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Farley, Simon. „Years of agony and joy: The Sadie and Xavier Herbert Collection“. Queensland Review 22, Nr. 1 (07.05.2015): 96–98. http://dx.doi.org/10.1017/qre.2015.9.
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The University of Queensland's Fryer Library is home to many fine literary vintages. Established in 1927 as the J.D. Fryer Memorial Library of Australian Literature in honour of a former Arts student and soldier in the Australian Imperial Force (AIF), John Denis Fryer, the collection includes the papers of significant Australian journalists, novelists and poets, including Ernestine Hill, John Forbes, David Malouf, Bruce Dawe, Thomas Shapcott, Peter Carey and Oodgeroo Noonuccal among others.
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Sharma, Dr Bhavna. „Womanist Expressions in the Poetry of Judith Wright and Oodgeroo Noonuccal“. International Journal of English Literature and Social Sciences 5, Nr. 2 (2020): 540–43. http://dx.doi.org/10.22161/ijels.52.32.
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Jones, Jennifer. „Deemed Unsuitable for Children: The Editing of Oodgeroo's Stradbroke Dreamtime“. Papers: Explorations into Children's Literature 14, Nr. 1 (01.01.2004): 5–14. http://dx.doi.org/10.21153/pecl2004vol14no1art1272.
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In lieu of abstract, here is the first paragraph of the article: Oodgeroo of the Tribe of Noonuccal, Custodian of the Land Minjerriba, spent three decades of her life in the public sphere. In the 1960s, known as Kath Walker, she established and consolidated her reputation as a pan-Aboriginal activist and 'people's poet’. Her voice was received as representative of Aboriginal experience and concerns, as she lamented the lack of civil rights, impoverished living conditions, the loss and destruction of traditional cultures and lands. Strident political poems such as ‘Aboriginal Charter of Rights' and 'Oration' were first delivered at political gatherings and became catch- cries for the political struggle of organisations such as the Federal Council for the Advancement of Aboriginal and Torres Strait Islanders (FCAATSI) and the National Tribal Council. However, for the majority of her public life Oodgeroo spurned this title as people's poet, preferring to be known as an 'Educator'.
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Di Blasio, Francesca. „We Are Going by Oodgeroo Noonuccal. Aboriginal Epos, Australian History, Universal Poetry“. Le Simplegadi, Nr. 19 (November 2019): 119–27. http://dx.doi.org/10.17456/simple-132.
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Furaih, Ameer Chasib. „‘Let no one say the past is dead’: History wars and the poetry of Oodgeroo Noonuccal and Sonia Sanchez“. Queensland Review 25, Nr. 1 (Juni 2018): 163–76. http://dx.doi.org/10.1017/qre.2018.14.
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AbstractThe histories of Australian Aboriginal and African American peoples have been disregarded for more than two centuries. In the 1960s, Aboriginal and African American civil rights activists addressed this neglect. Each endeavoured to write a critical version of history that included their people(s). This article highlights the role of Aboriginal Australian poet Oodgeroo Noonuccal (formerly Kath Walker) (1920–93) and African American poet Sonia Sanchez (born 1934) in reviving their peoples’ history. Using Deleuze and Guattari's concept of ‘minor literature’, the essay shows how these poets deterritorialise the English language and English poetry and exploit their own poetries as counter-histories to record milestone events in the history of their peoples. It will also highlight the importance of these accounts in this ‘history war’. It examines selected poems from Oodgeroo's My People: A Kath Walker Collection and Sanchez's Home Coming and We A BaddDDD People to demonstrate that similarities in their poetic themes are the result of a common awareness of a global movement of black resistance. This shared awareness is significant despite the fact that the poets have different ethnicities and little direct literary impact upon each other.
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McKay, Belinda. „Imagining the Hinterland: Literary Representations of Southeast Queensland Beyond the Brisbane Line“. Queensland Review 12, Nr. 1 (Januar 2005): 59–74. http://dx.doi.org/10.1017/s1321816600003913.
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Southeast Queensland — the region encompassing Coolangatta and the McPherson Range to the south, Cooloola and the Blackall Range to the north, and the Great Dividing Range to the west — represents one of Queensland's most significant literary landscapes. For millennia, this area — defined by mountains and waterways — contained important gathering places for ceremonies and trade, and its inhabitants elaborated the meaning of the landscape in a rich complex of stories and other cultural practices such as the bunya festivals. Colonisation disrupted but did not obliterate these cultural associations, which remain alive in the oral traditions of local Aboriginal people and, in more recent times, have surfaced in the work of writers like Oodgeroo Noonuccal and Sam Watson.
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Xu, Daozhi. „From Oodgeroo Noonuccal to Alexis Wright: Postcolonial reading of Australian Indigenous literature in China, 1988–2018“. Journal of Postcolonial Writing 58, Nr. 1 (22.11.2021): 95–110. http://dx.doi.org/10.1080/17449855.2021.1994223.
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This study focuses on the subalternism in Oodgeroo Noonuccal’s selected poems. The approach used in this research is post-colonial approach, which focused on the context of literary works contained the effects of colonialism both on societies and cultures. The result of this research shows that the selected poems of Oodgeroo are portraying the subalternism in the matter of the superior domination and the effects which illustrate the British superiority that lead to their domination against Aboriginal people as the weaker party and resulting the great predicaments for them. Woman as subaltern which show how Aboriginal women are forced to be slaves to serve and satisfy the lust of British colonists until the end of their lives. Lastly, the voiceless which show how the Aboriginal people must live surrounding by representations and misrepresentations of the privileged parties who hold domination that makes it more difficult for them to get their rights. This research also revealed that Oodgeroo is successfully speak for the Aboriginal people supported with the fact that she is an Aboriginal woman who write poetry to voice her people.
