Zeitschriftenartikel: „Passing (Gender)“

1

Ring, Laura, und Carol Brooks Gardner. „Passing By: Gender and Public Harassment.“ Contemporary Sociology 25, Nr. 4 (Juli 1996): 480. http://dx.doi.org/10.2307/2077083.

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2

Williams, Mark. „Passing for History“. Feminist Media Histories 8, Nr. 3 (2022): 115–26. http://dx.doi.org/10.1525/fmh.2022.8.3.115.

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This essay will realize an intersectional historiographic approach to the career of Ina Ray Hutton, one of the most important band leaders during the rise and fall of the swing era. Hutton was known as the “blonde bombshell of rhythm,” an appellation that was critical not only to her popular notoriety but also to her success performing a sustained act of racial passing, the full public awareness of which has arrived in a belated and untimely fashion (absent from her obituaries). Although her passing was likely known within certain delimited communities, it was hidden from the larger dominant white culture of the day and from the popular memory of her trans-media audience. This study will focus on the contexts of her work at the beginning of her career, and end with her late career on local and network television as sites that provide new speculative interventions to recognize the significance of this singular performer.

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3

Davidson, Samuel M. „Mouths Wide Shut: Gender-Quiet Teenage Males on Gender-Bending, Gender-Passing and Masculinities“. International Review of Education 55, Nr. 5-6 (25.09.2009): 615–31. http://dx.doi.org/10.1007/s11159-009-9139-y.

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4

Adkins, Lisa. „Passing on Feminism“. European Journal of Women's Studies 11, Nr. 4 (November 2004): 427–44. http://dx.doi.org/10.1177/1350506804046813.

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5

Chancer, Lynn S. „Passing By: Gender and Public Harassment.Carol Brooks Gardner“. American Journal of Sociology 102, Nr. 4 (Januar 1997): 1214–16. http://dx.doi.org/10.1086/231069.

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6

Walker, K. P. „SINEAD MOYNIHAN. Passing into the Present: Contemporary American Fiction of Racial and Gender Passing.“ Review of English Studies 62, Nr. 256 (22.08.2011): 670–72. http://dx.doi.org/10.1093/res/hgr070.

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7

Tyler, Carole-Anne. „Passing: Narcissism, Identity, and Difference“. differences 6, Nr. 2-3 (01.07.1994): 212–48. http://dx.doi.org/10.1215/10407391-6-2-3-212.

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8

Long, M. J. „Generative design defended Gender differences discussed“. Architectural Research Quarterly 7, Nr. 1 (März 2003): 6. http://dx.doi.org/10.1017/s1359135503261935.

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9

Lefkovitz, Lori Hope. „Passing as a Man: Narratives of Jewish Gender Performance“. Narrative 10, Nr. 1 (2002): 91–103. http://dx.doi.org/10.1353/nar.2002.0003.

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10

Johnson, Carol. „Heteronormative Citizenship and the Politics of Passing“. Sexualities 5, Nr. 3 (August 2002): 317–36. http://dx.doi.org/10.1177/1363460702005003004.

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11

Goldberg, Marianne. „Ballerinas and ball passing“. Women & Performance: a journal of feminist theory 3, Nr. 2 (01.01.1987): 7–31. http://dx.doi.org/10.1080/07407708708571101.

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12

Hellstrand, Ingvil. „‘Almost the same, but not quite’: Ontological politics of recognition in modern science fiction“. Feminist Theory 17, Nr. 3 (16.09.2016): 251–67. http://dx.doi.org/10.1177/1464700116666240.

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This article explores how issues of ‘not quite human-ness’ expose the conditions of possibility of being considered human; of human ontology. I refer to these dynamics for identifying sameness and difference as ontological politics of recognition. Tracing the genealogies of passing, I situate passing and Othering socio-political regulation and ideological frameworks for conceptualising ontology. I am particularly concerned with how the notion of ontology is bound up in questions of race and gender, and with the entanglements of technology and biology that can destabilise apparently fixed boundaries between the (natural/normative) human and its (constructed/abnormal) Others. I identify three trajectories of passing as human in the histories of science fiction. The first trajectory discusses ontological mimicry: the ways in which the non-human attempts to be like the human. The second trajectory addresses how passing as human relies on a Butlerian performativity: doing human-ness by complying with the regulatory frames for appearances and practices. The final trajectory discusses what is at stake in contemporary ontological politics of recognition: a renegotiation of human supremacy through an emphasis on collectivity and collaboration rather that singularity and boundedness.

