Auswahl der wissenschaftlichen Literatur zum Thema „Pastry in art“
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Zeitschriftenartikel zum Thema "Pastry in art"
Borsato, Maddalena. „“Edible Aesthetics”: Blurring Boundaries between Pastry and Art“. Humanities 12, Nr. 5 (22.10.2023): 126. http://dx.doi.org/10.3390/h12050126.
Der volle Inhalt der Quelletarantino, maria, und sabina terziani. „A Journey into the Imaginary of Sicilian Pastry“. Gastronomica 10, Nr. 3 (2010): 45–51. http://dx.doi.org/10.1525/gfc.2010.10.3.45.
Der volle Inhalt der QuelleFadhillah, Syahidah Nur, und Reno Yelfi. „Analysis Laboratory Culinary Art At SMK N 3 Solok“. Jurnal Pendidikan Tata Boga dan Teknologi 4, Nr. 2 (30.08.2023): 486. http://dx.doi.org/10.24036/jptbt.v4i2.11011.
Der volle Inhalt der QuelleČugalj, Milana, Velibor Ivanović, Bojana Kalenjuk-Pivarski und Saveta Bikić. „The influence of confectionery product decoration on consumers“. Turisticko poslovanje, Nr. 33 (2024): 105–12. http://dx.doi.org/10.5937/turpos0-50440.
Der volle Inhalt der QuelleOver, Berthold. „The Art of ‘Cooking’ a Pasticcio: Musical Recipes and Ingredients for Pasticcio Operas“. Musicology Today 18, Nr. 1 (01.12.2021): 20–34. http://dx.doi.org/10.2478/muso-2021-0004.
Der volle Inhalt der QuelleHaminda, Jessyca Putri, und Asmar Yulastri. „The relationship between atititudes in the lecture process and student learning outcomes in the pastry and art Subjects s1 culinary arts unp“. Jurnal Pendidikan Tata Boga dan Teknologi 2, Nr. 2 (31.08.2021): 112. http://dx.doi.org/10.24036/jptbt.v2i2.165.
Der volle Inhalt der QuelleRoziyah, Pipit, Guspri Devi Artanti und Cucu Cahyana. „The Impact of Ambon Banana (Musa Accuminata Colla) Puree Addition to Banana Bread Making on Physical Quality and Consumer Acceptance“. Advances In Social Humanities Research 2, Nr. 5 (03.05.2024): 689–703. http://dx.doi.org/10.46799/adv.v2i5.239.
Der volle Inhalt der QuelleZekalashvili, Rusudan. „kartuli etnok’ult’uruli realiebi kartul-germanul leksikonebshi /ქართული ეთნოკულტურული რეალიები ქართულ-გერმანულ ლექსიკონებში [Georgian Ethno-Cultural Realities as seen in the Georgian-German Dictionaries]“. Kartveluri Memk'vidreoba [Kartvelian Heritage] 25, Nr. 25-1 (01.12.2021): 123–32. http://dx.doi.org/10.54635/tpks.2022.09putk.
Der volle Inhalt der QuelleJohnson, William. „Pesos, Paparazzo, Pastry, Painting“. Film Quarterly 64, Nr. 2 (2010): 10–11. http://dx.doi.org/10.1525/fq.2010.64.2.10.
Der volle Inhalt der QuelleWALLACH, A. „The Museum of Modern Art: The Past's Future“. Journal of Design History 5, Nr. 3 (01.01.1992): 207–15. http://dx.doi.org/10.1093/jdh/5.3.207.
Der volle Inhalt der QuelleDissertationen zum Thema "Pastry in art"
Arnaud, Coline. „La pâtisserie française (1870 - 1914) : une révolution gastronomique“. Thesis, Université Paris-Saclay (ComUE), 2019. http://www.theses.fr/2019SACLV047.
