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Zeitschriftenartikel zum Thema "Partnership – United States – Popular works"
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Zaborovskyy, V., und V. Kharuta. „Implementation of the principle of people’s ownership: nutritional theory and legal status“. Uzhhorod National University Herald. Series: Law 2, Nr. 79 (25.10.2023): 415–19. http://dx.doi.org/10.24144/2307-3322.2023.79.2.65.
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It appears that the Constitution of Ukraine has voted for the sovereignty and united power of the people, which it implements directly through the bodies of state power and local self-government. The main manifestation of the power of the people is the referendum and free elections. The forms of centralized people’s rule, which are enshrined in Section 3 of the Constitution, play an initial role for the current political constitutionalism, which directly contributes to the development of a huge partnership between the powers that we hope is possible It is possible to provide the free-willed population with the widest range of nutrition. State power and local self-government function effectively due to the presence of developed institutions of direct democracy. Today’s practice of establishing the hidden forms of middle-free democracy significantly outpaces the theoretical developments in this area. The nutrition itself is voluminous, and at the same time there are a great number of gaps and gaps in the possibility of constitutional consolidation of new forms of unmediated democracy, especially in justice.
It appears that direct democracy in the state-legal system means ensuring the control and accountability of representative bodies before their voters, interspersed with Swaville. In other words, direct democracy is a specific mechanism, an institution in the middle of a democratic regime, which is equally important to the functioning of representative democracy. It appears that in legal literature there are different meanings of the concept of “form (institution) of middle-of-the-road democracy.” From the legal scientific literature it is clear that the forms of direct democracy mean “the ways and means of direct control over the people or any part of them, which includes the transfer of ownership to any bodies or individuals.”
On the basis of the analysis of scientific issues, the authors share the firm belief (L. Shipilov) in favor of direct democracy, that access to the stated ideal implies the convergence of “pure” non-median forms of economic power from the professional sphere the integrity of the state authorities. Only through the steady mutual interaction of the representative form in all types of people, permanent legitimation of delegated power, bilateral communication Together with the people and their representatives, mass political participation will be ensured. In this case, the ideological basis of people’s rule is popular sovereignty, the supremacy of power over the people, which actually works in the interests of the people. The idea of popular sovereignty played an extremely important role in the development of marriage, in the formation of democratic ambushes in the political life of various countries (A. Kolodiy).
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Sohár, Anikó. „From the United States (via the Soviet Union) to Hungary“. Pázmány Papers – Journal of Languages and Cultures 1, Nr. 1 (13.06.2024): 195–212. http://dx.doi.org/10.69706/pp.2023.1.1.12.
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Isaac Asimov was the favourite American science-fiction author in the Kádár era due to extraliterary reasons, many of his works were therefore translated when science fiction, a previously prohibited popular genre was introduced to the Hungarian public. This paper analyses the first two Hungarian translations, that of a short story entitled ‘Victory Unintentional’ and that of a collection of short stories entitled I Robot. Both indirect and direct translations exhibit multiple traces of censorship and revision, significantly changing the structure, atmosphere and message of the original works. The paper also calls attention to the need to gather information about the literary translators of the Kádár era as long as some of them are still alive, make use of oral history.
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Hodge, Graeme A., und Carsten Greve. „On Public–Private Partnership Performance“. Public Works Management & Policy 22, Nr. 1 (01.08.2016): 55–78. http://dx.doi.org/10.1177/1087724x16657830.
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Private finance-based infrastructure public–private partnerships (P3s) are globally popular, including renewed interest in the United States, but their performance remains contested. This article explores the meaning of P3 and the notion of P3 success, and points to multiple interpretations of both. It proposes a new conceptual model of the P3 phenomenon, including five levels of meaning: project, delivery method, policy, governance tool, and cultural context. Numerous criteria exist on which the success of P3 might be judged. These are as oriented toward politics and governance as they are toward more traditional utilitarian policy goals concerned with project delivery, or value for money (VfM). Indeed, governments have dozens of different goals in mind. Given mixed international results to date for VfM, it is posited that to the extent that infrastructure P3s continue to show popularity, governments may stress P3 success more on the basis of political and governance strengths, than utilitarian characteristics.