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13

Hegyi, Pál. „Distancing Gender in Contemporary Hungarian Fiction“. Hungarian Cultural Studies 12 (01.08.2019): 268–80. http://dx.doi.org/10.5195/ahea.2019.363.

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Representations of gender crossing go back to a rich tradition in Hungarian literature. The most conspicuous achievements for performing gender passing on the authorial plane are epitomized in such fictionalized female literary alter egos as Erzsébet Lónyay (Sándor Weöres), Lili Csokonai (Péter Esterházy), and Jolán Sárbogárdi (Lajos Parti Nagy). Providing a unique sensibility to seek out innovative forms that could accommodate interrogations into distancing gender, it is a legacy that finds continuation in the works of a new generation of young Hungarian prose writers. By conducting close-readings of literary pieces by two present-day writers, Pál Hegyi’s paper endeavors to give instances of how gender passing is transposed from the authorial plane to the level of narratives. The short stories “Karambol” [‘Crash’] by Ádám Berta and “Pertu” [‘On Intimate Terms’] by Edina Szvoren will be interpreted to adumbrate distancing narrative strategies for crossing gender boundaries.

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14

Goetz, Teddy G. „Self(ie)-Recognition: Authenticity, Passing, and Trans Embodied Imaginaries“. Studies in Gender and Sexuality 23, Nr. 4 (02.10.2022): 256–78. http://dx.doi.org/10.1080/15240657.2022.2133525.

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15

Snorton, C. Riley. „“A New Hope”: The Psychic Life of Passing“. Hypatia 24, Nr. 3 (Dezember 2008): 77–92. http://dx.doi.org/10.1111/j.1527-2001.2009.01046.x.

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In an examination of the psychological aspect of passing, this essay challenges Sandy Stone's conceptualization and subsequent request for transsexuals to forego the act. Employing an auto-ethnographical approach, this essay contends that considering the “psychic” dimensions of passing requires different, and more hopeful, articulations about transsexual bodies, such that gendered and racialized transsexual bodies are produced not simply in terms of social reading and physical embodiment, but also through psychic affirmation and disavowal.

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16

Caudwell, Jayne. „The jazz-sport analogue: Passing notes on gender and sexuality“. International Review for the Sociology of Sport 45, Nr. 2 (Juni 2010): 240–48. http://dx.doi.org/10.1177/1012690209357120.

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17

ZIMMERMAN, DON H. „THEY WERE ALL DOING GENDER, BUT THEY WEREN'T ALL PASSING:“. Gender & Society 6, Nr. 2 (Juni 1992): 192–98. http://dx.doi.org/10.1177/089124392006002003.

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18

Borgstrom, Michael. „Passing Over: Setting the Record Straight in Uncle Tom's Cabin“. PMLA/Publications of the Modern Language Association of America 118, Nr. 5 (Oktober 2003): 1290–304. http://dx.doi.org/10.1632/003081203x67983.

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This essay considers one of the most underexamined characters in Harriet Beecher Stowe's Uncle Tom's Cabin: Augustine St. Clare's effeminate manservant, Adolph. I evaluate Adolph's critical elision to illustrate how the success of critiques centered on race and gender unintentionally permits other minority identities (and stereotypes) in the book to continue unremarked. While revisionist readings of Stowe's novel complicate racial and gender stereotypes, they nevertheless accept stable (even conventional) categories to describe minority identity. Such formulations foreclose the possibility of seeing other minority identities in the book that intertwine race and gender in ways different from normative standards. In examining Adolph's character, this essay considers how intersectional analysis reveals important representations of social difference—including differences not always acknowledged in present-day culture.

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19

Davis, Kathy. „Surgical Passing: Or Why Michael Jackson's Nose Makes `us' Uneasy“. Feminist Theory 4, Nr. 1 (01.04.2003): 73–92. http://dx.doi.org/10.1177/1464700103004001004.

