Auswahl der wissenschaftlichen Literatur zum Thema „Orlando (Woolf, Virginia)“
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Zeitschriftenartikel zum Thema "Orlando (Woolf, Virginia)"
Parvulescu, Anca. „The Biography of a Face: Virginia Woolf's Orlando“. Journal of Modern Literature 46, Nr. 4 (Juni 2023): 1–22. http://dx.doi.org/10.2979/jmodelite.46.4.01.
Der volle Inhalt der QuelleParvulescu, Anca. „The Biography of a Face: Virginia Woolf's Orlando“. Journal of Modern Literature 46, Nr. 4 (Juni 2023): 1–22. http://dx.doi.org/10.2979/jml.2023.a908971.
Der volle Inhalt der QuelleKellerová, Nina, und Eva Reid. „Motifs of homosexuality in Virginia Woolf’s Orlando“. Ars Aeterna 13, Nr. 2 (01.12.2021): 75–93. http://dx.doi.org/10.2478/aa-2021-0012.
Der volle Inhalt der QuelleNogueira, Letícia Maria de Alcântara. „Orlando:“. Humanidades em diálogo 9 (02.02.2019): 67–78. http://dx.doi.org/10.11606/issn.1982-7547.hd.2019.154272.
Der volle Inhalt der QuelleCatullo MacIntyre, Luca Tommaso. „Orlando: la estética andrógina de Virginia Woolf“. Escritos 30, Nr. 65 (26.08.2022): 269–91. http://dx.doi.org/10.18566/escr.v30n65.a06.
Der volle Inhalt der QuelleWang, Weili. „Analysis of Androgyny View in Orlando and Its Significance“. Arts Studies and Criticism 3, Nr. 2 (06.07.2022): 139. http://dx.doi.org/10.32629/asc.v3i2.902.
Der volle Inhalt der QuelleNogueira, Nícea Helena de Almeida. „Virginia Woolf e o personagem Shakespeare em Orlando“. Letras, Nr. 67 (22.03.2024): 149–56. http://dx.doi.org/10.5902/2176148575161.
Der volle Inhalt der QuelleOrbán, Jolán. „Comme des Femmes – Olga Neuwirth Orlando-operája és Rei Kawakubo jelmezei“. Apertura 15, Nr. 4 (2020): 1–26. http://dx.doi.org/10.31176/apertura.2019.15.4.8.
Der volle Inhalt der QuelleCalle Orozco, Jhonny Alexander. „Género y traducción: Traducción al español de Orlando de Virginia Woolf, por Jorge Luis Borges“. Mutatis Mutandis. Revista Latinoamericana de Traducción 6, Nr. 2 (09.11.2013): 444–54. http://dx.doi.org/10.17533/udea.mut.17463.
Der volle Inhalt der QuelleDe Carvalho Neto, José Pedro, und Élida Paulina Ferreira. „Espaço biográfico, autobiografia e gênero: ampliando fronteiras com Orlando: uma biografia, de Virginia Woolf“. Acta Scientiarum. Language and Culture 42, Nr. 2 (30.07.2020): e53263. http://dx.doi.org/10.4025/actascilangcult.v42i2.53263.
Der volle Inhalt der QuelleDissertationen zum Thema "Orlando (Woolf, Virginia)"
Adams, Kat Russell Richard Rankin. „"More attachment to life & larger" Orlando and Woolf's theories of fiction /“. Waco, Tex. : Baylor University, 2008. http://hdl.handle.net/2104/5282.
Der volle Inhalt der QuelleVila, Nova de Moraes Hazin Marli. „Aspectos do duplo em Orlando de Virginia Woolf e em Orlanda de Jacqueline Harpman“. Universidade Federal de Pernambuco, 2003. https://repositorio.ufpe.br/handle/123456789/7652.
Der volle Inhalt der QuelleThis study presents a comparative analysis between Virginia Woolf s Orlando and Jacqueline Harpman s Orlanda. It takes as a starting point the fact that Harpman houses Woolf s novel inside her own text and plays overtly with parody, citation, allusion, and mise en abyme, techniques which had already been used by Woolf. The analysis points out the way Harpman transcontextualizes the structural elements in Woolf s novel and reexamines questions that had been raised by Woolf almost seventy years ago. This research goes beyond the technical features to demonstrate that the heart of the matter may reside in human being s eagerness to be accepted as a multiple self, what leads the analysis into studying the mythical representations of the double. After demonstrating the way Harpman transcontextualizes the key elements in Woolf s novel, the analysis follows the itinerary of the double in both narratives, focusing primarily on Narcissus and the Androgyne and secondarily on other mythical figures like Apollo and Daphne
Hastings, Sarah. „Sex, gender, and androgyny in Virginia Woolf's mock-biographies "Friendships Gallery" and Orlando“. Cleveland, Ohio : Cleveland State University, 2008.
