Thematische Bibliographien / Palatino (Paris, France : Building)

Auswahl der wissenschaftlichen Literatur zum Thema „Palatino (Paris, France : Building)“

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Veröffentlicht am 25. Juli 2024

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Zeitschriftenartikel zum Thema "Palatino (Paris, France : Building)"

Faivre d'Arcier, Louis. „Managing Building Permits Files at the Archives de Paris, France“. Journal of Archival Organization 3, Nr. 2-3 (10.01.2006): 111–23. http://dx.doi.org/10.1300/j201v03n02_09.

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Kovács, Péter. „Immunities and Criminal Proceedings (Equatorial Guinea v. France) (I.C.J.)“. International Legal Materials 60, Nr. 4 (11.03.2021): 541–636. http://dx.doi.org/10.1017/ilm.2021.7.

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On December 11, 2020, the International Court of Justice (ICJ or Court) delivered by majority its judgment on the merits of the litigation between Equatorial Guinea and France concerning the legal status of a building at 42 Avenue Foch, situated in Paris, in the very elegant 16th district, close to the Arc de Triomphe (Place de l'Étoile/Place Charles de Gaulle).

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Bélaval, Philippe. „Retour à la Bibliothèque Nationale de France“. Alexandria: The Journal of National and International Library and Information Issues 9, Nr. 1 (April 1997): 45–58. http://dx.doi.org/10.1177/095574909700900103.

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The decision in July 1988 to build a new library in Paris has been the starting point of a deep change in every field of activity for the French national library, which combines the old Bibliothèque nationale in the Rue de Richelieu with the Bibliothèque de France in Tolbiac in what is now known as the Bibliothèque nationale de France (BnF). The collections will be divided between two sites: the Rue de Richelieu building will retain the special collections, in improved storage conditions and with better access; while the printed and audiovisual collections are being transferred to the new building at Tolbiac between the end of 1996 and the end of 1998. 370,000 books will be acquired specially to fill gaps in previously neglected areas such as law, economics and science. A new OPAC, due for completion in 1998, will provide access to merged files of the BnF, including 4.5 million converted records from the old hand-written catalogue. Next to the research reading rooms, which are for registered users only, will be ten reading rooms open to the general public for a fee, which will have 380,000 books on open access. The OPAC will be accessible remotely, as will the seat and book reservation system. A new preservation centre has been built in Marne-la-Vallée, 20 km east of Paris; there is a special emphasis on deacidification. There are two digitization programmes, for 100,000 texts and 300,000 pictures; negotiation is taking place with copyright holders. Experimental access to several bibliographic databases and digitized collections is already proving successful. The new reference library in the new building opened in December 1996 and the research library will open in 1998.

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Camara, Evelyne, und Jean Villon. „Centre des Archives d'outre-mer à Aix-en-Provence (CAOM): Historique des archives de madagascar“. African Research & Documentation 101 (2006): 27–37. http://dx.doi.org/10.1017/s0305862x00017945.

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The National Archives of France opened its first building at Aix in 1966; at that time the Archives d’Outre-Mer (AOM) located there co-existed alongside the Section Outre-Mer of the National Archives (SOM) housed at the Rue Oudinot address in Paris. Following the abolition of the ‘Ministry of France Overseas’, it was decided in 1962 to bring together all the archives of the former French colonies, except for those of French West Africa which were all retained in Dakar. The archives transferred to Paris were only those of French government; those of administration, i.e. public works, health, education, local government, all stayed in their respective countries.Initially at Aix 900 tonnes of archives arrived in the first ten months. In 1986 the SOM in Paris was closed and 17 linear km of documents, far from completely processed, were transferred to Aix.

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Yon, Guillaume. „Building a National Machine“. History of Political Economy 52, S1 (01.12.2020): 245–69. http://dx.doi.org/10.1215/00182702-8718035.

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The article studies the development of the long-term marginal cost pricing of electricity in France, in the 1950s and 1960s. The engineers who managed the public monopoly for the production, transport, and distribution of electricity promoted a distinctive version of the economics and engineering nexus. Costs calculations were developed to design a nationwide integrated machine. Hydropower in the south was to be interconnected with thermal power in the north, in order to support a massive increase in consumption in the Paris basin, saving on coal and on the scarce funding of the Marshall Plan. Prices acted as administrative instructions, passing on costs to subscribers and shaping their present and future behavior according to the planned development of the system. This was a technocratic intervention: the engineer-economists made crucial and lasting decisions on land-use planning for the sake of the rapid growth of the system. This engineering and economics nexus was a far cry from the prewar liberal order made of multiple small and loosely regulated competitors, and from contemporary forms of economic engineering, more narrowly focused on the informational properties of prices, abandoning the calculated nationwide decisions on the growth of processes of production and uses. It is also slightly neglected in the discussion over the so-called indicative planning in postwar France.

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Buller, Robin Margaret. „“Morts pour la France”: Commemoration and Community Building among Ottoman Sephardim in Interwar Paris“. Jewish Social Studies 27, Nr. 2 (Juni 2022): 53–88. http://dx.doi.org/10.2979/jewisocistud.27.2.03.

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Li (李志鹏), Zhipeng. „Chinese Ethnic Media in France“. Journal of Chinese Overseas 16, Nr. 2 (11.11.2020): 242–66. http://dx.doi.org/10.1163/17932548-12341425.

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Abstract This article seeks to analyze recent developments in overseas media in the Chinese language in France. To do so it underlines the links between these media, created for and by Chinese migrants, and the trajectory of an entrepreneurial diaspora within the host country. The vast bulk of data is drawn from a qualitative study of several media organizations of the Chinese diaspora in France. In particular, a comparative study of two media, Ouzhou shibao and Huarenjie, has enabled an examination of a twofold interrelated phenomenon. On the one hand, the changes in commercial strategy to respond to the evolution of the Chinese diaspora in France, and, on the other, the relations between the Paris-based Chinese ethnic media and the authorities of the country of origin. It is argued that these media contribute to building social and political capital for the Chinese diasporic entrepreneurs in France.

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Gaudelus, Sébastien, Martine Poulain und Lucile Trunel. „The renovation of the Richelieu building: a future centre for art researchers in Paris“. Art Libraries Journal 36, Nr. 1 (2011): 11–16. http://dx.doi.org/10.1017/s0307472200016734.

