Thematische Bibliographien / Nostalgia

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte
  6. Berichte der Organisationen

Auswahl der wissenschaftlichen Literatur zum Thema „Nostalgia“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 31. Juli 2024

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Zeitschriftenartikel zum Thema "Nostalgia"

1

Orlova, Vasilina. „“Communism Happened!”“. Sibirica 22, Nr. 2 (01.06.2023): 30–57. http://dx.doi.org/10.3167/sib.2023.220202.

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Abstract Nostalgia for the Soviet figures prominently in public imaginaries. Such nostalgia has been viewed as subverting and critiquing the post-Socialist neoliberal order. Others have suggested that “nostalgia” is a poor vocabulary for talking about post-Soviet affect. Ethnographic attention to nostalgia reveals a multiplicity of nostalgic registers. I argue that Soviet nostalgias can be roughly divided into lyrical, heroic, and practical. Lyrical nostalgia is for the Soviet time but without the corresponding ideological purchase. Heroic nostalgia pines for overcoming the difficulties associated with the Soviet period and its mission of constructing Communism. Practical nostalgia would like to restore the good associated with the Socialist period. Heroic nostalgia does not seem to be easily enlisted for restorative projects, and lyrical nostalgia is largely apolitical. Practical nostalgia, however, is deeply rooted in the conviction that the Soviet order of things was superior to the capitalistic order.
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Lems, Annika. „Ambiguous longings: Nostalgia as the interplay among self, time and world“. Critique of Anthropology 36, Nr. 4 (25.07.2016): 419–38. http://dx.doi.org/10.1177/0308275x16654549.

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This article explores nostalgia’s multi-facetted character by linking its discursive and experiential dimensions. In a first move, I highlight its importance as an analytical category that grew out of a very particular history of knowledge. Focusing on a specific case that played a crucial role in the development of two distinct phases of nostalgia as a concept, I show how it has become inextricably linked to ideas of displacement and loss. In a second move, I juxtapose this metaphorical treatment of loss and nostalgia with a focus on the lifeworld of one individual who has experienced physical displacement. In focusing on two particular nostalgic moments in her life, I sketch the contours of an anthropological phenomenology of nostalgia.
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Jenner, Mareike. „Netflix, nostalgia and transnational television“. Journal of Popular Television 9, Nr. 3 (01.10.2021): 301–5. http://dx.doi.org/10.1386/jptv_00058_1.

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This article offers an overview of the various kinds of nostalgia Netflix engages with. The focus here is self-produced originals and the way nostalgic elements are used to create different kinds of political outlooks within a transnational television environment. An underlying question is: in what ways can nostalgia be political within the transnational context of Netflix? The article explores this question while giving an overview of nostalgia’s use in different series, such as the culturally regressive politics of The Crown (2016‐present), the progressive social justice project of Sex Education (2019‐present) and the semiotic (if not political) project in series like Bridgerton (2020‐present).
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Yang, Yi. „A Reappearance of Yesterday- Analysis of Storytelling Strategy in Nostalgic Cinema“. Communications in Humanities Research 28, Nr. 1 (19.04.2024): 248–54. http://dx.doi.org/10.54254/2753-7064/28/20230368.

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In the context of globalization, the public's demand for nostalgia has increased. Cinema has an advantage in conveying nostalgia by using visual and auditory stimulation and has become the main medium for nostalgia in modern society. In this paper, the first part is about nostalgia and nostalgic cinema. Depending on the subject that triggers the nostalgia, nostalgic cinema is simply divided into three categories. The reasons for the demand for nostalgia are discussed, which are related to the interval between reality and tradition, commercialism, and modernism. The other part is about the storytelling strategies of nostalgic cinema. Storytelling strategies of contemporary, nostalgic cinema are analyzed from the perspectives of color, frame, diegetic sound, and motif, respectively. Specific movies are used for analysis, data study, and cross-subject study are used in this paper. With the constant updating of information technology, views on the future direction of nostalgic cinema research are presented at the end of the paper.
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Zeng, Yanfang, und Rui Xu. „An Exploration of the Relationships between Nostalgia, Involvement, and Behavioral Intention in Diaspora Tourism“. Sustainability 13, Nr. 21 (06.11.2021): 12273. http://dx.doi.org/10.3390/su132112273.