Den vollen Inhalt der Quelle findenAbstract. Title from PDF t.p. (Mar. 17, 2009). Includes bibliographical references (p. 48-49). Available online via the OhioLINK ETD Center. Also available in print.
Fajardo, Sônia Maria Costa. „Orlando, de Virginia Woolf: desconstruindo as fronteiras de gênero“. Universidade Federal de Juiz de Fora (UFJF), 2017. https://repositorio.ufjf.br/jspui/handle/ufjf/4221.
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Esta dissertação de mestrado busca refletir sobre a importância da interface entre os Estudos Literários e os Estudos de Gênero, a partir da análise de Orlando, uma biografia, de Virginia Woolf, cujo personagem principal, Orlando, desafia as fronteiras entre o masculino e o feminino, ao passar por uma transformação sexual, de forma natural. O enredo dessa biografia ficcional permite traçar pontos de interseção entre as considerações sobre androginia, não-linearidade, flexibilidade e mutabilidade dos sexos promovidas por Woolf. Para a análise da proposta inusitada de Woolf, que constrói a metamorfose de Orlando, foram utilizados os estudos de Um teto todo seu (2014), de Virginia Woolf, e A crítica feminista no território selvagem, de Elaine Showalter (1994). Para a realização da congruência de Orlando, uma biografia, com os Estudos de Gênero, tornou-se essencial a compreensão dos conceitos elaborados por Simone de Beauvoir, em O segundo sexo, v. 2: a experiência vivida, (1967); Joan Scott, em Gênero: uma categoria útil de análise histórica (1995) e Judith Butler, em Problemas de gênero: feminismo e subversão da identidade (2003). A flexibilidade e as variações de gênero suscitadas por Woolf contrapõem-se aos rígidos conceitos construídos para o masculino e para o feminino, assim como a característica inalterável da sexualidade. Em 1928, com Orlando, uma biografia, Virginia Woolf antecipou a questão de gênero, tão atual e pertinente na busca do respeito às liberdades e na extinção dos formatos preestabelecidos que insistem em determinar o comportamento mais intrínseco dos indivíduos.
This present Master's Thesis aims to reflect upon the importance of the correlation between Literary Studies and Gender Studies, based on the analysis of Orlando, a biography, by Virginia Woolf, in which the main character, Orlando, defies the borders between male and female, when transforming himself sexually, in a natural way. The plot of the fictional biography allows to trace intersection points concerning androgyny, non-linearity, flexibility and changeability of gender, created by Woolf. For the analysis of Woolf's unusual proposal, which constructs Orlando's metamorphosis, the following studies were used: A room of One's Own (2014), by Virginia Woolf, and Criticism and the Wilderness (1994), by Elaine Showalter. To accomplish the congruency of Orlando, a biography, with Gender Studies, it is essential to comprehend the concepts proposed by Simone de Beauvoir, in The Second Sex, v. 2: a living experience, (1967); Jon Scott, in Gender: a useful category of Historical Analysis (1995) and Judith Butler, in Gender Problems: Feminism and Subversion of Identity (2003). The flexibility and gender variations expressed by Woolf contrast with the strict concepts once built concerning male and female, as well as the unchangeable characteristic of the sexuality. In 1928, with Orlando, a biography, Virginia Woolf anticipated the gender issue, so recent and pertinent in the search for respect to the liberty and the extinction of the preestablished forms that insist on determining the most inherent behaviour of the individuals.
Filho, Lindberg S. Campos. „Estética modernista e patriarcado capitalista: um estudo sobre Orlando de Virginia Woolf“. Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-17102017-150721/.
Der volle Inhalt der QuelleThe central objective of this dissertation is a reading of the novel Orlando: A biography (1928) by Virginia Woolf from an interpretative hypothesis of its construction process. Basically, it seeks to investigate how the selection, organisation and articulation of the social and aesthetic materials involved in its production takes place, in a such a way that it is possible to reconstruct the work\'s key moments as well as to propose interpretative codes. In the first chapter there is an extensive analysis of the formal devices that constitute the narrative; in chapter two it is identified in the novel\'s dialectics of form and content two antagonist ideological formations: the figuration of capitalist patriarchy which organises colective experience in an authoritarian way and the aesthetic of cultural modernisation that rises in opposition to the former. Finally, in the conclusion, all the main points discussed in the previous chapters are summarized and it proposes that Woolf\'s project thematizes the human interiority\'s amplitude in order to create a symbolic compensation for the increasing dehumanization of social life in the interwar period. Thus, we identify two modernist paths: one that places centrality on subjectivization and another on objectivization of the artistic process. This dissertation supposes that Woolf belongs to the first lineage.
Johansen-Halsaunet, Rikke. „Androgynitet og bevissthetsstrøm : Virginia Woolfs Mrs Dalloway og Orlando fra roman til film“. Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for språk og litteratur, 2014. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-26540.
