Thematische Bibliographien / Patchwork quilting

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Auswahl der wissenschaftlichen Literatur zum Thema „Patchwork quilting“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 21. Februar 2023

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Zeitschriftenartikel zum Thema "Patchwork quilting"

Danet, Brenda. „Pixel Patchwork: “Quilting in Time” Online“. TEXTILE 1, Nr. 2 (Juni 2003): 118–43. http://dx.doi.org/10.2752/147597503778053072.

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Dewanti, Asih Retno. „Seni Kerajinan "Quilting"“. Jurnal Dimensi Seni Rupa dan Desain 11, Nr. 1 (01.02.2014): 55–64. http://dx.doi.org/10.25105/dim.v11i1.400.

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AbstractQuilt hand craft is different form of art compared with the other media such of painting or sculpture with the quilter express their imagination and enthusiasm, reasoning, and emotion in quilt craft.Quilt have unique patchwork in the upper layer which combine different pattern, shape, colors and fabric materials AbstrakQuilt ( istilah : selimut tebal) merupakan jenis ketrajinan tangan yang berbeda mediannya dengan bentuk seni kerajinan lain, seperti seni lukis dan seni patung dimana quilter ( pengrajin quilt) akan mengekspresikan imaginasi, antusiasme, pemikiran, emosi dalam karyanya. Quilting memiliki pacthwork nya kan mengekspresikan metafora dan ide quilter tersebut

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Williams, Gayle. „Patchwork in Print: A survey of Quilting Periodicals“. Serials Review 11, Nr. 3 (September 1985): 15–20. http://dx.doi.org/10.1080/00987913.1985.10763628.

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Nurrahmawati, An, Khresna Bayu Sangka, Dian Perwitasari, Estetika Mutiaranisa Kurniawati, Nur Chayati, Saktiana Rizki Endiramurti, Bagas Narendra Parahita und Lies Nurhaini. „Kidspreneur initiation through making prayer mats with quilting techniques at Aisyiyah Orphanage Karanganyar“. Community Empowerment 7, Nr. 10 (31.10.2022): 1709–15. http://dx.doi.org/10.31603/ce.7189.

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Mentally and financially independence are essential matters that should be learned early. Among them are for children who do not have guardians or parents. Solutions designed to encourage independence, by teaching additional skills and instilling an entrepreneurial mentality in children or Kidspreneurs. The team chose to train sewing skills using the quilting technique because it is basic and easy, and the raw materials are inexpensive and readily available. The program focused on making prayer mats considering the simple shape and the uneven age and sewing skills of the children. In addition to providing entrepreneurial mental strengthening and sewing training on quilting techniques, the team also provided assistance with sewing machines, patchwork and sewing tools. The results of the training show the enthusiasm of the children and their desire to become entrepreneurs. From this training, the children of Aisyiyah Karanganyar orphanage members will be able to be independent and even contribute to similar empowerment in their surroundings.

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ta, Suja, K. Vasudeva Naik und Jyoti V. Vastrad. „Consumer Acceptability for the Patchwork Quilt Value Added Products Prepared by Quilting Technique“. International Journal of Current Microbiology and Applied Sciences 7, Nr. 2 (10.02.2018): 1085–89. http://dx.doi.org/10.20546/ijcmas.2018.702.135.

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Hartanto, Susi, und Rafael Trihardy. „PENELITIAN POTENSI PRODUK HASIL EKSPLORASI LIMBAH POLIESTER DARI INDUSTRI TAS Studi Kasus PT. Tasindo Tassa Industries“. Jurnal Dimensi Seni Rupa dan Desain 13, Nr. 1 (01.09.2016): 39. http://dx.doi.org/10.25105/dim.v13i1.1777.

