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Auswahl der wissenschaftlichen Literatur zum Thema „No-creation“
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Zeitschriftenartikel zum Thema "No-creation"
Clavier, Paul. „No creation, no revelation“. International Journal for Philosophy of Religion 73, Nr. 3 (23.10.2012): 255–68. http://dx.doi.org/10.1007/s11153-012-9377-y.
Der volle Inhalt der QuelleLoft Jakobsen, Henrik, Thomas B. Harvald und Jacob Rosenberg. „No-Trocar Laparoscopic Stoma Creation“. Surgical Laparoscopy, Endoscopy & Percutaneous Techniques 16, Nr. 2 (April 2006): 104–5. http://dx.doi.org/10.1097/00129689-200604000-00011.
Der volle Inhalt der QuelleFish, John R. „Creation of a no-stitch cataract incision“. Journal of Cataract & Refractive Surgery 17 (1991): 713–15. http://dx.doi.org/10.1016/s0886-3350(13)80689-x.
Der volle Inhalt der QuelleCunningham, Conor. „Lacan, Philosophy’s Difference, and Creation from No-One“. American Catholic Philosophical Quarterly 78, Nr. 3 (2004): 445–79. http://dx.doi.org/10.5840/acpq200478327.
Der volle Inhalt der QuelleGoldin, Paul R. „THE MYTH THAT CHINA HAS NO CREATION MYTH“. Monumenta Serica 56, Nr. 1 (Dezember 2008): 1–22. http://dx.doi.org/10.1179/mon.2008.56.1.001.
Der volle Inhalt der QuelleClark, Daniel Richard, und Dan Li. „There's No Place Like Home:Venture Creation by Transnational Entrepreneurs“. Academy of Management Proceedings 2015, Nr. 1 (Januar 2015): 10014. http://dx.doi.org/10.5465/ambpp.2015.10014abstract.
Der volle Inhalt der QuelleHarrison, Regina, und Barbara Bode. „No Bells to Toll: Destruction and Creation in the Andes“. Modern Language Studies 22, Nr. 1 (1992): 117. http://dx.doi.org/10.2307/3195008.
Der volle Inhalt der QuelleGade, Daniel W., und Barbara Bode. „No Bells to Toll: Destruction and Creation in the Andes“. Geographical Review 80, Nr. 4 (Oktober 1990): 451. http://dx.doi.org/10.2307/215857.
Der volle Inhalt der QuellePascale, Celine-Marie. „There’s No Place Like Home: The Discursive Creation of Homelessness“. Cultural Studies ↔ Critical Methodologies 5, Nr. 2 (Mai 2005): 250–68. http://dx.doi.org/10.1177/1532708605274558.
Der volle Inhalt der QuelleSchneider, F., D. Steiger, T. Ledermann, P. Fry und S. Rist. „No-tillage farming: co-creation of innovation through network building“. Land Degradation & Development 23, Nr. 3 (07.12.2010): 242–55. http://dx.doi.org/10.1002/ldr.1073.
Der volle Inhalt der QuelleDissertationen zum Thema "No-creation"
Frodeson, Martin, und David Gustafsson. „En studie i hur co-creation, no-creation samt co-destruction kan kopplas till kundnöjdhet : Hur påverkar direkta samt indirekta digitala marknadsföringsaktiviteter?“ Thesis, Karlstads universitet, Handelshögskolan (from 2013), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-84923.
Der volle Inhalt der QuelleAccording to the Service-dominant logic perspective, a consumer is served a value proposition on which he or she then acts. Depending on the interaction outcome, customer satisfaction is affected. However, the link between the interaction outcomes no-creation and co-destruction and its impact on customer satisfaction is yet unexplored. This study aims to examine individuals' perceived customer satisfaction of value propositions that are presented via direct and indirect digital marketing activities. A model was constructed by the authors in which value propositions via direct (email) and indirect (Facebook) digital marketing channels were examined. To create an understanding of which interaction outcome (co-creation, no-creation, and co-destruction) different value propositions resulted in, based on consumers' experience and how this affected customer satisfaction. The study used a qualitative approach in which twelve semi-structured interviews were conducted.The results indicate that within indirect digital marketing activities (e-mail), a lower frequency of value propositions containing more information were factors that resulted in co-creation with increased customer satisfaction as a result. No-creation occurred if the consumer had a relationship with the value provider but lacked interest at the time of the value proposition, which resulted in unchanged customer satisfaction. If the frequency of value propositions was too high or the value propositions were non-personal, co-destruction occurred, which resulted in a reduction in customer satisfaction.In indirect digital marketing activities (Facebook), the results show that transparency from the company's side towards the consumer and the level of adaption of the value proposition towards the consumer's preferences led to co-creation, with increased customer satisfaction. No-creation occurred when the customers had received expected or uninteresting value propositions, resulting in unchanged customer satisfaction. Value propositions that had a high frequency or that were perceived to make personal infringement were factors that led to co-destruction, which resulted in reduced customer satisfaction.The present study supports existing research's results, that co-creation leads to increased customer satisfaction. The understanding is expanded with a model constructed by the authors which clarifies that no-creation leads to unchanged customer satisfaction and that co-destruction leads to reduced customer satisfaction. Furthermore, the study also examines which factors that affect the customer’s interaction outcome.