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Diaspora tourism has become a significant market niche under globalization, but diaspora tourism to China has been less studied. This paper explores the relationships between nostalgia, involvement, and behavioral intention in diaspora tourism of the Chinese diaspora. By investigating 303 overseas Chinese, we use quantitative methodologies to measure the nostalgia of the Chinese diaspora and identify three segments of Chinese diasporic tourists based on their nostalgia: extremely nostalgic, nostalgic, and moderately nostalgic. Demographic features of each segment and attitude toward home-return travel are depicted. The findings suggest that the level of nostalgia has influences on the perception of home-return travel for the diaspora. For the strongly nostalgic groups, home-return travel is an important way to build and express their identity. For the moderately nostalgic group, home-return travel is regarded as a pleasure-driven activity. This study extends the theoretical understanding of diaspora nostalgia and also has practical implications for the marketing and construction of destinations.
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Putri, Felicia Ratriana. „PESAN NOSTALGIA MARKETING DALAM KONTEN INSTAGRAM (STUDI PADA FOLLOWERS JRNY COFFEE AND RECORDS)“. Journal Acta Diurna 19, Nr. 1 (21.04.2023): 90. http://dx.doi.org/10.20884/1.actadiurna.2023.19.1.7316.

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Abstract. Nostalgia is becoming a trend in various fields, which is shown through popular culture in the past, popular again in the present. Therefore, Nostalgia can be used as a company positioning because it is a form of emotional attraction. It can be execute in the nostalgic marketing activities such as promotions through social media. This research will examine JRNY Coffee and Records to determine and describe nostalgic marketing messages in the Instagram content, received by the followers. This research is a descriptive qualitative study with the data collection technique is by interviews and document studies. From this research, it was found that JRNY Coffee and Records has a positioning as a coffee shop with nostalgic elements of music through their Instagram content. It formed through message codes which contain of language, colors, fonts, and songs. The trigger of nostalgia for followers was from social aspect, senses, and memory of events, which came from personal nostalgia with cultural nostalgia and virtual nostalgia. The impact were likes, the desire to come to cafe, sharing the content, and loyalty. Keywords: nostalgic marketing, message, marketing communications, Instagram Abstrak. Saat ini nostalgia menjadi suatu trend di berbagai bidang, yang ditunjukkan melalui budaya populer di masa lalu kembali digemari di masa sekarang. Maka, nostalgia dapat digunakan sebagai positioning perusahaan karena juga merupakan bentuk dari daya tarik emosional. Hal tersebut dapat terwujud melalui kegiatan nostalgia marketing seperti promosi melalui media sosial. Penelitian ini akan meneliti JRNY Coffee and Records untuk mengetahui dan mendeskripsikan pesan nostalgia marketing dalam konten Instagram yang diterima followersnya. Jenis penelitian ini adalah deskriptif kualitatif dengan teknik pengumpulan data melalui wawancara dan studi dokumen. Hasil dari penelitian ini menunjukkan bahwa JRNY Coffee and Records memiliki positioning sebagai coffee shop dengan unsur nostalgia musik melalui konten Instagramnya. Hal tersebut terbentuk melalui kode pesan berupa bahasa, warna, font, dan musik. Pemicu nostalgia bagi followers didorong dari aspek sosial, indra, dan ingatan akan suatu peristiwa, yang bersumber dari personal nostalgia sekaligus cultural nostalgia dan virtual nostalgia. Dampak yang ditimbulkan adalah pemberian likes, keinginan untuk datang, menyebarluaskan konten, dan loyalitas. Kata kunci: nostalgia marketing, pesan, komunikasi pemasaran, Instagram.
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Fairley, Sheranne. „In Search of Relived Social Experience: Group-Based Nostalgia Sport Tourism“. Journal of Sport Management 17, Nr. 3 (Juli 2003): 284–304. http://dx.doi.org/10.1123/jsm.17.3.284.

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Why do some fans travel to follow professional sport teams? In order to answer that question, participant observation and ethnographic interviews were used to examine the motives and behaviors of a group that undertakes a 5-day bus trip to watch its team play in a distant city. Nostalgia was identified as a key element of the experience. In particular, nostalgic recollections of past trips were found to be a vital basis for repeated travel by the group and for socializing new members. Five themes having to do with nostalgia were identified: nostalgia as motive, norms and rituals as objects of nostalgia, best experience as object of nostalgia, nostalgia as a basis for trip suggestions, and nostalgia through socialization. It is suggested that group-based nostalgia can play a more significant role in fan travel behavior than has heretofore been recognized and that nostalgic appeals can foster repeat purchase.
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Sedikides, Constantine, Tim Wildschut, Jamie Arndt und Clay Routledge. „Nostalgia“. Current Directions in Psychological Science 17, Nr. 5 (Oktober 2008): 304–7. http://dx.doi.org/10.1111/j.1467-8721.2008.00595.x.

