Auswahl der wissenschaftlichen Literatur zum Thema „Paradise, fiction“
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Zeitschriftenartikel zum Thema "Paradise, fiction"
Miano und Chilcoat. „The Open Door of Paradise • Fiction“. Transition, Nr. 110 (2013): 91. http://dx.doi.org/10.2979/transition.110.91.
Der volle Inhalt der QuelleOlenich, Olga Pavlinova. „Momentary Paradise“. After Dinner Conversation 4, Nr. 2 (2023): 50–56. http://dx.doi.org/10.5840/adc20234216.
Der volle Inhalt der QuelleAgar, James N. „Self-mourning in Paradise: Writing (about) AIDS through Death-bed Delirium“. Paragraph 30, Nr. 1 (März 2007): 67–84. http://dx.doi.org/10.3366/prg.2007.0009.
Der volle Inhalt der QuelleRickard, Matt. „The Probability of Paradise Lost“. ELH 91, Nr. 2 (Juni 2024): 345–75. http://dx.doi.org/10.1353/elh.2024.a929152.
Der volle Inhalt der QuelleCouncil, Norman. „“ANSWERING HIS GREAT IDEA”: THE FICTION OF “PARADISE LOST”“. Milton Studies 32 (01.01.1995): 45–62. http://dx.doi.org/10.2307/26395598.
Der volle Inhalt der QuelleRutgers, Mark R. „The Borg Administration: Science Fiction“. Public Voices 6, Nr. 1 (27.01.2017): 35. http://dx.doi.org/10.22140/pv.333.
Der volle Inhalt der QuelleMorace, Robert A. „From Parallels to Paradise: The Lyrical Structure of Cheever's Fiction“. Twentieth Century Literature 35, Nr. 4 (1989): 502. http://dx.doi.org/10.2307/441899.
Der volle Inhalt der QuelleSantos, Tomas N., und Gilbert H. Muller. „New Strangers in Paradise: The Immigrant Experience and Contemporary American Fiction“. Rocky Mountain Review of Language and Literature 55, Nr. 2 (2001): 118. http://dx.doi.org/10.2307/1348274.
Der volle Inhalt der QuelleDong, Lorraine. „New Strangers in Paradise: The Immigrant Experience and Contemporary American Fiction“. Journal of American Ethnic History 21, Nr. 2 (01.01.2002): 99–101. http://dx.doi.org/10.2307/27502819.
Der volle Inhalt der QuelleFrank, Susi K. „Arctic Science and Fiction“. Journal of Northern Studies 4, Nr. 1 (01.07.2010): 67–86. http://dx.doi.org/10.36368/jns.v4i1.630.
Der volle Inhalt der QuelleDissertationen zum Thema "Paradise, fiction"
Lou, Sabrina. „Paradise girls : contemporary realistic young adult fiction /“. Access resource online, 2009. http://scholar.simmons.edu/handle/10090/12593.
Der volle Inhalt der QuelleRheams, Genevieve A. „We Will Plant Birds of Paradise“. ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2703.
Der volle Inhalt der QuellePalmer, Kelly. „Belonging at the end of the world: (Re)imagining paradise through narratives of low-income locals on the Gold Coast“. Thesis, Queensland University of Technology, 2020. https://eprints.qut.edu.au/198040/3/Kelly_Palmer_Thesis.pdf.
Der volle Inhalt der QuelleOstrowidzki, Eric A. „The bunkerfication of paradise : heterotopias, closed spaces, and the pathological geographies of exclusion in J. G. Ballard's fiction“. Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38543.
Der volle Inhalt der QuelleThe first part of this dissertation examines Ballard's "Concentration City," "Report on an Unidentified Space Station," "The Enormous Space," "The Overloaded Man," and the novel High-Rise. This section concludes generally that the imaginative geographies inscribed within those texts are closed, insular, homogeneous, pathological and exclusionary social spaces that are antithetical to a Postmodern Utopia whose socio-cultural inclusiveness would be predicated upon a "politics of difference."
The second half of the dissertation examines Ballard's later works, such as Rushing to Paradise (1994), Cocaine Nights (1996), and Super-Cannes (2001). By discursively analyzing the similar yet more ideologically transparent imaginative geographies in these recent works, the dissertation concludes that it is not exclusively the material and ideological conquest of social space by global capital that poses the greatest threat to Ballard's "utopian" socio-spatial imaginary. Rather, it is also the postcolonial threat of the dislocations and mass immigrations of the Indigenous Other precipitated by globalization. It is the emergence of the de-territorialized Other that impels Ballard's imaginative geographies to recoil inwardly into "Privatopias," "white enclaves" and "imperial ghettos" demarcated by neocolonial pathological geographies of exclusion.