Rosen, Nevin Brian. „Part I The Seven Days of Creation For Narrator and String Orchestra Part II Shostakovich's Symphony No. 5, Movement 4: A Parametric Analysis“. Connect to resource online, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1253141186.
Der volle Inhalt der QuelleHueda, Marcelo Akira. „As concepções evolutivas no Vestiges of the natural history of creation (1844) de Robert Chambers e a proposta de Lamarck: um estudo comparativo“. Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/13427.
Der volle Inhalt der QuelleSecretaria da Educação do Estado de São Paulo
Published anonymously in 1844, the book Vestiges of the natural history of creation triggered one of the greatest public debates which took place in the 19th century. Its author Robert Chambers proposed the transformation of living beings and the origin of new species by natural causes. The first aim of this dissertation is to describe some evolutionary concepts presented in the book. The second one is to compare them to the final version of Lamarck s theory on the progression of animals. This dissertation contains an introduction and four chapters. Chapter 1 discusses the evolutionary precedents and the general context in which Chambers presented his views concerning the transmutation of species. It also describes his career and professional interests. Chapter 2 deals with Chambers main evolutionary ideas. Chapter 3 provides a comparison between Chambers' and Lamarck's views, showing their similarities and differences. Chapter 4 offers some final remarks on the subject. This study led to the conclusion that although several similarities between Chambers' and Lamarck's evolutionary ideas may be found in some respects, such as gradualism, progression, uniformitarism, natural laws and no interference of God in natural processes, there were also some relevant differences such as the way in which they attempted to provide a foundation for their theories. Whereas Chambers presented many arguments using the fossil records as well as some other ones related to rudimentary organs and embryology, Lamarck made scarce use of the fossil record for the foundation of his theory. Instead of this, he provided a huge mass of facts showing the existence of a progression of the great taxonomical groups of animals. The arrangement of those groups in a progressive scale, however, did not provide an empirical foundation for what had happened in time. On the other hand, Chambers presented laws different from Lamarck's. However, although he did not propose a law dealing with the increase of the complexity of the great groups or individuals as Lamarck did, this idea permeated all of Chambers' ideas on the transmutation of species
Publicado anonimamente em 1844, o livro Vestiges of the natural history of creation desencadeou uma das maiores discussões públicas que ocorreram durante o século XIX. Seu autor, Robert Chambers, defendeu a transmutação dos seres vivos e a origem de novas espécies através de causas naturais. O primeiro objetivo desta dissertação é descrever algumas concepções evolutivas apresentadas neste livro e o segundo é compará-las à versão final da teoria da progressão dos animais de Lamarck. Esta dissertação contém uma introdução e quatro capítulos. O capítulo 1 discute os precedentes evolutivos e o contexto geral no qual Chambers apresentou suas idéias sobre a transmutação das espécies, tratando também de sua carreira e interesses profissionais. O capítulo 2 lida com alguns aspectos das concepções evolutivas de Chambers. O capítulo 3 oferece uma comparação entre as concepções de Chambers e Lamarck mostrando suas similaridades e diferenças. O capítulo 4 apresenta algumas considerações sobre o que foi discutido nos capítulos anteriores. Este estudo levou à conclusão de que embora possam ser detectadas diversas semelhanças entre alguns aspectos das concepções evolutivas de Chambers e as concepções evolutivas de Lamarck, tais como o gradualismo, a progressão, o uniformitarismo, as leis naturais e a não intervenção divina nos processos naturais, há também diferenças tais como o modo pelo qual eles procuraram fundamentar suas teorias. Enquanto Chambers apresentou exemplos obtidos principalmente a partir do registro fóssil e alguns relacionados à presença de órgãos rudimentares e à embriologia, Lamarck fez pouco uso do registro fóssil para fundamentar sua teoria. Em vez disso, forneceu uma grande massa de fatos mostrando a existência de uma progressão entre os grandes grupos de animais. O arranjo desses grupos em uma escala progressiva, entretanto, não proporcionou uma fundamentação empírica para o que ocorreu em termos cronológicos. Por outro lado, Chambers apresentou leis diferentes das apresentadas por Lamarck. Entretanto, apesar de não propor uma lei tratando da tendência para o aumento de complexidade existente na natureza em relação aos grandes grupos ou indivíduos como Lamarck, esta idéia permeou as concepções de Chambers sobre a transmutação das espécies
Galvão, Rosa M. Morgado. „Avaliação de desempenho com base na criação de valor: value drivers do eva®: estudo com empresas cotadas na euronext lisbon“. Master's thesis, Instituto Politécnico de Setúbal. Escola Superior de Ciências Empresariais, 2017. http://hdl.handle.net/10400.26/19644.
