Zeitschriftenartikel zum Thema „Passion music Analysis“
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Sanitnarathorn, Pannawit. „An Analysis of Music Fan Towards Music Streaming Purchase Intention of Thailand's Music Industry“. Journal of Education and Training Studies 6, Nr. 3a (01.04.2018): 78. http://dx.doi.org/10.11114/jets.v6i3a.3161.
Vuorinen, Mark. „Symbolic Chiasm in Arvo Pärt’s Passio (1982)“. Circuit 21, Nr. 1 (11.03.2011): 45–59. http://dx.doi.org/10.7202/1001162ar.
BALMER, YVES, THOMAS LACÔTE und CHRISTOPHER BRENT MURRAY. „Un cri de passion ne s'analyse pas: Olivier Messiaen's Harmonic Borrowings from Jules Massenet“. Twentieth-Century Music 13, Nr. 2 (26.07.2016): 233–60. http://dx.doi.org/10.1017/s1478572216000025.
Erasmus, Ewie, und Liesl van der Merwe. „An interpretative phenomenological analysis of the lived musical experiences of three Williams syndrome individuals“. Psychology of Music 45, Nr. 6 (01.02.2017): 781–94. http://dx.doi.org/10.1177/0305735616689829.
Shishkin, Andrei Gennadievich. „Opera and religion: the experience of staging the opera “The Greek Passion” by Bohuslav Martinu in the Ural Opera Ballet Theatre“. Культура и искусство, Nr. 5 (Mai 2020): 140–48. http://dx.doi.org/10.7256/2454-0625.2020.5.32932.
Ma, Benjamin, Timothy Greer, Dillon Knox und Shrikanth Narayanan. „A computational lens into how music characterizes genre in film“. PLOS ONE 16, Nr. 4 (08.04.2021): e0249957. http://dx.doi.org/10.1371/journal.pone.0249957.
ANSON-CARTWRIGHT, MARK. „SUBDOMINANT RETURNS IN THE VOCAL MUSIC OF J. S. BACH“. Eighteenth Century Music 10, Nr. 2 (01.08.2013): 253–76. http://dx.doi.org/10.1017/s1478570613000067.
Rahayuningsih, Bina Kiki. „BENTUK DAN PERUBAHAN FUNGSI MUSIK KONGKIL DI DESA BUNGKAL KABUPATEN PONOROGO“. Sorai: Jurnal Pengkajian dan Penciptaan Musik 13, Nr. 1 (01.07.2020): 23–35. http://dx.doi.org/10.33153/sorai.v13i1.3091.
V.V., Plokhikh, und Kadukha O.S. „INTELLECTUAL ABILITIES OF STUDENTS WITH AN ADDICTIVE TENDENCY TO LISTEN TO MUSIC“. Scientic Bulletin of Kherson State University. Series Psychological Sciences, Nr. 1 (15.04.2021): 32–40. http://dx.doi.org/10.32999/ksu2312-3206/2021-1-4.
Frigyesi, Judit. „Who is the girl in Bartók’s The Miraculous Mandarin? a case study of Mimi’s deleted scene and its dramatic meaning“. Studia Musicologica 53, Nr. 1-3 (01.09.2012): 241–74. http://dx.doi.org/10.1556/smus.53.2012.1-3.18.
Paetz, Allison M. „“It Felt Like I Had Air Back in My Lungs”: Eleanor’s Journey Back From Burnout“. Journal of Music Teacher Education 30, Nr. 2 (10.01.2021): 77–92. http://dx.doi.org/10.1177/1057083720984438.
Chojnowski, Zbigniew. „Mit tristanowski“. Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 51, Nr. 2 (16.08.2021): 301–5. http://dx.doi.org/10.36770/bp.614.
Hunter, Abby. „Attitudes, Risk Behavior, and Noise Exposure among Young Adults with Hearing Problems: Identifying a Typology“. Seminars in Hearing 38, Nr. 04 (10.10.2017): 332–47. http://dx.doi.org/10.1055/s-0037-1606327.
Rasmussen Pennington, Diane. „“The most passionate cover I’ve seen”: emotional information in fan-created U2 music videos“. Journal of Documentation 72, Nr. 3 (09.05.2016): 569–90. http://dx.doi.org/10.1108/jd-07-2015-0086.
School, Veronika, und Amélie Zosso. „“You Cannot Perform Music Without Taking Care of Your Body”: A Qualitative Study on Musicians’ Representation of Body and Health“. Medical Problems of Performing Artists 27, Nr. 3 (01.09.2012): 129–36. http://dx.doi.org/10.21091/mppa.2012.3024.
De Ornellas, Kevin. „From Tory Boy to #sadmanonatrain: Great British Railway Journeys and the hard and soft masculinities of Michael Portillo“. Journal of Popular Television 9, Nr. 2 (01.06.2021): 251–63. http://dx.doi.org/10.1386/jptv_00053_1.