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Abstract As main reference for this research, PT. Tasindo Tassa Industries produces around 3 tons of fabric waste from bags production, in which 80% is of polyester kind. Fabric waste are cheaply bought by local waste collector to be remaked as bucket, as one example. Other simple methods of processing fabric waste, such as patchwork, quilting, resin, and webbing are commonly made into craft products, and can be easily found anywhere. Hence, focus of this research is to explore polyester waste with certain technique with innovative value, and to design it into sellable products. Through focus group discussion and a series of experiments, polyester waste are made into bags collection using fabric manipulation technique. Results of this research can be used as reference to help home industry or small scale craftsmen to produce ready-to-sell products. Abstrak PT. Tasindo Tassa Industries sebagai studi kasus penelitian ini, menghasilkan sekitar 3 ton limbah kain hasil produksi tas, dimana 80% adalah jenis poliester. Sampah kain biasanya dibeli oleh bandar sampah dengan harga yang sangat murah untuk diproduksi lagi menjadi berbagai produk sederhana, seperti ember salah satunya. Sampah kain pada umumnya biasa diolah lagi menjadi produk kerajinan dengan teknik sederhana seperti patchwork, quilting, resin, dan anyam, yang bisa dengan mudah ditemukan dimana-mana. Fokus penelitian ini adalah mengeksplorasi sampah poliester dengan teknik yang memiliki nilai kebaruan dan merancangnya menjadi produk layak jual. Melalui focus group discussion dan eksperimen, sampah poliester dirancang menjadi koleksi tas dengan menggunakan teknik manipulasi kain. Hasil penelitian bisa dipakai sebagai acuan dasar untuk membantu industri skala rumahan atau pengrajin kecil memproduksi barang siap jual.

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Putri, Aulia W. A., Tan Indra Janty, Lois Dennisa, Rosa Permanasari, Angel Octavia Oetomo, Tasha Putri Dafis und Graciella Natalie Candra. „Pelatihan Recycle Kain Sisa Konveksi dengan Teknik Patchwork Quilting pada Remaja LKSA Rumah Pengharapan Baru“. GERVASI: Jurnal Pengabdian kepada Masyarakat 5, Nr. 1 (02.05.2021): 84–96. http://dx.doi.org/10.31571/gervasi.v5i1.2059.

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Fast traslate Icon translate Fast traslate Icon translate Fast traslate Icon translate Fast traslate Icon translate Fast traslate Icon translate Fast traslate Icon translate Pandemi Covid-19 ini menuntut semua lapisan masyarakat untuk memilikikesadaran yang tinggi akan kebersihan hingga pengendalian terhadap laju sampahdan limbah dengan tujuan menjaga dan memperpanjang umur bumi dan isinyadalam sebuah gerakan sustainable lifestyle. Limbah tekstil yang dihasilkan dalamproses produksi garmen dan konveksi yang tidak ditangani dengan baik menjadisalah satu penyumbang sampah industri khususnya di Kota Bandung. RumahPengharapan Baru merupakan sebuah Lembaga Kesejahteraan Sosial Anak(LKSA) yang memiliki misi mendukung dan melengkapi perkembangan anaksesuai bakat dan minatnya, hal ini sejalan dengan Program Studi D-3 Seni Rupadan Desain Universitas Kristen Maranatha yang aktif dalam kegiatan pengabdianmasyarakat dengan memberikan pelatihan kepada warga sekitar kampus maupun lembaga-lembaga yang membutuhkan. Pelatihan ini dilaksanakan untukmengasah keterampilan soft skill dan pengetahuan eksplorasi teknik pesertadengan metode praktik patchwork quilting pada kain perca sisa konveksi sehingga hal tersebut dapat menjadi bekal dalam pemanfaatan limbah tekstil secara mandiri untuk dikembangkan menjadi produk kreatif siap pakai yang memiliki nilai daya jual dan peluang dalam industri kreatif/wirausaha kecil rumah tangga.

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Pramono, Andi, Baskoro Azis, Tiara Ika Widia Primadani und Wahyu Waskito Putra. „PENERAPAN UPCYCLING LIMBAH KAIN PERCA PADA KURSI FLAT-PACK“. Mintakat: Jurnal Arsitektur 23, Nr. 1 (10.04.2022): 14–27. http://dx.doi.org/10.26905/jam.v23i1.6075.