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Traditionally, nostalgia has been conceptualized as a medical disease and a psychiatric disorder. Instead, we argue that nostalgia is a predominantly positive, self-relevant, and social emotion serving key psychological functions. Nostalgic narratives reflect more positive than negative affect, feature the self as the protagonist, and are embedded in a social context. Nostalgia is triggered by dysphoric states such as negative mood and loneliness. Finally, nostalgia generates positive affect, increases self-esteem, fosters social connectedness, and alleviates existential threat.
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Bano, Shermeen, Rahla Rahat und Ayesha Siddiqa Bugvi. „MEMORY, PLACE AND NOSTALGIA: COSMOPOLITAN NOSTALGIA AND SUFISM IN AMERICA“. Pakistan Journal of Social Research 03, Nr. 04 (31.12.2021): 704–12. http://dx.doi.org/10.52567/pjsr.v3i4.421.

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This paper examines the relationship between memory, place and identity through nostalgic construction of mystic practices at a sufi dergah in New York. In doing so we are interested in examining the way nostalgia is implicated in modern and multicultural religious communities in the West. The findings of this study are derived from an ethnographic field observation and in-depth interviews conducted between January 2012 to April 2012 in New York, USA. Participants of this study included religious practitioners that attended and participated in the events at the Sufi dergah regularly while recognizing themselves as disciples of the Sufi order. In total, 15 participants were interviewed. Findings of this paper suggest modern nostalgics are not simply passive consumers of hegemonic narratives of memory and place. Rather they are active participants in the creation of common places that represent conjunction of multiple histories (Massey, 1995) and therefore, are both multilocal as well as multivocal (Sheldrake, 2001). Keywords: Memory, place, identity, nostalgia, sufism
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Jing, Jianwan. „Nostalgia Tendency and the Purchase Intention of Cultural and Creative Products“. East Asian Trade Association 4, Nr. 1 (30.06.2022): 19–27. http://dx.doi.org/10.47510/jeat.2022.4.1.19.

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Purpose – The global economy is changing from material to mental and cultural consumption. Nostalgic consumption is emerging as a new consumption model for the cultural content industry. Under this background, the text studies the relationship between the consumer’s nostalgia tendency and the willingness to purchase creative products using the nostalgic consumption behavior mechanism. Design/Methodology/Approach – This study examines the effect on the intention to purchase creative products from the perspective of consumers’ nostalgia. Findings – This study provides complementary theoretical significance to the study of the nostalgic consumption behavior of cultural and creative products. At the same time, it provides practical reference significance for the future marketing strategy and development of cultural and creative industry. Research Implications – Nostalgia is a unique characteristic that consumers generally have and, at the same time, a kind of psychology that can affect the purchase of a brand phenomenon. Consumer’s emotional response that evokes nostalgia and psychology related to stimulants are attitudes toward products that evoke consumer nostalgia. Sierra and McQuitty (2007) text expressed that consumers’ tendency to evoke nostalgia is advantageous in improving their willingness to purchase creative products based on the consumption behavior mechanism that evokes nostalgia. Therefore, nostalgia should be added to products or brands in the future development of the cultural and creative industries. Products can be enriched with nostalgic elements such as the country’s cultural history, memories of homes and childhood, symbolic meaning and preferences, characteristics of the times and cultural properties.
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Dissertationen zum Thema "Nostalgia"

1

Romaniko, Pavel. „Nostalgia /“. Online version of thesis, 2009. http://hdl.handle.net/1850/11216.

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Salmose, Niklas. „Towards a poetics of nostalgia : the nostalgic experience in modern fiction“. Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7728.

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In recent years there has been a body of studies relating nostalgia and fiction in political, sociological, feminist, or historical ways. This thesis, instead, sets out to perform an unusual textual study of nostalgia in modern fiction in order to work towards a poetics of nostalgia. Although the experience of emotion is private, the object of analytical discourse must be to approach this experience with objective tools. The thesis therefore develops a method for analyzing the experience of nostalgia in literary texts and then uses this method to study how nostalgia can be evoked in readers. The method works through close textual readings, developed through reader-response and narratological theories and validated through a thorough investigation of modern nostalgia in general. The result is a taxonomy of nostalgic strategies that possibly create nostalgic reactions in readers.
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Krill, Jon Jerome. „Forget Nostalgia“. PDXScholar, 2017. https://pdxscholar.library.pdx.edu/open_access_etds/4077.