Der volle Inhalt der QuelleCompanies performance evaluation is constantly subject to discussion. In an ever-changing economic environment, it is a challenge to adjust companies financial performance measures. Value creation is considered by several authors as one of the simplest and best way of measuring the real value of a company. Value creation occurs when the company generates profitability higher than the opportunity cost of the total invested capital. EVA® is an indicator of value creation in line with the modern financial theory, where the value of a company corresponds to the difference between operating profit and the cost of total capital invested. Value-based management has gained repercussion in both business and academia. For a proper management of value creation it becomes important to analyze its determinants factors, that is, the value drivers. The present study aims to identify the main value drivers of value creation in non-financial companies listed on Euronext Lisbon measured by EVA® (economic value added). The study’s population are companies listed on Euronext Lisbon and the sample are the non-financial companies. It was analyzed the period from 2011 to 2016. The data was obtained through the analysis of the companies consolidated financial statements, included in the sample and it´s analysis was performed with multivariate and dependence statistical analysis techniques, by using statistical analysis software SPSS (Statistical package for social sciences). For the studyed sample, the variables considered most relevant to value creation, measured by EVA®, were the operating profit margin, capital invested turnover and the cost of equity. They were identified as statistically significant by all of the statistical analysis techniques used in the study.
Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Contabilidade e Finanaças
Santos, Bárbara Tavares dos. „Poéticas da encenação : tessituras de experiências cênicas em abordagem feminina sobre a docência da encenação no ensino superior /“. São Paulo, 2019. http://hdl.handle.net/11449/190987.
Der volle Inhalt der QuelleResumo: Esta pesquisa trata de uma investigação sobre o campo da docência da encenação no ensino superior exercida por mulheres, tomando como referência fundante a experiência pessoal, permanentemente vivida de modo social e coletivo. Os objetivos do estudo foram os de(re)experienciar e discutir, de modo crítico, práticas cênico-pedagógicas da pesquisadora, mapear princípios, metodologias, expedientes de criação, cotejar e defender a noção de poética da encenação, bem como estabelecer diálogos temporais com quatro outras docentes de teatro e com estudantes egressos da Licenciatura em Teatro da UFT. Nesse sentido, este estudo, reflete e problematiza o papel de professores(as)-encenadores(as) na contemporaneidade e o ensino e a aprendizagem da encenação. Para tanto, a pesquisa tomou como referência interlocutores do Teatro, da Filosofia, da História e da Educação, principalmente Constantin Stanislavski, Vsevolod Meyerhold, Bertolt Brecht, Ariane Mnouchkine, Ingrid Dormien Koudela, Walter Benjamin, Henri Bergson, John Dewey, António Nóvoa entre outros. O dados analisados foram coletados a partir de diários de bordo da pesquisadora, matérias de jornais, relatos de experiências cênicas, avaliações de aulas e entrevistas semiestruturadas. Assim, à guisa de poéticas da encenação – constituídas coletivamente por meio da artesania, da experiência, dos entrecruzamentos e das deambulações – vislumbram-se caminhos para as criações cênicas e para a reflexão de aspectos metodológicos e epistêmicos... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: This research investigates the field of staging teaching in higher education performed by women, taking as basic reference the personal experience, permanently lived in a social and collective way. The objectives of the study aimed at critically re-experience and discuss the researcher's scenic-pedagogical practices, map principles, methodologies, creation expedients, collate and defend the notion of poeticsof staging, as well as to establish dialogues with four other dramateachers and students from the Theater/Drama undergraduate program at theUniversidade Federal do Tocantins, in Brazil.Thus, this study reflects and problematizes the role of drama staging teachers in contemporary times and the teaching and learning processes. To this end, this research took as reference interlocutors of drama, Philosophy, History and Education, especially Constantin Stanislavski, Vsevolod Meyerhold, Bertolt Brecht, Ariane Mnouchkine, Ingrid Dormien Koudela, Walter Benjamin, Henri Bergson, and John Dewey. The data analyzed were collected from the researcher's logbooks, newspaper articles, experience reports, class evaluations and semi-structured interviews with fellow drama teachers. The results shows the poetics of staging –collectively constituted through craftsmanship, within the experience of multidisciplinary intersections – are envisioned for scenic and staging creations and for the reflection on methodological and epistemic aspects of the process of teaching and learning of staging in... (Complete abstract click electronic access below)
Doutor
Lessa, Neto Antonio Thomaz Pacheco. „Fluxos de conhecimento em subsidiárias de corporações multinacionais: uma survey de empresas no Brasil“. Pontifícia Universidade Católica de São Paulo, 2013. https://tede2.pucsp.br/handle/handle/1089.