Der volle Inhalt der QuelleArtistic pastry theorized by Carême before 1850 codifies a decorative pastry and complex whose splendor is dedicated to Empire and Restoration's social elites . Yet in 1820, this ambitious pastry upsetting the status of artisan confectioner faces the bourgeois values of a social class on the rise. Technical inventions, social reforms, market opening in industrial production at the turn of the century condense still unresolved tensions between a nostalgic pastry, artistic ambitions, and the predominance of local shops, symbols of a diversified economic production. This work seeks to analyze the origin of these tensions and their impact across the business, product and point of sale, questioning the relationship of this practice to the social, political and art from 1870 to 1914
Tommaso, Wilma Steagall de. „O Pantocrator de Claudio Pastro: importância e atualidade“. Pontifícia Universidade Católica de São Paulo, 2013. https://tede2.pucsp.br/handle/handle/1897.
Der volle Inhalt der QuelleCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
This research explores the Pantocrator, the depiction of Christ in Glory relatively unkown in Brazil, where the barroque is the most common art religious and portrays Jesus crucified. Claudio Pastro is a Brazilian artist who has for over thirty years placed the Christ Pantocrator as a central theme in the churches he designs. The starting point was a series of interviews with the author on his background, influence and motivation towards Pantocrators. This study searched for the image of Jesus, God of the Christians and the only to be portrayed among the Abrahamic religions, although not without controversy. Later it studies the Majestas Domini, the Pantocrator from the west with major influence in the artist, achieving the representation of God with religious and political implications throughout the centuries to finally achieve contemporaneity with movements of modern art and the occurrences before and after the Second Vatican Council. The objective is to understand the meaning of the Pantocrator image in the Brazilian churches as well as the reasons why an art style from the first century reappears today
Esta pesquisa aborda o Pantocrator, a imagem do Cristo em Glória. Relativamente desconhecida no Brasil, país onde o barroco é a arte religiosa mais característica, esta imagem é tema central na obra de Claudio Pastro, artista plástico brasileiro, que há mais de trinta anos coloca, nas igrejas que projeta, o Cristo Pantocrator, cujo tipo simbólico se diferencia da arte naturalista do barroco que, por tradição, destaca o Cristo crucificado. A partir de uma série de entrevistas concedidas pelo artista, nas quais falou sobre sua formação, influências que marcam sua obra e sua motivação para fazer Pantocrators, este trabalho buscou a origem da imagem de Jesus, Deus dos cristãos, e também o único a ser retratado dentre as religiões Abrâmicas, não sem controvérsias, encontrando o Majestas Domini, o tipo Pantocrator do Ocidente medieval, influência significativa para o artista, chegando na representação de Deus, sua permissão e implicações religiosas e políticas ao longo de séculos, para finalmente alcançar a contemporaneidade, com os movimentos de arte moderna e os acontecimentos pré e pós Concílio Vaticano II, com o objetivo de entender a coerência da imagem do Pantocrator nas igrejas do Brasil e, consequentemente, compreender as razões de o Pantocrator, um tipo característico da arte da Igreja do Primeiro Milênio, reaparecer nos dias de hoje
Clini, Maira Mendes. „As cores de Pastore: grafite arte vida“. Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/47/47134/tde-09022011-105236/.
Der volle Inhalt der QuelleThis work aims to understand in the light of phenomenology, life and work of a graffiti artist. From the meeting with the artist Bruno Pastore was possible for us to constitute a world of events, images and words, which resulted in the discovery of the meanings of art when built in life.This is a master\\\'s degree in Social Psychology, permeated by the phenomenological research method, in which the main feature is the suspension of preconceived theories and assumptions, so that the researcher can go back to what is shown from the point Bruno Pastore of view. Reveal, first, the trajectory of the artist\\\'s life, bringing up several key events and complaints. Then do a reading of his main artistic productions, including graffiti and poetry, always integrated with the context of his life story. Finally, we present a philosophical essay based on theoretical references that this study has raised. The text, as well as graphite, is drawn in the form of a palimpsest, because it is supported by references linking its main chapters, which can be read independently, or in the order that most pleases the reader
Tilley, Douglas. „What are the factors that lead pastors to change pastorates?“ Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.
Der volle Inhalt der QuelleSartorelli, Cesar Augusto. „O espaço sagrado e o religioso na obra de claudio Pastro“. Pontifícia Universidade Católica de São Paulo, 2005. https://tede2.pucsp.br/handle/handle/1888.