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When put to the question, "What are your poetics?" I usually answer that I tend toward lyrical and narrative surrealism. Most of the poems in this thesis collection have discernible through-lines, or at least some sense of "aboutness." Across these poems, however, I've experimented with various poetic tools in an attempt to refract experience rather than entirely abstract it. For example, by varying identities and locations of the speaker, some poems achieve a surrealist sense while maintaining proximity to the lyrical or narrative. Some have multiple speakers, and speakers of undefined identity, which further defamiliarizes their language. Another tool I work with is address: to the reader in some poems, between "actors" in other poems, or addresses from speakers to agencies or forces that seem to reside beyond the poem. In this sense, much of this work is performative. Variations in diction, within and across poems, add to both their surreal and performative qualities. Wide variation in form has been another impulse in my work. It has been an exercise in shapeshifting, an often obsessive practice of reworking poems in different structural arrangements, releasing and altering meaning along the way. In many cases, disforming and reforming poems as I revised them felt akin to erasure, a means of abandoning intent. In its eclecticism, I hope this collection reflects how abruptly, how discordantly, language and images are now enabled to encounter us––via what we might consider to be our own devices.
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Welch, Allison Pearl Snow. „Necessity and nostalgia“. Thesis, University of Iowa, 2011. https://ir.uiowa.edu/etd/1107.

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Why do we keep things? To remember. Bedside tables are our modern-day altars, places where habit, respect, mystery, and love collide. Our physical materials wait while we travel through dreams, coaxing us back into activity come morning. Books and remote controls summon sleep, alarm clocks and written reminders startle the mind into a wakeful state. But not all objects are directly linked to sleeping or waking; some things simply exist to comfort us, reflecting our need to gather, collect, and nest.
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Nai, Sen Yang Israel. „Dispositions of Nostalgia“. Thesis, Curtin University, 2019. http://hdl.handle.net/20.500.11937/78805.

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This research aims to (1) conduct a systematic literature review (SLR) on the subject domain of nostalgia within the marketing/advertising context. Specifically, the review concentrates on published studies from 1979 to 2019, (2) conceptualise and operationalise a conceptual framework (nostalgia-disposition framework) for advertising practitioners through the understanding of three different consumer dispositions, and (3) investigate the moderating effects of brand-related variables such as brand heritage and brand attachment on the nostalgia-disposition framework across three furniture brands.
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Nguyen, Phuong Thao. „"Nostalgia for the present": Digital nostalgia and mediated authenticity on Instagram“. Thesis, Stockholms universitet, Institutionen för mediestudier, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-144082.

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Retro art and technology have been on the rise in recent years, the phenomenon is fuelled by the nostalgia of a sense of authenticity that the offline world can no longer satisfy. The integration of technology into human’s social conduct has made it an extension of their beings. Faced with technological progress, people also yearn to regress to the age-old days of their childhood. Nostalgia often comes with romanticization of the past, but it also offers a sense of security and realness that is seemingly lost amid the constant exchange of data in the present time. This lays ground for the rise of faux-vintage photos on social application Instagram. Bracing itself as a modern digital media, Instagram capitalizes on nostalgia for the analog and fetishization of the retro aesthetics of old media. While researchers have noted the link between Instagram and digital nostalgia, these works remained within the theoretical realm. Using a combination of interface criticism and interview, the paper focuses on human and computer interaction to study digital nostalgia and mediated authenticity on Instagram. The findings point out the complexity of Instagram as a social network and a creative tool in the emerging age of pervasive computing, in which the technology increasingly integrates and fades into the background of our everyday lives. The paper’s intention is to develop further understanding of retromodern technology, particularly Instagram, in reconstructing our knowledge of society and everyday social conduct. A better comprehension of our digital culture is crucial to the development of the self and society.
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Nicéphore, Anastasia. „Platωn’s Reality: Baudrillard’s Nostalgia“. Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/15298.