Der volle Inhalt der QuelleBlomdahl, Alexandra. „Virginia Woolf's Orlando and the Feminist Reader : Feminist Reader Response Theory in Orlando: a Biography“. Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-32476.
Der volle Inhalt der QuelleCastle, Jacob C. „Virginia Woolf’s Fictional Biographies, Orlando and Flush, as Prefigures of Postmodernism“. Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etd/3158.
Der volle Inhalt der QuelleJones, Joanna Medlin. „Challenging Gender Roles in Wilkie Collins?s The Woman in White and Virginia Woolf?s Orlando“. NCSU, 2005. http://www.lib.ncsu.edu/theses/available/etd-07082005-094556/.
Der volle Inhalt der QuellePinto, Fernando Bruno da Silva Beleza Correia, und Ana Luísa Amaral. „Passing between : problemáticas da identidade em Orlando de Virginia Woolf e na adaptação de Sally Potter“. Master's thesis, Porto : [Edição do Autor], 2009. http://hdl.handle.net/10216/20357.
Der volle Inhalt der QuelleBücher zum Thema "Orlando (Woolf, Virginia)"
Harold, Bloom. Virginia Woolf. Pennsylvania: Chelsea House Publishers, 2002.
Den vollen Inhalt der Quelle findenHaule, James M. A concordance to Orlando by Virginia Woolf. Ann Arbor, Mich: UMI, 1988.
Den vollen Inhalt der Quelle findenHorner, Avril. Virginia Woolf, history, and the metaphors of Orlando. Salford: University of Salford Department of Modern Languages, 1991.
Den vollen Inhalt der Quelle findenWoolf, Virginia. Orlando: Eine Biographie / Virginia Woolf ; Deutsch von Brigitte Walitzek. Frankfurt am Main: S. Fischer, 1990.
Den vollen Inhalt der Quelle findenWoolf, Virginia. Orlando. Milano: Oscar Mondardori, 1996.
Den vollen Inhalt der Quelle findenWoolf, Virginia. Orlando. 4. Aufl. Buenos Aires: Sudamericana, 1999.
Den vollen Inhalt der Quelle findenWoolf, Virginia. Orlando. London: The Hogarth Press, 1990.
Den vollen Inhalt der Quelle findenWoolf, Virginia. Orlando. Rio de Janeiro: Editora Nova Fronteira, 2000.
Den vollen Inhalt der Quelle findenWoolf, Virginia. Orlando. London: Bloomsbury Classics, 1993.
Den vollen Inhalt der Quelle findenWoolf, Virginia. Orlando, a Biography: Virginia Woolf [Annotated]. Independently Published, 2021.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Orlando (Woolf, Virginia)"
Rosenthal, Michael. „Orlando“. In Virginia Woolf, 128–41. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003415374-9.
Der volle Inhalt der QuelleKluge, Walter, und Vera Nünning. „Woolf, Virginia: Orlando“. In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17431-1.
Der volle Inhalt der QuelleHanson, Clare. „Imaginary Lives: Orlando and A Room of One’s Own“. In Virginia Woolf, 94–125. London: Macmillan Education UK, 1994. http://dx.doi.org/10.1007/978-1-349-23381-6_4.
Der volle Inhalt der QuellePeach, Linden. „History and Historiography: Orlando (1928) and The Waves (1931)“. In Virginia Woolf, 137–67. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1057/978-1-137-15294-7_7.
Der volle Inhalt der QuelleSpiropoulou, Angeliki. „Historical Fictions, Fictional Fashions and Time: Orlando as the ‘Angel of History’“. In Virginia Woolf, Modernity and History, 75–95. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230250444_5.
Der volle Inhalt der QuelleVilla, Sara. „Translating Orlando in 1930s Fascist Italy: Virginia Woolf, Arnoldo Mondadori, and Alessandra Scalero“. In Virginia Woolf and the Literary Marketplace, 209–21. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230114791_14.
Der volle Inhalt der QuelleSimpson, Kathryn. „A Gift of Vision: To the Lighthouse, Orlando and Between the Acts“. In Gifts, Markets and Economies of Desire in Virginia Woolf, 85–127. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230228436_4.
Der volle Inhalt der QuelleRyan, Derek. „Orlando's Queer Animals“. In A Companion to Virginia Woolf, 109–20. Chichester, UK: John Wiley & Sons, Ltd, 2016. http://dx.doi.org/10.1002/9781118457917.ch8.
Der volle Inhalt der QuelleRice, Thomas Jackson. „Studies of Orlando (1928)“. In Virginia Woolf, 137–42. Routledge, 2018. http://dx.doi.org/10.4324/9781351106214-17.
Der volle Inhalt der QuelleLOVE, JEAN O. „Orlando and Its Genesis:“. In Virginia Woolf, 189–218. University of California Press, 2024. http://dx.doi.org/10.2307/jj.16552218.14.
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