivió junto a Ida en interiores despojados. La sucesión de un gris tras otro es lo que se retrata en sus lienzos, imágenes fuera de foco con límites borrosos que constituyen una constante grisaille. La onírica luz de Hammershøi invade también sus exteriores y sus pinturas de arquitectura, creando un particular clima, que constituyó la principal inspiración para el cine de Carl Theodor Dreyer. El blanco y negro del cine de Dreyer es manipulado, el blanco está mucho más presente que el negro. La gama de grises más claros es utilizada como medio para plasmar la neutralidad, lo puro, la realidad sin tamices. La manipulación de la luz del norte en el cine de Dreyer, genera ambientes interiores oprimentes o espacios etéreos, exteriores a contraluz en los que los personajes luchan para no ser disueltos por la intensa luminosidad sobre la cual se recortan, o exteriores apacibles en los que las figuras se disgregan y casi funden con su fondo. La manipulación de la luz artificial obsesionó a Poul Henningsen, buscando en la iluminación de la noche nórdica la calidez de la cual la luz diurna estaba privada. El perfecto equilibrio entre luces y sombras era su objetivo para lograr ambientes apacibles y de reunión. Buscó la vibración del fuego en sus lámparas, añorando el color de la luz del sol, y con nostalgia de su infancia que había transcurrido alrededor de la lámpara de petróleo. Lo mismo ocurre en el Museo de Faaborg, diseñado por Carl Petersen, y en lo expuesto en sus tres conferencias "Texturas", "Contrastes" y "Colores". La luz es pasada por el tamiz del color para ser modificada, para generar una sensación de calidez propia de otras latitudes. Rojos, azules, ocres, invaden las salas de exposición y sobre ellos se recortan las obras expuestas. Para Petersen la luz es la fuente del color, en ella todos los colores están presentes. Erik Gunnar Asplund concreta la transición entre tradición y modernidad, teniendo siempre una mirada crítica y selectiva de las nuevas corrientes. Con una tendencia a resaltar los espacios, que por funcionalidad son los principales de cada obra, se los jerarquiza morfológicamente y con el uso de la luz. Arne Jacobsen sigue los pasos de Asplund. Una identidad diferenciada surge y Jacobsen es uno de los exponentes que construye con el bagaje de una arquitectura danesa anónima y las perspectivas de la arquitectura moderna. La luz del norte se filtra en las obras escandinavas a través de aberturas diseñadas, huecos por los que la luz resbala creando cúpulas, muros, jácenas, que quedan delimitadas por la sombra que gana terreno progresivamente. De la luz a la sombra hay una infinidad de tonalidades, curvas y planos; en definitiva, formas arquitectónicas. Lo sobrio y minimalista de los artistas que se han mencionado es intencionado, la luz llena sus pinturas, sus paisajes cinematográficos, sus objetos y su arquitectura. La densidad de la luz del norte compensa la desnudez que caracteriza a sus obras, la vacuidad no tiene lugar en la realidad nórdica.

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Kpao, Sare Constant. „Carl Peters et l'Afrique un mythe dans l'opinion publique, la littérature et la propagande politique en Allemagne“. Hamburg Kovač, 2006. http://www.verlagdrkovac.de/978-3-8300-2674-7.htm.

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Kpao, Sare Minsi Constant Grunewald Michel. „Carl Peters et l'Afrique un mythe dans l'opinion publique, la littérature et la propagande politique en Allemagne /“. [S.l.] : [s.n.], 2006. ftp://ftp.scd.univ-metz.fr/pub/Theses/2006/Kpao.Sare.LMZ0609.pdf.

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Perras, Arne. „Carl Peters and German imperialism, 1856-1918 : a political biography“. Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310370.

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Vinogradska, Julia [Verfasser], Jan [Akademischer Betreuer] Peters und Carl [Akademischer Betreuer] Rasmussen. „Gaussian Processes in Reinforcement Learning: Stability Analysis and Efficient Value Propagation / Julia Vinogradska ; Jan Peters, Carl Rasmussen“. Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2018. http://d-nb.info/1156713633/34.

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Kpao, Sarè Constant. „Carl Peters et l'Afrique : un mythe dans l'opinion publique, la littérature et la propagande politique en Allemagne /“. Hamburg : Kovač, 2006. http://swbplus.bsz-bw.de/bsz261725483cov.htm.

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Senckpiel-Peters, Tilo [Verfasser], Ulrich [Gutachter] Häußler-Combe, Carl-Alexander [Gutachter] Graubner und Frank [Gutachter] Jesse. „Experimentelle Untersuchungen und Modellvergleiche von leichten Tragstrukturen aus Carbonbeton und betongetränkten Vliesstoffen / Tilo Senckpiel-Peters ; Gutachter: Ulrich Häußler-Combe, Carl-Alexander Graubner, Frank Jesse“. Dresden : Technische Universität Dresden, 2021. http://d-nb.info/1236990463/34.