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Platωn has been praised as one of the first western critical thinkers to query the social function of literature, which is seen in terms of a sociocultural and theoretical framework, and predicated on philosophical and political ideas relating to the “Ideal State” (Republic, 380 BCE).[1] In a sense, Platωnestablishes the principle that literature should cut through to the notion of an ideal truth rather than be used as a vehicle for subjective visions and aesthetic tropes by those claiming to be ‘artists.’To engage with this centrality of human consciousness means to integrate a single source of origin: a Platωnic “οὐσία.” Nonetheless,contemporary hermeneutics draw upon perceptions that the origin is elliptic in postmodern and continental philosophical trains of thought. Moreover,much obscurity arises from; difficulties in translation, incongruent grammatical structures differing Classical Greek from English, Platωn’s own insistence on over-emphasis, and what some philosophers and philologists would consider ‘taut tautology’ – which leaves vast amounts of passages in Pre-Socratic manuscripts and Platωnic dialogues open to speculation and subjectivity.Within my discipline, philosophical debates center on the difficulty of pinpointing truth, the real, or some definitive and/or tangible self-referential core within an age of pluralism and uncertainty. For this reason, current scholarship can gain much from clarifying these ubiquitous areas. Through comparative constructs, the nature of the novel, its evolution over time and inclusion of postmodernist technologies, cyber-capitalism, and accompanying symbols, bring us to question the real and human exigency. Could it be that “unlimited experimentation” within and upon a text warrants an aesthetic surface that construes a morally heinous environment? In The Illusion of the End,[2] Baudrillard probes this concept by vivifying that a lack of substance –an “exponential instability” (110) –is invariably transmuting into an altogether absent entity. Within this displacement, my doctoral thesis juxtaposes Platωnic exegesis of the real –the “οὐσία” –and Baudrillardian aporia of current modes of reality for the body politic. Thus the question, is Baudrillard’s nostalgia for the real rooted in the origins of theory, Platωn’s real –the “οὐσία”? Further, the examination of a relatively new area of concern within the temporality of postmodernity – the extent to which social acceleration influences ways of thinking and narrating.
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Kalinina, Ekaterina. „Mediated Post-Soviet Nostalgia“. Doctoral thesis, Södertörns högskola, Medie- och kommunikationsvetenskap, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-24576.

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Post-Soviet nostalgia, generally understood as a sentimental longing forthe Soviet past, has penetrated deep into many branches of Russian popular culture in the post-1989 period. The present study investigates how the Soviet past has been mediated in the period between 1991 and 2012 as one element of a prominent structure of feeling in present-day Russian culture. The Soviet past is represented through different mediating arenas – cultural domains and communicative platforms in which meanings are created and circulated. The mediating arenas examined in this study include television, the Internet, fashion, restaurants, museums and theatre. The study of these arenas has identified common ingredients which are elements of a structure of feeling of the period in question. At the same time, the research shows that the representations of the past vary with the nature of the medium and the genre. The analysis of mediations of the Soviet past in Russian contemporary culture reveals that there has been a change in the representations of the Soviet past during the past twenty years, which roughly correspond to the two decades marked by the presidencies of Boris Yeltsin in the 1990s and of Vladimir Putin in the 2000s (including Dmitrii Medvedev's term, 2008–2012). The critical and reflective component that was present in representations of the Soviet past in the 1990s has slowly faded away, making room first for more commercial and then for political exploitations of the past. Building on Svetlana Boym's conceptual framework of reflective and restorative nostalgia, the present study provides an illustration of how reflective nostalgia is being gradually supplanted by restorative nostalgia. Academic research has provided many definitions of nostalgia, from strictly medical explanations to more psychological and socio-cultural perspectives. The present study offers examples of how nostalgia functions as a label in ascribing political and cultural identities to oneself and to others, creating confusion about the term and about what and who can rightly be called nostalgic.
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Jiang, Mengying. „Does the time Machine exist? : Nostalgic consumption of Chinese one-child generation“. Thesis, Uppsala universitet, Företagsekonomiska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-328180.

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Nostalgia in consumer behavior is shown to be effective. Every generation has their own views of nostalgia. Their ability, proneness and intensity to process nostalgia is different for each generation. The Chinese one-child generation in terms of their special growth environment and characteristics was chosen as the object of study. The thesis begins with the model of nostalgic consumption. The model includes the indirect factors towards nostalgia proneness, the direct factors towards nostalgia intensity and the consumption of nostalgic products. Two qualitative methods were used to collect data, which are the focus group and the individual interview. Two nostalgic brands, one Finnish brand Nokia and a Chinese brand Arctic Ocean Soda (AOS) were used to encourage the discussion of the focus group. There are some surprised results came from the focus group and the following individual interview. These results helped to refine the model. Finally, some suggestions were given to Nokia and AOS companies about how to attract Chinese one-child generation.
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Dimitriadou, Marika. „Nostalgia and ethnocentric product preferences“. Thesis, Imperial College London, 2015. http://hdl.handle.net/10044/1/38624.