Der volle Inhalt der QuelleCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
Overall this sciences of religions essay is about architecture and art, but mainly its object is to treat specifically the fields wich refer to both the construction of religious spaces, and the hole art contained inside them and rised from them as well. These fields encircle painting, sculpture and, in addition, furniture and special pieces designed for the indoor spaces. More specifically, this essay also builts and reports its reflections based on the contemporary christian artwork and architectural spaces, produced and projected by artist and vernacular architect Claudio Pastro. The analysis in this essay approaches Pastro's biography through his unique process of working and criating, as a painter, pictorial artist, architect and sacred art expert. The second chapter explores Pastro's conceptions between sacred art and religious art, which are indeed different: each conception is clearly refeared, explained, discussed, compared to the other ones, and looked over through the eyes of Mircea Eliade's and Rudolf Otto's fenomenology. Still in the field of the Teology of the Art, the thinking of Romano Guardini about the sacred and the religious is also shown. In the third chapter we have a timeline brief of the history of art and sacred architecture, the bases of Pastro's work; then, a comparative study between his conception about the modern project related to the architecture and the vanguard arts. We also comment some brazilian architects projects, wich he admire and influenced him. Furthermore we comment the II Council of the Vatican and its propositions of liturgical renewal, wich led to the renew of sacred architeture and art, home of Pastro's realm of inspiration and concepts. We end with the analysis and critical reviewing of nine of his chapels and churches already built. In the conclusion, we comment the repercussion of Claudio Pastro's works, and the importance of his figure within the brazilian artistic and architectural panorama, as well as the concerns and limits of his concepts. Alongside with these questions, we leave to open minds some other further questions to be treated, about the relationships between art and religion, and art and the sacred.
Este trabalho em ciências da religião trata de arte e arquitetura, num campo especializado de ambas, que é a construção de espaços religiosos e a arte que nele se insere, abrangendo pintura, escultura, e o design de peças e mobiliário de seu interior. Mais especificamente estaremos tratando de arte e arquitetura sacras cristãs, contemporâneas, através da obra do artista sacro e arquiteto vernacular Claudio Pastro. A análise se inicia através de sua biografia e desenvolvimento de processo de trabalho, como artista plástico, gráfico, arquiteto vernacular e estudioso de arte sacra e espaço litúrgico. A seguir suas concepções, que colocam uma diferenciação entre arte sacra e arte religiosa, serão explicadas e discutidas, observadas através da fenomenologia de Mircea Eliade e Rudolf Otto. No âmbito da Teologia da Arte também exporemos o pensamento de Romano Guardini, citado como fonte dos conceitos de Claudio Pastro sobre sagrado e religioso. No terceiro capítulo fazemos um breve histórico da história da arte e arquitetura sacras, sobre o qual se apoia seu trabalho, acrescido de um estudo comparativo de sua concepção de arquitetura em relação ao projeto moderno , e com as vanguardas artísticas em artes plásticas. Comentamos também alguns projetos de arquitetos brasileiros que o influenciaram e que admira. De dentro da Igreja trataremos do Concílio Vaticano II e suas propostas de renovação litúrgica, que implicaram em renovações na arte e arquitetura sacras, a qual se filia Claudio Pastro. Encerramos com a análise e crítica de nove projetos de capelas e igrejas por ele realizados. Na conclusão situamos a repercussão de seus trabalhos e seu papel dentro da arte e arquitetura sacras católicas brasileiras, na prática, assim como a pertinência e limites de suas concepções e conceitos. No questionamento destes conceitos e concepções situamos questões em aberto, pertinentes à relação entre arte e religião, arte e o sagrado.
Thulin, Susanne Maria, und smthulin@telia com. „Hyperspectral Remote Sensing of Temperate Pasture Quality“. RMIT University. Mathematical and Geospatial Sciences, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090507.163006.
Der volle Inhalt der QuelleMuñoz, Cárdaba Luis-Miguel. „Principios eclesiológicos de la "Pastor bonus" /“. Roma : Ed. Pontificia università gregoriana, 1999. http://catalogue.bnf.fr/ark:/12148/cb372139274.
