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Auswahl der wissenschaftlichen Literatur zum Thema „Paris (France) – 1945-“
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Zeitschriftenartikel zum Thema "Paris (France) – 1945-"
Andrews, Naomi J., Simon Jackson, Jessica Wardhaugh, Shannon Fogg, Jessica Lynne Pearson, Elizabeth Campbell, Laura Levine Frader, Joshua Cole, Elizabeth A. Foster und Owen White. „Book Reviews“. French Politics, Culture & Society 37, Nr. 3 (01.12.2019): 123–57. http://dx.doi.org/10.3167/fpcs.2019.370307.
Der volle Inhalt der QuelleLelièvre, Éva, und Catherine Bonvalet. „Mobilité en France et à Paris depuis 1945 : bilan résidentiel d'une génération“. Population Vol. 44, Nr. 3 (01.03.1989): 531–59. http://dx.doi.org/10.3917/popu.p1989.44n3.0559.
Der volle Inhalt der QuelleSprout, Leslie A. „The 1945 Stravinsky Debates: Nigg, Messiaen, and the Early Cold War in France“. Journal of Musicology 26, Nr. 1 (01.01.2009): 85–131. http://dx.doi.org/10.1525/jm.2009.26.1.85.
Der volle Inhalt der QuelleBonvalet, Catherine, Éva Lelièvre und Eva Lelievre. „Mobilité en France et a Paris depuis 1945. Le filtre parisien“. Population (French Edition) 46, Nr. 5 (September 1991): 1161. http://dx.doi.org/10.2307/1533457.
Der volle Inhalt der QuelleLelièvre, Éva, und Catherine Bonvalet. „Mobilité en France et à Paris depuis 1945. Le filtre parisien“. Population Vol. 46, Nr. 5 (01.05.1991): 1161–83. http://dx.doi.org/10.3917/popu.p1991.46n5.1183.
Der volle Inhalt der QuelleBonvalet, Catherine, Éva Lelièvre und Eva Lelievre. „Mobilité en France et à Paris depuis 1945: bilan résidentiel d'une génération“. Population (French Edition) 44, Nr. 3 (Mai 1989): 531. http://dx.doi.org/10.2307/1533417.
Der volle Inhalt der QuelleWalczak, Henryk. „Działalność Victora Cǎdere – posła rumuńskiego w Polsce na tle relacji Warszawa–Bukareszt (1932–1935)“. Polish Biographical Studies 1, Nr. 9 (31.12.2021): 69–92. http://dx.doi.org/10.15804/pbs.2021.04.
Der volle Inhalt der QuelleSantoni, George. „Représentations cinématographiques de l'enfance en France: faut-il parler d'américanisation?“ Tocqueville Review 15, Nr. 2 (Januar 1994): 41–56. http://dx.doi.org/10.3138/ttr.15.2.41.
Der volle Inhalt der QuelleChmielewski, Witold. „Wyższe Studium Polskie przy Bibliotece Polskiej w Paryżu w 1945 roku“. Biuletyn Historii Wychowania, Nr. 34 (12.10.2018): 57–70. http://dx.doi.org/10.14746/bhw.2016.34.4.
Der volle Inhalt der QuelleDéloye, Yves. „Chronique d’un impérialisme feutré“. 20 & 21. Revue d'histoire N° 158, Nr. 2 (26.01.2024): 87–100. http://dx.doi.org/10.3917/vin.158.0087.
Der volle Inhalt der QuelleDissertationen zum Thema "Paris (France) – 1945-"
Revenin, Régis. „Les garçons, l'amour, la sexualité : une jeunesse sous surveillance ? (Paris, 1945-1975)“. Paris 1, 2012. http://www.theses.fr/2012PA010678.
Der volle Inhalt der QuelleLee, You-Sook. „L'activité picturale à Paris en 1945“. Université Marc Bloch (Strasbourg) (1971-2008), 1996. http://www.theses.fr/1996STR20045.
Der volle Inhalt der QuelleIn 1945 the artistic activity has briskly amplified. In the particular reopening atmosphere of the museum of the louvre and galleries, classic and modern trends are all well welcomed. Among exhibitions, the tendency of the abstract art has the wind in stern. The young artists work under the influence of the fauvism and the cubism, their elders matisse and picasso. The main painters of this second generation of the abstract art are then bazaine, esteve and lapicque, that expose to the gallery louis carre, john fautrier with its series of otages to the gallery of rene drouin, and participants to the exhibition of the concrete art where is asserting the geometrical abstraction. The emergence of the lyrical abstraction to paris in 1945 results at once from the cubism, the fauvism and the surrealism, whose researches and contributions are recaptureed in new forms by the young abstract painters
Bertrand-Dorléac, Laurence. „Art, culture et société : l'exemple des arts plastiques à Paris entre 1940 et 1944“. Paris, Institut d'études politiques, 1990. http://www.theses.fr/1990IEPP0015.