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20

Cruz, Omayra Zaragoza. „Orchestra seats: Passing in cinema“. Women & Performance: a journal of feminist theory 15, Nr. 1 (Januar 2005): 211–36. http://dx.doi.org/10.1080/07407700508571494.

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21

Keeling, Kara. „Passing for human:Bamboozledand digital humanism“. Women & Performance: a journal of feminist theory 15, Nr. 1 (Januar 2005): 237–50. http://dx.doi.org/10.1080/07407700508571495.

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22

ROGERS, MARY F. „THEY ALL WERE PASSING:“. Gender & Society 6, Nr. 2 (Juni 1992): 169–91. http://dx.doi.org/10.1177/089124392006002002.

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23

Anderson, Sandra C., und Mindy Holliday. „Normative Passing in the Lesbian Community“. Journal of Gay & Lesbian Social Services 17, Nr. 3 (Oktober 2004): 25–38. http://dx.doi.org/10.1300/j041v17n03_02.

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24

Mak, Geertje. „Sandor/Sarolta Vay: From Passing Woman to Sexual Invert“. Journal of Women's History 16, Nr. 1 (2004): 54–77. http://dx.doi.org/10.1353/jowh.2004.0030.

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25

Crawford, Mary. „5. Identity, `Passing' and Subversion“. Feminism & Psychology 2, Nr. 3 (Oktober 1992): 429–31. http://dx.doi.org/10.1177/0959353592023013.

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26

Lingel, Jessa. „Adjusting the Borders: Bisexual Passing and Queer Theory“. Journal of Bisexuality 9, Nr. 3-4 (13.11.2009): 381–405. http://dx.doi.org/10.1080/15299710903316646.

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27

Román, Valentina Montero. „Race, Gender, and "Real Brains": Interrogating Unreliability in Nella Larsen's Passing“. MFS Modern Fiction Studies 68, Nr. 2 (Juni 2022): 219–47. http://dx.doi.org/10.1353/mfs.2022.0010.

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28

Smith, Valerie. „Reading the Intersection of Race and Gender in Narratives of Passing“. Diacritics 24, Nr. 2/3 (1994): 43. http://dx.doi.org/10.2307/465163.

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29

Hassein, Udai, Maksym Diachuk und Said Easa. „Evaluation of dynamic passing gap acceptance on two-lane highways using field data“. Canadian Journal of Civil Engineering 44, Nr. 11 (November 2017): 871–80. http://dx.doi.org/10.1139/cjce-2016-0572.

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Gap availability is an important element of safe passing on two-lane highways. Time gaps are used to determine passing behaviour based on human factors. In this paper, the decision whether to accept or reject an available passing gap is modelled using logistic regression technique that included driver characteristics (age and experience) and the gap size. Field studies were conducted to collect experimental data regarding passing driver behaviour. The data were collected using dual camera Car DVRs and a GPS data logger device that records the instantaneous speed and position of the three vehicles involved in the passing maneuver: passing vehicle, impeding vehicle, and opposing vehicle. Regression models that include driver age and gender (required as input to the gap acceptance model) were established for initial passing time, starting gap, ending gap, and time to collision. The gap acceptance model was implemented in Simulink and the results revealed that driver characteristics significantly affect gap acceptance decisions.

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30

Harris, Keshia L. „Biracial American Colorism: Passing for White“. American Behavioral Scientist 62, Nr. 14 (Dezember 2018): 2072–86. http://dx.doi.org/10.1177/0002764218810747.

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Biracial Americans constitute a larger portion of the U.S. population than is often acknowledged. According to the U.S. Census, 8.4 million people or 2.6% of the population identified with two or more racial origins in 2016. Arguably, these numbers are misleading considering extensive occurrences of interracial pairings between Whites and minority racial groups throughout U.S. history. Many theorists posit that the hypodescent principle of colorism, colloquially known as “the one drop rule,” has influenced American racial socialization in such a way that numerous individuals primarily identify with one racial group despite having parents from two different racial backgrounds. While much of social science literature examines the racial identification processes of biracial Americans who identify with their minority heritage, this article focuses on contextual factors such as family income, neighborhood, religion, and gender that influence the decision for otherwise African/Asian/Latino/Native Americans to identify as White.