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The historic site of the French national library is currently being renovated in order to become a major centre for art documentation and special collections. It will incorporate three separate institutions: the specialist departments of the Bibliothèque nationale de France, the library of the Institut national d’histoire de l’art, and the library of the Ecole nationale des Chartes. Completion of the project is scheduled for 2017.

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Kocaman, Ezgi, Merve Kuru und Gülben Çalış. „Analyzing and modeling thermal complaints in a commercial building in France“. Organization, Technology and Management in Construction: an International Journal 13, Nr. 1 (01.01.2021): 2416–25. http://dx.doi.org/10.2478/otmcj-2020-0017.

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Abstract Buildings are interactive environments in which their operations and occupants are linked. Although buildings are operated according to the standards, occupant complaints may arise when there is a mismatch between indoor environmental conditions and actual user needs. Therefore, the accuracy of thermal comfort prediction models suggested by the standards and alternative prediction models need to be investigated. This study aims at assessing the performance of the predicted mean vote (PMV) model suggested by the ISO 7730 Standard to detect occupant thermal dissatisfaction. In addition, a multivariate logistic regression model was developed to predict thermal complaints with respect to “too warm” and “too cold.” This case study was conducted in a commercial building located in Paris, France, between January 2017 and May 2018. Indoor environmental conditions were monitored via sensors and an online tool was used to collect occupant thermal complaints. A total of 53 thermal complaints were analyzed. The results showed that all the operative temperature measurements in both the heating and cooling seasons were within the thresholds suggested by the standards. The PMV method suggested that only 4% of the occupants were dissatisfied with the indoor environment whereas the actual dissatisfaction ratio was 100% under these indoor environmental conditions. In addition, the multivariate logistic regression model showed that operative temperature and season have a significant effect on thermal complaints. Furthermore, the accuracy of the developed model was 90.6%.

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Garbuzarova, Elena Gennad'evna. „The Central Asian Direction of French Foreign Policy (1992-2022)“. Contemporary Europe, Nr. 2 (15.04.2023): 49–58. http://dx.doi.org/10.31857/s0201708323020043.

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From the moment of the collapse of the USSR to the present days France showed interest in building relations with the countries of Central Asia in a wide range of areas of interaction. France was one of the first European states to recognize the independence of the new republics. The article is aimed to expand knowledge about French policy in Central Asia and the factors that determine the interest of Paris in the Eurasian region. In the context of the transformation of the world order and global geopolitical tensions France's capabilities are narrowing which encourages Paris to pursue a proactive foreign policy on the Central Asian track. At the same time the place of France's ideological and value rhetoric in its foreign policy in the Central Asian countries is gradually occupied by economic reasonability. France's interests in the region are focused on energy resources and Afghan issues. France's efforts are aimed at reducing the dependence of Central Asian countries on Russia and China. It is concluded that France is strengthening the economic dimension of its foreign policy in Central Asia with an emphasis on expanding cooperation with the two leading countries of the region - Uzbekistan and Kazakhstan.

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Dissertationen zum Thema "Palatino (Paris, France : Building)"

Fournier, Anik Micheline. „Building nation and self through the other : two exhibitions of Chinese painting in Paris, 19331977“. Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82704.

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This thesis investigates Western exhibition practices and the problems that arise when they involve cross-cultural encounters. Two exhibitions of Chinese painting in Paris that were co-planned by French curators and Chinese artists will serve as case studies in this regard. The first exhibition is Exposition de la peinture chinoise held at the Musee du Jeu de Paume in 1933. The second show is Quatre artistes chinoises contemporaines held at the Musee Cernuschi in 1977. Using archival material, I will reconstruct the planning of the exhibitions and reveal diverging French and Chinese agendas. An examination of the press reviews of the two shows will demonstrate that location is key in the public reception of an exhibition. The analysis of the encounter of self and other underlying the two exhibitions will lead to a probing of Western exhibition practices and bring issues of power, authenticity and identity-making to the fore.

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Park, Sun-Young. „The Body and the Building: Architecture, Urbanism, and Hygiene in Early Nineteenth-Century Paris“. Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11527.

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This dissertation examines the transformation of the French built environment alongside medical discourses of the body in the early 19th century, arguing that emerging theories on health and hygiene comprised a politically charged subtext in the design of spaces where gender and class identities were formed. Following the military defeats that led to the collapse of the Napoleonic Empire, fears over national decline spurred medical thought on the regeneration of French citizens. The ensuing debates about the body and hygiene gave rise to new architectural programs - such as gymnasiums, swimming schools, and public gardens - where emergent practices for rehabilitating the bourgeois body, both male and female, were implemented. I trace the translation of these spatial forms and practices across a range of military, educational, and recreational settings, to analyze the role of architecture in shaping 19th-century embodiments and expressions of gender, class, and citizenship.

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Hosseinabadi, Shahram. „Une histoire architecturale de cinémas : genèse et métamorphoses de l'architecture cinématographique à Paris“. Thesis, Strasbourg, 2012. http://www.theses.fr/2012STRAG021/document.

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Cette thèse étudie la naissance et l’évolution de cinéma comme type architectural en examinant deux-cent projets soumis, entre 1907 et 1939, à l’administration parisienne pour le permis de construire. Ceux-ci sont analysés selon quatre critères : l’implantation, les protagonistes, la conception architecturale et la réception des œuvres. Le parc cinématographique parisien, à la veille de la Seconde Guerre, est le résultat de trois vagues de constructions à la suite des événements marquants : la naissance du cinéma narratif (1907-1913), l’Armistice (1919-1920), l’avènement du parlant (1931-1938). Ces trois vagues riment avec trois phases successives dans la genèse du nouveau type : l’expérimentation, la théorisation et la modernisation. Ainsi est mise en évidence la constitution, dès 1907, d’un type originel architecturalement caractérisé par la triade projection-visibilité-publicité. Il en dérive, par la suite, différentes espèces qui, malgré leurs variations, restent « un hangar noir » plus ou moins judicieusement disposés et décorés pour un spectacle projeté sur écran, hangar doublé extérieurement d’une façade parlante et peu ou prou attrayante
This thesis explores the emergence and the evolution of the cinema as a building type. It examines two hundred projects submitted to the Parisian administration for obtaining construction permits, from 1907 to 1939. These projects are analyzed according to four major criteria: localization, protagonists, architectural design and their reception. At the beginning of the Second World War, Parisian cinemas were mostly built through three waves of constructions subsequent to historical events: emergence of narrative cinema (1907-1913), end of the First World War (1919-1920), arrival of talkies (1931-1938). These three waves correspond with three successive phases in the rise of the new building type: experimentation, theorization, modernization. This study demonstrates that an original building type has been created since 1907, which is architecturally characterized by the trio of projection- visibility-appeal. From this original type different pieces are derived, that despite their variations are all a blind shed less or more judiciously designed and decorated for a show projected on the screen, a blind box covered by an attractive and expressive façade