Baker, Deborah Lesko. „Gabrielle de Coignard’s Sonnets spirituels: Writing Passion within and against the Petrarchan Tradition“. Renaissance and Reformation 38, Nr. 3 (27.11.2015): 41–60. http://dx.doi.org/10.33137/rr.v38i3.26147.
Kostyuchenko, Natalya, und Olexander Filts. „PARANOID SCHIZOPHRENIA NEGATIVE SYMPTOMS FEATURES IN CASE OF PRESENCE OF MUSICAL EAR“. EUREKA: Health Sciences 3 (31.05.2018): 54–60. http://dx.doi.org/10.21303/2504-5679.2018.00650.
Kornoukhov, Mikhail D. „Question Left Unanswered (Lessons by Eduard Borisovich Abdullin)“. Musical Art and Education 8, Nr. 3 (2020): 118–28. http://dx.doi.org/10.31862//2309-1428-2020-8-3-118-128.
Hohaizel, Olha. „THE IMAGE OF ANNA IN THE OPERA “STOLEN HAPPINESS” BY Y. MEYTUS: INTERPRETATIVE ANALYSIS“. Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 58, Nr. 58 (10.03.2021): 112–29. http://dx.doi.org/10.34064/khnum1-58.07.
Ainsworth, Alan John. „“A Private Passion”“. Southern California Quarterly 101, Nr. 3 (2019): 317–38. http://dx.doi.org/10.1525/scq.2019.101.3.317.
Piana, Marco. „Written in Blood: Blood Devotion in Gianfrancesco Pico’s Staurostichon“. Renaissance and Reformation 42, Nr. 4 (09.04.2020): 85–102. http://dx.doi.org/10.7202/1068576ar.
Pankina, Elena V. „The Musical Iconography of the Private Chambers of Studiolo and Grotta of Isabella d’Este“. Observatory of Culture 15, Nr. 4 (25.10.2018): 468–78. http://dx.doi.org/10.25281/2072-3156-2018-15-4-468-478.
Zhang, Guangqian. „Composer Zhang Zhao: a look at the development of modern Chinese piano music“. Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 52, Nr. 52 (03.10.2019): 85–100. http://dx.doi.org/10.34064/khnum1-52.06.
Löbert, Anja. „Fandom as a religious form: on the reception of pop music by Cliff Richard fans in Liverpool“. Popular Music 31, Nr. 1 (Januar 2012): 125–41. http://dx.doi.org/10.1017/s0261143011000493.
Chychkanov, Ihor. „The creative personality of Grigory Sokolov in the piano art of the XX–XXI centuries“. Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 59, Nr. 59 (26.03.2021): 171–84. http://dx.doi.org/10.34064/khnum1-59.12.
Knysh, P. O. „Gender approach in the analysis of performing versions (on the example of F. Chopin’s Second Piano Concerto performed by E. Kissin, C. Arrau, Lang Lang, M. Argerich, B. Davidovich)“. Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 56, Nr. 56 (10.07.2020): 189–99. http://dx.doi.org/10.34064/khnum1-56.12.
Lebedinski, Ester. „The travels of a tune: Purcell’s ‘If love’s a sweet passion’ and the cultural translation of 17th-century English music“. Early Music 48, Nr. 1 (Februar 2020): 75–90. http://dx.doi.org/10.1093/em/caaa003.
Parkhomenko, Dar’ia. „“Musical gastronomy” in Rossini’s piano miniatures (on the example of the cycle “Quatre horsd’oeuvres et quatre mendiants”).“ Aspects of Historical Musicology 19, Nr. 19 (07.02.2020): 169–88. http://dx.doi.org/10.34064/khnum2-19.10.
Bonneville-Roussy, Arielle, Emese Hruska und Hayley Trower. „Teaching Music to Support Students: How Autonomy-Supportive Music Teachers Increase Students’ Well-Being“. Journal of Research in Music Education 68, Nr. 1 (31.01.2020): 97–119. http://dx.doi.org/10.1177/0022429419897611.
Zhu, Fengdaijiao. „Zhu Jian’er’s life creativity: the historiography of the composer’s personality“. Aspects of Historical Musicology 18, Nr. 18 (28.12.2019): 190–212. http://dx.doi.org/10.34064/khnum2-18.11.
Saarikallio, Suvi H., Johanna P. Maksimainen und William M. Randall. „Relaxed and connected: Insights into the emotional–motivational constituents of musical pleasure“. Psychology of Music 47, Nr. 5 (20.06.2018): 644–62. http://dx.doi.org/10.1177/0305735618778768.
