Zeitschriftenartikel zum Thema „Nobility – Drama“
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Kardiansyah, M. Yuseano. „The Index of Hero’s Power and Nobility in Shakespearean Tragedy Drama: A Semiotic Study“. TEKNOSASTIK 14, Nr. 2 (21.04.2018): 11. http://dx.doi.org/10.33365/ts.v14i2.57.
Der volle Inhalt der QuelleOlszewska, Maria Jolanta. „Narodowy geniusz, czyli portret Fryderyka Chopina w Ostatnim koncercie Stanisławy Fleszarowej-Muskat“. Poznańskie Studia Polonistyczne. Seria Literacka, Nr. 41 (29.12.2021): 301–26. http://dx.doi.org/10.14746/pspsl.2021.41.15.
Der volle Inhalt der QuelleIndraningsih Jeno, Ciclia, Ni Made Arshiniwati und Ida Ayu Trisnawati. „Symbolic Meaning Relationship between the Condong Character and the Putri in the Gambuh Batuan Dance Drama“. Mudra Jurnal Seni Budaya 38, Nr. 4 (18.07.2023): 432–42. http://dx.doi.org/10.31091/mudra.v38i4.2038.
Der volle Inhalt der QuelleHeine, Steven. „Tragedy and Salvation in the Floating World: Chikamatsu's Double Suicide Drama as Millenarian Discourse“. Journal of Asian Studies 53, Nr. 2 (Mai 1994): 367–93. http://dx.doi.org/10.2307/2059839.
Der volle Inhalt der QuelleYOUNGER, NEIL. „DRAMA, POLITICS, AND NEWS IN THE EARL OF SUSSEX'S ENTERTAINMENT OF ELIZABETH I AT NEW HALL, 1579“. Historical Journal 58, Nr. 2 (11.05.2015): 343–66. http://dx.doi.org/10.1017/s0018246x14000715.
Der volle Inhalt der QuelleBerg, Shelley C. „Limón's La Malinche: Negotiating the In-Between“. Dance Research Journal 37, Nr. 1 (2005): 75–93. http://dx.doi.org/10.1017/s0149767700008366.
Der volle Inhalt der QuelleOlomu, Oyewole, und Yeside Lawal Dosumu. „Spirito-Physical Relevance of Iwure in Ekiti Ẹpa-Type Masquerade Festival: A Theoretical Appraisal“. Journal of Humanities,Music and Dance, Nr. 36 (18.11.2023): 23–37. http://dx.doi.org/10.55529/jhmd.36.23.37.
Der volle Inhalt der QuelleGarcía Castañeda, Salvador. „La varia fortuna del condestable: una imagen romántica de don Álvaro de Luna“. Lectura y Signo, Nr. 12 (06.02.2018): 171. http://dx.doi.org/10.18002/lys.v0i12.5314.
Der volle Inhalt der QuelleMapindani, Aleck. „FATED EXISTENCE? CALCULATING THE TRAGIC CULMINATIONS OF OTHELLO AND OEDIPUS THE KING“. Imbizo 6, Nr. 2 (21.06.2017): 43–48. http://dx.doi.org/10.25159/2078-9785/2805.
Der volle Inhalt der QuelleAdeniyi, Victoria O. „Proletarian Philosophy in Selected Plays by Ola Rotimi“. Anglica Wratislaviensia 56 (22.11.2018): 11–22. http://dx.doi.org/10.19195/0301-7966.56.1.
Der volle Inhalt der QuelleGaripova, Ninel F. „Amateur Piano Music-Making and the Ufa Section of the Imperial Russian Musical Society“. ICONI, Nr. 1 (2019): 73–82. http://dx.doi.org/10.33779/2658-4824.2019.1.073-082.
Der volle Inhalt der QuelleAhmed Al-Azzawy, Qusay Jaddoa. „The Concept of Death in William Shakespeare's Macbeth and Arthur Miller's The Crucible“. JOURNAL OF LANGUAGE STUDIES 8, Nr. 6 (30.06.2024): 114–24. http://dx.doi.org/10.25130/lang.8.6.7.
