Zeitschriftenartikel: „Nissim Ezekiel“

1

Hawley, John. „Nissim Ezekiel“. South Asian Review 25, Nr. 2 (Dezember 2004): 222–23. http://dx.doi.org/10.1080/02759527.2004.11932358.

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Kumar, Deepak. „Theme of Nissim Ezekiel Poetry“. Journal of Advances and Scholarly Researches in Allied Education 15, Nr. 6 (05.07.2018): 109–11. http://dx.doi.org/10.29070/15/57727.

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3

Mohanty, Niranjan. „Irony in the Poetry of Nissim Ezekiel“. World Literature Today 69, Nr. 1 (1995): 51. http://dx.doi.org/10.2307/40150857.

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4

Chandni Rani. „The Influence of Modern English Poets on Nissim Ezekiel: A Study“. Creative Launcher 5, Nr. 4 (30.10.2020): 65–71. http://dx.doi.org/10.53032/tcl.2020.5.4.12.

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In the present paper it has been attempted to study the influences on Ezekiel. In his works there is a reflection of modern English Poets’ perspective along with the style of their writing. Through references to various critics, the influences on Nissim Ezekiel and his poetic works have been shown. The modern English Poets like T.S Eliot, W.B. Yeats, Ezra Pound, Philip Larkin etc proved to be influential enough to Ezekiel and this has been shown here in the present paper through various quotes. He seems to be influenced by the great modern English Poets and ultimately emerging as a great modern poet himself left his fellow poets and readers much influenced with the power of his poetic charm.

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BISHNOI, MANOJ. „Nissim Ezekiel, S Poetry as A Means of Self Expression“. Paripex - Indian Journal Of Research 3, Nr. 7 (01.01.2012): 215–17. http://dx.doi.org/10.15373/22501991/july2014/78.

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Karmakar, Goutam. „A Theological Study of Nissim Ezekiel’s Religious Outlook“. Asian Journal of Humanity, Art and Literature 2, Nr. 2 (31.12.2015): 71–76. http://dx.doi.org/10.18034/ajhal.v2i2.296.

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As the centuries passed by, the galaxy of Indian English Poetry become increasingly crowded. But the scenario was not like this during the early years. It is because only a few stars shine there, and Nissim Ezekiel is the pole star. His poetry contains so many aspects, themes, motives and symbols that sharpen and shape his poetic world. His poetry often shows irony, emotion, love, man-woman relationship, self- consciousness, a sense of discipline and self – criticism. He shows his concern for both modern and urban art and culture with the touch of Indian ethos and local colour. But as an Indian poet, he shows his thinking about God and religion in a vivid way. He also shows his changing view towards God and Indian theology in his poems. In this paper, I have tried to show Ezekiel’s religious outlook and aspects through some of his verses.

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Khan, Abbas, Noureen Waqar und Muhammad Ishtiaq. „Social Realistic Portrayal of Indian Society in the Selected Poems of Nissim Ezekiel“. Journal of English Language, Literature and Education 3, Nr. 01 (23.08.2021): 62–79. http://dx.doi.org/10.54692/jelle.2021.030161.

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Literature is a potential impetus for social change. It provides intellectual consciousness to dismantle the implacable foes of the society. Moreover, it acts as an opportunistic tool for the representation of social crisis. Social realism shows injustice, racism, class differences, and draws attention towards the struggle of middle and poor-class protagonists in the society. In addition, it highlights social conditioning of the people. The present study pinpoints social realities of Indian society in the selected poems of Nissim Ezekiel under the theoretical framework of social realism by Prakash Khuman (2010). It also exhibits the social issues of the middle and lower class. Qualitative content analysis of Ezekiel's selected poems sheds light on the realities of Indian society. Result of the study unravels hidden social realities and the indifferent attitude of the upper class towards the lower class. Findings of the current study reveal significant implications of the root cause behindthe unjustified attitude of the upper class. It also shows a strong reaction of Ezekiel to the intimidating behemoths of the social system. Furthermore, the present study gives a pathway to future studies to find out the different social problems prevalent in other societies.

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Khan, Abbas, Noureen Waqar und Muhammad Ishtiaq. „Social Realistic Portrayal of Indian Society in the Selected Poems of Nissim Ezekiel“. Journal of English Language, Literature and Education 3, Nr. 01 (23.08.2021): 62–79. http://dx.doi.org/10.54692/jelle.2021.030161.