Der volle Inhalt der QuelleIn France, the humanistic values crisis culminated during the German occupation and the Vichy regime. During this period , art inherited much of the pre-war situation. But disruptions, both in intensity and nature modified the artistical scene. Art, as an expression of patriotic pride was is considered as a reflection of modern decadence : the lack of ideal, individualism, and democracy. Under the "national revolution" art became an instrument of development and revival after a return to order and tradition. In many respects, the "Secretariat general des beaux-arts" thought of a widely approved art policy magnifying the tradition, the fine craft, the monumentalism and the edifying subjects. The artistic world, by nature reluctant to state dirigism, resisted against the governmental positions concerning corporatism and exclusion policy. Besides, few artists accepted to serve the "service artistique du Marechal" which was attached to his person. If some artists entered the French resistance movement, some created subversive works while the majority of them staid aside and bred on its production the fancy of the many people visiting various art places. The German regime, on its side, proceeded with its own exhibitions, being encouraged by French ultras as Rebatet, and being comforted by the German journey of some famous artists : Vlaminck, Derain, Despiau, etc. Meanwhile the nazi authorities spent most of their time on their exclusion policy towards jewish and mason artists. Censorship was discontinued against the exhibition of works considered as "degenerated". Art was a stake for an authoritarian power aiming at controlling society, and an outlet for a population looking forward to returning back to normality
Sandrini, Clara. „Politique urbaine & mémoire collective : monumentalisation de Paris depuis l'Occupation“. Paris 8, 2005. http://www.theses.fr/2005PA083582.
Der volle Inhalt der QuelleCohen, Évelyne. „Paris dans l'imaginaire national (1918-1934)“. Paris 1, 1996. http://books.openedition.org/psorbonne/1236.
Der volle Inhalt der QuelleMalherbe, Anne. „L' épaisseur sensible : la matérialité dans l'art sur la scène parisienne entre 1944 et 1965“. Paris 1, 2004. http://www.theses.fr/2004PA010605.
Der volle Inhalt der QuelleFijalkow, Yankel. „Mesurer l'hygiene urbaine : logements et îlots insalubres : Paris (1850-1945)“. Paris, EHESS, 1994. http://www.theses.fr/1994EHES0101.
Der volle Inhalt der QuelleThe aim of this thesis is the study on the measurement of conditions of lodgings in paris between 1850 abd 1945 and its links with the public intervention against insalubrit. Different forms of statistics, medical topographies, sanitary states, census of 1891 and sanitary rack are investigated. The aim of this analysis is the study of the definition of concepts and result. We constats a same evolution in the juridical tools of struggle against the insalubrity, and the political representation of the unsanitary islets. This thesis shows in the considered period some successions of cycles of "intimistic" and "environnementalistic" thougt. This thesis shows how the urban contemporary studies concluded by adopting an intimistic perspective bad adapted to the elaboration of urban projects carrying on some districts or some whole islets
Wilfert-Portal, Blaise. „Paris, la France et le reste. . . : importations littéraires et nationalisme culturel en France, 1885-1930“. Paris 1, 2003. http://www.theses.fr/2003PA010596.
Der volle Inhalt der QuelleVergez-Chaignon, Bénédicte. „Internes et anciens internes des hôpitaux de Paris de 1918 à 1945“. Paris, Institut d'études politiques, 1995. http://www.theses.fr/1995IEPP0020.
Der volle Inhalt der QuelleHershco, Tsilla Darmon Claire. „Entre Paris et Jérusalem : la France, le sionisme et la création de l'État d'Israël, 1945-1949 /“. Paris : H. Champion, 2003. http://catalogue.bnf.fr/ark:/12148/cb38990757s.
Der volle Inhalt der QuelleBibliogr. p. 279-289. Index.
Bücher zum Thema "Paris (France) – 1945-"
Beevor, Antony. Paris after the liberation, 1944-1949. New York: Doubleday, 1994.
Den vollen Inhalt der Quelle findenBeevor, Antony. Paris after the Liberation, 1944-1949. London: Penguin, 1995.
Den vollen Inhalt der Quelle findenBeevor, Antony. Paris after the liberation, 1944-1949. New York: Doubleday, 1994.
Den vollen Inhalt der Quelle findenBeevor, Antony. Paris After the Liberation 1944-1949. New York: Penguin USA, Inc., 2010.
Den vollen Inhalt der Quelle findenBeevor, Antony. Paris after the Liberation, 1944-1949. New York: Penguin Books, 2004.
Den vollen Inhalt der Quelle findenRomy, Golan, Hrsg. The Circle of Montparnasse: Jewish artists in Paris, 1905-1945. New York: Universe Books, 1985.
Den vollen Inhalt der Quelle findenDemory, Jean-Claude. Pompiers dans Paris en guerre (1939-1945). Levallois-Perret: Altipresse, 2004.