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Katchekpele, Leonard Amossou. „Les enjeux politiques de l'Église en Afrique : contribution à une théologie du politique“. Thesis, Strasbourg, 2015. http://www.theses.fr/2015STRAK017.

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L'écho parvenant d'Afrique au monde, ou du monde aux Africains, diffracte en une variation de nuances un thème répétitif : l'Afrique irait mal, surtout l'Afrique politique. Parmi ceux qui accourent à son secours, l’Église catholique tient un rôle vital. Mais que fait l’Église en Afrique, que peut-elle lui faire en tant qu’Église ? Peut-on aider l'Afrique à se moderniser en occultant le fait que pour elle, la modernité a été synonyme d'oppression coloniale ? Il y a là une affirmation, une action et une question. On se proposera, prenant l'exemple du Togo, de questionner la pertinence de l'affirmation, d'élaborer une réponse à la question, pour espérer (ré)orienter sinon l'action, du moins sa lecture. On s'inspirera des études post-coloniales et du mouvement théologique Radical Orthodoxy, notamment des travaux de Milbank et Cavanaugh
Echoes from Africa to the world and from the world to Africa seem to tell a single story: Africa fails.Especially political Africa. Among those dashing to help, the commitment of the Church catholic is to be praised but also critically engaged. Can anyone help Africa to modernize by ignoring that in Africa, modernity meant colonization? Then, a question: what is the Church doing, and what can it do qua Church, for Africa? This confronts us with a situation, an action and a critical question. This work, focusing on Togo taken as mirror to the continent, aims at challenging the way the situation is described, at elaborating an answer to the question in hoping to shed a light on the way the action is understood and undertaken. For such an end, it draws on post-colonial studies and on the Cambridge theological movement called Radical Orthodoxy, through the works of J. Milbank and W. Cavanaugh

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Törnqvist, af Ström Richard. „Ordning och Kaos : En receptionskritisk granskning av Jordan B. Petersons bibliska bruk av kön och sexualitet, samt hur hans narrativ förhåller sig till historisk-kritiska och feministiska läsningar av Genesis 1-3“. Thesis, Uppsala universitet, Teologiska institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-428273.

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Petersen, Carl Jörg [Verfasser]. „Seismic characterization of marine gas hydrates and free gas at northern Hydrate Ridge, Cascadia margin / vorgelegt von Carl Jörg Petersen“. 2004. http://d-nb.info/973612061/34.

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Bücher zum Thema "Petersen, Carl"

Schambach, Sigrid. Carl Petersen. Hamburg: Ellert & Richter, 2000.

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Petersen, Carl Poul. Carl Poul Petersen, silversmith. Montréal, Quebec, Canada: Montreal Museum of Fine Arts, Jean-Noël Desmarais Pavilion, 2002.

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Carl Peters: Das Leben eines deutschen Kolonialisten. Rostock: Neuer Hochschulschriftenverlag, 2000.

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Pastoral work: Engagements with the vision of Eugene Peterson. Eugene, OR: Cascade Books, 2014.

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1897-1980, Peters Carl William, Hrsg. Carl W. Peters: American scene painter from Rochester to Rockport. Rochester, NY: University of Rochester Press, 1999.

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Carl Peters and German imperialism, 1856-1918: A political biography. Oxford: Clarendon Press, 2004.

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Peturson, Rod. Innovations sciences: Manuel de l'élève; niveau 5 / Rod Peterson, Brian Herrin, Carol Roitberg. Montréal: Les Éditions de la Chenelière inc., 1997.

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Peters, Thomas J. The Tom Peters seminar: Crazy times call for crazy organizations. London: Macmillan, 1994.

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Peters, Thomas J. The Tom Peters seminar: Crazy times call for crazy organizations. New York: Vintage Books, 1994.

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Peters, Judith M. College accounting with Peachtree for Microsoft Windows release 5.0: Judith M. Peters, Robert M. Peters, Carol Yacht. Boston: Houghton Mifflin Co., 1999.

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Buchteile zum Thema "Petersen, Carl"

Bray, Suzanne. „Ellis Peters (Pseudonym of Edith Mary Pargeter, also wrote as Jolyon Carr, 1913–1995), 1951: Fallen into the Pit“. In 100 British Crime Writers, 223–29. London: Palgrave Macmillan UK, 2020. http://dx.doi.org/10.1057/978-1-137-31902-9_49.

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„Carl Petersen and the Faaborg Art Museum“. In Nordic Classicism. Bloomsbury Visual Arts, 2018. http://dx.doi.org/10.5040/9781350044210.ch-003.

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„Carl Peters, England und die Engländer“. In 1905-1906, 475–500. De Gruyter, 2009. http://dx.doi.org/10.1515/9783110216394.475.