Der volle Inhalt der QuelleChen, Yu. „Accès et possession : deux modalités d'expérience de consommation : Le cas des visiteurs d'exposition et des collectionneurs d'oeuvres d'art contemporain“. Jouy-en Josas, HEC, 2006. https://pastel.archives-ouvertes.fr/pastel-00994776.
Der volle Inhalt der QuelleThis research proposes a theoretical framework which compares and combines the two alternative modes of entrance into the consumption experience: the case of visits and collection of contemporary artworks; as well as the two kinds of consumers- visitors and collectors. The framework is based on the philosophical debates about “having and being” as two modes of existence, and the analyses of consumer desire and consumer value vis-à-vis the two modes. The empirical findings, through two qualitative studies (depth interviews, personal journals; content analysis and intra-inter textual analyses) and two quantitative studies (questionnaires, factor analysis, structural equation modelling) with the sample of visitors of exhibitions and collectors of contemporary artworks, show that the population has different desires and values vis-à-vis the “access- visits” and the “possession-collection”: people desire otherness, aesthetics, surprise and calm by visits, and perceive value of otherness, stimulation and philanthropy after the visits; they desire keeping family links and the control over the relative subjects by possession, and perceive value of contentment after the possession. Curiously, collectors don’t show a stronger possessive desire than visitors- they have, however, stronger philanthropic desire regarding the collection. Visitors, for their part, only show stronger desire for intellectuality than collectors
Xia, Gui-Song. „Méthodes géométriques pour l'analyse d'images et de textures“. Paris, Télécom ParisTech, 2011. https://pastel.archives-ouvertes.fr/pastel-00682590.
Der volle Inhalt der QuelleThis thesis focuses on the studies of the extraction and characterization of local image structures, in the context of images and texture analysis. Relying on the level lines of images or on the somehow dual and less structured notion of gradient orientation, the contributions of the thesis concentrate on following three themes: The first part of this thesis presents a new method for texture analysis that in spirit is similar to morphological granulometries, while allowing a high degree of geometrical and radiometric invariances. Also using the topographic map representation, the second part of this thesis develops a general approach for the abstraction of images, the aim of which is to automatically generate abstract images from realistic photographs. The subject of the last part of this thesis is the detection of junctions in natural images. The approach relies on the local directions of level lines through the orientation of image gradient. We introduce a generic junction analysis scheme. The first asset of the proposed procedure is an automatic criterion for the detection of junctions, permitting to deal with textured parts in which no detection is expected. Second, the method yields a characterization of L-, Y- and X- junctions, including a precise computation of their type, localization and scale. Contrary to classical approaches, scale characterization does not rely on the linear scale-space, therefore enabling geometric accuracy
Brown, Peter Robert, und n/a. „Pasture response following rabbit control on grazing land“. University of Canberra. Resource & Environmental Science, 1993. http://erl.canberra.edu.au./public/adt-AUC20061113.144813.
Der volle Inhalt der QuelleBücher zum Thema "Pastry in art"
Tish, Boyle, und Moriarty Timothy 1951-, Hrsg. Grand finales: The art of the plated dessert. New York: Van Nostrand Reinhold, 1997.
Den vollen Inhalt der Quelle findenAmerica, Culinary Institute of, Hrsg. Baking and pastry: Mastering the art and craft. 2. Aufl. Hoboken, NJ: J. Wiley, 2009.
Den vollen Inhalt der Quelle findenDuperret, Jean-Yves. La nouvelle patisserie: The art & science of making beautiful pastries & desserts. New York, N.Y., U.S.A: Viking, 1988.
Den vollen Inhalt der Quelle findenJoy, Michael. Confectionery art casting: Silicone mold making for pastry chef. Oak Park, IL: The Chicago School of Mold Making and Casting for the Arts, 2003.
Den vollen Inhalt der Quelle findenG, Bromley A., Hrsg. The Victorian book of cakes: Recipes, techniques and decorations from the golden age of cake-making. London: Letts, 1991.
Den vollen Inhalt der Quelle findenMarla, Baggetta, und Rohlander Nathan, Hrsg. The art of pastel. Irvine, CA: Walter Foster Pub., 2010.
Den vollen Inhalt der Quelle findenFlattmann, Alan. The art of pastel painting. New York: Watson-Guptill Publications, 1987.