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31

Holmgren, Linn Egeberg. „Killing Bill – men as rebellious feminists in the politics of passing“. NORMA 2, Nr. 01 (18.07.2007): 16–37. http://dx.doi.org/10.18261/issn1890-2146-2007-01-03.

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32

Gutiérrez Rubio, Enrique. „Gender stereotypes in Spanish phraseology“. Multidisciplinary Journal of Gender Studies 7, Nr. 3 (25.10.2018): 1709. http://dx.doi.org/10.17583/generos.2018.3632.

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In this paper the results of research on gender stereotypes underlying Spanish phraseology are presented. Its main aim is to reveal which gender stereotypes are explicitly or implicitly present in commonly used contemporary Spanish Phraseological Units (PUs). In order to achieve this goal, all PUs associated with men and women documented in the most complete dictionary of current Spanish phraseology (Diccionario fraseológico documentado del español actual: locuciones y modismos españoles) have been analysed. In order to systematize the analysis, an inventory of stereotypes has been collected and split into five main thematic categories: physical characteristics; attitude, personality and abilities; sexuality; family; activities and professions. Moreover, a sixth, transversal category has been added – the opposite male and female conceptualisations of the passing of time.

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33

Díaz-León, Esa. „Response-Dependence, Misgendering, and Passing: A Comment on Ásta’s Categories We Live By“. Journal of Social Ontology 5, Nr. 2 (28.01.2020): 245–49. http://dx.doi.org/10.1515/jso-2020-2005.

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AbstractThis comment on Ásta’s Categories we live by: the construction of sex, gender, race, and other social categories discusses Ásta’s arguments that the conferralist view on social properties does better than a response-dependence view concerning gender. Her key argument is that a response-dependence does not allow for mistakes. This comment tries to show that a response-dependence view can accommodate misgendering and passing.

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34

Nyong'o, Tavia. „Passing as politics: Framing black political performance“. Women & Performance: a journal of feminist theory 15, Nr. 1 (Januar 2005): 53–78. http://dx.doi.org/10.1080/07407700508571488.

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35

Reddy-Best, Kelly L., und Eric D. Olson. „Packers, dilators and the options for either male or female: Navigating movement of transgender and gender non-conforming bodies, appearances and luggage through airport security“. Fashion, Style & Popular Culture 7, Nr. 2 (01.03.2020): 223–46. http://dx.doi.org/10.1386/fspc_00016_1.

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Abstract In this article, we investigate the experiences of transgender and gender non-conforming (TGNC) individuals leading up to and moving through Transportation Security Administration (TSA) airport lines. We used a qualitative research method and analysed fourteen in-depth interviews of TGNC individuals. Based upon analysis of the data, three larger themes emerged, each with several subthemes. First, the TGNC participants engaged in extra packing or had additional packing considerations. Second, as participants moved through security, they frequently experienced gender confusion from the TSA agents. Lastly, participants actively thought about passing, or tried to dress in a way where they were perceived as passing as a binary gender. TGNC bodies are rendered as potential threats in binary spaces, specifically those spaces with the purpose of surveillance. In the case of TSA, they disrupt hegemonic expectations surrounding gender and require additional emotional, physical and financial labour. Despite proactivity from other parties to gain them equal access to binary spaces, TGNC individuals still experience, in some cases, additional scrutiny, observation and intensified analysis before being granted access through entryways deemed suitable only to the long-standing hierarchy of the gender binary.

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36

Kheshti, Roshanak. „Cross-Dressing and Gender (Tres)Passing: The Transgender Move as a Site of Agential Potential in the New Iranian Cinema“. Hypatia 24, Nr. 3 (Dezember 2008): 158–77. http://dx.doi.org/10.1111/j.1527-2001.2009.01050.x.

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This article traces the historical becoming of the contemporary supersaturation of images of queer and transgendered Iran through the narrative and tropic devices introduced by filmmakers in the past twenty years. I argue that the censorship code enforced by the Ministry of Culture and Islamic Guidance is partly responsible for the formation of what has come to be a ubiquitous figure in the New Iranian cinema: the “cross-dressing” or “passing” figure. By performing close readings of Baran and Dokhtaraneh Khorshid—two films that are exemplary of a subgenre organized around the “cross-dressing” or “passing” figure—I identify a “transgender move”: a temporary space of political and agential potential that many spectators—both domestic and diasporic—seek in the post 1990s New Iranian cinema.