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Limbah kain perca merupakan limbah anorganik yang memerlukan perhatian khusus dalam penanganannya dengan tujuan untuk keberlanjutan lingkungan. Metode yang sering digunakan dalam pengelolaan limbah adalah 3R (Reduce, Reuse, Recycle). Dari teknik pengolahan Reuse kemudian berkembang menjadi upcycling yang lebih menekankan kepada peningkatan nilai manfaat material. Dalam bidang interior, kain perca di-upcycling menjadi pembungkus busa untuk dudukan dan sandaran pada kursi flat-pack. Konsep dasar pembuatan kursi flat-pack adalah pemanfaatan limbah kardus yang disusun sedemikian rupa sehingga terbentuk kursi yang dapat digunakan pada ruangan interior seperti ruang tamu dan ruang keluarga. Kemudian konsep pembuatan bahan ini dikembangkan dengan menggunakan papan MDF yang lebih keras dan kokoh. Untuk lebih memberi kenyamanan pada kursi, perlu ditambah busa yang dibungkus kain. Teknik sambungan yang digunakan dalam menyambung kain perca berupa patchwork, quilting, dan applique. Untuk mempercantik produk dan sekaligus sebagai identitas pembuatan, dapat menambahkan teknik sablon, baik sablon manual ataupun sablon digital.Fabric waste is inorganic waste that requires special treatment in its handling with the aim of environmental sustainability. The method often used in waste management is 3R (Reduce, Reuse, Recycle). Reuse processing methods then developed into upcycling, emphasising more on increasing the value of material benefits. In the interior, fabric waste is upcycling into foam coverings for backrests and seats. It mounts on a flat-pack chair. The main idea behind flat-pack chairs is to use cardboard trash that has been arranged in such a way that chairs may be made. It is suitable for usage in indoor spaces such as living rooms and family rooms. Then the concept of making this material was developed using a more rigid and sturdy MDF board. Comfortable on the seat need to be applied by adding foam that covered by the fabric. Joint techniques to combine fabric waste can use patchwork, quilting, and applique technique. To decorate the product and simultaneously as the identity of manufacture, can embed screen printing techniques, either manual screen printing or digital screen printing.

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Te Ava, Aue, und Angela Page. „How the Tivaevae Model can be Used as an Indigenous Methodology in Cook Islands Education Settings“. Australian Journal of Indigenous Education 49, Nr. 1 (18.09.2018): 70–76. http://dx.doi.org/10.1017/jie.2018.9.

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This paper explores an Indigenous research methodology, the tivaevae model, and its application within the Cook Islands education system. The article will argue that the cultural values embedded within its framework allow for the successful implementation of this Indigenous methodology. The model draws from tivaevae, or artistic quilting, and is both an applique process and a product of the Cook Islands. It is unique to the Cook Islands and plays an important part in the lives of Cook Islanders. The tivaevae model will be explained in detail, describing how patchwork creative pieces come together to create a story and can be used as a metaphor of the past, present and future integration of social, historical, spiritual, religious, economic and political representations of Cook Island culture. Further, the paper will then make links with the model to teaching and learning, by exploring secondary schools’ health and physical education policy and practices. Finally, the efficacy of the model in this context and its research implications will then be discussed.

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Kobayashi, Yoshikazu, Kenji Shirai, Yasuhiko Hara, Tomohiro Mizoguchi und Kiyotaka Kawasaki. „Generation and Assessment of Random Surface Texture over a Wide Area“. International Journal of Automation Technology 5, Nr. 2 (05.03.2011): 185–89. http://dx.doi.org/10.20965/ijat.2011.p0185.

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Product surface textures are designed to improve their aesthetic, tactile, and mechanical quality. Surface texture manufactured with microrough patterns over a wide area differs from common geometric product machining. We have proposed generating a surface texture with regular patterns by milling. Here we propose generating a random-pattern surface texture using image processing. Digital surface-texture data consists of “real” three-Dimensional (3D) machining information. Wide-area digital surface-texture data such as scattered point data, Initial Graphics Exchange Specifications (IGES), and Standard Triangulated Language (STL) require humongous memory. The complexity and area of surface texture processed to generate tool paths is limited by computational considerations and generating the tool path for a widearea surface texture is time-consuming, so we propose generating random wide-area-pattern surface texture without the need for wide-area digital texture data. Instead, this uses only wide-area image data and narrowarea digital data. A wide-area tool path is generated by image quilting, which creates a patchwork in which patches represent both image and digital data for narrow-area surface texture, reducing surface distortion for patch boundaries. This paper introduces the generation of random pattern texture and machined samples assessing patch-boundary distortion.