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Nugroho, Bhakti Satrio. „American Cultural Imperialism in 1960s Japan as Seen in Haruki Murakami’s Norwegian Wood“. Jurnal Lingua Idea 11, Nr. 1 (04.06.2020): 1. http://dx.doi.org/10.20884/1.jli.2020.11.1.2361.
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Haruki Murakami is mostly well-known for his many works and is considered as one of the most influential writers in Japan. One of his greatest works is a nostalgic novel Norwegian Wood which named after The Beatles song, Norwegian Wood (This Bird Has Flown) in their album Rubber Soul (1965). It becomes #1 bestselling novel in Japan. This novel resembles many aspects of “Americanization” of Japanese young adult life in the 1960s Japan which was strongly influenced by American popular culture. Many Japanese in this novel adopt Western culture which was popular in the United States. Hollywood and American music became central part of the main story in Haruki Murakami’s Norwegian Wood. By using cultural imperialism theory, this research focuses on the imposition and glorification of American culture in 1960s Japan which is celebrated as part of central storyline. American cultural imperialism can be seen in dissemination and glorification of American popular culture and American way of life (lifestyle) among Japanese young adults. Furthermore, they create many social and cultural changes. It is further helped by the post-war Japanese’s inferiority after losing to the United States in World War II. In fact, Western thoughts and beliefs are part of “American gifts” during U.S occupation which disseminate even after the end of occupation. Thus, this historical postcolonial relationship between Japan (as the colonized) and the United States (as the colonizer) massively supports “Americanization” of 1960s Japan which results a loss of identity and a cultural dependency of Japan toward the United States.
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Diamond, Sara. „Degrees of Freedom: Models of Corporate Relationships“. Leonardo 38, Nr. 5 (Oktober 2005): 409–13. http://dx.doi.org/10.1162/leon.2005.38.5.409.
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The author discusses three models of corporate partnership that support the creation of new-media art: directed altruism, skunk works (product development), and regulated self-interest. Similar activities can occur across these models, but expectations, criteria for assessment and final outcomes may differ. Clarifying the rules of engagement for arts organizations and artists when they work with corporations is critical to success for both artists and companies. This essay provides a framework and examples for each model from Canada, Finland, the United Kingdom and the United States. It evaluates failures as well as successes.
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Subkhan, Imam. „Public Anthropology in the United States and Indonesia“. Jurnal Humaniora 31, Nr. 2 (02.12.2019): 107. http://dx.doi.org/10.22146/jh.43598.
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This paper discusses the development of public anthropology in the United States and Indonesia. Drawing on literature reviews and archive studies, this article argues that public anthropology needs to be considered as a pragmatic strategy to elevate the position of anthropology in the public realm, and make it relevant to society. As a scholarly concept, public anthropology in Indonesia is not as popular as in the United States relative to applied anthropology. However, its individual and institutional practices have been flourishing in the last decade, including collaborative works and community engagement, publishing scholarship beyond conventional academic forms, active involvement in contemporary human problems, and efforts to influence public policies. To foster Indonesian public anthropology, an academic promotion system that gives more appreciation to public scholarship should be encouraged. Academic anthropologists may also take the initiative to include public anthropology in the anthropology curriculum. Moreover, the Indonesian Anthropological Association (AAI) can facilitate and promote public anthropology in broader public debates, and maintain its active role in defending humanity.
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Subkhan, Imam. „Public Anthropology in the United States and Indonesia“. Jurnal Humaniora 31, Nr. 2 (28.05.2019): 107. http://dx.doi.org/10.22146/jh.v31i2.43598.
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This paper discusses the development of public anthropology in the United States and Indonesia. Drawing on literature reviews and archive studies, this article argues that public anthropology needs to be considered as a pragmatic strategy to elevate the position of anthropology in the public realm, and make it relevant to society. As a scholarly concept, public anthropology in Indonesia is not as popular as in the United States relative to applied anthropology. However, its individual and institutional practices have been flourishing in the last decade, including collaborative works and community engagement, publishing scholarship beyond conventional academic forms, active involvement in contemporary human problems, and efforts to influence public policies. To foster Indonesian public anthropology, an academic promotion system that gives more appreciation to public scholarship should be encouraged. Academic anthropologists may also take the initiative to include public anthropology in the anthropology curriculum. Moreover, the Indonesian Anthropological Association (AAI) can facilitate and promote public anthropology in broader public debates, and maintain its active role in defending humanity.