Der volle Inhalt der QuelleBalaišytė, Lina. „Vincentas Ignacas Marevičius apie save ir Tėvynę: XVIII a. pabaigos literato (savi)refleksijos“. XVIII amžiaus studijos T. 6: Personalijos. Idėjos. Refleksijos, T. 6 (02.01.2020): 294–322. http://dx.doi.org/10.33918/23516968-006014.
Der volle Inhalt der QuelleChemlali, Ikram. „Le Choléra et la question sociale dans Horace de George Sand“. ALTRALANG Journal 4, Nr. 02 (30.12.2022): 244–55. http://dx.doi.org/10.52919/altralang.v4i02.213.
Der volle Inhalt der QuelleТитова, А. В. „Rochester and Shadwell: Literary Reminiscences“. Иностранные языки в высшей школе, Nr. 1(52) (28.06.2020): 33–39. http://dx.doi.org/10.37724/rsu.2020.52.1.005.
Der volle Inhalt der QuelleНечаева, Л. В. „THE FORMATION OF SECULAR MUSICAL AND THEATRICAL ART OF THE URBAN POPULATION OF WESTERN SIBERIA IN THE XVIII CENTURY“. NATURAL AND HISTORICAL AND CULTURAL HERITAGE OF SIBERIA 2, Nr. 2(3) (08.07.2024): 37–44. http://dx.doi.org/10.25713/hs.2024.3.2.004.
Der volle Inhalt der QuelleНеделку, Октавија, und Лидија Чолевић. „ХЕРЦ У РУКАВУ“. ИСХОДИШТА 8, Nr. 1 (18.08.2022): 165–87. http://dx.doi.org/10.46630/ish.8.2022.12.
Der volle Inhalt der QuelleTurhan, Olha. „СULTURAL EPOCHS AS TEXT IN LESIA UKRAINKA’S DRAMAS“. Слово і Час, Nr. 6 (02.12.2021): 3–20. http://dx.doi.org/10.33608/0236-1477.2021.06.3-20.
Der volle Inhalt der QuelleLuchenetskaya-Burdina, Irina Yu, und Kseniya Ye Poltevskaya. „“THE CHERRY ORCHARD” BY ANTON CHEKHOV AND “THE ATONEMENT” BY IGNATY POTAPENKO: THE ARTISTIC INTERDEPENDENCE AND THE PLOT CORRESPONDENCE“. Vestnik of Kostroma State University, Nr. 3 (2020): 153–58. http://dx.doi.org/10.34216/1998-0817-2020-26-3-153-158.
Der volle Inhalt der QuelleLebedev, Yuriy V. „I.S. TURGENEV AND A.N. OSTROVSKY“. Vestnik of Kostroma State University 29, S (15.11.2023): 26–35. http://dx.doi.org/10.34216/1998-0817-2023-29-s-26-35.
Der volle Inhalt der QuelleBozhuk, Anton. „Ukrainian Theater in Crimea in the 2nd Half of the 19th — Early 20th Century“. Ukrainian Studies, Nr. 3(80) (28.10.2021): 205–22. http://dx.doi.org/10.30840/2413-7065.3(80).2021.240148.
Der volle Inhalt der QuelleKovačević, Saša, Marina Van Bos, Marko Kralj, Marin Petrović, Ozren Gamulin, Marko Škrabić, Siniša Radović und Ina Vanden Berghe. „Analysis of Pigments from Decorated Antler or Bone Artifacts from the Early Iron Age Princely Burial Mounds in Jalžabet (NW Croatia)“. Interdisciplinaria Archaeologica Natural Sciences in Archaeology XIV, Nr. 1 (17.02.2023): 41–61. http://dx.doi.org/10.24916/iansa.2023.1.3.