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Dissertationen zum Thema "Patchwork quilting"

Elsley, Judith Helen 1952. „The semiotics of quilting: discourse of the marginalized“. Diss., The University of Arizona, 1990. http://hdl.handle.net/10150/565534.

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Towndrow, Lizzie. „The Patchwork-Quilter as the Storyteller : MY DEAD DOG!“ Thesis, Konstfack, Textil, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5558.

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Objects can evoke our most vivid memories and sensory emotions, through the stories that have been engraved into them across their lifetime. Throughout history, patchwork-quilting has been used to tell stories, hide messages and hold histories. They are seen as objects of warmth, comfort and security, inanimate extensions of ourselves that store our most complex sentiments and memories- becoming heirlooms that are kept in the families and communities for generations, preserving our histories and material culture. I intend to explore the inseparable relationship between craft and narrative within quilts, whilst re-imagining the quilts forms and functions in order to communicate stories more vividly. To do so I will use my memories of My Dead Dog, Henry, to illustrate narratives and embed them into quilted objects to stage as a tableau of artifacts. I intend to encourage the viewer to realise the imagined, through a haptic experience of my material world, whilst simultaneously creating my own heirlooms that can be passed down so my stories are not forgotten.

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Solomon, Annabelle, University of Western Sydney, Faculty of Social Inquiry und School of Ecology. „Between the worlds : women empowering ourselves through re-imaging our spirituality and creativity“. THESIS_FSI_SEL_Solomon_A.xml, 1998. http://handle.uws.edu.au:8081/1959.7/434.

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The research question for this thesis arose from the author's desire to find ways to integrate into her sense of Self her personal experience as woman and mother and to be empowered by that. She sought a source of empowerment that affirmed the life honouring, spiritual and ecological values that were being highlighted by the mothering experience. The connection is deepened further by the recognition of a time when these values were incorporated into the earliest of human creation stories, from watching the creative cycles of the seasons, and the bodies of women in the gestating creation cycles. The body which forms the presentation of this thesis is in two media, text and the visual arts. It is expressed and interpreted in three parts: through the texts of the book, 'The wheel of the year : seasons of the soul in quilts' and the research document, and through the visual medium of artquilts in exhibition which symbolise the Old European and Celtic seasonal celebration. The process for construction of this research has been to piece together the fabrics of two women's research groups' life experiences, and the author's own personal reflections on her life and theirs, through the creative process of mothering, patchwork quilting and participating in seasonal ritual
Master of Social Ecology (Hons)

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Solomon, Annabelle M. „Between the worlds : women empowering ourselves through re-imaging our spirituality and creativity“. Thesis, 1998. http://handle.uws.edu.au:8081/1959.7/434.

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Solomon, Annabelle M. „A creative imaginary for personal and cultural change explored through a feminist spirituality and women's textile art“. Thesis, 2010. http://handle.uws.edu.au:8081/1959.7/515383.