Der volle Inhalt der QuelleKnowledge flows, especially in subsidiaries of multinational corporations, now have an increasing importance in organizations and therefore the discussion of research in the field. The aim of this work is to analyze flows not only through transfers, but also conversions of knowledge between the three families of intangible assets (external structure, internal structure and individual competence), since, for the creation of value, the key lies in the fact that such transfers and conversions be effective (SVEIBY, 2001). Concerning the method, this dissertation presents an empirical study through a survey applied along the Brazilian subsidiaries of multinational corporations, from a theoretical construct Knowledge-based view (KBV) where makes an analysis of the assets of individual competence, internal structure and external structure, and having for its object of study brazilian companies in Brazil listed in data collection known as the best and biggest from business magazine EXAME covering the year 2012. The study indicates, for the sample data (nine respondents) removed of the universe effectively researched (140 companies and not the initial 565), that there is the maximization of value creation from knowledge flows in two directions only by knowledge transfers and conversions of Individual Competencies for External Structure, within the Internal Structure, of Internal Structure for Individual Competencies and within the External Structure
Os fluxos de conhecimento, de modo especial em subsidiárias de corporações multinacionais, passam a ter uma importância crescente nas organizações e por consequência nas discussões de pesquisas no campo. O objetivo deste trabalho é a análise dos fluxos, não somente através das transferências, mas também das conversões, de conhecimento entre as três famílias de ativos intangíveis (estrutura externa, estrutura interna e competência individual), uma vez que, para a criação de valor, a chave reside no fato de tais transferências e conversões serem eficazes (SVEIBY, 2001). Quanto ao método, esta dissertação apresenta um estudo empírico desenvolvido através de uma survey aplicada junto às subsidiárias brasileiras de corporações multinacionais, a partir de um construto teórico da visão baseada no conhecimento (VBC) - ou Knowledge-based View (KBV) - onde se faz uma análise dos ativos de competência individual, de estrutura interna e de estrutura externa, e tendo por objeto de estudo as empresas do Brasil listadas no levantamento de dados conhecido como Melhores e Maiores da Revista EXAME referente ao ano de 2012. O estudo indica, para a amostra dos dados (nove respondentes) retirada do universo efetivamente pesquisado (140 empresas e não as 565 iniciais), que existe a maximização de criação de valor a partir dos fluxos de conhecimento em duas direções somente pelas transferências e conversões de conhecimento de Competências Individuais para a Estrutura Externa, dentro da Estrutura Interna, da Estrutura Interna para as Competências Individuais e dentro da Estrutura Externa
Murillo, Ribes Adolf. „Escultors del so: creació musical col·laborativa i aprenentatge informal“. Doctoral thesis, Universitat Jaume I, 2014. http://hdl.handle.net/10803/667036.
Der volle Inhalt der QuelleTwenty first century School urgently needs profound transformations that allow teachers to adapt the school to the needs that our students and the society in general are claiming. Musical education is now using models that have nothing to do with the ways of doing music that we can find outside of the school. The new technological revolution applied to the field of music has allowed other ways of doing music to strongly emerge that collectively offer a new cartography of musical learning in all its dimensions. It is for that reason that this study, through an ethnographic methodology, focuses on the collaborative practices in music creation occurring in informal contexts and that are developed by musicians without formal musical training. The results of this study show some guidelines that have to be taken into account in order to transform and to adapt the musical practices in our classrooms towards more permeable contexts between school and society by encouraging and fostering collaborative and creative musical learning.
En el s. XXI la escuela necesita con urgencia transformaciones en profundidad que nos permitan adaptarla a las demandas que la sociedad en general y nuestro alumnado en particular reclaman. En el aula, la educación musical responde en el momento presente a modelos que nada tienen que ver con las maneras de hacer música que encontramos fuera de la escuela. Las nuevas revoluciones tecnológicas aplicadas al campo de la música han permitido emerger con fuerza otras formas de hacer y de colaborar que ofrecen una nueva cartografía del aprendizaje musical en todas sus dimensiones. Por este motivo, este estudio, con una metodología etnográfica, sitúa el foco en las prácticas colaborativas en la creación musical que se ubican en el contexto informal y que son desarrolladas por músicos sin formación musical académica. Los resultados del estudio nos muestran algunas de las claves que deberemos tener en cuenta a la hora de transformar y adaptar las prácticas musicales que habitan nuestras aulas hacia contextos más permeables entre la escuela y la sociedad con la que convive, favoreciendo y potenciando unos aprendizajes musicales más creativos y colaborativos.
Muir, Christopher, und Nathalie Beauprez. „Blah blah high returns. Blah blah no risk. Blah blah blah guaranteed!’ : A study of what financial institutions base their portfolio creation on for customers and the relationship between the different financial institutions in the same line of business for this activity“. Thesis, Umeå University, Umeå School of Business, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-1176.