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37

Ravindranathan, T. „Unequal Metrics: Animals Passing in La Fontaine, Poe, and Chevillard“. differences 24, Nr. 3 (01.01.2013): 1–35. http://dx.doi.org/10.1215/10407391-2391941.

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38

Doan, Laura. „Passing Fashions: Reading Female Masculinities in the 1920s“. Feminist Studies 24, Nr. 3 (1998): 663. http://dx.doi.org/10.2307/3178585.

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39

García-Mainar, Inmaculada, Víctor M. Montuenga und Guillermo García-Martín. „Occupational Prestige and Gender-Occupational Segregation“. Work, Employment and Society 32, Nr. 2 (13.11.2017): 348–67. http://dx.doi.org/10.1177/0950017017730528.

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The purpose of this article is to determine whether there is a relationship between the proportion of women working in an occupation and the prestige assigned to that occupation. Based on a representative sample of Spanish employees from the Spanish Quality of Working Life Survey, pooled-sample data (2007–2010) are used to show that occupations with larger shares of women present lower prestige, controlling for a set of objective individual and work-related variables, and self-assessed indicators of working conditions. However, the results obtained do not support the devaluation theory since an inverted-U relationship between female share and occupational prestige is observed. This conclusion holds even after passing a battery of robustness checks.

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40

Scott, Julie-Ann. „Almost Passing: A Performance Analysis of Personal Narratives of Physically Disabled Femininity“. Women's Studies in Communication 38, Nr. 2 (03.04.2015): 227–49. http://dx.doi.org/10.1080/07491409.2015.1027023.

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41

Medina, Jameelah X. „Body politicking and the phenomenon of ‘passing’“. Feminism & Psychology 21, Nr. 1 (12.11.2010): 138–43. http://dx.doi.org/10.1177/0959353510384833.

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42

Feghabo, Charles. „Adichie’s Half of a Yellow Sun and the Valorization of Womanhood“. International Journal of English and Comparative Literary Studies 3, Nr. 2 (31.03.2022): 43–54. http://dx.doi.org/10.47631/ijecls.v3i2.430.

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The Nigerian Civil War has birthed much writing with the actors and victims reimagining the dark historical experience, highlighting the divergent role(s) in different literary genres. Chimamanda Ngozi Adichie’s Half of a Yellow Sun, one of the latest additions to the corpus of the war narratives, marks its distinctiveness by its fictive feminization, valorizing the marginal ‘other’. Available studies on the text focus on gender and trauma, with a passing mention of education. With the feminist theory as its thrust, this paper examines Adichie’s redefinition of the status of femininity vis-à-vis education. Through the actions of male/female genders and the rural illiterate/highly educated female gender captured in duality, Adichie, in the text, configures education as an undercurrent for the exploits of the educated female even as it (education) serves as the author’s strategy of subverting gender bias in society.

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Sheenam. „Dual Identities, Single Struggle: A Comparative Analysis of Racial Passing in The Human Stain and Incidents in the Life of a Slave Girl“. Integrated Journal for Research in Arts and Humanities 4, Nr. 3 (25.05.2024): 78–83. http://dx.doi.org/10.55544/ijrah.4.3.15.

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This paper undertakes a comparative examination, delving into the portrayal of racial passing in Harriet Jacobs’ Incidents in the Life of a Slave Girl and Philip Roth’s The Human Stain. The study delves into the utilization of racial passing as a mechanism for survival and resistance amongst enslaved individuals during the American antebellum era. The study thoroughly investigates the psychological ramifications of racial passing, the intricate interplay between race and gender, identity crises and trauma endured by characters as a consequence of crossing the colour line. Jacobs’ seminal work offers a firsthand account of the experiences of an enslaved woman navigating the perils of passing to secure her freedom, while Roth's novel delves into the consequences of racial passing in a contemporary American context. Employing interdisciplinary methodology, the analysis draws from literary critique, psychological inquiry, and critical race theory to juxtapose these two works. This study not only enhances the understanding of agency within the context of racial oppression but also highlights the enduring relevance of passing as a theme, exploring the implications for race, individual agency, social dynamics and the construction of identity and acts of resistance within both literary narratives and broader societal contexts.