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Trout Fryxell, R. T., und J. T. Vogt. „Collaborative-Tick Surveillance Works: An Academic and Government Partnership for Tick Surveillance in the Southeastern United States (Acari: Ixodidae)“. Journal of Medical Entomology 56, Nr. 5 (03.05.2019): 1411–19. http://dx.doi.org/10.1093/jme/tjz055.
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Abstract Tick surveillance provides essential information on distributions and encounter frequencies; it is a component of operational activities in public health practice. Our research objectives were a proof-of-concept for collaborative surveillance, which involved establishing an academic and government partnership to enhance tick surveillance efforts. The University of Tennessee (UT) collaborated with United States Department of Agriculture Forest Service, Southern Research Station Forest Inventory Analysis (FIA) in an Occupational Health and Safety partnership. UT provided FIA crews in the southeastern United States with vials containing 80% ethanol (July 2014–November 2017). Crew members were instructed to put all encountered ticks into the vials and return them to FIA headquarters. UT identified all submitted ticks to species and life stage, and screened Amblyomma americanum (L.) for Ehrlichia bacteria using a nested-PCR assay. From the 198 returned vials, 1,180 ticks were submitted, including A. americanum (90.51%; 202 larvae, 503 nymphs, and 363 adults), Dermacentor variabilis Say (7.12%; 1 nymph, 83 adults), Ixodes scapularis (Say) (1.61%; 19 adults), Amblyomma maculatum Koch (0.59%; 1 nymph, 6 adults), and Amblyomma cajennense (Fabricius) (0.17%; 1 nymph, 1 adult). FIA crews encountered A. americanum with Ehrlichia and collection information was used to generate baseline occurrence data of tick encounters. Results indicate that this collaborative-tick surveillance can be improved and used to generate useful data including pathogen detection, and because crews revisit these sites, changes in tick encounters can be monitored.
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Krzyżanowski, Julian. „The Evaluation of Implementation of Agricultural Sustainable Development Policy in the European Union“. Zeszyty Naukowe SGGW w Warszawie - Problemy Rolnictwa Światowego 18(33), Nr. 2 (02.07.2018): 175–82. http://dx.doi.org/10.22630/prs.2018.18.2.45.
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Author tries to evaluate two elements of implementation of agricultural sustainable development policy in the European Union. Those elements are: “greening” and European innovation partnership. Greening is carried out by: crop diversification, maintenance of permanent grassland (PG), maintenance of ecological focus areas (EFA). Diversification of crops was carried out for three fourth of areas of arable lands in the EU. Diversification prevents soil erosion. Share of PG in the overall area of agricultural land in the EU is 29 %. The highest indicator is at present in the United Kingdom (90%), and the lowest in Cyprus, Malta, Denmark and Finland. From the set of actions maintaining the pro-environmental areas (EFA), the most popular were: setting aside (27 member states), and the least popular – afforestation (only 11 countries). When it comes to EFA area, the biggest share was the area for legume plants. New pro-environmental instrument is European Innovation Partnership for productive and sustainable agriculture. There has already been some results of this action in the EU countries.
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Firth-Eagland, Alissa. „Negotiating Serendipitous Specifics or Curating Site-Specific Performances That Didn’t Begin That Way“. Canadian Theatre Review 126 (März 2006): 42–44. http://dx.doi.org/10.3138/ctr.126.007.
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In June 2005, I curated Sound Madness 2, an evening of sound works and performances by artists-in-residence from the Sound + Vision Creative Residency at the Banff Centre. This group of artists from Japan, Mexico, the United States and Canada were at the centre to explore, experiment and play within the fields of music, sound, popular culture and contemporary visual culture.1
Dissertationen zum Thema "Partnership – United States – Popular works"
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Marks, Lori J., C. Hales und P. Alaya. „Ecuadoran and U.S. Partnership in Special Education Professional Development and Service Delivery“. Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/3535.
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Guffey, Ensley F. „Fantastic Histories: War and American Memory in Selected Works of Joss Whedon“. Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etd/2333.