Der volle Inhalt der QuelleWhy do people invest? People are insecure about their future welfare and aim for future guaranteed cash flows. To give ourselves a more thorough introduction to investments we decided to write our bachelor-thesis within the area of finance. This thesis will combine financial institutions and investments. It is a topic repeatedly discussed in the media and a study carried out in Sweden showed that in 2003, 80% of the population were shareholders.
When trading with stocks and shares there is risk involved that can be defined as the volatility in the cash flow of an investment. A portfolio is a collection of securities that an investor has placed capital in. In order to minimise the risk of the portfolio, the investor can diversify his or her portfolio, which involves investing in different securities in order to minimise risk. Institutional Theory will help us to see how these financial institutions interact with each other and what internal and external factors may influence their behaviour. Institutional investors; such as banks, are seen as large actors on the financial markets as they gain more and more control over the management of equities. It is necessary that intermediaries take care of their customers and inform them thoroughly about the rules of the investment game. With this as a background we felt it would be interesting to investigate the following problem.
On what basis do financial institutions create their customers’ portfolios and is the process the same across the branch as a whole?
In order to find an answer to this question; we have done a qualitative study with an overall positivistic influence. The study is based upon an analysis of the empirical material; collected through interviews with three financial institutions, grounded in theory in order to answer our specific question.
From the information gathered we understood that the first information financial institutions gather is personal information about the investors, which is needed to get a picture and an understanding about their client. We have also learned how important it is to understand risk, as it is the risk that will determine the composition of the portfolio for the investor. We could see with the help of the institutional theory that there is little space for differentiation and can therefore say that the financial institutions work in the same way in the advising of their clients and for the composition of their client’s portfolio.
Our results show that the basis for the creation of portfolios is more or less the same across the branches as a whole. The service given may differ, due to the competence and knowledge level of employees, between institutions but the end product is similar in all aspects.
Soares, Oséias do Prado. „Cocriação de valor utilizada como estratégia no desenvolvimento de inovações tecnológicas: survey no setor automotivo brasileiro“. Universidade Nove de Julho, 2016. http://bibliotecadigital.uninove.br/handle/tede/1485.
Der volle Inhalt der QuelleMade available in DSpace on 2016-07-01T15:10:10Z (GMT). No. of bitstreams: 1 Oseias do Prado Soares.pdf: 1156909 bytes, checksum: 3f99816c62af42b08668882932bbd98d (MD5) Previous issue date: 2016-02-26
With the competition today, companies looking for tools that can leverage your revenues and improve your performance, especially in the automotive sector which has a fierce contest for market share. Technological innovations are a way out for those companies wishing to compete in a position of equality, but to generate technological innovation need to understand tools for its development. The co-creation of value is one such tool. This work has the objective to analyze if the co-creation of value drives the development of technological innovations and influence positively the financial/economic and operational performance in the automotive industries. To complete this study research methodology adopted was a semi-structured questionnaire with confirmatory survey based on data obtained through structural equation modeling software (Smart PLS). Data analysis was conducted on the basis of quantitative and qualitative data, analyze the hypotheses developed after review of the existing literature. The results show that the use of the practices of the co-creation of value drives the development of technological innovations in the automotive industry. It was also possible to conclude that the use of the co-creation of value as a strategy in the development of technological innovations do not influence positively the financial/economic performance, and positively influence the operational performance in the automotive industries. The research contributes, as advanced at the point where the search terms found in the existing literature were conducted in different sectors of the automotive industry, and in developed countries. This research allowed view the co-creation used as strategy in the development of technological innovations in the Brazilian automotive industrial park.
Com a concorrência na atualidade generalizada, as empresas buscam por ferramentas que possam alavancar o seu faturamento e melhorar o seu desempenho, principalmente no setor automotivo que tem uma disputa acirrada por participação de mercado. As inovações tecnológicas são uma saída para essas empresas que desejam competir em posição de igualdade, porém para gerar inovações tecnológicas é preciso compreender ferramentas para o seu desenvolvimento. A cocriação de valor surge como uma dessas ferramentas. Este trabalho tem o objetivo analisar se a cocriação de valor impulsiona o desenvolvimento de inovações tecnológicas e influência positivamente os desempenhos financeiro/econômico e operacional nas indústrias do setor automotivo brasileiro. Para realização deste estudo a metodologia de pesquisa adotada foi uma survey confirmatória com questionário semiestruturado com base em dados obtidos por meio do software de modelagem de equações estruturais (Smart PLS). A análise dos dados foi conduzida com base em dados quantitativos e qualitativos, o que permitiu analisar as hipóteses desenvolvidas após a revisão da literatura existente. Os resultados apontam que a utilização das práticas da cocriação de valor impulsiona o desenvolvimento de inovações tecnológicas no setor automotivo Brasileiro. Também foi possível concluir que a utilização da cocriação de valor como estratégia no desenvolvimento de inovações tecnológicas não influência positivamente o desempenho financeiro/econômico, e influência positivamente o desempenho operacional nas indústrias do setor automotivo brasileiro. A pesquisa contribui, pois avançou no ponto em que as pesquisas encontradas na literatura existente foram realizadas em setores distintos do automotivo, e em países de desenvolvidos. Esta pesquisa permitiu visualizar a cocriação utilizada como estratégia no desenvolvimento de inovações tecnológicas no parque industrial automotivo Brasileiro.
