Auswahl der wissenschaftlichen Literatur zum Thema „Palazzo Ducale (Venise, Italie)“
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Zeitschriftenartikel zum Thema "Palazzo Ducale (Venise, Italie)"
Compagnoni, Ilaria. „The Effects of Virtual Museums on Students’ Positive Interdependence in learning Italian as a Foreign Language“. Babylonia Journal of Language Education 3 (23.12.2022): 104–9. http://dx.doi.org/10.55393/babylonia.v3i.194.
Der volle Inhalt der QuelleDissertationen zum Thema "Palazzo Ducale (Venise, Italie)"
Moucheront, Nicolas. „Le Palais des doges de Venise à l'époque moderne (1595-1625) : la conclusion d’un grand chantier“. Electronic Thesis or Diss., Paris, EHESS, 2024. http://www.theses.fr/2024EHES0014.
Der volle Inhalt der QuelleThe gothic Venice Ducal Palace was realized for 1340 but all the last centuries of Middle Ages long and for whole Renaissance, works have gone ahead seamless. Around 1625, the building reach its actual design and till this moment, only restoration works have been realized. This PhD tesis in architecture history studies the conclusive moment of this building process in order to understand why and how for 1595 so big a building site achieves. Financing dynamics of public works in Venice are first of all inserted within a long term analysis from the amortization of public debt between Middle Ages and Modern times. Such a study consent to pass in review thanks to available publications the main steps of the Ducal Palace building and to advocate a financial study of some of the major public buildings in Venice late XVIth century such as Rialto bridge or Redentore church.This study on the institutional functions of the Salt Office is in a second moment addressed to a specific political moment for the Venice Republic, the Interdetto crisis. A series of biographic researches about public and private commissions of several doges on power from 1595 to 1625 is developed, focusing on the respective leaders from the pro papalist vecchi and their opponents, the giovani patricians, Marino Grimani and Leonardo Donà. Specific research on public records and family archives are also dedicated to the exceptional journey from Padua to Paris of Antonio Priuli. Indeed, as Surveyor from all the Ducal palace places, he is responsible for the transformation of this building between 1601 and 1614. Then, he relaunches the works when arriving on power from 1618 till his death in 1624. During all this time long, the carpenter Bartolomeo Manopola conducts the works as Salt office proto. A detailed study is realized on his family building firm associating stone carvers, carpenters and masons. The relationships between public building and important figures from the time such as the stone carver Giovanni Grapiglia, the architect Vincenzo Scamozzi and the art seller Daniel Nijs are also developed associating a study on the commissioners network, architecture details and building site accounts. Such a micro-historic approach from the productive structure of the building site is the base for an analysis from the superstructure, ie for a survey on the Ducal palace architecture transformations from 1595 to 1625.Internal conflicts enable an interpretation of the functional program for the room gradually arranged on the ground floor on the building and inside the lodges. The powers representations shaped on on the clock facade and inside the new banqueting room are then analyzed through a political length, considering the difficult situation resulting from the Gradisca war and the hot moment of the Bedmar plot in 1618, just when Antonio Priuli finally became doge. An opening chapter concludes the tesis putting the Ducal palace transformations within the current transformation cycles of the other headquarters of the Venitian power in Main Land and Sea Land main towns. The aim is to catch the political function from architecture design process in a Republic. Public palaces are sophisticated representations from power. Theirs material transformations are as a consequence the tools from complex negotiations in grade of overall political crisis moments
Burckhardt, Jacqueline. „Giulio Romano : Regisseur einer verlebendigten Antike : die Loggia dei Marmi im Palazzo ducale von Mantua /“. St. Gallen : [s. n.], 1994. http://catalogue.bnf.fr/ark:/12148/cb361527584.
Der volle Inhalt der QuelleKoering, Jérémie. „Décors et lieu de pouvoir : l'exemple du palais ducal de Mantoue (1519-1587)“. Paris 1, 2005. http://www.theses.fr/2005PA010631.
Der volle Inhalt der QuelleBücher zum Thema "Palazzo Ducale (Venise, Italie)"
Jean-Pierre, Habert, Marabini Lucia, Béguin Sylvie, Musée du Louvre, Museo Thyssen-Bornemisza und Palazzo ducale (Venice Italy), Hrsg. Le Paradis du Tintoret: Un concours pour le Palais des Doges : catalogue de l'exposition. Milano: 5 continents, 2006.
Den vollen Inhalt der Quelle finden1945-, Romanelli Giandomenico, Da Cortà Fumei Monica, Enrico Basaglia und Civici musei veneziani d'arte e di storia., Hrsg. Il Palazzo ducale di Venezia. Milano: Electa, 2004.
Den vollen Inhalt der Quelle findenJean-Pierre, Gabriel, Hrsg. Palazzo ducale a Venezia. [Milan, Italy]: Skira, 2011.
Den vollen Inhalt der Quelle findenRoiter, Fulvio. Il Palazzo ducale. [Italy]: Vianello libri, 1997.
Den vollen Inhalt der Quelle findenFranzoi, Umberto. The ducal palace Venice. Roma: Istituto Poligrafico e Zecca dello Stato, Libreria dello Stato, 1990.
Den vollen Inhalt der Quelle findenFranzoi, Umberto. Il Palazzo ducale di Venezia. Treviso: Canova, 1990.
Den vollen Inhalt der Quelle findenFranzoi, Umberto. Il palazzo ducale di Venezia. Roma: Istituto poligrafico e zecca dello stato,Libreria dello stato, 1987.
Den vollen Inhalt der Quelle findenFranzoi, Umberto. L' armeria del Palazzo ducale a Venezia. Dosson (Treviso): Canova, 1990.
Den vollen Inhalt der Quelle findenGiandomenico, Romanelli, Basaglia Enrico und Da Cortà Fumei Monica, Hrsg. The Doge's Palace in Venice. Milano: Electa, 2004.
Den vollen Inhalt der Quelle findenJean, Habert, Hrsg. Il Paradiso di Tintoretto: Un concorso per Palazzo Ducale. Milano: 5 continents, 2006.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Palazzo Ducale (Venise, Italie)"
Marchesin, Giorgia. „Dell'Archivio Storico delle Arti Contemporanee «la Biblioteca n’era il principio»“. In Storie della Biennale di Venezia. Venice: Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-366-3/010.
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