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This thesis used theories of historical memory studies to examine the ways in which the American writer/director/showrunner Joss Whedon uses American memories, particularly those associated with American experiences in the Civil War and World War II, in his works of fictional, genre television and film. Emphasis was placed on the manner in which Whedon engages in the construction of popular memory, how his work challenges and/or reinforces existing memory narratives, and how Whedon uses historical memories to comment on and influence political, social, and cultural issues in the present. This investigation shows how at least certain productions of American popular culture are increasingly dominant forces in the construction of public memory. The major theoretical underpinnings of this examination are provided by the works of John Bodnar, Richard Slotkin, and Jeanine Basinger.
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Shannon, Elizabeth J. „Paul Strand and Cesare Zavattini's 'Un paese' (1955) : the art, synergy and politics of a photobook“. Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3331.
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"Paul Strand and Cesare Zavattini's 'Un paese' (1955): the art, synergy and politics of a photobook" is a study of the genesis, production and reception of the photobook 'Un paese', created in a collaboration between the American photographer Paul Strand and the Italian neorealist screenwriter Cesare Zavattini. Set in Luzzara, a small town in northern Italy, Strand portrayed the community in a series of images of the landscape, the townsfolk and still lives. The thesis reconstructs the reasoning behind Strand's decision to abandon documentary filmmaking for the creation of photobooks. Strand and the critic Elizabeth McCausland are shown to have specifically conceptualised the photobook as a hybrid form capable of communicating a multifaceted political message through a narrative synthesis of text and image, utilising strategies drawn from documentary film, the photomural and mass media publications. It is shown how Strand and his collaborators combined image and text placed within a deliberately spare graphic design and layout, to emphasise the solidity and importance of the subject matter, and to privilege the communicatory capacity of the photograph. In addition, this thesis reorients the study of Strand from concentration on his early individual fine prints to the collaboratively created political artworks of his later career. It is argued that Strand's production of photobooks is directly related to his status as a Marxist American expatriate who left the United States to avoid blacklisting at the end of the 1940s. By carefully choosing the sites where he worked, utilising realist photographic strategies developed earlier in his career, and collaborating with sympathetic writers, Strand's photobooks present the idealised image of communitarian, primarily agrarian life. 'Un paese' is shown in this thesis to typify Strand's working method; to visually and materially embody his creative and political beliefs; and to exemplify the intermedial collaboration required by the photobook.
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Keen, Rusti Leigh. „"Look West," Says the Post: The Promotion of the American Far West in the 1920s Saturday Evening Post“. Thesis, 2012. http://hdl.handle.net/1805/3087.
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Indiana University-Purdue University Indianapolis (IUPUI)This thesis will look at the various images of the American Far West presented by the Saturday Evening Post during the 1920s under the editorship of George Horace Lorimer, and will examine his editorial strategy that promoted the Far West as a last land of opportunity while also recognizing and weighing in on the challenges of that region.
Bücher zum Thema "Partnership – United States – Popular works"
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Albovias, Benjamin C. Immigration to the United States. [Chicago, Ill.]: B.C. Albovias, 1988.
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Morton, Louis G. A citizen's guide to the United States Constitution. Minneapolis/St. Paul: West, 1993.
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Kluge, Dave. The people's guide to the United States Constitution. Secaucus, N.J: Carol Pub. Group, 1994.
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Jasper, Margaret C. The law of copyright. 2. Aufl. Dobbs Ferry, N.Y: Oceana Publications, 2000.
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Jasper, Margaret C. The law of copyright. 2. Aufl. Dobbs Ferry, N.Y: Oceana Publications, 2000.
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D'Angelo, George V. The immigration law of the United States: A practical guide. New York: Chapel Hill Press, 1985.
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Surviving personal bankruptcy: Your guide to the personal, legal, and financial issues. New York: Gotham Books, 2005.
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Bohaczyk, Pete. The student, news watcher, and couch potato guide to the U.S. Constitution. Lanham: University Press of America, 1991.
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Tom, Condon, Hrsg. Legal lunacy: Unbelievable but true laws--past and present! Los Angeles: Price Stern Sloan, 1992.
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Vile, John R. The United States Constitution: Questions and answers. Westport, Conn: Greenwood Press, 1998.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Partnership – United States – Popular works"
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Katz, Mark. „Introduction“. In Build, 1–24. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190056117.003.0001.