Den vollen Inhalt der Quelle findenAtkinson, Catherine. Pastry: The Complete Art of Pastry Making. Anness Publishing, 2012.
Den vollen Inhalt der Quelle findenPastry The Complete Art of Pastry Making. Anness Publishing Ltd, 2002.
Den vollen Inhalt der Quelle findenAtkinson, Catherine. Pastry: The Complete Art of Pastry Making. Lorenz Books, 2001.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Pastry in art"
Hell, Bodo. „City, Alpine Pasture, Art“. In Conceptions of the Desirable, 38–40. Vienna: Springer Vienna, 2007. http://dx.doi.org/10.1007/978-3-211-71260-3_7.
Der volle Inhalt der QuelleGaskell, Ivan. „Why Paintings? Why Art?“ In Paintings and the Past, 1–12. New York : Routledge, 2019. | Series: Routledge research in aesthetics; 11 | Some chapters revisions of works previously issued 2004–2016.: Routledge, 2019. http://dx.doi.org/10.4324/9780429199349-1.
Der volle Inhalt der QuelleBarnstone, Deborah Ascher. „Art and the revolution“. In The Break with the Past, 192–204. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315656830-14.
Der volle Inhalt der QuelleSiani, Alberto L. „Futures of Art“. In Hegel and the Present of Art’s Past Character, 61–82. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003388340-5.
Der volle Inhalt der QuelleGoddard, Lynette. „‘It's art, all it can do is bear witness’“. In Staging Difficult Pasts, 155–71. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003315827-10.
Der volle Inhalt der QuelleShields, Sara Scott, und Rachel Fendler. „Developing Civically Engaged Art Education“. In Qualitative Inquiry in Transition—Pasts, Presents, & Futures, 238–55. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781032676067-21.
Der volle Inhalt der QuelleSyrjälä-Qvist, Liisa. „Improvement of Natural Pasture Utilization by Sheep“. In Grazing Research at Northern Latitudes, 157–65. Boston, MA: Springer US, 1986. http://dx.doi.org/10.1007/978-1-4757-5338-7_16.
Der volle Inhalt der QuelleGaskell, Ivan. „Paintings That Might or Might Not Be Art“. In Paintings and the Past, 115–32. New York : Routledge, 2019. | Series: Routledge research in aesthetics; 11 | Some chapters revisions of works previously issued 2004–2016.: Routledge, 2019. http://dx.doi.org/10.4324/9780429199349-6.
Der volle Inhalt der QuelleGaskell, Ivan. „Paintings That Might or Might Not Be Art“. In Paintings and the Past, 133–56. New York : Routledge, 2019. | Series: Routledge research in aesthetics; 11 | Some chapters revisions of works previously issued 2004–2016.: Routledge, 2019. http://dx.doi.org/10.4324/9780429199349-7.
Der volle Inhalt der QuelleZhang, Yanrong. „Mesostructure of Fresh Cement Pastes“. In Study on Microstructure and Rheological Properties of Cement-Chemical Admixtures-Water Dispersion System at Early Stage, 109–35. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-4570-7_4.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Pastry in art"
Xinyu, Lun, und Zhang Xue. „A Study of Chinese Pastry Naming Patterns Based on Cognitive Semantics“. In 2021 International Conference on Education, Language and Art (ICELA 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220131.178.
Der volle Inhalt der QuelleBi, Sheng, und Bao Chen. „On the Innovative Expression of Contemporary Pastel Art“. In 2017 International Conference on Society Science (ICoSS 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icoss-17.2017.65.
Der volle Inhalt der QuelleWands, Bruce. „CREATING CONTINUITY BETWEEN COMPUTER ART HISTORY AND CONTEMPORARY ART“. In CAT 2010: Ideas before their time : Connecting the past and present in computer art. BCS Learning & Development, 2010. http://dx.doi.org/10.14236/ewic/cat2010.21.
Der volle Inhalt der QuelleBeveridge, Angela, Patrick Mutz und David Reid. „Tailings co-disposal case study – art or science?“ In 18th International Seminar on Paste and Thickened Tailings. Australian Centre for Geomechanics, Perth, 2015. http://dx.doi.org/10.36487/acg_rep/1504_39_beveridge.