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Literature is a potential impetus for social change. It provides intellectual consciousness to dismantle the implacable foes of the society. Moreover, it acts as an opportunistic tool for the representation of social crisis. Social realism shows injustice, racism, class differences, and draws attention towards the struggle of middle and poor-class protagonists in the society. In addition, it highlights social conditioning of the people. The present study pinpoints social realities of Indian society in the selected poems of Nissim Ezekiel under the theoretical framework of social realism by Prakash Khuman (2010). It also exhibits the social issues of the middle and lower class. Qualitative content analysis of Ezekiel's selected poems sheds light on the realities of Indian society. Result of the study unravels hidden social realities and the indifferent attitude of the upper class towards the lower class. Findings of the current study reveal significant implications of the root cause behindthe unjustified attitude of the upper class. It also shows a strong reaction of Ezekiel to the intimidating behemoths of the social system. Furthermore, the present study gives a pathway to future studies to find out the different social problems prevalent in other societies.

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Bhattacharya, Rima. „The Hybrid and Alienated Existence of Nissim Ezekiel“. South Asian Review 37, Nr. 2 (Dezember 2016): 123–51. http://dx.doi.org/10.1080/02759527.2016.11933066.

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10

Zaidi, Rana, und Zakir Hussain. „Poetic Concerns of Nissim Ezekiel and Keki Daruwalla: A Comparative Analysis“. Journal of Advances and Scholarly Researches in Allied Education 15, Nr. 5 (01.07.2018): 103–9. http://dx.doi.org/10.29070/15/57538.

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11

Shafiqul Islam, Mohammad. „Representation of the Voiceless:“. Crossings: A Journal of English Studies 8 (01.08.2017): 101–11. http://dx.doi.org/10.59817/cjes.v8i.126.

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Nissim Ezekiel (1924-2004), a major figure in the history of Indian English poetry, deals with a wide range of themes including the representation of the voiceless in his vast oeuvre of poetry. His poetic world is suffused with a variety of images, both urban and sylvan, and his poetry presents readers with people of different backgrounds from around the whole country. The poet depicts individuals from different strata of society who represent a great part of India. Some of his poems highlight distresses of the underprivileged people in various communities of India. Ezekiel shows that these people go through difficult times without having attention or empathy of the elites. Treated as the “other,” the poverty-stricken people cannot raise their voice though their struggle for survival continues. Ezekiel, a leading post-independence poet, represents his locale – many of his poems portray the actualities of Indian life. This article is an attempt to explore a selection of Ezekiel’s poems in order to find out how the marginalized people in India are exploited and oppressed, how they are deprived of their basic rights, how they suffer psychologically, how they are silenced, and how the poet strives to give voice to the voiceless.

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Bhuvaneswari, Dr V. „Changing Contours of Nature: An Ecocritical Exploration of the Select Poems of Nissim Ezekiel and Stephen Spender“. SMART MOVES JOURNAL IJELLH 8, Nr. 1 (10.01.2020): 7. http://dx.doi.org/10.24113/ijellh.v8i1.10324.

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In an age where digital, virtual and augmented reality discourses are on an upsurge, the need to call for an environmental discourse is of paramount importance. Environmental literature or Eco literature stresses on the establishment of a strong bond between human and his or her immediate environment. A scrutiny of the works by eminent poets both East and West discloses the changing contours of nature. The changing landscapes, the extinction of flora and fauna, the diminishing relationship between humans and nonhumans are vividly and exquisitely rendered better by exuberant poets than any other creators. As a theoretical approach, ecocriticism grew out of the traditional approach in literature that addresses how humans relate to the nonhuman world or the environment in literature. In order to highlight the ecological transformation that has taken place from the past to the present, from the rural to the urban and from the local to global the present study has taken for analysis the select poems of the distinguished Indian poet Nissim Ezekiel and the renowned British poet Stephen Spender. Further, the select poems of Nissim Ezekiel and Stephen Spender are examined from an ecocritical lens.

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Shafiqul Islam, Mohammad. „Influences and Individualities:“. Crossings: A Journal of English Studies 11 (01.09.2020): 70–85. http://dx.doi.org/10.59817/cjes.v11i.48.

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Nissim Ezekiel, recognized as the pioneering figure of Indian poetry in English, was influenced by a great many poets of the western literary tradition, subsequently influencing numerous poets of his succeeding generations. Having brought modernity into the literary scene of the Indian subcontinent, he made an immense contribution to English writing, initiating a new poetic trend in this region. Before him, Indian poetry had been charged with high romantic and mystic ideals, but he first began to present everyday life in poetry, abandoning the past trend. Well informed of the western tradition of the twentieth-century poetry, Ezekiel brought something new to Indian poetry in English. In his formative years, several poetic voices of the west and their works made an impact on his work, but like great poets of the world, he was able to set a new trend, create an individual style, and become influential to later generations of poets in India and beyond. This paper, therefore, explores how western tradition of modern and romantic poetry contributed to the shaping of Ezekiel’s poetic world. The paper also argues that Ezekiel’s arrival in the realm of Indian poetry in English gives birth to a new era of poetic tradition in India in particular and the whole subcontinent in general.