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Soulay, Véronique. „Étude d’un paysage urbain : l’impact du fait monumental religieux sur la structuration de la rive droite de la Seine à Paris au Moyen Âge“. Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040219.

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L’histoire des monuments religieux de la rive droite de Paris au Moyen Âge est étroitement liée à celle dudéveloppement de la ville. L’étude considère, sur dix siècles, l’ensemble des manifestations monumentales, dela simple chapelle à l’enclos monastique, comme des éléments structurants de la « Ville ». Lorsque le Parismédiéval atteint son apogée dans le courant du XIVe siècle, l’évolution de la construction religieuse dépendd’un espace urbain complexe dans lequel se confrontent les pouvoirs royal, ecclésiastique et laïc. La création etle développement du fait monumental religieux sont soumis à des influences architecturales diverses et à dessituations multiples dans un contexte bâti de plus en plus dense. La compilation de ces données architecturalesrépond à de nouvelles problématiques d’étude du paysage urbain, notamment l’iconologie des monuments, enmettant en place une méthodologie au confluent d’analyses architecturale, topographique, cartographique eticonologique
The history of the religious monuments of Paris right bank in the Middle Ages is closely linked to that of thecity’s development. This study is looking at every monumental expression as structuring elements of the ‘City’,from the simple chapel to the monastic enclosure, over ten centuries of history. When medieval Paris reachedits pinnacle during the fourteenth century, the evolution of religious construction depended on a complexurban space in which royal, ecclesiastical and lay powers confronted each other. The creation and developmentof the religious monumental phenomenon were the result of diverse architectural influences and manifoldsituations, in a progressively denser built context. The compiling of this architectural data responds to newproblems regarding the study of the urban landscape, specifically the iconology of monuments, by establishinga new methodology at the crossroad of architectural, topographical, cartographical and iconological analysis

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Duvette, Charlotte. „Les transformations de Paris étudiées à travers l'évolution de la maison urbaine de 1780 à 1810 : projets, publications et réalité bâtie“. Thesis, Paris 1, 2022. http://www.theses.fr/2022PA01H001.

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L’objectif de cette thèse est de repenser la relation entre l’évolution du tissu urbain parisien et une forme d’architecture domestique mal connue : la maison urbaine. Il ne s’agit pas de revenir sur la genèse de cet habitat, mais de questionner sont état à un moment précis : 1780-1810. Cette étude contribue à faire connaître des praticiens oubliés, à faire émerger les pratiques constructives les plus répandues, ou encore à démêler le lien entre l’image des maisons publiées et leur réalité bâtie. Les lotissements engagés à la fin de l’Ancien Régime sont davantage considérés pour leur remplissage à travers le procédé du sous-lotissement et les petites transactions qui s’en suivirent. Les architectes déjà célèbres en leur temps sont étudiés au regard du pendant le moins visible de leur production. Celle de leurs confrères est observée sur un pied d’égalité, en partant du principe qu’un Michel Duval ou qu’un Guireaud de Talairac produisait des ensembles aussi intéressants que la triade Bélanger, Brongniart et Ledoux. Les caractéristiques de ces maisons urbaines protéiformes émergent de l’analyse du corpus réuni – à l’image des terrasses aménagées en jardin – et illustrent les capacités d’adaptations des maîtres d’œuvre. La prolifération d’images et de commentaires dont elles sont l’objet permettent de saisir la place qu’occupaient ces demeures non plus dans la ville, mais dans l’espace public. Ce travail favorise la réévaluation de cas d’études tantôt inconnus, tantôt lacunaires, à l’aune d’une mise en contexte nouvelle
This thesis rethinks the relationship between the Parisian urban fabric and a lesser known form of architecture – the urban housing - that evolved between 1780 and 1810. This work sheds new light on forgotten practitioners, distinguishes the most widespread building practices and untangles the ties between the published images of houses and the realized buildings. The study observes the filling and densifying of the district divisions (lotissement) through subdivision (souslotissement) and their respective small real-estate transactions, that started at the end of the Ancien Régime. Renowned architects of those times were studied through the less visible part of their production, and their not so well known colleagues were treated as their equals, assuming that Michel Duval or Guireaud de Talairac produced buildings as appealing as the triad of Bélanger, Brongniart and Ledoux. The corpus study highlights the characteristics of these protean urban houses – such as terraces laid out as gardens and illustrate the adaptability of the architects. The abundance of pictures and commentaries on these buildings allows us to grasp the importance of these residences not only in the city but in the public space. This work fosters the re-evaluation of the unknown, understudied urban spaces, viewing them in a new perspective

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Rossignol, Claire. „Urbanité, mixité et grande hauteur : pour une approche par les dimensions public/privé des tours mixtes et de leur production : le cas de Paris et de l'Ile-de-France“. Thesis, Paris Est, 2014. http://www.theses.fr/2014PEST1130/document.