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The introduction explains why the partnership between hip hop diplomacy is unlikely and risky but also potentially productive. Hip hop is a powerful platform for US cultural diplomacy because it is globally popular, widely accessible, readily combined with a variety of artistic styles and practices, and immediately and positively associated with the United States. Hip hop diplomacy can serve US foreign policy objectives by enhancing the image of the United States and promoting US interests abroad. The introduction concludes with a reflection on the author’s identity as a white man and considers its implications for working in hip hop, a genre and culture that arose out of African American communities.
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Covo, Manuel. „Trade and War: A Fiscal-Military State Within the French Empire, 1797–1801“. In Entrepôt of Revolutions, 213—C9.P62. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197626382.003.0010.
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Abstract This chapter follows the formation of Toussaint Louverture’s quasi-state as the subverted hub of commercial republicanism. After the British rapprochement with the United States shattered the French-American alliance, the French-British war consolidated the commercial partnership between the besieged French colony and the early American republic. Through an unstable and explosive sequence of events, Toussaint Louverture refashioned both the French-American alliance and the French Empire on his own terms. After 1797, Toussaint Louverture legalized the partnership and realized his vision of a fiscal-military state within the French Empire that had little to do with either republicanism or liberty of commerce. This quasi-state remained caught between the ambitions of rival empires, the overreach of powerful merchants, growing internal popular resistance, and a looming metropolitan backlash.
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Shirley, Ian, Peggy Koopman-Boyden Ian Pool und St John. „The Formation of Families“. In Family Change and Family Policies in Great Britain, Canada, New Zealand, and the United States, 312–33. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198290254.003.0021.
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Abstract Since the early 1970s, both popular and scholarly literature in the United States have highlighted issues of family change. Although the debate has been couched in terms of whether the family is failing as society’s primary institution of child socialization, it was stimulated by the growing awareness of significant changes occurring within families. That the family has changed, in particular over the last three decades, is a subject of general agreement. That the major changes have to do with the declining significance of ‘traditional’ families—two-parent, husband/wife families with children, in which the husband works outside the home in the paid labour force and the wife works inside the home as an unpaid family worker—is also a source of general agreement.
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Tedfock, Dennis. „Ethnopoetics“. In Folklore, Cultural Performances, And Popular Entertainments, 81–85. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195069198.003.0011.
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Abstract Study of the verbal arts in a worldwide range of languages and cultures. Primary attention is given to the vocal-auditory channel of communication in which speaking, chanting, or singing voices give shape to proverbs, riddles, curses, laments, praises, prayers, prophecies, public announcements, and narratives (see Folktale; Proverb; Riddle). The aim is not only to analyze and interpret oral performances but also to make them directly accessible through transcriptions and translations that display their qualities as works of art. Ethnopoetics originated in the United States among poets such as David Antin, Jerome Rothenberg, and Gary Snyder, all of whom had training in anthropology or linguistics; Nathaniel Tarn, whose poetic career was preceded by an anthropological career under the name E. Michael Mendelson; and anthropologists and linguists with experience in writing poetry, including Stanley Diamond, Dell Hymes, and Dennis Tedlock.
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Löfflmann, Georg. „Competing Visions for America – Popular Discourses of Grand Strategy on the New York Times Best-Sellers List“. In American Grand Strategy under Obama. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474419765.003.0004.
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This chapter focuses on the New York Times best sellers list as the preeminent account of best-selling books in the United States to engage in a wider mapping of grand strategy discourses in American popular culture, beyond the realm of movie entertainment. Analyzing non-fiction books that have achieved the status of national bestseller illustrates how debates over grand strategy, American identity and national security are products of both political and popular culture, constructed in the public sphere at the multi-medial intersection of entertainment, journalism, academia and political commentary. The chapter details how competing discourses of American grand strategy have defined the past, present and future role and position of the United States in the popular imagination, reflecting a fractured public consensus over the ‘big picture.’ In this chapter, the analytical focus is on the cultural construction of a geopolitical identity of American leadership, military supremacy and national exceptionalism in popular works of non-fiction, and how key representations have confirmed or contested this dominant social construction of the American ‘Self’.
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Sheppard, W. Anthony. „Introductions and Acknowledgments“. In Extreme Exoticism, 1–17. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190072704.003.0001.