Den vollen Inhalt der Quelle findenDominique, Lapierre, Hrsg. Is Paris burning? New York, NY: Warner Books, 1991.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Paris (France) – 1945-"
Bullock, Nicholas. „‘15,000 hectares to reconquer’: the struggle to modernise Paris, 1955–65“. In Modernising Post-war France, 143–69. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003094562-8.
Der volle Inhalt der QuellePicciotto, Mirella de. „A letter to the Paris Psychoanalytic Institute, France (1915)“. In “Dear Institute…”, 15–21. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003465409-4.
Der volle Inhalt der QuelleBullock, Nicholas. „Modernising the Paris region: from the SDAU to the New Towns, 1965–75“. In Modernising Post-war France, 171–96. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003094562-9.
Der volle Inhalt der QuelleGinoux, Jean-Marc. „The First International Conference on Nonlinear Processes: Paris 1933“. In History of Nonlinear Oscillations Theory in France (1880-1940), 165–76. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55239-2_7.
Der volle Inhalt der QuelleKonvitz, Josef W. „New York and Paris, 1919–39“. In Cities, Citizenship and Jews in France and the United States, 1905–2022 (Volume 1), 152–230. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003399179-4.
Der volle Inhalt der QuelleSmith, Justin. „6. Occupational Therapy“. In The Birds That Wouldn’t Sing, 309–496. Cambridge, UK: Open Book Publishers, 2024. https://doi.org/10.11647/obp.0430.06.
Der volle Inhalt der QuelleHussey, Andrew. „“Listen to the Colour of Your Dreams”: Lettrism, Isou and the Hypergraphic Novel“. In Music, the Avant-Garde, and Counterculture, 17–27. Cham: Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-69514-8_2.
Der volle Inhalt der QuelleWilliams, Andrew J. „The Allies During the First World War and Paris Peace Conference“. In France, Britain and the United States in the Twentieth Century 1900–1940, 56–93. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137315458_3.
Der volle Inhalt der QuelleGildea, Robert. „Crisis of Empire“. In France since 1945, 6–34. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780192801319.003.0002.
Der volle Inhalt der QuelleGuy, Emmanuel. „Their Paris, Our Paris: A Situationist dérive“. In France and the Visual Arts since 1945. Bloomsbury Visual Arts, 2019. http://dx.doi.org/10.5040/9781501341557.ch-004.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Paris (France) – 1945-"
Duport, Laurent J. „Georges Candilis (1913-1995) architecte pour le plus grand nombre“. In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.664.
Der volle Inhalt der QuellePolonskiy, V. „WAR AND THE FATE OF MODERNISM: “THE FALL OF PARIS” BY ILYA EHRENBOURG IN CULTURAL CONTEXT OF HIS EPOCH“. In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3685.rus_lit_20-21/15-23.
Der volle Inhalt der QuelleMameli, Maddalena. „Le Corbusier and the American Modulor“. In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.984.
Der volle Inhalt der QuelleRocaciuc, Victoria. „Book graphics in the creation of the plastic artist Liudmyla Kozhokar“. In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.11.
Der volle Inhalt der QuelleBraun, I. M. „THE SWISS MAGDALENIAN PORTABLE ART AND SUPRA-REGIONAL PARALLELS“. In Знаки и образы в искусстве каменного века. Международная конференция. Тезисы докладов [Электронный ресурс]. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-94375-308-4.8-9.
Der volle Inhalt der QuelleQuintana Guerrero, Ingrid. „Dattiers Andinos y la Búsqueda Paciente en Rue de Sèvres, 1948-1959“. In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.548.
Der volle Inhalt der QuellePulla González, Jorge. „Walker Evans y Europa. La influencia de las vanguardias en el estilo documental norteamericano.“ In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.6740.
Der volle Inhalt der QuelleSempere i Soler, Josep Francesc. „"Memorial National de Gurs. 1994"“. In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.5879.
Der volle Inhalt der QuelleChen, Xiaofei. „Spatial Structure in Chinese and Japanese Cities: A Comparative Study of the Supergrid and Superblock Structure“. In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.4555.
Der volle Inhalt der QuelleLodo, Gabriela Cristina. „Jesús Rafael Soto nas IV, V e VII bienais de São Paulo“. In Encontro de História da Arte. Universidade Estadual de Campinas, 2009. http://dx.doi.org/10.20396/eha.5.2009.4017.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Paris (France) – 1945-"
DGAD/SRAE PARIS (FRANCE). International Conference On The Biogeochemistry Of Trace Elements (3rd) Held in Paris, France, 15 - 19 May 1995. (Troisieme Conference Internationale Sur La Biogeochimie Des Elements Traces, Held in Paris, France, 15 - 19 May 1995). Fort Belvoir, VA: Defense Technical Information Center, Mai 1995. http://dx.doi.org/10.21236/ada295587.
Der volle Inhalt der QuelleIakimova, Antonina. LIDIA SHISHMANOVA’S JOURNALISM IN UKRAINIAN AND EMIGRANT PERIODICALS. Ivan Franko National University of Lviv, März 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12158.
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