Wainer, Julio. „A entrevista no documentário“. Pontifícia Universidade Católica de São Paulo, 2014. https://tede2.pucsp.br/handle/handle/4670.
Der volle Inhalt der QuelleThe objective of this research is to investigate how interviews are inserted into documentaries. To this end, a broad sampling of audiovisual shows identified in the field of documentaries (Brazilian, American and European short and feature-length documentaries; works of nonfiction identified as independent videos and Brazilian popular videos; audiovisual works produced by students) was mapped to determine how interviews are inserted into documentaries. An analysis was made of the authors‟ choices regarding the choice of sites, interview situation, cinematography, editing, and also how the interview is conducted by the interviewer, whom we see as the professional who appears most frequently in the end result. A categorization of the interviewees is proposed according to their roles in the film ( character, expert, vox-pop , etc.). This mapping highlights not only procedures that are repeated in the films, consolidating diffuse knowledge about interviews in documentaries, but also unique and singular moments that reveal an original solution or a more marked authorial vein on the part of the audiovisual author. The procedures were analyzed in the light of different trends in documentary literature, from the most normative theorists (Alan Rosenthal, Michael Rabiger) to theoretical-analytical authors (Jean-Louis Comolli, Bill Nichols). Among Brazilians, we highlight Fernão Pessoa Ramos and Jean-Claude Bernardet. Special attention focused on the work of cinematographer Eduardo Coutinho, in view of his deepening of the question of the interview in the documentary and of the diversity of available sources and process documentation (publications by Consuelo Lins and Eduardo Ohata, among others). With this research, we seek to identify how the execution and insertion of the interview characterize the uniqueness of the documentary, and how they indicate agglutinative currents and trends
O objetivo desta pesquisa é investigar como se dá a inserção da entrevista no documentário. A partir de uma amostragem ampla de audiovisuais identificados com o campo documental (documentários brasileiros, estadunidenses e europeus, de curta e longa metragem; trabalhos de não ficção identificados como vídeo independente e vídeo popular brasileiros; audiovisuais produzidos por alunos) foi realizado um mapeamento do modo pelo qual se dá a inserção da entrevista no documentário. Foram analisadas as opções dos autores no que se refere a: escolha dos lugares, situação da entrevista, fotografia, edição e também a condução pelo entrevistador, que entendemos ser o profissional com maior incidência no resultado final. É proposta uma categorização dos entrevistados segundo os papéis que desempenham no filme ( personagem , especialista , povo-fala , etc) . Nesse mapeamento são destacados tanto procedimentos que se repetem nos filmes, consolidando conhecimento difuso a respeito da entrevista no documentário, como também momentos únicos e singulares que evidenciam uma solução original ou um veio autoral mais demarcado por parte do autor audiovisual. Os procedimentos foram analisados à luz da literatura de documentário de diferentes tendências, desde os teóricos mais normativos (Alan Rosenthal, Michael Rabiger) até autores teórico-analíticos (Jean-Louis Comolli, Bill Nichols). Entre os brasileiros, damos destaque a Fernão Pessoa Ramos e Jean-Claude Bernardet. Foi dada especial atenção ao trabalho do cineasta Eduardo Coutinho, seja por seu aprofundamento da questão da entrevista no documentário, seja pela diversidade de fontes e documentos de processo (publicações de Consuelo Lins e de Eduardo Ohata entre outros). Com essa pesquisa, buscamos identificar como a entrevista, sua condução e inserção, ora caracterizam o documentário em sua singularidade, ora apontam para correntes e tendências aglutinadoras. Palavras-chave: comunicação; documentário; jornalismo; entrevista; redes de criaçãoO objetivo desta pesquisa é investigar como se dá a inserção da entrevista no documentário. A partir de uma amostragem ampla de audiovisuais identificados com o campo documental (documentários brasileiros, estadunidenses e europeus, de curta e longa metragem; trabalhos de não ficção identificados como vídeo independente e vídeo popular brasileiros; audiovisuais produzidos por alunos) foi realizado um mapeamento do modo pelo qual se dá a inserção da entrevista no documentário. Foram analisadas as opções dos autores no que se refere a: escolha dos lugares, situação da entrevista, fotografia, edição e também a condução pelo entrevistador, que entendemos ser o profissional com maior incidência no resultado final. É proposta uma categorização dos entrevistados segundo os papéis que desempenham no filme ( personagem , especialista , povo-fala , etc) . Nesse mapeamento são destacados tanto procedimentos que se repetem nos filmes, consolidando conhecimento difuso a respeito da entrevista no documentário, como também momentos únicos e singulares que evidenciam uma solução original ou um veio autoral mais demarcado por parte do autor audiovisual. Os procedimentos foram analisados à luz da literatura de documentário de diferentes tendências, desde os teóricos mais normativos (Alan Rosenthal, Michael Rabiger) até autores teórico-analíticos (Jean-Louis Comolli, Bill Nichols). Entre os brasileiros, damos destaque a Fernão Pessoa Ramos e Jean-Claude Bernardet. Foi dada especial atenção ao trabalho do cineasta Eduardo Coutinho, seja por seu aprofundamento da questão da entrevista no documentário, seja pela diversidade de fontes e documentos de processo (publicações de Consuelo Lins e de Eduardo Ohata entre outros). Com essa pesquisa, buscamos identificar como a entrevista, sua condução e inserção, ora caracterizam o documentário em sua singularidade, ora apontam para correntes e tendências aglutinadoras
Bücher zum Thema "No-creation"
Ahearn, Luke. Awesome game creation: No programming required. 2. Aufl. Hingham, Mass: Charles River Media, 2002.