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Dharwadker, Vinay, und Bruce King. „Three Indian Poets: Nissim Ezekiel, A. K. Ramanujan, Dom Moraes“. World Literature Today 66, Nr. 4 (1992): 781. http://dx.doi.org/10.2307/40148812.

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Freitas, Vivek. „Writing in Inclement Weather: The Dialectics of Comparing Minority Experiences in Threatening Environments“. Cambridge Journal of Postcolonial Literary Inquiry 5, Nr. 1 (Januar 2018): 106–14. http://dx.doi.org/10.1017/pli.2017.47.

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This article forms a response to Bryan Cheyette’s essay in this journal, “Against Supersessionist Thinking: Old and New, Jews and Postcolonialism, the Ghetto and Diaspora,” and focuses on the dialectics of comparing minority experiences in a climate of implicit and explicit violence toward minorities. Agreeing with Cheyette’s invocation of such threatening environments, I speak to what he characterizes as the importance of nonbinary thinking by gesturing to similar work unfolding in Black studies, specifically in the theorization of anti-Blackness and the work of Christina Sharpe. I end with a brief discussion of the Modern Jewish-Indian poet Nissim Ezekiel to focalize the practice of the comparative work between Jewish and postcolonial studies in threatening environments. I argue that Ezekiel’s approach highlights the “fluidity” and in-built multiplicity of such environments, and so undermines the seemingly rigidity of violent and singular binaries.

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Sumanjari.S, Sumanjari S. „Irony as an Agent of Precision in the Poems of Nissim Ezekiel“. International Journal of English Literature and Social Sciences 6, Nr. 6 (2021): 031–34. http://dx.doi.org/10.22161/ijels.66.5.

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George, Shiny. „Voice of the Voiceless: An Analyses of the Poems of Nissim Ezekiel and Kamala Das“. Dera Natung Government College Research Journal 3, Nr. 1 (2018): 68–75. http://dx.doi.org/10.56405/dngcrj.2018.03.01.08.

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Literature is a mirror of the mind and society. Poems, novels, short-stories, dramas and sketches would give an image of an individual, society, country and the world at large of a particular century and beyond. A profound investigation into poems or novels would reveal the unfathomable mystery of human life, expressions, emotions, feelings and struggles. Poems are a vehicle to transport the milk and honey, fire and fury of an illumined mind. Hence, the present paper is an attempt to explore the poetic stance of Nissim Ezekiel and Kamala Das and their endeavours in giving voices to their embittered experiences of marginalization, double-marginalization, exploitation and identity quest.

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Krätli, Graziano. „Crossing points and connecting lines: Nissim Ezekiel and Dom Moraes in Bombay and beyond“. Journal of Postcolonial Writing 53, Nr. 1-2 (04.03.2017): 176–89. http://dx.doi.org/10.1080/17449855.2017.1283746.

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Chambers, Claire, und Rachael Gilmour. „Brexit, the pandemic and the battle with language: An interview with Daljit Nagra“. Crossings: Journal of Migration & Culture 13, Nr. 2 (01.10.2022): 263–73. http://dx.doi.org/10.1386/cjmc_00069_7.

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This interview with the well-known poet Daljit Nagra was conducted in summer 2022 by Claire Chambers, with Rachael Gilmour providing questions in absentia due to a bout of coronavirus. In it, the three discuss such issues as ‘refugee tales’, poetic ethics and voice, the Brexit referendum’s emboldening of the far right and, of course, the COVID-19 pandemic. Above all, the conversation turns to Nagra’s bending of language via his use of ‘babu English’, his interpolation of Hindi and Punjabi words and his influences from such authors as William Shakespeare, John Milton and Nissim Ezekiel. Nagra looks in particular towards his fifth, forthcoming collection Indiom. In these ways, the interview develops on and updates interview with Nagra for Crossings and chapter on language and voice in Nagra’s first three collections.

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Dr. Rituraj Trivedi. „A. K. Ramanujan: A Leading Indo-Anglican Poet“. Creative Launcher 7, Nr. 2 (30.04.2022): 115–21. http://dx.doi.org/10.53032/tcl.2022.7.2.15.