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Over the course of the past century and a half, numerous composers, musicians, and audiences in the United States have imagined Japan through works created and experienced in every musical genre and medium. Some of these popular songs, film scores, and Broadway musicals reached large audiences over an extended period. The vast majority of these works proved more ephemeral, but nevertheless were culturally significant through their collective impact. This book investigates the reciprocal relationships among this diverse body of musical works, the ever protean political dynamic between the United States and Japan, and the evolving American social climate in which this music was created and experienced. To what extent was music employed to shape American perceptions of the Japanese, and to what extent was American music itself shaped in the process?...
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Lim, Chin Leng. „Finding a Workable Balance Between Investor Protection and the Public Interest in the Trans-Pacific Partnership“. In Megaregulation Contested, 551–70. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198825296.003.0025.
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This chapter discusses the apparent isolation of investment rules from mid-20th-century efforts to embed international economic rules within the overall social context of the ‘New Deal’ in the United States and the British welfare state. Whilst embedded liberalism may have found its way subsequently into modern bilateral investment treaties (BITs) through the United States’ ‘friendship, commerce and navigation’ (FCN) treaties forged during the New Deal era, this did not halt the growth of more pro-investor treaties. An eventual global backlash against investment treaties and investment arbitration formed the background against which TPP emerged. TPP’s framers delegated significant aspects of the task of striking an appropriate balance between host state rights and investor rights to investment tribunals. This chapter explains how such delegation works in the application of TPP’s contingent standards of protection, fair and equitable treatment standard and rule against expropriation. It explains TPP’s legal-philosophical contribution to future treaty design, and its relevance to global reform of investment arbitration.
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Körner, Axel. „America as History“. In America in Italy. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691164854.003.0002.
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This chapter examines early Italian writings on the history of the American War of Independence, including Carlo Botta's History of the War of Independence of the United States of America (1809), Carlo Giuseppe Londonio's three-volume Storia delle colonie inglesi (1812–1813), and Giuseppe Compagnoni's twenty-nine-volume Storia dell'America (1829). The chapter compares the context in which these works were created to the changing responses they generated during the later course of the Risorgimento. It also draws on these writings to discuss historiography as political thought, arguing that most Italian historians writing about the American Revolution presented the United States as a political reality far removed from European experiences. Even 500 years after the American Declaration of Independence, Italian references to the United States did not necessarily mean an open endorsement of popular sovereignty.
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Bauer, Erin E. „“ ¡Esto es globalización! ”“. In Flaco's Legacy, 211–38. University of Illinois Press, 2023. http://dx.doi.org/10.5622/illinois/9780252045028.003.0009.
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This chapter discusses popular musicians in the United States and abroad who collaborate with local conjunto artists and/or use conjunto influences in their works. These include Dutch rock band Rowwen Hèze and Flaco Jiménez’s collaborations with commercialized rock stars like Ry Cooder, Dwight Yoakam, and the Rolling Stones. Depending on circumstance, these musical adoptions can be analyzed as interconnected, exoticized, and/or exploitative. For example, Flaco’s early work with mainstream popular artists is considered in parallel with various manifestations of the so-called world music movement. Alternatively, the wholesale adoption of conjunto songs into the repertory of Rowwen Hèze represents a worldwide imagined community of musicians drawn from similar aesthetic heritages and sociocultural circumstances.
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Hamm, Charles. „Towards a New Reading of Gershwin“. In The Gershwin Style New Looks at the Music of George Gershwin, 3–18. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195090208.003.0001.
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Abstract The United States has not produced a more famous composer than George Gershwin, who died half a century ago, on 11 July 1937. Many of his popular songs became standards or “evergreens” throughout the Western world from the 1920s through the 1950s, and some even survived the evolution of popular-music style from Tin Pan Alley to rock. Jazz musicians have always found his songs particularly suitable for improvisation, and much of the bebop repertory is built over the chord changes of several of them. His concert pieces, particularly Rhapsody in Blue, An American in Paris, the Concerto in F for piano and orchestra, and the Preludes for piano, are among the most widely performed “classical” works of the twentieth century, and his Porgy and Bess has become the most popular opera of the century. He is said to have written popular classical music and classic popular pieces. A large literature has grown up around his music and his life, much of it dealing with the latter point.