Den vollen Inhalt der Quelle findenLuke, Ahearn, Hrsg. Awesome game creation: No programming required. 3. Aufl. Boston, Mass: Charles River Media, 2008.
Den vollen Inhalt der Quelle findenAwesome game creation: No programming required. Rockland, Mass: Charles River Media, 2000.
Den vollen Inhalt der Quelle findenSugimura, Hiroya. Hyakunen no monogatari: 100 years of creation. [Utsunomiya-shi]: Tochigi Kenritsu Bijutsukan, 2000.
Den vollen Inhalt der Quelle findenTonegawa, Susumu. Sōzō e no chōsen: Tonegawa Susumu no sekai = Challenge for creation. Tōkyō: Kyōwa Hakkō Kōgyō Kabushiki Kaisha, 1989.
Den vollen Inhalt der Quelle findenTakezawa, Tanʼichi. Ware no ashiato: Tan-ichi Takezawa: self- creation. [Japan]: Taiyōsha, 1992.
Den vollen Inhalt der Quelle findenBode, Barbara. No bells to toll: Destruction and creation in the Andes. New York: Paragon House, 1990.
Den vollen Inhalt der Quelle findenAjia Taiheiyō jidai no sōzō: Creation of Asia Pacific age. Kyōto-shi: Hōritsu Bunkasha, 2003.
Den vollen Inhalt der Quelle findenBode, Barbara. No bells to toll: Destruction and creation in the Andes. New York: Scribner, 1989.
Den vollen Inhalt der Quelle findenWangerin, Walter. In the beginning there was no sky: A story of Creation. Nashville: T. Nelson, 1986.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "No-creation"
Urbach, Nils, und Frederik Ahlemann. „No Business Without IT: IT Is the Central and Indispensable Driver of Entrepreneurial Value Creation“. In Management for Professionals, 27–40. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96187-3_3.
Der volle Inhalt der QuelleJarke, Juliane. „Conclusion: Co-creating Inclusive Digital Futures“. In Public Administration and Information Technology, 203–11. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52873-7_9.
Der volle Inhalt der QuelleBeltrán, María Eugenia, Yolanda Ursa, Anja Petri, Christian Schindler, Wolfgang Slany, Bernadette Spieler, Silvia de los Rios, Maria Fernanda Cabrera-Umpierrez und Maria Teresa Arredondo. „Inclusive Gaming Creation by Design in Formal Learning Environments: “Girly-Girls” User Group in No One Left Behind“. In Design, User Experience, and Usability: Users and Interactions, 153–61. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-20898-5_15.
Der volle Inhalt der QuelleCostigliola, Frank. „Culture, Emotion, and the Creation of the Atlantic Identity, 1948–1952“. In No End to Alliance, 21–36. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26959-4_3.
Der volle Inhalt der QuelleMonin, Christophe. „The Brand Louvre: No creation of value without cultural development“. In Starke Marken im Kulturbetrieb, 66–74. Nomos Verlagsgesellschaft mbH & Co KG, 2007. http://dx.doi.org/10.5771/9783845200743-66.
Der volle Inhalt der Quelle„No Creation Stories in Holy Scripture. Von Rad’s View on the Relation between Covenant and Creation Revisited“. In Strangers and Pilgrims on Earth, 667–81. BRILL, 2012. http://dx.doi.org/10.1163/9789004224421_046.
Der volle Inhalt der Quelle„Nothing Is, Something Must Be: Lacan and Creation from No One“. In Theology and the Political, 72–101. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822386490-006.
Der volle Inhalt der QuelleLeong, Daphne. „Creation of Structure“. In Performing Knowledge, 59–96. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190653545.003.0004.