Arès, Mathieu. „A paradigm of Earth : traduction performative et science-fiction queer“. Mémoire, Université de Sherbrooke, 2017. http://hdl.handle.net/11143/11595.
Der volle Inhalt der QuelleAbstract : Utopia is often used in feminist and queer literature, because it is a genre which questions some categories such as sex and gender representations. Science fiction concerns utopia since it provides cognitive estrangement, a concept that deconstructs gender binarism in feminist and queer utopias. Cognitive estrangement introduces a novum, a destabilizing element based on the author’s created reality, and shared by the reader (Suvin, 2010 : 68). The novum is a narratological device that so dominates its fiction that every science fiction narrative aspect derives from it (Csicsery-Ronay, Jr, 2008 : 49); this novum influences the translation process because the translator must reinsert it in a new context. Since the only studies which can be found today on translation in queer science fiction are generally dedicated to the reception of translation strategies (Bérard, 2015), this work situates translation within a performative approach. Translation is performative; it provides a viability to the text in another language-culture, another context. In studying an excerpt of Canadian Candas Jane Dorsey’s queer science fiction novel A Paradigm of Earth (2001), as well as my translation of it, my objective with this thesis is to consider how some translation paradigm shifts can be made according to feminist (Lotbinière-Harwood, 1991; Simon, 1996; Von Flotow, 1997 et 1999) and queer translation precepts (Louar, 2008; Larkosh, 2011; Casagranda, 2013). This work takes into consideration gender designations, which in Dorsey’s novel ensue from the character Blue, the ungendered alien; Blue represents the novum in A Paradigm of Earth, which allows the translator to take a performative approach in order to deconstruct gender binarism in French.
Saward, Melanie A. „Down in the river: Marcia's identity status paradigm in the cult novel“. Thesis, Queensland University of Technology, 2020. https://eprints.qut.edu.au/136517/1/Melanie_Saward_Thesis.pdf.
Der volle Inhalt der QuelleClark, Hilary Anne. „The idea of a fictional encyclopaedia : Finnegans wake, Paradis, the Cantos“. Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25575.
Der volle Inhalt der QuelleArts, Faculty of
English, Department of
Graduate
King, Liesl Eleyn. „Transforming the Post-patriarchal Paradigm : Alternative Spiritual Vision in Feminist Science Fiction and Fantasy“. Thesis, Queen Mary, University of London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.515255.
Der volle Inhalt der QuelleDyjas, Antonina [Verfasser]. „Paradisien an der Weichsel. Polnische Science Fiction 1945-1989 im Kontext der literarischen Utopie / Antonina Dyjas“. Bonn : Universitäts- und Landesbibliothek Bonn, 2013. http://d-nb.info/1042960429/34.
Der volle Inhalt der QuelleAmorena, Maria Florencia. „Science, art, fiction : l'image chez Juan José Saer“. Electronic Thesis or Diss., Paris 8, 2015. http://www.theses.fr/2015PA080143.
Der volle Inhalt der QuelleThe objective of this thesis is to analyze verbal images in the work of the Argentinian writer Juan José Saer. By analyzing his novels, shorts stories and the unpublished film script Las nubes de Magallanes, we wish to understand the implications of the verbal images in the construction of a specific aesthetics and epistemology.Throughout the analysis of verbal and mental images in the work of Saer, this study has two fundamental aims: first, to show that description and narration are intimately linked; second, that this link enables us to think arts and sciences in the work of Saer in a non-dualistic way. The narrative structure by which we analyze the images seeks the complementarity of the opposites. This allows us to think the connection that man has with the world as well as the link between art and sciences as elements of a holistic system, instead of dualistic. The key to this new form of narration will be an aesthetic of empathy
Bücher zum Thema "Paradise, fiction"
Shaw, Tina. Paradise. Auckland, N.Z: Penguin Books, 2002.
Den vollen Inhalt der Quelle findenBarthelme, Donald. Paradise. New York: Putnam, 1986.
Den vollen Inhalt der Quelle findenBarthelme, Donald. Paradise. New York, N.Y., U.S.A: Penguin Books, 1987.
Den vollen Inhalt der Quelle findenGurnah, Abdulrazak. Paradise. New York: New Press, 1994.
Den vollen Inhalt der Quelle findenCastedo, Elena, und Elena Castedo. Paradise. New York: Warner Books, 1990.
Den vollen Inhalt der Quelle findenNadin, Joanna. Paradise. Somerville, Mass: Candlewick, 2012.
Den vollen Inhalt der Quelle findenParadise. London: Walker, 2011.