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Ramanujan is one of the prominent Indo-Anglican Poets. Some critics consider him to be one of the three great Indo-Anglican poets, the other two being Nissim Ezekiel and Kamala Das. Ramanujan’s poetry is largely autobiographical and thought-provoking. The themes Ramanujan considers in his poetry are limited in scope, but some other passages of his poetry largely compensate for that inadequacy. Inversely important as a theme in Ramanujan’s poetry is his Hindu heritage. Ramanujan has shown a sharp and intense textual sensitivity in his poetry. Ramanujan is one of the most competent and professed craftsmen in Indo-Anglican poetry. Among the silent features of Ramanujan’s poetry is its cerebral literalism. His poetry abounds in boons of world and expression. Ramanujan generally writes in free verse without the importance of punctuation, but he does relatively frequently introduce rhyme and assonance into his poems. Another striking point of Ramanujan’s poetry is the ascendance in it of irony. Irony too is a device that is employed by nearly every Indo-Anglican poet, but Ramanujan makes use of this device in nearly every poem. Ramanujan’s poetry contains distinctive and distinguishable imagery from the imagery of other Indo-Anglican Poets.

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Ganie, Mukhtar Ahmad, und Dr Shubhra Tripathi. „African Motherhood: A Panic History in The Bluest Eye and Beloved“. SMART MOVES JOURNAL IJELLH 9, Nr. 8 (28.08.2021): 9–24. http://dx.doi.org/10.24113/ijellh.v9i8.11148.

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Mother is a bonus bestowed upon humanity by Almighty Allah as she can claim all the calamities for her children to make them safe. The importance of mother as suggested by Prophet Mohammad (PBUH) If I (PBUH) would have been in prayer (Salat) and she (Mother) had called me, I (PBUH) would have left my prayer to listen to her first and then I would have completed my prayer. Here it shows the essence of mother, as she is the source for a man to claim the heaven. Nissim Ezekiel in one of his poems says, ‘Thank God! Scorpion picked on me and spared my children’ this shows that she can suffer the pain of poison to make safety of her children possible. African motherhood is a paradigm for mothers all over the world. These black mothers have suffered sexual abuse during the period of slavery to save their wards. They worked very hard and even sometimes murdered their children to save them from slavery and sexual assault from the rich white masters. Same thing can be seen in the novels of this study. This research paper will explore the circumstances that compelled mothers to sacrifice their wards and suffer the pangs for whole life. Importance of motherhood will be explored here.

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Patel, Geeta. „Three Indian Poets: Nissim Ezekiel, A. K. Ramanujan, Dom Moraes. By Bruce King. Madras: Oxford University Press, 1991. 147 pp. $7.95.“ Journal of Asian Studies 51, Nr. 4 (November 1992): 960–61. http://dx.doi.org/10.2307/2059108.

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Khullar, Sonal. „“We Were Looking for Our Violins”“. Archives of Asian Art 68, Nr. 2 (01.10.2018): 111–32. http://dx.doi.org/10.1215/00666637-7162219.

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Abstract This essay examines a creative dialogue between painters and poets, among them Nissim Ezekiel, Adil Jussawalla, Bhupen Khakhar, Arun Kolatkar, Arvind Krishna Mehrotra, Gieve Patel, and Sudhir Patwardhan, in Bombay (Mumbai) during a period that encompassed Khakhar's first solo show at the Jehangir Art Gallery in 1965 and the publication of four books of poetry by Clearing House, an independent press established in 1976 by Jussawalla, Kolatkar, Mehrotra, and Patel. Through a close analysis of word and image, it illuminates the distinctive aesthetics and politics of these artists encapsulated by the terms lifting and loafing. The Bombay painters and poets came to lifting—documenting and defamiliarizing—their environment by citing and subverting street signs, advertisements, state propaganda, calendar art, film posters, and newspaper photographs. They took to loafing—a mode of critical observation and analysis, and the pursuit of committed deprofessionalization and translation across spaces—and mobilized the ordinary, yet extraordinary, spaces of the paan (areca nut wrapped in betel leaf) shop and the Irani restaurant as metaphors of artistic sociability and subjectivity. Through lifting and loafing, the Bombay painters and poets offered a critique of nationalist and bourgeois values, as well as the artistic establishment represented by associations and institutions such as the Progressive Artists Group and Jamsetjee Jeejebhoy School of Art. They diverged from their predecessors and peers in an emphasis on everyday life and found objects, and in bringing together the visual and verbal worlds exemplified by the Baroda (Vadodara)-based journal Vrishchik.