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Vatter, Miguel. „Carl Schmitt and Sovereignty“. In Divine Democracy, 21–66. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190942359.003.0002.

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This chapter reconstructs the origins of political theology in Carl Schmitt’s polemical engagement with the jurisprudence of Hans Kelsen and with the critique of sovereignty in English pluralist political theory. Kelsen sought to dismiss the idea of the state as a legal personality standing above the legal system as the product of an unscientific approach to jurisprudence because reliant on theological analogies with God’s transcendence over nature. This chapter shows that what Schmitt calls ‘political theology’ is a defence of these politico-theological analogies based on the claim that the political unity of a people requires a non-electoral form of representation of divine transcendence. The chapter then discusses Schmitt’s interpretation of Hobbes as recovering for modernity this Christian idea of political representation and compares it with the critique of Hobbes found in English pluralist theory. The chapter ends with a discussion of the debate between Schmitt and the German theologian Erik Peterson on Trinitarianism as ‘Christian’ political theology.

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„Öffentlichkeit als Bildgestalt der Krise: Peterson und Carl Schmitt“. In Die Öffentlichkeit der Christus-Krise, 178–248. Verlag Ferdinand Schöningh, 2017. http://dx.doi.org/10.30965/9783657786282_012.

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„A Commentary on the Triadic Theory of Influence as a Guide for Adapting HIV Prevention Programs for New Contexts and Populations: The CHAMP-South Africa Story: Carl C. Bel, Arvin Bhana, Mary McKernan McKay and Inge Petersen“. In Community Collaborative Partnerships, 249–73. Routledge, 2012. http://dx.doi.org/10.4324/9780203726150-16.

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Bennington, Geoffrey. „Stasiology (Rothaug, Peterson, Schmitt, Gregory of Nazianzus)“. In Scatter 2, 280–300. Fordham University Press, 2021. http://dx.doi.org/10.5422/fordham/9780823289929.003.0011.

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Beginning with a curious invocation of our line from Homer by one of the defendants at the so-called “Justices Trial” at Nuremberg, the chapter analyses the famous exchange over “political theology” between Carl Schmitt and Erik Peterson. The inconsistencies of Peterson’s argument are brought out, and attention is drawn to the importance of the use he makes in establishing the supposed impossiblity of a Christian political theology of a quotation about the Trinity from Gregory of Nazianzus. Schmitt’s own claim as to a “stasiology” at the heart of the doctrine of the Trinity, that would support the thought of a political theology of Christianity, is shown to rely on an egregious misreading of Gregory’s text, but doubt is nonetheless cast on the ability of that doctrine successfully to solve the problems associated with the self-destructive properties of the One, as more clearly brought out by Derrida.

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Robinson, Patricia J. „Response“. In Case Studies in Clinical Psychological Science, 106–8. Oxford University Press, 2013. http://dx.doi.org/10.1093/med:psych/9780199733668.003.0024.

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Perhaps the most important issue in the thoughtful commentary provided by Obraztsova and Alloy is that of clinician choice in treatment selection. Many factors influence the decision-making process, and the evidence for possible treatment approaches, the training background of the clinician, and the feasibility of implementation are heavy-hitters. Other factors include patient preference and the context of care. In the case of Ruby, Drs. Peterson and Dr. Marks selected ACT for all of these reasons and more....

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„Crazy days call for crazy ways? Narrating Tom Peters“. In Narrating the Management Guru, 94–115. Routledge, 2007. http://dx.doi.org/10.4324/9780203961780-8.

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Heron, Nicholas. „The Economic God“. In Liturgical Power. Fordham University Press, 2017. http://dx.doi.org/10.5422/fordham/9780823278688.003.0002.

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This chapter anchors the book by examining Giorgio Agamben’s recent contribution to the study of political theology, which serves as its point of departure. In particular, it seeks to situate his recuperation of what he calls “economic theology” in relation to both its ancient and modern intellectual-historical contexts. In the first place, it locates in the context of the late Hellenistic debates concerning the nature of the gods. Against the Epicureans, on the one hand, who maintained that the gods are improvident and hence inactive, and the Stoics, on the other, who argued instead that they are provident and thus active, the Trinitarian oikonomia, in Agamben’s formulation, entails a god who is at once improvident and provident, at once inactive and active. It is this simultaneously inactive and active god—encompassing a father who reigns but does not govern and a son who governs but does not reign—which, in the second place, will be employed in order to intervene anew in the debate between Carl Schmitt and Erik Peterson regarding the possibility of a Christian political theology.

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Konferenzberichte zum Thema "Petersen, Carl"

Marlowe, Joseph, John Smith, Dravin Thomas und Subha Kumpaty. „A Minimalistic and Historically-Based STEM Learning Approach“. In ASME 2019 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/imece2019-10465.