Den vollen Inhalt der Quelle findenCopyright Paperback Collection (Library of Congress), Hrsg. Paradise. New York, N.Y: HarperPaperbacks, 1994.
Den vollen Inhalt der Quelle findenBarthelme, Donald. Paradise. Normal, IL: Dalkey Archive Press, 2005.
Den vollen Inhalt der Quelle findenSavage, Marc. Paradise. New York: Doubleday, 1993.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Paradise, fiction"
Miller, David. „Hudson’s Fiction“. In W. H. Hudson and the Elusive Paradise, 87–94. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20550-9_10.
Der volle Inhalt der QuelleStrehle, Susan. „Homeless in the American Empire: Toni Morrison’s Paradise“. In Transnational Women's Fiction, 28–52. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230583863_2.
Der volle Inhalt der QuelleMiller, David. „Approaches to the Fiction — I“. In W. H. Hudson and the Elusive Paradise, 95–101. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20550-9_11.
Der volle Inhalt der QuelleMiller, David. „Approaches to the Fiction — II“. In W. H. Hudson and the Elusive Paradise, 102–5. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20550-9_12.
Der volle Inhalt der QuelleGauthier, Marni. „The Other Side of Paradise: Toni Morrison’s (Un)Making of Mythic History“. In Amnesia and Redress in Contemporary American Fiction, 69–93. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230337824_4.
Der volle Inhalt der QuellePalmer, Kelly. „Challenging the Beach as Paradise in Fiction and Memoir: The Gold Coast’s Bathing Beauties“. In Writing the Australian Beach, 143–63. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-35264-6_9.
Der volle Inhalt der QuelleDodds, Lara. „Virtual or Immediate Touch: Queer Adaptations of Paradise Lost in Science Fiction and Fantasy“. In Queer Milton, 153–77. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97049-3_7.
Der volle Inhalt der QuelleGuerriero, Gianluca. „Punishment, Purgatory, and Paradise: Hating the Sin, and Sometimes the Sinner, in H.G. Wells’s The Island of Doctor Moreau and The Invisible Man“. In Utopias and Dystopias in the Fiction of H. G. Wells and William Morris, 189–207. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-52340-2_12.
Der volle Inhalt der QuelleWilliams, Dana A. „Dancing Minds and Plays in the Dark: Intersections of Fiction and Critical Texts in Gayl Jones’s Corregidora, Toni Cade Bambara’s The Salt Eaters, and Toni Morrison’s Paradise“. In New Essays on the African American Novel, 93–106. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1007/978-0-230-61275-4_7.
Der volle Inhalt der QuelleHosmer, Robert E. „Paradigm and Passage: The Fiction of Anita Brookner“. In Contemporary British Women Writers, 26–54. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22565-1_2.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Paradise, fiction"
Delevallée, Aurélie. „«The Flight of Pigeons from the Palace» de Donald Barthelme ou la drôle de parade“. In Territoires du récit bref. De l'image dans la fiction à l'imaginaire en science-fiction. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5226.
Der volle Inhalt der QuelleSermain, Jean-Paul. „Les fins intermédiaires : paradoxe, interprétation, mémoire, dialogue“. In Les fins intermédiaires dans les fictions narratives des XVIIe et XVIIIe siècles. Fabula, 2019. http://dx.doi.org/10.58282/colloques.6446.
Der volle Inhalt der QuelleTavares, Tatiana. „Carnival Land: An creative consideration of sequential storytelling to discuss cultural dislocation“. In LINK 2023. Tuwhera Open Access, 2023. http://dx.doi.org/10.24135/link2022.v4i1.196.
Der volle Inhalt der QuelleKuzmina, Luiza, und Elena Remchukova. „RUSSIAN CLASSICAL LITERATURE TEXT AS A PRECEDENT PHENOMENON OF THE MODERN MEDIA SPACE“. In NORDSCI International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/nordsci2020/b1/v3/18.
Der volle Inhalt der QuellePapakonstantinou, Nikolaos, Douglas L. Van Bossuyt, Joonas Linnosmaa, Britta Hale und Bryan O’Halloran. „Towards a Zero Trust Hybrid Security and Safety Risk Analysis Method“. In ASME 2020 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/detc2020-22380.
Der volle Inhalt der QuelleKramskova, Anna S. „TESTIMONIAL EVIDENTIALITY AT EXPRESSING EMOTIONAL-EVALUATIVE INTENSION IN TIBETAN“. In 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2022. http://dx.doi.org/10.21638/11701/9785288062353.15.
Der volle Inhalt der QuelleTavares, Tatiana. „Paradoxical saints: Polyvocality in an interactive AR digital narrative“. In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.81.
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