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La construction d'immeubles de grande hauteur reste, malgré les débats qu'elle génère, un projet d'actualité dans de nombreuses villes en France. Fort des expériences passées, nombreux sont les projets se tournant aujourd'hui vers le concept de ville verticale. Ces tours multifonctionnelles, mieux ancrées territorialement et ouvertes au public ont alors pour objectif de mieux s'intégrer dans la ville et de permettre une forme d'urbanité. La mise en œuvre de la mixité à l'échelle du bâtiment, la grande hauteur, ainsi que la recherche de qualité urbaine génèrent de nouvelles contraintes techniques, socio-institutionnelles et territoriales peu étudiées à ce jour. En particulier, la complexification des montages de projet, l'enjeu territorial élargi ainsi que le statut particulier des espaces ouverts au public de la tour provoquent de nouveaux questionnements et enjeux public-privé à la fois spatiaux et organisationnels. Dans ce contexte, comment les tours peuvent-elles contribuer à l'urbanité de la ville contemporaine ? En s'appuyant sur une étude comparative de trois projets de tours mixtes franciliens (Phare, Triangle et Duo), ainsi que sur un état de l'art sur la grande hauteur et le concept d'urbanité, nous proposons une typologie des tours au regard de leur contribution à la ville. En développant une approche dynamique de la dimension urbaine des projets de tours au cours de leur fabrication, nous proposons ensuite un outil d'analyse des «trajectoires de projet» dans le temps. Une corrélation apparaît finalement entre ces trajectoires urbaines et les étapes de leur fabrique, et permet une montée en généralité sur les processus de production des différents idéaux-types de tours et de leur urbanité
Despite a controversial scientific and societal debate, building skyward is experiencing a new rise in French cities. This is reflected in the emergence of new high-rise forms: mixed-use towers and even “vertical cities“. Both are usually conceived as more accessible to the public, more linked to the ground, and more “urban». The implementation of mixed-use, height and urban quality in skyscrapers generates a system of specific technical, social and territorial constraints which are little studied so far. New public-private issues concerning both spatial and organisational considerations are caused by the very complexity of the project, the significant impact of the building on its surroundings, as well as the special status of its privately-owned spaces that are open to the public. In this context how can high-rises be produced and contribute to the urbanity of contemporary cities ? First based on a comparative study of three mixed-use tower projects within the Paris region (Phare, Triangle and Duo), then on a literature review of high-rise buildings and the concept of urbanity, we establish a typology of “urban towers“. These are classified according to their relation and their impact on the city. By developing a new dynamic approach of the urban issue of tower projects during their fabrication, we create an analytical tool which can identify temporal “project trajectories“.Finally, we find a correlation between these project trajectories and the stages of their implementation. This allows us to analyse the production process of each class of tower and their urbanity

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Bücher zum Thema "Palatino (Paris, France : Building)"

Tribunal de Paris: Renzo Piano Building Workshop. Paris: Archibooks + Sautereau éditeur, 2018.

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Zanten, David Van. Building Paris: Architectural institutions and the transformation of the French capital, 1830-1870. Cambridge: Cambridge University Press, 1994.

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Tandeau, Armand. Hôtel du Châtelet: L'histoire d'un édifice d'exception = the story of an unususual building. [Reims]: DEFG, 2012.

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Lago, Pedro Corrêa do, 1958-, Museu Nacional de Belas Artes (Brazil) und Caixa Econômica Federal (Brazil), Hrsg. Marc Ferrez nos coleções do Quai d'Orsay. [Rio de Janeiro]: Contra Capa, 2001.

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Gustave, Eiffel. L' Architecture métallique. [Paris]: Maisonneuve et Larose, 1996.

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Post-tribunal: Renzo Piano Building Workshop et l'île de la Cité judiciaire. Paris]: Éditions B2, 2018.

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Calle, Sophie. L'ascenseur occupe la 501, de Sophie Calle. Arles: Actes sud, 2022.

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Medici, Villa, Ecole nationale supérieure des beaux-arts (France) und Accademia di Francia (Rome, Italy), Hrsg. Roma antiqua, envois des architectes français, 1788-1924: Forum, Colisée, Palatin : Curie (Forum romain)--villa Médicis, Rome, 29 mars-27 mai 1985 : Ecole nationale supérieure des beaux-arts, Paris, 7 mai-13 juillet 1986. [Rome]: Académie de France à Rome, 1985.

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Accademia di Francia (Rome, Italy), Hrsg. Roma antiqua: Forum, Colisée, Palatin : envois des architectes français, 1788-1924 : Curie (Forum romain), Villa Médicis, Rome, 29 mars-27 mai 1985, Ecole nationale supérieure des beaux-arts, Paris, 7 mai-13 juillet 1986. Rome: Académie de France à Rome, 1985.

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Gremillet, Muriel. 11-21 rue d'Alsace, Paris: Ristrutturazione di un complesso parigino = conversion of a parisian building. [Paris]: Ante prima, 2008.

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Buchteile zum Thema "Palatino (Paris, France : Building)"

„13 Not as Simple as “Bonjour”: Synagogue Building in Nineteenth-Century Paris“. In The Jews of Modern France, 286–301. BRILL, 2016. http://dx.doi.org/10.1163/9789004324190_015.

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Bailey, Heather L. „The “Byzantine Firework” of Paris“. In The Public Image of Eastern Orthodoxy, 80–115. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501749513.003.0004.

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This chapter examines the church's reception in France. It talks about the church and the media that accompanied France that started to reshape Orthodoxy's public image. It also explains how Orthodox publicists gained some control over the narratives about Orthodoxy and accurate information about the Eastern Church that was widely disseminated in newspaper articles and tour guides. The chapter also assesses discussions of the church that simultaneously blurred and sharpened the distinctions between Orthodoxy and Roman Catholicism and between notions of Russian-ness and French-ness. It also describes the term “Byzantine–Muscovite style” and the adoption of pre-Petrine Russian architectural models for church building that simultaneously emphasized Russia's distinctiveness in relation to western Europe and its belonging “to the great European cultural tradition.”

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House, Jim, und Neil Macmaster. „Emergent Memories, 1980–1997?“ In Paris 1961: Algerians, State Terror, and Memory, 288–309. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780199247257.003.0014.

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Abstract This chapter assesses how and why the visibility of the events of 17 October gradually resurfaced in political and media debate between 1980 and 1997, in the light of political and social developments in both France and Algeria. Whereas in the 1960s and 1970s, low-level transmission of memory regarding 17 October took place mostly on an inter-personal basis within the family or radical left organizations and movements, in the 1990s, building on the impact of the antiracist movements of the 1980s that saw descendants of Algerian migrants emerge as significant collective political actors in France, new groups formed with a strategy of bringing the memories of 17 October onto the public stage. Their aim was to formulate specific demands for official recognition, truth, and justice and to transmit an awareness of 17 October to wider sectors of French society.