Der volle Inhalt der QuelleFarnell, Gary, Christopher Parker, John M. Fyler, Christopher Highley, R. C. Richardson, Sophie Tomlinson, Bronwen Price et al. „Reviews: Cultural History, History Meets Fiction, the Masculine Self in Late Medieval England, the Tower of London in English Renaissance Drama: Icon of Opposition, Writing Lives. Biography and Textuality, Identity and Representation in Early Modem England, Women Writers and Public Debate in Seventeenth-Century Britain, Religion, Reform, and Women's Writing in Early Modem England, Work and Play on the Shakespearean Stage, Shakespeare and the Nobility: The Negotiation of Lineage., Roger L'Estrange and the Making of Restoration Culture, Shakespeare and Garrick, Prodigal Daughters: Susanna Rowson's Early American Women, Spheres of Action: Speech and Performance in Romantic Culture, Dislocating Race and Nation: Episodes in Nineteenth-Century American Literary Nationalism, the Victorians and Old Age, Shakespeare and Victorian Women., Becoming a Woman of Letters. Myths of Authorship and Facts of the Victorian Market, the Cambridge Companion to Gilbert and Sullivan, Hitler's War Poets: Literature and Politics in the Third Reich, the Importance of Feeling English: American Literature and the British Diaspora, 1750–1850, the Oprah Affect: Critical Essay s on Oprah's Book ClubAnnaGreen, Cultural History , Palgrave Macmillan, 2008, pp. viii + 163, £15.99BeverleySouthgate, History Meets Fiction , Pearson, 2009, pp. xi + 215, £14.99 pbDerekG. Neal, The Masculine Self in Late Medieval England , University of Chicago Press, 2008. pp. xii + 320. $68.00; $25.00 pb.KristenDeiter, The Tower of London in English Renaissance Drama: Icon of Opposition , Routledge, 2008, pp. xiii+259, £60KevinSharpe and ZwickerSteven N. (eds), Writing Lives. Biography and Textuality, Identity and Representation in Early Modem England , Oxford University Press, 2008, pp. xiii + 369, £55.CatharineGray, Women Writers and Public Debate in Seventeenth-Century Britain , Early Modern Cultural Studies, 1500–1700, Palgrave Macmillan, 2007, pp. x + 262, £42.50KimberlyAnne Coles, Religion, Reform, and Women's Writing in Early Modem England , Cambridge University Press, 2008, pp. vii + 250, £50.TomRutter, Work and Play on the Shakespearean Stage , Cambridge University Press, 2008, pp. x + 205. £65CatherineGrace Canino, Shakespeare and the Nobility: The Negotiation of Lineage. Cambridge University Press, 2007. pp. x + 266, £50AnneDunan-Page and LynchBeth (eds), Roger L'Estrange and the Making of Restoration Culture , Ashgate, 2008, pp. xx + 236, £55.VanessaCunningham, Shakespeare and Garrick , Cambridge University Press, 2008, pp. viii + 231, £50.MarionRust, Prodigal Daughters: Susanna Rowson's Early American Women , University of North Carolina Press, 2008, pp. x + 311, $59.95, $24.95 pb.AlexanderDick and EsterhammerAngela (eds), Spheres of Action: Speech and Performance in Romantic Culture , University of Toronto Press, 2009, pp. viii + 306, £42.RobertS. Levine, Dislocating Race and Nation: Episodes in Nineteenth-Century American Literary Nationalism , University of North Carolina Press, 2008, pp. x + 322, $59.95, $21.95 (pb).KarenChase, The Victorians and Old Age , Oxford University Press, 2009, pp. xiv + 284, £55; LooserDorothy, Women Writers and Old Age in Great Britain 1750–1850, Johns Hopkins University Press, 2008, pp. xvi + 234, £29.GailMarshall, Shakespeare and Victorian Women. Cambridge University Press, 2009. pp. x+ 207. £50.LindaH. Peterson, Becoming a Woman of Letters. Myths of Authorship and Facts of the Victorian Market , Princeton University Press, 2009, pp. xv + 289, £19.95.EdenD. and SarembaM. (eds), The Cambridge Companion to Gilbert and Sullivan , Cambridge University Press, 2009, pp. v + 274. £17.99 pb.JayBaird, Hitler's War Poets: Literature and Politics in the Third Reich , Cambridge University Press, 2008. pp. xv + 284. £47, £17.99 pb.LennardTennenhouse, The Importance of Feeling English: American Literature and the British Diaspora, 1750–1850. Princeton University Press, 2007, pp. x + 158, $35.CeciliaKonchar Farr and HarkerJaime (eds) The Oprah Affect: Critical Essay s on Oprah's Book Club , 2008, SUNY Press, pp. 336, $74.50, $24.95 pb.“ Literature & History 19, Nr. 1 (Mai 2010): 80–104. http://dx.doi.org/10.7227/lh.19.1.7.