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Understanding consumers' preferences is central in marketing. Their tendency to prefer products of domestic rather than foreign origin, and the impact their emotional and affective state has on their purchasing decisions are well-documented in the literature. This thesis connects these two research themes by examining the impact feelings of nostalgia have on ethnocentric product preferences. The focus on nostalgia is not accidental. Advertising and marketing campaigns of several multinational companies have recently attempted to trigger such feelings amongst consumers in order to promote their products. The thesis begins by offering a more robust investigation for the presence of country of origin effects and the impact of consumer ethnocentrism on it, using a multi- cultural sample and measuring individuals' actual preferences. Using separate inducements for nostalgia - at the 'personal' level, referring to past events the consumers experienced alone, and at the 'collective' level, referring to past events the consumers experienced in the company of others - it proceeds by providing evidence suggesting that feelings of nostalgia significantly increase preferences for domestic products, as well as ratings of their perceived quality. Both inducements have similar effects on preferences and ratings. Subsequently investigating the underlying psychological mechanism responsible for the effect of nostalgia on ethnocentric product preferences, the thesis provides evidence that self-reported 'meaning of life' - a composite measure previously linked to nostalgia - is a significant mediator of this effect; having a significantly positive indirect effect on both preferences for and ratings of domestic products. The thesis concludes by discussing the implications these findings have for man- agerial practice and outlining future directions for marketing research in this field.
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Bücher zum Thema "Nostalgia"

1

Hallasy, Paul. Nostalgia. New York: Downtown Press, 1993.

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Santos, Roland. Nostalgia. Manila: Produced and published by Jamayco Pub. House, 2008.

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Thompson, John Cargill. Nostalgia. Manchester: Visionwise, 1985.

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Cora de Araújo Moreira Ferreira da Silva. Nostalgia. [S.l.]: [s.n.], 1994.

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Merhej, Mireille. Nostalgia. Dubai: Art Sawa, 2013.

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Trinidad, Chona. Nostalgia. Manila, Philippines: UST Pub. House, 2008.

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Trinidad, Chona. Nostalgia. Manila, Philippines: UST Pub. House, 2008.

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Alvarado, Elliette Ramírez. Nostalgia. San José, Costa Rica: [s.n.], 1994.

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Novais, Manoel Cláudio. Nostalgia. São Caetano do Sul: Prefeitura Municipal de São Caetano do Sul ; São Paulo : Editora Meca, 1991.

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Haugová, Mila. Nostalgia. Bratislava: Slovenský spisovatel̓, 1993.

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Buchteile zum Thema "Nostalgia"

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Gibson, Margaret, und Clarissa Carden. „Nostalgia“. In Living and Dying in a Virtual World, 127–43. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76099-5_6.

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Sedikides, Constantine, und Tim Wildschut. „Nostalgia“. In The Wiley Handbook of Positive Clinical Psychology, 125–36. Chichester, UK: John Wiley & Sons, Ltd, 2016. http://dx.doi.org/10.1002/9781118468197.ch9.

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Guffey, Elizabeth. „Nostalgia“. In A Companion to Contemporary Design since 1945, 32–50. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2019. http://dx.doi.org/10.1002/9781119112297.ch2.

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Rodríguez, Reina María. „Nostalgia“. In Caviar with Rum, 37–53. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137027986_4.

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Sayers, Nicola. „Nostalgia“. In The Promise of Nostalgia, 21–43. Milton Park, Abingdon, Oxon ; New York : Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780367134990-2.

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Schroeder, Jonathan D. S. „Nostalgia“. In The Routledge Handbook of Reenactment Studies, 156–59. First edition. | New York: Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429445637-33.

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Schaschek, Sarah. „Nostalgia“. In Pornography and Seriality, 145–75. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137359384_6.

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Simmons, W. Matthew J. „Nostalgia“. In The Routledge Companion to Literature of the U.S. South, 219–22. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003009924-56.

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Batcho, Krystine I., und Michael Hviid Jacobsen. „Nostalgia“. In Emotions in Culture and Everyday Life, 199–216. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003208556-13.

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Lovell, Heather. „Nostalgia“. In Understanding Energy Innovation, 73–89. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-6253-9_5.