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Garner, John S. „Noisiel-sur-Marne and the Ville Industrielle in France“. In The Company Town, 43–73. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195070279.003.0003.

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Abstract When Tony Garnier arrived in Paris from Lyon in 1889 to complete his studies in architecture, he would have been attracted to the great Exposition then occupying the Champs de Mars and spilling over to the grounds of Les lnvalides. From the upper platform of Eiffel’s tower, which had been criticized for being “a work more American in character than European” because of its exposed structure of wrought iron, Gamier could have surveyed the vast array of exhibits and pavilions that stretched below. Much of the foreground south of the tower was occupied by the gargantuan Galerie des Machines, a building that sheltered sixty-three thousand square meters of exhibition space and contained everything from steam locomotives to a single-cylinder internal combustion engine. Because the exposition marked the centennial of the French Revolution, special emphasis was placed on social advancement and a part of the exposition was given over to a section entitled “social economy.” In stark contrast to the monumental buildings of iron that occupied the midway were a cluster of small frame and masonry houses that lay in the distance.

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Potter, David. „Introduction“. In France in the Later Middle Ages 1200–1500, 1–22. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780199250479.003.0001.

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Abstract In the depiction of September for the Très riches heures du due de Berry, the château of Saumur towers like a fairy-tale castle over peasants harvesting the vines in the fields below. The castle is still there, restored in the 1930s by using die Très riches heures as a model, but through this image we travel into a very different world. Part of a sumptuous work commissioned by a powerful royal prince at a time when France was virtually at its lowest point of chaos and depression in the late Middle Ages, it is a profoundly ambiguous scene. Apparently all is still and the world is in order and harmony. Yet this was a period which saw a deep structural crisis which swept across French society, accompanied by war and destruction. The period covered by this book saw the last crusades led by a king of France, the destruction of the most serious heresy to face the Western Church in the Middle Ages, the foundation of the University of Paris, the building of the cathedral of Amiens, the music of the ars nova in the age of Guillaume de Machault and of Guillaume Dufay at the court of Burgundy, and the unique if brief public career of Jeanne d’Arc.

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Galviz, Carlos Lopez. „Past Futures“. In Advances in Civil and Industrial Engineering, 1–22. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-5225-0084-1.ch001.

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Innovation was central to developments in urban railway transport in nineteenth-century London and Paris. Innovation was often political, the result of an encounter between and across a range of actors, including railway entrepreneurs and their companies, railway engineers, civil engineers, architects, intellectuals, a range of authorities –local, municipal, metropolitan, regional and national –, and the rich mix of people affected by the opening of a new railway line. The chapter opens up the notion of innovation to issues that cover three different dimensions: the politics, the culture and the social concerns behind the building of railways. It shows how London and Paris coped, but also dealt with one of the most transformative forces of nineteenth-century Britain and France. An important part of that story relates to the different futures that were envisioned in the two cities, in response to specific concerns and determined by a particular set of conditions. This approach highlights the process of how innovations took place rather than the end result.

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Adelson, Robert. „Founding a workshop“. In Erard, 9–18. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197565315.003.0003.

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Having obtained a crucial royal protection that allowed them to compete freely with their Parisian rivals, the Erard brothers concentrated on enlarging their workshop in order to meet the growing demand for their pianos—not only in Paris, but throughout France. The firm hired numerous skilled workers from German-speaking Europe, enticing them by offering a good salary and a stable contract. The success of the Erard firm depended on recruiting, training, and supervising their numerous employees, and stocking their workshops with great quantities of specialised raw materials for instrument manufacture. The Erards developed relationships with musical instrument dealers, musicians, and music teachers as an important way to extend their instrument-building empire across Europe.

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Murray-Miller, Gavin. „Imperial Entanglements and the Making of the Post-Ottoman Mediterranean“. In Empire Unbound, 221–53. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192863119.003.0009.

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The final chapter focuses on how France and Britain attempted to combat Pan-Islamic mobilization during the war years. French authorities carefully monitored the international situation and were inclined to work in conjunction with Britain to thwart anti-colonial movements. Officials employed journalists and local spokesmen to encourage imperial loyalties and reiterate the idea that France was indeed a “Muslim power” working in the interests of its colonial subjects. This chapter gives special attention to French efforts in Syria and the activities of the Syrian émigré community in Paris. Émigré activists played a definitive role in shaping French policy in the region as the Ottoman Empire crumbled. As they worked to secure a Syrian nation-state under French protection, it was evident that imperialists were coming to imagine a new territorial regime in the Mediterranean region, one which favored bounded nations and colonies that would subvert calls for Islamic unity. With the collapse of the Ottoman Empire, France and Britain would establish mandate states in the eastern Mediterranean, finalizing the “re-spatialization” of the Muslim Mediterranean. Once a territory defined by forms of layered sovereignty and trans-bordered social and cultural ties, by 1924 the region was characterized by a new geopolitical landscape consisting of bounded imperial enclaves and nation-states. This transformation marked the end of a long process of empire-building in the region as European and Muslim powers attempted to impose new models of authority and sovereignty on a decentered, mobile world.

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„vinced that we should not, because I am certain that the lead chambers, considering of the huge quantity of sulfur burned inside, won’t last more than 6 years instead of 15, as formerly forecasted. If that fact is confirmed, deprecia tion is not important enough and the profit of the soda factory is overvalued. Though the Board of Directors at the September 4, 1834 meeting was not asked for a decision as regards the length of time allowed for depreciation, it was asked to decide whether deprecia tion should be taken on machinery during the first year's service. In the same report, the chief accountant maintains the fictitious nature of the depreciation taken into account: . . . let me remind you of what I told you in my preceding report: there is only one means to have an exact idea of depreciation: it consists, when a building or a piece of machinery is out of use, in appraising its value, and when it is destroyed to take into the Profit and Loss Account the remaining value, less the selling price of materials. By that means we could know exactly the depreciation life of a building or a piece of machinery . . . The method of calculating depreciation was to be completely re viewed in the 1870’s as discussed in a subsequent section. Transfer pricing among factories. Transfer pricing also became an issue which was considered by the Company in developing its cost accounting system. The issue arose because the soda factory sold its products to the glass factory on the one hand, and to external customers on the other hand. It first seemed correct to use the same price until this price appeared excessive due to ap proximate methods of valuing the quality of goods sold: If that increase in the degrees (measure of quantity for soda) is of little importance for customers delivered to in Paris, it is quite different for the Saint-Gobain’s branch which pays for more degrees than it really gets. Conse quently, the soda factory makes a profit to the detriment of the glass factory and increases its cost prices. To conclude, the chief accountant makes some proposals among which: 3) Wouldn't it be convenient to choose a uniform way of costing as regards the transfer transactions between our branches? We could use either the cost price or the mar ket price.“ In Accounting in France (RLE Accounting), 264. Routledge, 2014. http://dx.doi.org/10.4324/9781315871042-32.