Der volle Inhalt der Quelle„God Has No Favourites: Ecumenism and Interreligious Dialogue The Unity of God’s Creation“. In Crossroad Discourses between Christianity and Culture, 599–618. Brill | Rodopi, 2010. http://dx.doi.org/10.1163/9789042028647_034.
Der volle Inhalt der QuelleLebens, Samuel. „Creatio ex Nihilo“. In The Principles of Judaism, 31–69. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198843252.003.0002.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "No-creation"
Shirai, Keiichiro, Masayuki Okamoto und Masaaki Ikehara. „Noiseless no-flash photo creation by color transform of flash image“. In 2011 18th IEEE International Conference on Image Processing (ICIP 2011). IEEE, 2011. http://dx.doi.org/10.1109/icip.2011.6116451.
Der volle Inhalt der QuelleSzabo, Roland, und Aurel Gontean. „The Creation Process of a Secure and Private Mobile Web Browser with no Ads and no Popups“. In 2019 IEEE 25th International Symposium for Design and Technology in Electronic Packaging (SIITME). IEEE, 2019. http://dx.doi.org/10.1109/siitme47687.2019.8990701.
Der volle Inhalt der QuelleSukarja, Detania, Mahmul Siregar und Tri Lubis. „Legal Implication of Law No.11/2020 Concerning Job Creation on Village-Owned Enterprises in Indonesia“. In Proceedings of the 1st International Conference on Education, Humanities, Health and Agriculture, ICEHHA 2021, 3-4 June 2021, Ruteng, Flores, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.3-6-2021.2310830.
Der volle Inhalt der QuelleCai, Zhang-lin. „CREATION FROM THE PERSPECTIVE OF "LIVING SOUNDSCOPE"-- TAKING THE EXAMPLE OF H. GORECKI STING QUARTET NO.1“. In 2nd Eurasian Conference on Educational Innovation 2019. International Institute of Knowledge Innovation and Invention Private Limited, 2019. http://dx.doi.org/10.35745/ecei2019v2.129.
Der volle Inhalt der QuelleVarbanov, Dimitar. „PARTICIPATION OF THE STATE ADMINISTRATION IN THE CREATION OF LAND USE ARRAYS“. In SUSTAINABLE LAND MANAGEMENT - CURRENT PRACTICES AND SOLUTIONS 2019. University publishing house "Science and Economics", University of Economics - Varna, 2021. http://dx.doi.org/10.36997/slm2019.67.
Der volle Inhalt der Quelle„MHA'98. Proceedings of the 1998 International Symposium on Micromechatronics and Human Science. - Creation of New Industry - (Cat. No.98TH8388)“. In MHS'98. Proceedings of the 1998 International Symposium on Micromechatronics and Human Science. IEEE, 1998. http://dx.doi.org/10.1109/mhs.1998.745741.
Der volle Inhalt der QuelleXie, Qun, und Min Luo. „Intertextuality of “Triple Present”: on the Creation of Contemporary Chinese Art Film Taking the Film “Mr. No Problem” as an Example“. In Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.10.
Der volle Inhalt der QuelleNagai, Yuuichi, Yoshihumi Kuroki, Kazuya Abe, Hideya Takeo und Shigeru Nawano. „Creation of new artificial calcification shadows for breast cancer and verification of effectiveness of CAD development technique that uses no actual cases“. In Fourteenth International Workshop on Breast Imaging, herausgegeben von Elizabeth A. Krupinski. SPIE, 2018. http://dx.doi.org/10.1117/12.2315790.
Der volle Inhalt der QuelleMiller, Robert J. „Mechanical Work Potential“. In ASME Turbo Expo 2013: Turbine Technical Conference and Exposition. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/gt2013-95488.
Der volle Inhalt der QuelleLu, Zhang. „THE INTERTEXTUALITY OF RUSSIAN LITERATURE AND RUSSIAN PAINTING IN THE 19TH CENTURY“. In INNOVATIONS IN THE SOCIOCULTURAL SPACE. Amur State University, 2020. http://dx.doi.org/10.22250/iss.2020.21.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "No-creation"
Reynolds, Christian, Libby Oakden, Sarah West, Rachel Pateman und Chris Elliott. Citizen Science and Food: A Review. Food Standards Agency, März 2021. http://dx.doi.org/10.46756/sci.fsa.nao903.
Der volle Inhalt der QuelleШпинев, Ю. С. Давид Рикардо об инвестициях. DOI CODE, 2020. http://dx.doi.org/10.18411/1311-1972-2020-00024.
Der volle Inhalt der QuelleSaha, Amrita, Jodie Thorpe, Keir Macdonald und Kelbesa Megersa. Linking Business Environment Reform with Gender and Inclusion: A Study of Business Licensing Reform in Indonesia. Institute of Development Studies (IDS), Januar 2021. http://dx.doi.org/10.19088/k4d.2021.001.
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