Dissertationen zum Thema „Novelists, English – Fiction“
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Howard, James Joseph. „The English novel's cradle the theatre and the women novelists of the long eighteenth century /“. Diss., [Riverside, Calif.] : University of California, Riverside, 2010. http://proquest.umi.com/pqdweb?index=0&did=2019834031&SrchMode=2&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1274465922&clientId=48051.
Der volle Inhalt der QuelleIncludes abstract. Available via ProQuest Digital Dissertations. Title from first page of PDF file (viewed May 21, 2010). Includes bibliographical references. Also issued in print.
Dredge, Sarah. „Accommodating feminism : Victorian fiction and the nineteenth-century women's movement“. Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36917.
Der volle Inhalt der QuelleIn works of fiction by women, concepts of social justice were not constrained by layers of legal abstraction and the obligatory political vocabulary of "disinterest." Contemporary fiction by women could thus offer some of the most developed articulations of women's changing expectations. This thesis demonstrates that the Victorian novel provides a distinct synthesis of, and contribution to, arguments grouped under the rubric of the "woman question." The novel offers a perspective on feminist politics in which conflicting social interests and demands can be played out, where ethical questions meet everyday life, and human relations have philosophical weight. Given women's traditional exclusion from the domain of legitimate (authoritative) speech, the novels of Gaskell, the Bronte's, and Eliot, traditionally admired for their portrayal of moral character, play a special role in giving voice to the key political issues of women's rights, entitlements, and interests. Evidence for the political content and efficacy of these novels is drawn from archival sources which have been little used in literary studies (including unpublished materials), as well as contemporary periodicals. Central among these is the English Woman's Journal. Conceived as the mouthpiece of the early women's movement, the journal offers a valuable record of the feminist activity of the period. Though it has not been widely exploited, particularly in literary studies, detailed study of the journal reveals close parallels between the ideological commitments and concerns of the women's movement and novels by mid-Victorian women.
Young, Katie Elizabeth. „More than "Wisteria and Sunshine": The Garden as a Space of Female Introspection and Identity in Elizabeth von Arnim's The Enchanted April and Vera“. BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/3033.
Der volle Inhalt der QuelleGötting, Elena Rebekka. „Challenging maleness : the new woman's attempts to reconstruct the binary code“. Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/6612.
Der volle Inhalt der QuelleBaker, Lori Elizabeth. „Double the Novels, Half the Recognition: Mary Elizabeth Braddon's Contribution to the Evolution of the Victorian Novel“. Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etd/2191.
Der volle Inhalt der QuelleFrancis, Diana Pharaoh. „Models to the universe : Victorian hegemony and the construction of feminine identity“. Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1159142.
Der volle Inhalt der QuelleGray, Nigel. „His story, a novel memoir (novel) ; and Fish out of water (thesis)“. University of Western Australia. School of Social and Cultural Studies, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0095.
Der volle Inhalt der QuelleGuthrie, Marie. „Robert A. Heinlein: A Philosophical Novelist“. TopSCHOLAR®, 1985. http://digitalcommons.wku.edu/theses/1559.
Der volle Inhalt der QuelleStevens, D. R. „The novelist as engineer : a thesis on credible engineering components of fiction novels (supplemented by an "engineering" fiction novel)“. Thesis, View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/39903.
Der volle Inhalt der QuelleStevens, D. R. „The novelist as engineer a thesis on credible engineering components of fiction novels (supplemented by an "engineering" fiction novel) /“. View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/39903.
Der volle Inhalt der QuelleA thesis submitted to the University of Western Sydney, College of Health and Science, School of Engineering, in fulfilment of the requirements for the degree of Master of Engineering (Hons.). Includes bibliographical references.
Forsyth, Michael. „Julia Kavanagh in her times : novelist and biographer, 1824-1877“. Thesis, n.p, 1999. http://oro.open.ac.ukk/18817/.
Der volle Inhalt der QuelleBell, Alan Nigel. „The male novelist and the 'woman question' George Meredith's presentation of his Heroines in The Egoist (1879) and Diana of the Crossways (1885)“. Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1002245.
Der volle Inhalt der QuelleKure, Kathryn Susan. „From the daughter's seduction to the production of desire: why do women read the romance?“ Thesis, 1993. https://hdl.handle.net/10539/26222.
Der volle Inhalt der Quelle"Why do women read the romance?" cannot be answered by Anglo-American feminist literary criticism; a critique is brought against feminist definitions of gender and genre, and the question, "Why did women begin to write (novels)?" Gender definition and genre formation are integrally interrelated in the modern period; this can be traced through textual analyses of textual practices in early nineteenth century texts. Analyses of Wuthering Heights, Emma, and Madame Bovary enable critique to be brought against tenets central to feminist criticism: the figure and function of the female author; the definitions of gender, desire and sexuality; the social and the sexual contracts; and the role of Oedipus in feminist-psychoanalytical debates. Moi's Sexual/Textual Politics provides a. critique of feminism, Armstrong's Desire and Domestic Fiction a feminist history of the novel, and Radway's Reading the Romance a feminist account of romance fiction.
Andrew Chakane 2018
Dowling, Finuala Rachel. „Subversive narrative and thematic strategies : a critical appraisal of Fay Weldon's Fiction“. Thesis, 1995. http://hdl.handle.net/10500/16680.
Der volle Inhalt der QuelleEnglish Studies
D.Litt. et Phil. (English)
Bell, Alan Nigel. „The male novelist and the 'woman question' : George Meredith's presentation of his Heroines in the Egoist (1879) and Diana of the Crossways (1885) /“. 2007. http://eprints.ru.ac.za/1379/.
Der volle Inhalt der QuelleStevens, D. R., University of Western Sydney, College of Health and Science und School of Engineering. „The novelist as engineer : a thesis on credible engineering components of fiction novels (supplemented by an "engineering" fiction novel)“. 2007. http://handle.uws.edu.au:8081/1959.7/39903.
Der volle Inhalt der QuelleMaster of Engineering (Hons.)