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„After a long discussion on the advantages and drawbacks of each method (production or capital), it was decided that the decision would be made during the next meeting. On March 16, 1832, the Board opted for the capital method. However, the debate was re vived less than a year later when at the August 20, 1833 meeting the chief accountant was instructed to compare Saint-Gobain’s and Chauny's respective efficiencies. . . . we shall probably be told, with good reason, that if cost prices are charged with the mostly arbitrary distribu tion of overheads, those cost prices are an unreliable means of comparing the economical efficiency of differ ent methods of manufacturing. That is why we wish to propose a third way in which overhead expenses of the Headquarters are not charged to any production. For the last four months, Saint-Gobain has been costed at OF79 per square foot. At Chauny, both raw materials and labor are worked out at OF51 per square foot. If you add the depreciation of the building and the machinery of that factory, the cost rises to OF71, and if we wish to have figures that could be compared to those of Saint-Gobain, repair expenses for the machinery, the cost for slack peri ods or flawed glass must be added. The records in our accounts are not yet accurate enough and moreover too recent to allow us to give precise figures for these kinds of expenses. But no doubt they will go over OF80; conse quently, the question of economical efficiency is settled. The overhead expenses to be shared included traveling ex penses, tokens, salaries of administrators, a hypothetical rent for the Paris building, and operating expenses, but the fate of divi dends paid to shareholders was not sealed. It was raised on Sep tember 4, 1834 by the chief accountant: It has often been said that we should not include divi dends in the cost prices: this is a big mistake; a Limited Company must always be considered as a business which, thanks to its repute, can borrow funds for its ac tivity: those funds produce interests, which amount must be deducted from the profit ... if the interests were not included in the cost prices, we could not know the real profit of the soda factory. The Continuity of accounting methods. The Board of Directors of Saint-Gobain was also concerned about comparability of ac counting data over periods of time and under different variation methods. The following quotation may seem somewhat difficult to“. In Accounting in France (RLE Accounting), 261. Routledge, 2014. http://dx.doi.org/10.4324/9781315871042-29.

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Konferenzberichte zum Thema "Palatino (Paris, France : Building)"

„Energy Saving Analysis of Free Cooling System in Meditranian Building“. In June 20-21, 2018 Paris (France). Universal Researchers, 2018. http://dx.doi.org/10.17758/uruae2.ae06181027.

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„Revitalization of the Post-industirial City By Building Landmark Architecture“. In June 20-21, 2018 Paris (France). Universal Researchers, 2018. http://dx.doi.org/10.17758/uruae2.ae06181029.

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„Building Earth and Low Carbon Initiatives for Sustainable Housing in Nigeria“. In Sept. 17-19, 2018 Paris (France). Excellence in Research & Innovation, 2018. http://dx.doi.org/10.17758/eirai4.f0918120.

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„Conflict and Peace Building: A Study of Women Organizations of Northeast India“. In Sept. 17-19, 2018 Paris (France). Excellence in Research & Innovation, 2018. http://dx.doi.org/10.17758/eirai4.f0918411.

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„The Preference and Environmental Perception of Building Contour Control of Mountain-landscape City“. In Oct. 5-6, 2017 Paris - France. EIRAI, 2017. http://dx.doi.org/10.17758/eirai.f1017302.

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Zammit, Sarah-Jane. „Notre-Dame as the Memory of Paris: Hugo, the Historical Novel and Conservation“. In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5050pxtvl.

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Controversies surrounding the restoration and representation of the narrative and memory of Notre-Dame de Paris are not new. The latest debates remind us that the building has been at the centre of conservation controversies since the nineteenth century. But why is Notre-Dame de Paris central to these debates? The answer appears to lie in its function as a mnemonic device for Paris and the French nation. This paper focuses on the four literary pieces published by Victor Hugo in the period between 1823 and 1832 – ‘Le Bande Noir’ (‘The Black Band’), ‘Note sur la Destruction des Monuments en France’ (‘Note on the Destruction of Monuments in France’), ‘Guerre aux Démolisseurs!’ (‘War on the Demolishers!’) and Notre-Dame de Paris (also known as The Hunchback of Notre-Dame). Through an analysis of these four texts, the paper will attempt to understand Hugo’s convictions about the role of buildings – especially Notre-Dame de Paris – in establishing the memory of the city and the nation, and how these in turn underpinned his arguments for conservation. Whilst these texts were all written in a period before the development of key contemporary concepts in the psychology and neuroscience of memory, this paper nevertheless uses the concepts of memory, imagination and Mental Time Travel to try to understand the kind of memory work that the Cathedral performs, and that Hugo suggests it performs in his writing. By examining how Hugo’s literature augmented and engaged the reader’s memory and imagination of the past, this paper will explain how Hugo romanticised the idea that the building was a witness to history. The paper ultimately argues that Hugo positioned Notre-Dame de Paris not only as the centrepiece in his own fiction, but as a beacon of memory for Paris and France, and as such the building came to represent Paris, and indeed the nation as a whole.

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Rome´ro, Ste´phanie. „Environmental Remediation of an ALSTOM Grid Industrial Site (France)“. In ASME 2011 14th International Conference on Environmental Remediation and Radioactive Waste Management. ASMEDC, 2011. http://dx.doi.org/10.1115/icem2011-59270.