Der volle Inhalt der QuelleEdmonds, Ernest A., und Francesca M. Franco. „ART OF CONVERSATION“. In CAT 2010: Ideas before their time : Connecting the past and present in computer art. BCS Learning & Development, 2010. http://dx.doi.org/10.14236/ewic/cat2010.4.
Der volle Inhalt der QuelleBleicher, Steven. „Relics of the past“. In ACM SIGGRAPH 2004 Art gallery. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1185884.1185893.
Der volle Inhalt der QuelleCornock, Stroud. „THE INTERACTIVE ART SYSTEM“. In CAT 2010: Ideas before their time : Connecting the past and present in computer art. BCS Learning & Development, 2010. http://dx.doi.org/10.14236/ewic/cat2010.3.
Der volle Inhalt der QuelleNake, Frieder. „PARAGRAPHS ON COMPUTER ART, PAST AND PRESENT“. In CAT 2010: Ideas before their time : Connecting the past and present in computer art. BCS Learning & Development, 2010. http://dx.doi.org/10.14236/ewic/cat2010.7.
Der volle Inhalt der Quelle„Autogenous Shrinkage of Cementitious Paste—State-of-the-Art“. In SP-222: Seventh CANMET/ACI International Conference on Recent Advances in Concrete Technology. American Concrete Institute, 2004. http://dx.doi.org/10.14359/13314.
Der volle Inhalt der QuelleTrentelman, Karen. „Art as Evidence: Uncovering the Past Through the Scientific Analysis of Works of Art“. In Frontiers in Optics. Washington, D.C.: Optica Publishing Group, 2023. http://dx.doi.org/10.1364/fio.2023.jw3a.1.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Pastry in art"
Castillo, Matthew J. Chinese Operational Art: Understanding the Present through the Lens of the Past. Fort Belvoir, VA: Defense Technical Information Center, Mai 2013. http://dx.doi.org/10.21236/ada583828.
Der volle Inhalt der QuelleTaylor Tynes, Taylor Tynes. Fresco Painting at the University of South Carolina: Medium of the Past, Art of Today. Experiment, März 2016. http://dx.doi.org/10.18258/6800.
Der volle Inhalt der QuelleAmato, Edward J. Enlisting Fuzzy-Wuzzy: Are Past Lessons Concerning Employing Irregulars Relevant Today? Fort Belvoir, VA: Defense Technical Information Center, März 2011. http://dx.doi.org/10.21236/ada560061.
Der volle Inhalt der QuelleCarr, Timothy D. Network-Centric Warfare: Are We Past the Age of De-centralized Execution? Fort Belvoir, VA: Defense Technical Information Center, Februar 2004. http://dx.doi.org/10.21236/ada422804.
Der volle Inhalt der QuelleMcCleery, Iona, Vicky Shearman und Jo Buckberry. You are what You Ate: Consuming the Past to benefit the Present. Edicions de la Universitat de Lleida, 2017. http://dx.doi.org/10.21001/itma.2017.11.15.
Der volle Inhalt der QuelleAhn, Jaeon. Are the Black Farmers of Today at a Disadvantage Because of Past Discrimination? Ames (Iowa): Iowa State University, Mai 2022. http://dx.doi.org/10.31274/cc-20240624-238.
Der volle Inhalt der QuelleHammond. L52354 State of the Art Review - Development of Optimized Welding Solutions for X100 Line Pipe Steel. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), April 2012. http://dx.doi.org/10.55274/r0010637.
Der volle Inhalt der QuelleDe Paiva Abreu, Marcelo. Which Industrial Policies are Meaningful for Latin America? Inter-American Development Bank, Januar 2006. http://dx.doi.org/10.18235/0011093.
Der volle Inhalt der QuelleKukla, George. Final report. [Impact of tropospheric aerosols on the past surface radiation income: Calibration with ARM site data]. Office of Scientific and Technical Information (OSTI), März 2001. http://dx.doi.org/10.2172/810686.
Der volle Inhalt der QuelleKenes, Bulent. Viktor Orbán: Past to Present. European Center for Populism Studies (ECPS), August 2020. http://dx.doi.org/10.55271/lp0001.
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