Auswahl der wissenschaftlichen Literatur zum Thema „Passion music Analysis, appreciation“
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Zeitschriftenartikel zum Thema "Passion music Analysis, appreciation":
Wei, Zhou. „Analysis on the Charm of Music Appreciation“. Music Report 2, Nr. 3 (2020): 73–77. http://dx.doi.org/10.35534/mur.0203012c.
Buel, Dona L., und Samuel C. Welch. „Improving Music Appreciation Class Using Cohort Analysis“. General Music Today 13, Nr. 3 (April 2000): 13–15. http://dx.doi.org/10.1177/104837130001300304.
Sanitnarathorn, Pannawit. „An Analysis of Music Fan Towards Music Streaming Purchase Intention of Thailand's Music Industry“. Journal of Education and Training Studies 6, Nr. 3a (01.04.2018): 78. http://dx.doi.org/10.11114/jets.v6i3a.3161.
Cho, Sung-gi, und YeoJin Hwang. „Status Analysis of Music Appreciation Education in the Secondary School“. Korean Society of Music Education Technology 33 (16.10.2017): 135–53. http://dx.doi.org/10.30832/jmes.2017.33.135.
Jorgensen, Estelle R. „Percy Scholes on Music Appreciation: Another View“. British Journal of Music Education 4, Nr. 2 (Juli 1987): 139–56. http://dx.doi.org/10.1017/s0265051700005908.
Platz, Friedrich, und Reinhard Kopiez. „When the Eye Listens: A Meta-analysis of How Audio-visual Presentation Enhances the Appreciation of Music Performance“. Music Perception 30, Nr. 1 (01.09.2012): 71–83. http://dx.doi.org/10.1525/mp.2012.30.1.71.
Meehan, Sarah, Elizabeth A. Hough, Gemma Crundwell, Rachel Knappett, Mark Smith und David M. Baguley. „The Impact of Single-Sided Deafness upon Music Appreciation“. Journal of the American Academy of Audiology 28, Nr. 05 (Mai 2017): 444–62. http://dx.doi.org/10.3766/jaaa.16063.
Osiebe, Garhe. „Electoral Music Reception“. Matatu 49, Nr. 2 (20.12.2017): 439–66. http://dx.doi.org/10.1163/18757421-04902011.
Lv, Yang. „Influence of cognitive neural mechanism on music appreciation and learning“. Translational Neuroscience 10, Nr. 1 (23.04.2019): 57–63. http://dx.doi.org/10.1515/tnsci-2019-0010.
Wolf, Motje. „The Appreciation of Electroacoustic Music: The prototype of the pedagogical ElectroAcoustic Resource Site“. Organised Sound 18, Nr. 2 (11.07.2013): 124–33. http://dx.doi.org/10.1017/s1355771813000046.
Dissertationen zum Thema "Passion music Analysis, appreciation":
李德芬 und Daphne Lee. „The transmission of Qin music: the analysis of four versions of the composition Pingsha luoyan“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B43894896.
Lucas, James Edward. „Score and analysis of the International Suite for Two Pianos and Orchestra /“. The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487268021747395.
Mahoney, J. Jeffrey. „The Elements of Jazz Harmony and Analysis“. Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc500764/.
Hughes, John Charles. „Leonhard Lechner's Passion (1593): cultural contexts, musical analysis, and historical implications“. Diss., University of Iowa, 2014. https://ir.uiowa.edu/etd/1469.
Wong, Hock-wei Wendy, und 黃學慧. „Containing the German within: the unpublishedpiano works of Dohnanyi Erno“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B37366889.
Chan, Chor-shan Sharon, und 陳楚珊. „Neither here nor there: the dramatic tension between the spoken word and music performance in Igor Stravinsky'sOedipus rex (1927)“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48199540.
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Master
Master of Philosophy
Johnson, Stephen. „Hecate nocturne : for large orchestra“. Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99173.
The primary goal of the thesis is a close interconnection of all musical material, at all levels; that a limited pool of material could produce, through motivic development, all the components of the piece, from small to large. The secondary goal is to give the music a "sense of place" through depictions of natural sounds occurring---in this case---in British Columbia. The tertiary goal is to write musical returns, or recapitulations, that are always significantly altered from their original presentations, to give the piece a feeling of consequence or alteration. This last goal arises from the aesthetic application of some of the composer's philosophical beliefs.
Ross, Gordon. „Popular music analysis“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/MQ65051.pdf.
Von, Holtzendorff Peter. „A parametric integration model for the analysis of late Baroque music : a tentative approach“. Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=20185.
Wolf, Motje. „The appreciation of electroacoustic music : an empirical study with inexperienced listeners“. Thesis, De Montfort University, 2013. http://hdl.handle.net/2086/8680.
Bücher zum Thema "Passion music Analysis, appreciation":
Platen, Emil. Die Matthäus-Passion von Johann Sebastian Bach: Entstehung, Werkbeschreibung, Rezeption. München: Deutscher Taschenbuch Verlag, 1991.
Göllner, Theodor. "Die sieben Worte am Kreuz" bei Schütz und Haydn: Vorgetragen am 13. Januar 1984. München: Verlag der Bayerischen Akademie der Wissenschaften, 1986.
Scholz, Gottfried. Bachs Passionen: Ein musikalischer Werkführer. München: C.H. Beck, 2000.
Jena, Günter. "Das gehet meiner Seele nah": Die Matthäuspassion von Johann Sebastian Bach. Freiburg i. Br: Herder, 1999.
Victor, Lederer. Bach's St. Matthew Passion: A closer look. New York: Continuum, 2008.
Rallo, Elisabeth. Opéras, passions. Paris: Presses universitaires de France, 2001.
Rallo, Elisabeth. Opéras, passions. Paris: Presses universitaires de France, 2001.
Geck, Martin. Johann Sebastian Bach: Mit Selbstzeugnissen und Bilddokumenten. Reinbek bei Hamburg: Rowohlt, 1993.
Geck, Martin. Johann Sebastian Bach: Johannespassion : BWV 245. München: W. Fink, 1991.
Geck, Martin. Bach: Leben und Werk. Reinbek: Rowohlt, 2000.
Buchteile zum Thema "Passion music Analysis, appreciation":
Palma-Martos, María Luisa, Manuel Cuadrado-García und Juan D. Montoro-Pons. „Breaking the Gender Gap in Rap/Hip-Hop Consumption“. In Music as Intangible Cultural Heritage, 51–65. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76882-9_5.
Cassidy Parker, Elizabeth. „Interlude“. In Adolescents on Music, 173–74. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190671358.003.0021.
Boczkowski, Pablo J. „Entertainment“. In Abundance, 125–64. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197565742.003.0005.
Leong, Daphne. „Reception and Structure“. In Performing Knowledge, 332–62. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190653545.003.0011.
Hobbs, Renee, Liz Deslauriers und Pam Steager. „Creating“. In The Library Screen Scene, 67–102. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190854317.003.0003.
Konferenzberichte zum Thema "Passion music Analysis, appreciation":
Kakegawa, Mayu, Ryo Komiyama, Yuko Masakura und Masayuki Kikuchi. „Analysis of music appreciation by Kansei evaluation and brain activity“. In 2012 Joint 6th Intl. Conference on Soft Computing and Intelligent Systems (SCIS) and 13th Intl. Symposium on Advanced Intelligent Systems (ISIS). IEEE, 2012. http://dx.doi.org/10.1109/scis-isis.2012.6505407.