Der volle Inhalt der QuelleMarina, Olena. „DISCOURSE CATEGORIES: A CASE FOR ENGLISH RESTORATION DRAMA“. Writings in Romance-Germanic Philology, Nr. 1(46) (02.08.2021). http://dx.doi.org/10.18524/2307-4604.2021.1(46).230282.
Der volle Inhalt der Quelle-, Abhishek Tiwari. „The Story of Hamlet“. International Journal For Multidisciplinary Research 6, Nr. 3 (30.06.2024). http://dx.doi.org/10.36948/ijfmr.2024.v06i03.23814.
Der volle Inhalt der QuelleZakharov, Andrey. „The Traditional Ranks in the Petrine Epoch: Between Afterlife and Innovation“. Quaestio Rossica 9, Nr. 1 (04.04.2021). http://dx.doi.org/10.15826/qr.2021.1.576.
Der volle Inhalt der QuellePortelli, Sergio. „The Nineteenth-Century Italian Translators of Lord Byron’s Marino Faliero“. Quaderni d'italianistica 38, Nr. 1 (18.10.2018). http://dx.doi.org/10.33137/q.i..v38i1.31155.
Der volle Inhalt der QuelleAgakova, Alisa Leonidovna. „Ethnocultural Approach to the Formation of Musical and Pedagogical Repertoire on the Example of Vocal Lyrics of Chuvash Composers“. Ethnic Culture 4, Nr. 1 (27.03.2022). http://dx.doi.org/10.31483/r-100725.
Der volle Inhalt der QuelleDEMİRAY, Müjde. „Vital lie in Strindberg’s Miss Julie: Illusion versus reality“. RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, 21.12.2022. http://dx.doi.org/10.29000/rumelide.1222251.
Der volle Inhalt der QuelleЦориева, И. Т. „“RESPONSIBILITY FOR ENDOWMENT”: A. KHADARTSEVA’S LIFE AND HER CONTRIBUTION TO THE OSSETIAN PHILOLOGY DEVELOPMENT.“ Известия СОИГСИ, Nr. 35(74) (24.03.2020). http://dx.doi.org/10.23671/vnc.2020.74.58011.
Der volle Inhalt der QuelleLópez-Bultó, Oriol, Patrick Gassmann, Ingrid Bertin und Raquel Piqué. „Sorting the Trees: The Role of Laurus nobilis in the Woodland Management Practices at La Draga (Banyoles, Spain)“. International Journal of Wood Culture, 28.03.2023, 1–20. http://dx.doi.org/10.1163/27723194-bja10023.
Der volle Inhalt der QuelleCastells, Eva, Valentina Araya-Piqué, Ada Behncké und Raquel Piqué. „Buxus sempervirens and Laurus nobilis leaves from an archaeological site at 7300 cal BP (La Draga, Spain) provide a better understanding of past vegetation and human activities“. Holocene, 23.12.2020, 095968362098167. http://dx.doi.org/10.1177/0959683620981677.
Der volle Inhalt der QuelleGleadle, Kathryn, und Beth Rodgers. „‘A Library of Our Own Compositions’: The Minervian Library and Children’s Social Authorship in Victorian Orkney“. Journal of Victorian Culture, 09.07.2022. http://dx.doi.org/10.1093/jvcult/vcac035.
Der volle Inhalt der QuelleNäripea, Eva. „“Viimne reliikvia” ja “Kolme katku vahel”: ruumist eesti ajalookirjanduse ekraniseeringutes / The Last Relic and Between Three Plagues: On Space in Film Adaptations of Estonian Historical Fiction“. Methis. Studia humaniora Estonica 12, Nr. 15 (10.01.2017). http://dx.doi.org/10.7592/methis.v12i15.12118.
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