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Alolaiwi, Hayder Naji Shanbooj. „Gender Trouble and the Tragic Black Woman Hybrids in Clotel, Quicksand and Passing“. Journal of Arts and Humanities 6, Nr. 6 (29.05.2017): 08. http://dx.doi.org/10.18533/journal.v6i6.1185.

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<p>The African-American female character's description in Clotel, Quicksand and Passing are very impressive, among whom Clotel, Clare and Irene are depicted as one of the most important “passing” figures for the whole story. Though sharing some similarities with the traditional Black women in the past African-American novels, Clotel, Clare and Irene are very different. The strong connection with as well as variations than the usual gender pattern are mixed within these women. It is only by this new approach that the reader can re-think Black woman and build a new African-American female identity. Taking into the consideration an ecofeminist point of view, this paper is going to study the points of similarities with and differences from the traditional Black Women in the novel, unwrap on the developing subject identity of Black women in this novel, in order to prove that in this novel female subject identity is more than a true representation of essentialism and dualism, in a special and unique realistic perspective.</p>

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Williams, Tammy. „Passing the Talking Stick“. Girlhood Studies 13, Nr. 2 (01.06.2020): 134–36. http://dx.doi.org/10.3167/ghs.2020.130212.

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Young Indigenous Women’s Utopia. 2019. Treaty 6 Traditional Homeland of the Metis People (Saskatoon, SK): Self-published with support from York University, McGill University, and Networks for Change and Well-being: Girl-led ‘from the ground up’ Policy Making to Address Sexual Violence in Canada and South Africa. To order a copy email yiwutopia@gmail.com.

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46

Harvey, Sandra. „The HeLa Bomb and the Science of Unveiling“. Catalyst: Feminism, Theory, Technoscience 2, Nr. 2 (05.10.2016): 1–30. http://dx.doi.org/10.28968/cftt.v2i2.28803.

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This essay reads the narratives of HeLa cell contamination as accusations of racial and gender passing. It argues that the passing narrative is much more complex, rarely confined to an individual’s autonomous will, and far more entrenched in state building and concepts of social progress than previously considered. I urge us to move away from the desire of the passing subject, and back to our own to ask after the sort of anxiety, excitement, and panic that animate our attempts to see, classify, and regulate bodies. Thus, what becomes significant is an examination of an “ethics of knowing” within science. The paper draws on a collection of correspondence, lab notes, published articles, and newspaper clippings related to Henrietta Lacks and HeLa from the George O. Gey Collection at the Medical Archives of the Johns Hopkins Medical Institutions (1918-1974) and articles on HeLa published in scientific journals, science journalism, and cultural studies articles (1950-present). In doing so, it traces the narratives of science (and its complex of industries—journalism and cultural studies) and HeLa’s passing. Tracing the reactions to HeLa contamination, the paper asks after the ways national, racial, and sexual desire, fantasy, anxiety, and paranoia have animated the cells through time. Particularly it examines the agency of HeLa, a cell line that is passed through race and genders and ideas of mortality, as it makes clear its own vital, creative, and destructive forces.

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47

Caughie, Pamela L. „How Do We Keep Desire from Passing with Beauty?“ Tulsa Studies in Women's Literature 19, Nr. 2 (2000): 269. http://dx.doi.org/10.2307/464430.

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48

Anderson, Alecia D., Jay A. Irwin, Angela M. Brown und Chris L. Grala. „“Your Picture Looks the Same as My Picture”: An Examination of Passing in Transgender Communities“. Gender Issues 37, Nr. 1 (24.07.2019): 44–60. http://dx.doi.org/10.1007/s12147-019-09239-x.

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49

Berger, Raymond M. „Passing and Social Support Among Gay Men“. Journal of Homosexuality 23, Nr. 3 (29.10.1992): 85–98. http://dx.doi.org/10.1300/j082v23n03_06.

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Byrne, Janice, und Salma Fattoum. „Passing the Marshall’s Baton: A Narrative Analysis of Gender in Family Business Succession“. Academy of Management Proceedings 2015, Nr. 1 (Januar 2015): 18497. http://dx.doi.org/10.5465/ambpp.2015.18497abstract.

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