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ALSTOM Grid is the project owner of the remediation of a former industrial site, located in Saint-Ouen, north of Paris. The industrial activity (power transformer production) started in 1921 and stopped in 2006. The type of pollution is linked with the former activity. It’s an organic pollution: hydrocarbon, PCB and chlorinated volatile organic compounds. The clean-up concerns soil and groundwater. The main specificity of the project is that the remediation is operated inside the existing industrial buildings which must be kept in place and restituted to the owner after the works. The treatment of soil requires excavating soil up to 9 m deep (1 m under the level of the groundwater) inside the buildings. As a consequence, some impressive devices were set up to ensure the stability of the buildings during the clean-up, like support structures of the foundations and strengthening of the building fronts. In the same time, it has to be pointed out that great diversity of clean-up actions is performed on the site: the soil is excavated to be treated on site (bioremediation or chemical treatment) or off site. The treatment of groundwater consists of pumping the oil staying on the surface and oxidizing the dissolved pollution. This project is probably the first experience of this scale in France with multi-contaminated soil and groundwater decontamination in keeping and reinforcing the existing buildings.

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Ponce Gregorio, Pedro. „La forme du temps à Moscou“. In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.582.

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Resumen: Sería el 2 de septiembre de 1931, mediante carta privada remitida por un tal B. Breslow en calidad de Representante Comercial de la URSS en Francia, cuando Le Corbusier recibe la invitación a participar en el concurso del que sería para muchos el edificio esencial del país, el Palacio de los Soviets de Moscú. Un edificio que en consecuencia, además de encarnar la voluntad de las masas trabajadoras rusas, debía convertirse de manera análoga, allí donde ya se hallaba construida la catedral de El Salvador, en el monumento artístico-arquitectónico de la todavía maltrecha capital soviética. Este y no otro es el punto en el que la presente «forma del tiempo» se inscribe: en el continuo devenir que el proyecto desarrolla dentro del número 35 de la rue de Sèvres de París, a fin de desempolvar parte de aquel rastro creativo velado por la historia, esto es, desandar la línea de los Soviets. Abstract: It was around september the second, 1931, on a private letter dispatched by some B. Breslow acting as Comercial Representative of the URSS in France, when Le Corbusier received the invitation to participate in the contest of the one that would be for many the essential building of the country, the Palace of the Soviets in Moscow. A building that for that matter would not only enbodies russian´s working class will, but also should become in the same way, there where the El Salvador cathedral was built, the artistic-architectural monument of the still struggling soviet capital. This and not else is the point in which the actual "shape of the time" it is enrolled: on the developed by the project inside the number 35 of the rue de Sèvres in Paris, in order to dust off part of that creative trace veiled by history, this is, to walk back along the line of the Soviets. Palabras clave: Tiempo; composición; simbología; circulación; técnica; Palacio de los Soviets. Keywords: Time; composition; symbology; circulation; technique; Palace of the Soviets. DOI: http://dx.doi.org/10.4995/LC2015.2015.582

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Erin, Irem, Alessandro Araldi, Giovanni Fusco und Ebru Cubukcu. „Quantitative Methods of Urban Morphology in Urban Design and Environmental Psychology“. In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5732.

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Irem Erin¹, Alessandro Araldi², Giovanni Fusco2, Ebru Cubukcu1, ¹City and Regional Planning Department. Dokuz Eylul University. Dokuz Eylül Üniversitesi-Mimarlık Fakültesi Tınaztepe Kampüsü, Doğuş Caddesi No:209, 35160 Buca- IZMIR, Turkey ²Université Côte d’Azur, CNRS, UMR ESPACE. 98 Bd Edouard Herriot, BP 3209 06204 NICE cedex 3, France E-mail: irem.erin@deu.edu.tr, alessandro.araldi@unice.fr, giovanni.fusco@unice.fr, ebru.cubukcu@deu.edu.trTelephone number: +905363341475 Keywords (3-5): Morphological analysis, quantitative methods, urban design, environmental psychology Urban morphology investigates “how cities are built and why, how cities should be built, what should be built and what has actually been built?” (Moudon 1997). Together with the qualitative analysis, the founding fathers of urban morphology also proposed quantitative measures of urban fabrics. Allain's methodological work (2004) presents an overview of these quantitative analyses of topological, dimensional and geometrical relations among form elements in urban fabrics. However, urban morphologists have traditionally resisted computer-based geoprocessing of urban form and their calculations were mainly carried out manually. Thanks to technological developments, the number of quantitative studies in urban morphology has increased and fully integrated geoprocessing. More sophisticated computer-aided analyses have increased the potential applications in urban design and in environmental psychology research. Space Syntax (Hillier 1998) and Multiple Centrality Assessment (Porta et al. 2006) are configurational, multi-scale approaches to the analysis of the urban street network, but miss the interplay between streets, building and parcels composing urban fabric. Space Matrix (Berghauser Pont and Haupt 2010) and, more recently, Multiple Fabric Assessment (Araldi and Fusco 2017) are geoprocessing quantitative approaches to the analysis of urban fabric morphology. This study has two aims; (1) classify quantitative urban morphology methods and (2) discuss how these methods could be applied in urban design and environmental psychology. First, the evolution of these methods along with the theories in urban morphology from qualitative to quantitative approaches will be discussed. Methods will be classified by combining their goals, as well as the morphological objects and the scales on which the analyses will focus. Finally, we will discuss how these methods could be combined and used in two different research perspectives: urban design and environmental psychology. References Allain, R (2004) Morphologie urbaine: géographie, aménagement et architecture de la ville, Paris, Armand Collin Araldi A., Fusco G. (2017) Decomposing and Recomposing Urban Fabric: the City from the Pedestrian Point of View, ICCSA 2017 Proceedings (in press) Berghauser Pont, M., Haupt, P. (2010). SPACEMATRIX, Space, Density and Urban Form. Rotterdam, NAi Publishers. Hillier, B. (1998) Space is the machine: A configurational Theory of Architecture, Cambridge University Press. Moudon, A. V. (1997). Urban morphology as an emerging. Urban morphology,1, 3-10. Porta S., Crucitti P., and Latora V. (2006) The network analysis of urban streets: a primal approach. Environment and Planning B: Planning and Design 33(5):705-725.