Custodero, Lori A., und Elissa A. Johnson-Green. „Passing the Cultural Torch: Musical Experience and Musical Parenting of Infants“. Journal of Research in Music Education 51, Nr. 2 (Juli 2003): 102–14. http://dx.doi.org/10.2307/3345844.
Wibowo, Tito Parta, Edho Pranata und Antomie Antomie. „Interaksi Kekuatan Otot Tungkai Terhadap Keterampilan Passing Atas Pada Permainan Bola Voli“. Edunesia : Jurnal Ilmiah Pendidikan 1, Nr. 3 (01.11.2020): 41–45. http://dx.doi.org/10.51276/edu.v1i3.58.
Remes, Hanna. „”Sävelet tekevät tekstin eläväksi”: paaston ja pääsiäisajan liturginen kuoromusiikki sanoman kannattelija“. Trio 10, Nr. 1 (10.07.2021): 91–100. http://dx.doi.org/10.37453/trio.110132.
Buchler, Michael. „Ornamentation as Gesture in Atonal Music“. Music Theory Spectrum 42, Nr. 1 (03.12.2019): 24–37. http://dx.doi.org/10.1093/mts/mtz021.
Shaked, Varda. „Computer Scientists with Serious Music Avocations Share Their Thinking“. Leonardo 52, Nr. 5 (Oktober 2019): 468–73. http://dx.doi.org/10.1162/leon_a_01445.
Stehle, Maria. „Temporal tapestries: Transforming cityscapes in Berlin pop music videos“. Journal of European Popular Culture 10, Nr. 2 (01.10.2019): 109–25. http://dx.doi.org/10.1386/jepc_00004_1.
Osborn, Brad. „The Subdominant Tritone in Film and Television Music“. Current Musicology 107 (10.02.2021): 62–92. http://dx.doi.org/10.52214/cm.v107i.7840.
Lemcke, Marie-Christine, Asja Ebinghaus und Ute Knierim. „Impact of Music Played in an Automatic Milking System on Cows’ Milk Yield and Behavior—A Pilot Study“. Dairy 2, Nr. 1 (01.02.2021): 73–78. http://dx.doi.org/10.3390/dairy2010007.
Fatmawati, Desy Eka. „Racial Passing Practiced by Mulattoes: A New Historicist Reading of Nella Larsen’s Passing and Jessie Fauset’s Plum Bun”“. Rubikon : Journal of Transnational American Studies 4, Nr. 2 (19.07.2019): 95. http://dx.doi.org/10.22146/rubikon.v4i2.47881.
Kuch, Mia, und Clemens Wöllner. „On the Move: Principal Components of the Functions and Experiences of Mobile Music Listening“. Music & Science 4 (01.01.2021): 205920432110328. http://dx.doi.org/10.1177/20592043211032852.
Skrukwa, Marek. „Biblical Inspirations in the Works of Krzysztof Penderecki: At the Crossroads of Theology and Music“. Perspektywy Kultury 26, Nr. 3 (01.10.2019): 47–66. http://dx.doi.org/10.35765/pk.2019.2603.06.
Pasoulas, Aki. „Temporal Associations, Semantic Content and Source Bonding“. Organised Sound 16, Nr. 1 (25.02.2011): 63–68. http://dx.doi.org/10.1017/s1355771810000440.
Gilányi, Gabriella. „The Processional Oct. Lat. 794 of the Budapest National Széchényi Library. A re-identification“. Studia Musicologica 56, Nr. 2-3 (Juni 2015): 257–89. http://dx.doi.org/10.1556/6.2015.56.2.11.
Scott, Allen. „Simon Lyra and the Lutheran liturgy in the second half-century of the Reformation in Breslau“. Muzyka 65, Nr. 1 (02.04.2020): 3–18. http://dx.doi.org/10.36744/m.309.
Zheng, Yiren. „Sounding the Ineffable: Third-Century Chinese Whistling as an Alternative Voice“. positions: asia critique 29, Nr. 2 (01.05.2021): 267–90. http://dx.doi.org/10.1215/10679847-8852176.
Kordovska, P. А. „S. Scharrino’s «Luci mie traditrici»: the musical text of the Renaissance in the modern opera“. Aspects of Historical Musicology 14, Nr. 14 (15.09.2018): 132–51. http://dx.doi.org/10.34064/khnum2-14.10.
Kodenko, I. I. „Concepts of Early Music Re-creation in Wanda Landowska’s Work“. Aspects of Historical Musicology 17, Nr. 17 (15.09.2019): 261–79. http://dx.doi.org/10.34064/khnum2-17.17.
Schmidt, Katharina. „Money and a Room of One’s Own?! A Feminist Deconstruction of the Situation of Female Jazz Musicians 1960–1980“. European Journal of Musicology 16, Nr. 1 (31.12.2017): 81–93. http://dx.doi.org/10.5450/ejm.2017.16.5780.