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AbstractNostalgia is a longing for the past and the way we remember how things used to be done, including a wish for things to stay the same. Nostalgia is a central part of understanding societal responses to change because every new technology and way of doing something is, in effect, competing with nostalgia. In this chapter, I examine how nostalgia can hamper efforts at energy innovation, particularly in terms of how it blinds us to change already under way, and how memories of certain innovations can in subtle ways encourage or hinder innovation. I explore three diverse case studies about nostalgia: memories of pioneering international smart grid experiments, scarce data about off-grid households, and big infrastructure energy solutions.
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Konferenzberichte zum Thema "Nostalgia"

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Daigo, Momoko, und Takashi Yamaguchi. „nostalgia“. In ACM SIGGRAPH 2001 video review. New York, New York, USA: ACM Press, 2001. http://dx.doi.org/10.1145/945314.945342.

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Nilsson, Magnus, Sara Johansson und Maria Håkansson. „Nostalgia“. In CHI '03 extended abstracts. New York, New York, USA: ACM Press, 2003. http://dx.doi.org/10.1145/765891.766096.

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Satchell, Christine, Marcus Foth, Greg Hearn und Ronald Schroeter. „Suburban nostalgia“. In the 20th Australasian Conference. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1517744.1517758.

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Andangsari, Esther W., William J. Herlie, Rani A. Fitri, Evi A. Hurriyati und Meilani Dhamayanti. „YouTube Playlist: Iconic Song Triggers Nostalgic Memory and Function of Nostalgia“. In 2022 International Conference on Information Management and Technology (ICIMTech). IEEE, 2022. http://dx.doi.org/10.1109/icimtech55957.2022.9915230.

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Rocha Silva, Daniel. „MIGRANTES, UTOPIA E NOSTALGIA“. In CONINTER 2020. Even3, 2020. http://dx.doi.org/10.29327/coninter2020.290284.

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Arar, Raphael. „Nostalgia: A Human-Machine Transliteration“. In 2018 IEEE VIS Arts Program (VISAP). IEEE, 2018. http://dx.doi.org/10.1109/visap45312.2018.9046055.

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Leñador González-Páez, Javier Leñador. „El exilio compartido. Comida, arte y nostalgia“. In 3er Congreso Internacional sobre Patrimonio Alimentario y Museos. Valencia: Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/egem2021.2021.13929.

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Con el presente título queremos hacer referencia a las capacidades socializadoras y empáticas que la nostalgia puede procurar al sintiente. Si entendemos la nostalgia como una emoción que puede ser activada por estímulos sensitivos entre los que se encuentra el gusto y el olfato, la comida puede ser un gran impulsor nostálgico, lo que podría hacer la experiencia gustativa todavía más rica, compartida y, como veremos, hasta reflexiva. El trabajo centra su análisis en aquellas obras museísticas —las que circulan dentro del circuito expositivo de las bellas artes— que involucran al público no solo visualmente, sino a través del gusto, convirtiéndolo en elemento central de su experiencia y su mensaje crítico. Tras ver el papel del gusto en el museo y explicar la experiencia y los procesos orgánicos de la nostalgia, nuestro objetivo será el de vincular las potencialidades psicológicas de la nostalgia (socialización, reducción de prejuicios, fomento de la inspiración, etc.) con dichas obras gustativas bajo la premisa que la experimentación nostalgia puede mejorar la eficacia política y crítica de tales obras
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Debnath, Ameya, Bipul Karmokar und M. Shahidur Rahman. „Automatic Nostalgia Detection from Bengali Text“. In 2023 26th International Conference on Computer and Information Technology (ICCIT). IEEE, 2023. http://dx.doi.org/10.1109/iccit60459.2023.10441174.

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Sindhav, Birud, Bruce A. Reinig und Robert O. Briggs. „A Field Investigation of the Nostalgia Effect“. In 2011 44th Hawaii International Conference on System Sciences (HICSS 2011). IEEE, 2011. http://dx.doi.org/10.1109/hicss.2011.9.

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Scribner, Campbell. „School Desks and the Politics of Nostalgia“. In 2020 AERA Annual Meeting. Washington DC: AERA, 2020. http://dx.doi.org/10.3102/1566539.

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Berichte der Organisationen zum Thema "Nostalgia"

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Zhang, Ling, und Qiyao Xiong. Nostalgia. Ames (Iowa): Iowa State University. Library, Januar 2019. http://dx.doi.org/10.31274/itaa.8381.

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Krill, Jon. Forget Nostalgia. Portland State University Library, Januar 2000. http://dx.doi.org/10.15760/etd.5961.