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Abstract As part of Milwaukee School of Engineering’s (MSOE) 2019 Senior Design program, a design team has worked with Old World Wisconsin (OWW) — a museum in Waukesha County — to incorporate STEM education into their historical platform. This involved introducing methods to teach STEM concepts to visitors, most of which are school children in the K-12 system. Background research on current Science, Technology, Engineering and Mathematics (STEM) methods for K-12 audiences show that there is an overall lack of STEM introduction for students in the United States, and as such, students in the U.S. fail to meet averages for international testing standards for STEM concepts. Research shows that young students require hands on programs in which they can form hypotheses, test hypotheses, and question how these concepts can be applied to real life scenarios. The physical designs in this project consist of stations which relate to OWW’s current exhibits, and introduce statics and dynamics concepts, such as the concepts of mechanical advantage. These concepts are introduced through physical mechanisms that visitors to OWW can interact with in a safe manner, without the need of close supervision. With the guidance of facilitators, school children on field trips will learn mechanics concepts in a tactile and visual manner while being taught key points by the facilitator. The physical designs in this project exist in OWW’s Bicycle Shop, Peterson Wagon Shop, and Loomer Barn. The bicycle shop station consists of a sprocket and chain setup in which visitors can drive a sprocket using a handle, to discover how gear ratios can affect output speeds and torque for a given input speed and torque. The station in the wagon shop has a table with multiple tracks on which a scale wheel can be rolled, to show the relationships between translational and rotational dynamics. In the Loomer Barn, there is a lever station which shows the concepts of moments and moment arms, as well as mechanical advantage, which visitors can solve problems with to understand the relationship between moment arms, and the applied forces required to balance a lever. Also in the barn, a pulley station explores the use of multiple pulleys to make lifting require less force, while increasing the required pulling distances. Each station is accompanied by worksheets that can be distributed to teachers and other visitors via e-mail, which will serve as further supplementary learning tools to enhance visitors’ understanding of the subject material. Design specifications are defined for the size, weight, and types of components to be allowed in the wagon and sprocket modules. These design specifications are met by the finalized designs. The separate stations have undergone some revision over time through different design prototype phases. In the prototype phases, 3D printing was the main means of design, but since these devices are meant to be large and sturdy to offer permanent visual cues to young students, these prototypes were not only temporary solutions, but impossible to 3D print or manufacture within a reasonable cost and time frame. Because of this, the use of externally sourced parts from McMaster-Carr and Menards was decided upon to fulfill the goals of this project. This project was feasible in that it was accomplished by meeting standards related to the background research on STEM education, as well as falling within the realm of historical relevance to OWW’s exhibits. The project was assembled and distributed to OWW within the desired time-frame of both MSOE, and OWW.

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Berichte der Organisationen zum Thema "Petersen, Carl"

Saillant, Eric, Jason Lemus und James Franks. Culture of Lobotes surinamensis (Tripletail). Mississippi Department of Marine Resources, Januar 2014. http://dx.doi.org/10.18785/ose.001.

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The Tripletail, Lobotes surinamensis, is a pelagic fish found in tropical and sub-tropical waters of all oceans. Tripletails are often associated with floating debris and make frequent incursions in bays and estuaries where they are targeted by recreational fishermen. In Mississippi waters the species is typically present during the late spring and summer season that also correspond to the period of sexual maturation and spawning (Brown-Peterson and Franks 2001). Tripletail is appreciated as a gamefish but is also prized for its flesh of superior quality. The fast growth rate of juveniles in captivity documented by Franks et al. (2001) and the excellent quality of Tripletail flesh both contribute to the potential of this species for marine aquaculture. In addition, the production of cultured juveniles would be precious to develop a better understanding of the biology, early life history and habitat use of Tripletail larvae and juveniles, a topic largely undocumented to date, through experimental releases and controlled studies. The culture of tripletail thus supports the Tidelands Trust Fund Program through improved conservation of natural resources, potential enhancement of fisheries productivity and potential development of a new economic activity on the Gulf coast producing tripletail via aquaculture. The Objective of this project was to initiate development of methods and techniques needed to spawn captive held tripletail broodfish and raise their offspring to evaluate their growth and development in captivity. In this report we will present the results of studies aiming to develop methods and protocols for captive spawning of tripletail and the first data obtained on the early development of tripletail larvae. A major issue that was encountered with tripletail broodstock development during the project lied in the difficulties associated with identifying the sex of adults caught in the wild and candidates for being incorporated in mating sets for spawning. This issue was addressed during the course of the project by examining the potential of a non-lethal method of hormonal sexing. The results of these preliminary investigations are presented in the third part of this report. All protocols used in the project were determined with the guidance of the Institutional Animal Care and Use Committee (IACUC) of the University of Southern Mississippi (USM IACUC protocol number 10100108).

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