Jones, Jennifer A. „Aboriginal women's autobiographical narratives and the politics of collaboration /“. Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phj7761.pdf.
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One of the most significant issues confronting humanity as the twentieth century draws to a close is that concerning environmental degradation. This study posits the dual notion that at the centre of any movement to protect the earth from further degradation there must be a change in the predominant anthropocentric worldview, and that there is a role for poets to help bring about such change by
writing ecologically-conscious poetry. The study explains what is meant by ecological consciousness as distinct from a
conservation or environmental ethic. There follows a brief discussion of Deep Ecology (the philosophical perspective which, along with others, critiques human domination of nature) and a survey of relevant literature. The growth of an Australian poetic and the concomitant development of an Australian relationship with the land are also surveyed. Then, through a process of close reading, comparative analysis and discourse, the work of a number of poets (both
indigenous and non-indigenous) is considered for its ecological awareness. The study highlights some pivotal ideas for the development of a new worldview:
these are the development of a non-anthropocentric perspective of nature similar to that embraced by adherents of Deep Ecology; acceptance of the notion that nature
is ambivalent (that the cycle of life is also a cycle of death and decay); and the possible use of indigenous people's deeply ecological relationship with the land as
a basic model on which to build a new worldview. The study contends that only poetry which is grounded in ecocentrism, rather than anthropocentrism, can claim to be ecologically-conscious. It concludes by reaffirming the need for poets to
encourage a change in the prevailing anthropocentric worldview by adopting a deeply-ecological focus on nature in some of their poetry.
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Jones, Jennifer A. (Jennifer Anne). „Aboriginal women's autobiographical narratives and the politics of collaboration“. 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phj7761.pdf.
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Bibliography: leaves 273-284. This thesis examines the autobiographical texts of the Aboriginal women writers, Oodgeroo, Margaret Tusker and Monica Clare, in light of the 'community of commitment' which supported their publications. It considers how and why the Aboriginal women elicted outside support and how the ideology of the group informed the epistemology of the text.The role of collaborating white editors and professional editors are examined as crucial in influencing the style and content of the finished piece. The original manuscripts are compared against the published editions and the changes implemented by the editor are described. Following Frantz Fanon and Homi Bhaba, the adoption of the white ideological lattice by the Aboriginal author is characterised as the white mask of colonial mimicry. The outcomes of cross-cultural impersonation of the white editor are discussed, with the editorial collaboration viewed as the imposition of stereotyped representations of Aboriginality.
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Flanagan, Willanski Cassie. „Here where we live: the evolution of contemporary white Australian writers’ responses to white settler status“. Thesis, 2012. http://hdl.handle.net/2440/85506.
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It is proposed that Australians of white settler heritage writing on the subject of Indigenous Australians in the period from the early 20th Century to the present day take a combination of three common approaches. The “haunted”, “contemporary representations” and “stepping back” approaches represent an evolving attitude in contemporary white Australian writing on Indigenous themes. This evolution occurs in a rough chronological order, however within this chronology the writing may exhibit a fluidity, moving back and forth between the three approaches. Texts by Patrick White and Judith Wright are used as primary examples of the three approaches, with secondary examples given from a range of contemporary white Australian writers. The evolution of Indigenous Australian writing is discussed within the “stepping back” approach. Parallels are drawn between the evolution of white and Indigenous Australian writing on Indigenous themes, with the argument that Indigenous writing displays both the “haunted” and “contemporary representations” approaches. The final approach for Indigenous Australian writers, however, is the “stepping forward” approach. The poetry of Kath Walker/Oodgeroo Noonuccal is the principal example given to illustrate this section, with additional commentary on a range of contemporary Indigenous Australian writing. Examples of the three approaches’ influence on the creative component of this thesis are discussed throughout the exegesis. Thesis (M.A.) -- University of Adelaide, School of Humanities, 2012
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Jones, Jennifer A. (Jennifer Anne). „Aboriginal women's autobiographical narratives and the politics of collaboration / Jennifer Anne Jones“. Thesis, 2001. http://hdl.handle.net/2440/21762.
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Bibliography: leaves 273-284. 284 leaves : ill. (some col.) ; 30 cm. This thesis examines the autobiographical texts of the Aboriginal women writers, Oodgeroo, Margaret Tusker and Monica Clare, in light of the 'community of commitment' which supported their publications. It considers how and why the Aboriginal women elicted outside support and how the ideology of the group informed the epistemology of the text.The role of collaborating white editors and professional editors are examined as crucial in influencing the style and content of the finished piece. The original manuscripts are compared against the published editions and the changes implemented by the editor are described. Following Frantz Fanon and Homi Bhaba, the adoption of the white ideological lattice by the Aboriginal author is characterised as the white mask of colonial mimicry. The outcomes of cross-cultural impersonation of the white editor are discussed, with the editorial collaboration viewed as the imposition of stereotyped representations of Aboriginality. Thesis (Ph.D.)--University of Adelaide, Dept. of Social Inquiry, 2001
Bücher zum Thema "Oodgeroo Noonuccal":
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Zanoletti, Margherita, und Francesca Di Blasio. Oodgeroo Noonuccal con We are going. Trento: Università degli studi di Trento, Dipartimento di lettere e filosofia, 2013.
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Fox, Karen. „Oodgeroo Noonuccal: media snapshots of a controversial life“. In Indigenous Biography and Autobiography. ANU Press, 2008. http://dx.doi.org/10.22459/iba.12.2008.05.