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Valdez, Brenda. Natsukashii (Nostalgia in Japanese). Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-738.

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Armstead, Charity Calvin, und Ellen Carol McKinney. The Role of Nostalgia in Retro Sewing. Ames (Iowa): Iowa State University. Library, Januar 2019. http://dx.doi.org/10.31274/itaa.8812.

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Bourdonnec, Françoise. Identity, Nostalgia and Leisure: Technology Use in Second Homes. Portland State University Library, Januar 2000. http://dx.doi.org/10.15760/etd.143.

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Rueda Laffond, José Carlos, und Amparo Guerra Gómez. Televisión y nostalgia. The Wonder Years y Cuéntame cómo pasó. Revista Latina de Comunicación Social, 2009. http://dx.doi.org/10.4185/rlcs-64-2009-831-396-409.

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Ngcingwana, Thuthuzelekani. Colonial Legacy, Communist Nostalgia and Failure of Democracy in Sub-Saharan Africa. Fort Belvoir, VA: Defense Technical Information Center, März 2011. http://dx.doi.org/10.21236/ada553204.

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Schuster, Mariano. ¿Puede la izquierda latinoamericana prefigurar un nuevo contrato social? Fundación Carolina, Dezember 2023. http://dx.doi.org/10.33960/ac_18.2023.

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Los gobiernos progresistas de América Latina enfrentan serios escollos para desarrollar sus programas políticos. A diferencia del proceso que se desarrolló durante la primera década del siglo XXI y que fue conocido como la “marea rosa”, los progresismos latinoamericanos encuentran un marco económico más complejo y un mundo más dividido que en el pasado. Víctimas de sus propios errores, los progresismos parecen incapaces de promover un nuevo contrato social que produzca entusiasmo entre los sectores populares y los sectores medios. Si no consiguen cambiar y dejar atrás la nostalgia por los logros del pasado, estas fuerzas podrían ser desbancadas —como de hecho ya está sucediendo— por unas derechas cada vez más radicales.
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Saleem, Raja M. Ali, Ihsan Yilmaz und Priya Chacko. Civilizationist Populism in South Asia: Turning India Saffron. European Center for Populism Studies (ECPS), Februar 2022. http://dx.doi.org/10.55271/pp0009.

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The 21st century has witnessed a significant shift in how the concept of nationalism is understood. A political marriage between identity politics and populism has resulted in “civilizationism,” a new form of nationalism that entails an emotionally charged division of society into “the people” versus “the Other.” All too often, the divisive discourses and policies associated with civilizationalist populism produce intercommunal conflict and violence. This paper draws on a salient case study, India’s Hindutva movement, to analyze how mainstream populist political parties and grassroots organizations can leverage civilizationist populism in campaigns to mobilize political constituencies. In surveying the various groups within the Hindutva movement and conducting a discourse analysis of their leaders’ statements, the paper shows the central role of sacralized nostalgia, history, and culture in Hindutva populist civilizationism. By analyzing the contours and socio-political implications of civilizationist populism through this case study, the paper contributes to the theoretical understanding of the concept more generally.
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Hellström, Anders. How anti-immigration views were articulated in Sweden during and after 2015. Malmö University, Malmö Institute for Studies of Migration, Diversity and Welfare (MIM), 2021. http://dx.doi.org/10.24834/isbn.9789178771936.

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The development towards the mainstreaming of extremism in European countries in the areas of immigration and integration has taken place both in policy and in discourse. The harsh policy measures that were implemented after the 2015 refugee crisis have led to a discursive shift; what is normal to say and do in the areas of immigration and integration has changed. Anti-immigration claims are today not merely articulated in the fringes of the political spectrum but more widely accepted and also, at least partly, officially sanctioned. This study investigates the anti-immigration claims, seen as (populist) appeals to the people that centre around a particular mythology of the people and that are, as such, deeply ingrained in national identity construction. The two dimensions of the populist divide are of relevance here: The horizontal dimension refers to articulated differences between "the people", who belong here, and the "non-people" (the other), who do not. The vertical dimension refers to articulated differences between the common people and the established elites. Empirically, the analysis shows how anti-immigration views embedded in processes of national myth making during and after 2015 were articulated in the socially conservative online newspaper Samtiden from 2016 to 2019. The results indicate that far-right populist discourse conveys a nostalgia for a golden age and a cohesive and homogenous collective identity, combining ideals of cultural conformism and socioeconomic fairness.
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