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Barbosa, Fábio C. „High Speed Rail Technology: Increased Mobility With Efficient Capacity Allocation and Improved Environmental Performance“. In 2018 Joint Rail Conference. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/jrc2018-6137.

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The increasing movement of people and products caused by modern economic dynamics has burdened transportation systems. Both industrialized and developing countries have faced transportation problems in urbanized regions and in their major intercity corridors. Regional and highway congestion have become a chronic problem, causing longer travel times, economic inefficiencies, deterioration of the environment and quality of life. Congestion problems are also occurring at airports and air corridors, with similar negative effects. In the medium distance travel market (from 160 up to 800 km), too far to drive and too short to fly, High Speed Rail (HSR) technology has emerged as a modern transportation system, as it is the most efficient means for transporting large passenger volumes with high speed, reliability, safety, passenger comfort and environmental performance. HSR system’s feasibility will depend on its capacity to generate social benefits (i.e. increased mobility rates, reduced congestion, capacity increase and reduced environmental costs), to be balanced with the high construction, maintenance and operational costs. So, it is essential to select HSR corridors with strong passenger demands to maximize these benefits. The first HSR line was Japan’s Shinkansen service, a dedicated HSR system, between Tokyo and Osaka, launched in 1964, which is currently the most heavily loaded HSR corridor in the world. France took the next step, launching the Train à Grande Vitesse (TGV), in 1981, with a dedicated line with shared-use segments in urban areas, running between Paris and Lyon. Germany joined the venture in the early 1990 with the Inter City Express – ICE, with a coordinated program of improvements in existent rail infrastructure and Spain, in 1992, with the Alta Velocidad Espanola – AVE, with dedicated greenfield lines. Since then, these systems have continuously expanded their network. Currently, many countries are evaluating the construction of new HSR lines, with European Commission deeming the expansion of the Trans European Network as a priority. United Kingdom, for example, has just awarded construction contracts for building the so called HS2, an HSRexpanded line linking London to the northern territory. China, with its dynamic economic development, has launched its HSR network in 2007 and has sped up working on its expansion, and currently holds the highest HSR network. United States, which currently operates high speed trainsets into an operationally restricted corridor (the so called Northeast Corridor (NEC), linking Washington, New York and Boston), has also embarked into the high speed rail world with the launch of Californian HSR Project, currently under construction, aimed to link Los Angeles to San Francisco mega regions, the ongoing studies for Texas HSR project, to connect Dallas to Houston, into a wholly privately funding model, as well as studies for a medium to long term NEC upgrade for HSR. Australia and Brazil are also seeking to design and launch their first HSR service, into a time consuming process, in which a deep discussion about social feasibility and affordability is under way. This work is supposed to present an overview of HSR technology worldwide, with an assessment of the main technical, operational and economical features of Asian and European HSR systems, followed by a snapshot of the general guidelines applied to some planned HSR projects, highlighting their demand attraction potential, estimated costs, as well as their projected economic and environmental benefits.

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Berichte der Organisationen zum Thema "Palatino (Paris, France : Building)"

Rezaie, Shogofa, Fedra Vanhuyse, Karin André und Maryna Henrysson. Governing the circular economy: how urban policymakers can accelerate the agenda. Stockholm Environment Institute, September 2022. http://dx.doi.org/10.51414/sei2022.027.

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We believe the climate crisis will be resolved in cities. Today, while cities occupy only 2% of the Earth's surface, 57% of the world's population lives in cities, and by 2050, it will jump to 68% (UN, 2018). Currently, cities consume over 75% of natural resources, accumulate 50% of the global waste and emit up to 80% of greenhouse gases (Ellen MacArthur Foundation, 2017). Cities generate 70% of the global gross domestic product and are significant drivers of economic growth (UN-Habitat III, 2016). At the same time, cities sit on the frontline of natural disasters such as floods, storms and droughts (De Sherbinin et al., 2007; Major et al., 2011; Rockström et al., 2021). One of the sustainability pathways to reduce the environmental consequences of the current extract-make-dispose model (or the "linear economy") is a circular economy (CE) model. A CE is defined as "an economic system that is based on business models which replace the 'end-of-life' concept with reducing, alternatively reusing, recycling and recovering materials in production/distribution and consumption processes" (Kirchherr et al., 2017, p. 224). By redesigning production processes and thereby extending the lifespan of goods and materials, researchers suggest that CE approaches reduce waste and increase employment and resource security while sustaining business competitiveness (Korhonen et al., 2018; Niskanen et al., 2020; Stahel, 2012; Winans et al., 2017). Organizations such as the Ellen MacArthur Foundation and Circle Economy help steer businesses toward CE strategies. The CE is also a political priority in countries and municipalities globally. For instance, the CE Action Plan, launched by the European Commission in 2015 and reconfirmed in 2020, is a central pillar of the European Green Deal (European Commission, 2015, 2020). Additionally, more governments are implementing national CE strategies in China (Ellen MacArthur Foundation, 2018), Colombia (Government of the Republic of Colombia, 2019), Finland (Sitra, 2016), Sweden (Government Offices of Sweden, 2020) and the US (Metabolic, 2018, 2019), to name a few. Meanwhile, more cities worldwide are adopting CE models to achieve more resource-efficient urban management systems, thereby advancing their environmental ambitions (Petit-Boix & Leipold, 2018; Turcu & Gillie, 2020; Vanhuyse, Haddaway, et al., 2021). Cities with CE ambitions include, Amsterdam, Barcelona, Paris, Toronto, Peterborough (England) and Umeå (Sweden) (OECD, 2020a). In Europe, over 60 cities signed the European Circular Cities Declaration (2020) to harmonize the transition towards a CE in the region. In this policy brief, we provide insights into common challenges local governments face in implementing their CE plans and suggest recommendations for overcoming these. It aims to answer the question: How can the CE agenda be governed in cities? It is based on the results of the Urban Circularity Assessment Framework (UCAF) project, building on findings from 25 interviews, focus group discussions and workshops held with different stakeholder groups in Umeå, as well as research on Stockholm's urban circularity potential, including findings from 11 expert interviews (Rezaie, 2021). Our findings were complemented by the Circular Economy Lab project (Rezaie et al., 2022) and experiences from working with municipal governments in Sweden, Belgium, France and the UK, on CE and environmental and social sustainability.

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