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The research is an arts-based project that investigates the influence of visual imagery and symbolism on ways of seeing as ways of knowing: that is, their influence on perceiving and perceptions. It explores these interactions in deep connection to place - the Southern Hemisphere, specifically the mid-east coast of Australia, and outside the usual constrictions of Western religio-cultural constructs. Involving women in creative processes and taking a gendered position on experience as an intentional basis of knowledge formation, the inquiry aims to ‘make visible’ (re-vision) experiences of creativity as spirituality, usually considered to be invisible because individual and subjective. It suggests that the creative process offers the opportunity for unfolding an autonomous, self-defined consciousness of the divine in the world arising from relation to place, and experienced as an auto-chthonic, reciprocal act of self-in-Creation. Three interrelated activities provided the material and mythical ground for the process of knowledge creation on three levels: the personal, communal and societal, all explored through the medium of textile art. The eight festivals of the Wheel of the Year revered by the indigenous peoples of Europe were personally re-visioned for their relation to a Southern Hemispheric cycle in a series of art quilts and in ten workshops for women in the creation of textile art through seasonal ritual for the Wheel of the Year. Four public exhibitions of art quilts were held to explore the cyclic process of Creation from another aspect: that between art as visual communication and its reception by the viewer (see Appendices). Celebrating and re-storying prehistoric indigenous spiritual practices revived in and for place, and creating art intentionally has revealed a re-fabrication of spiritual consciousness: a new-archaic imaginary for creativity and spirituality as embodied and embedded in Nature’s rhythms. Experienced as cyclic yet transformative, the research revealed an original, personal engagement in the Mystery as a complementarity of opposites: the reciprocity of dark with light, of death as renewal, of self as other. It gave rise to perceptions that re-integrated culturally induced ways of seeing and knowing, through indicating the possibility of an ‘imaginary of re-turn’ to direct perceptions of participation in Creation: one identifiable as an authentic, autonomous way of seeing/knowing – where such consciousness is sourced by being in relationship, to self as woman, local Earth rhythms and All-that-is-other.

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Skafvenstedt, Ellen. „Att brodera är ett verb : Betraktelser ur ett nålsöga“. Thesis, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5587.

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Under projektet ”Att brodera är ett verb –Betraktelser ur ett nålsöga” har jag använt applikationsbroderi som teknik för att transformera och bearbeta material från min omgivning. Jag har sorterat alla material efter färgcirkeln och skapat rutor som jag satt ihop till ett abstraherat lapptäcke. Arbetet har syftat till att undersöka processbaserat görande och jag har därför tagit hjälp av verben i konstnären Richard Serras ”Verb list”. Jag har satt upp fyra regler för mig själv att förhålla mig till under arbetets gång. Med reglerna har jag velat eliminera alla val och processer som inte handlar om själva görandet i sig. Lapptäcket har tagit sin slutliga form utifrån det ramverk som reglerna utgjort. Under min opponering diskuterade jag och opponenten Karin Lundgren-Tallinger främst hur jag har förhållit mig till mina regler under arbetets gång och hur de hade kunnat vara tydligare. Till Konstfacks Vårutställning hängde jag upp lapptäcket på en ställning av skrot i ett hörn och spred ut vissa rutor och andra obearbetade material så som skräp och garner i flera delar av rummet. Installationen av verket gjorde jag för att skapa en känsla av att arbetet med rutorna när som helst skulle kunna återupptas och görandet forsätta.

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Bücher zum Thema "Patchwork quilting"

Patchwork & quilting. London: Hamlyn, 1988.

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Patchwork & quilting. Harrisburg, Pa: Stackpole Books, 1989.

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Linsley, Leslie. Small patchwork & quilting. New York, N.Y: Meredith Press, 1993.

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Romantic patchwork & quilting. New York, N.Y: Sedgewood Press, 1989.

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Echols, Margit. Classic Patchwork & Quilting. New York, N.Y: Sedgewood Press, 1990.

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Jon, Aron, Hrsg. Nostalgia Patchwork & Quilting. New York, NY: Meredith Press, 1994.

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Dettore, Arlene. Victorian patchwork & quilting. New York: Meredith Press, 1995.

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Seasonal Patchwork & Quilting. New York, N.Y: Meredith Press, 1991.

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Country Patchwork & Quilting. New York, N.Y: Sedgewood Press, 1988.

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Dettore, Arlene. Victorian Patchwork & Quilting. New York: Meredith Press, 1996.

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Konferenzberichte zum Thema "Patchwork quilting"

Graves, Jordan, Karen Royer, Gillian Smith und Anne Sullivan. „Procedural Patchwork: Community-Focused Generative Design for Quilting“. In C&C '21: Creativity and Cognition. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3450741.3466635.

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