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Jussawalla, Feroza, Allen Curnow, Nissim Ezekiel, A. D. Hope, A. M. Klein, Christopher Okigbo, Derek Walcott und James Wieland. „The Ensphering Mind: History, Myth, and Fictions in the Poetry of Allen Curnow, Nissim Ezekiel, A. D. Hope, A. M. Klein, Christopher Okigbo, and Derek Walcott“. World Literature Today 63, Nr. 3 (1989): 545. http://dx.doi.org/10.2307/40145536.

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Dwivedi, A. N. „Modernity in Nissim Ezekiel's Poetry“. World Literature Today 66, Nr. 3 (1992): 432. http://dx.doi.org/10.2307/40148360.

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Karmakar, Goutam. „A Theological Study of Nissim Ezekiel’s Religious Outlook“. Asian Journal of Humanity, Art and Literature 2, Nr. 1 (18.04.2015): 9. http://dx.doi.org/10.18034/ajhal.v2i1.380.

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Paranjape, Makarand. „A Poetry of Proportions: Nissim Ezekiel's Quest for the Exact Name“. South Asian Review 26, Nr. 2 (Dezember 2005): 79–95. http://dx.doi.org/10.1080/02759527.2005.11932402.

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Kumar, Rajeev. „Contrasting Pictures between The Nature and The Modern Ideology towards it in The Nissim Ezekiel's Poem “Urban”“. RESEARCH REVIEW International Journal of Multidisciplinary 5, Nr. 8 (17.08.2020): 143–44. http://dx.doi.org/10.31305/rrijm.2020.v05.i08.034.

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-, P. Suneetha Naidu, und M. Praveena -. „Representation of Indian Culture and Beliefs in the Poem, The Night of The Scorpion“. International Journal For Multidisciplinary Research 5, Nr. 3 (30.06.2023). http://dx.doi.org/10.36948/ijfmr.2023.v05i03.4123.

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Nissim Ezekiel is a poet of post-independent era. He occupies a substantial place in Indian Literature. Ezekiel always refers to Indian cultural beliefs and superstitions in his poetry. Through his poetry he throws light upon the popular beliefs revolving around common people of India. The concepts include ‘Karma’, which is about the deeds and results of previous life and after life. He not only represents Indian culture, but also comments and satirizes on the positive aspects of Indian culture and its distinct features. The poem, “The Night of the Scorpion” was the poem written by Nissim Ezekiel. It was first published in Nissim Ezekiel’s anthology entitled ‘The Exact Name (1965). This is a poem situated in an Indian rural background that focuses on the Indian agricultural family beliefs. Before independence, the rural Indian culture was an obvious contrast to the emerging urban culture. Ezekiel as a modern Indian poet thoroughly used the modern Indian themes and styles in his poetry. His usage of poetic techniques and diction are fairly simple and easy for the readers. The chief objective of the present paper is to focus on Nissim Ezekiel’s representation of Indian culture and beliefs in the poem ‘The Night of The Scorpion’.

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Roy, Basudhara, und Jaydeep Sarangi. „Interview with Kavita Ezekiel Mendonca“. Writers in Conversation 7, Nr. 2 (02.08.2020). http://dx.doi.org/10.22356/wic.v7i2.76.

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Kavita Ezekiel Mendonca was born in Bombay to Prof. Nissim Ezekiel and Daisy Ezekiel. She was raised in a Bene-Israel Jewish family in Bombay, India.* She attended Queen Mary’s School, St. Xavier’s College, Bombay University and Oxford Brookes University, U.K. She holds Bachelor’s and Master’s degrees in English, American Literature and Education. Her career spanned over four decades in Indian colleges, American International Schools and Canada, teaching English, French and Spanish. She also held the position of Career Counsellor at the International School in India, where she taught Advanced Placement and other courses in English for sixteen years.She is a published poet. Her first book, Family Sunday and other Poems, was published in 1989, with a second edition in 1990. She has read her poems over All India Radio Bombay, and her poems have also appeared in Poetry India, SETU Magazine, Muse India and Destiny Poets, UK, to name a few. She has her poetry page at https://www.facebook.com/kemendoncapoetry.Kavita also writes short fiction. Her work is strongly influenced by her father’s work. (The late Nissim Ezekiel was an eminent poet, well-known in India and overseas). She lives in Calgary, Canada, with her family.This interview was conducted via emails in the rainy days of June 2020.

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„Indian Motif in the Poetry of Nissim Ezekiel“. International Journal of Early Childhood Special Education, 17.06.2023. http://dx.doi.org/10.48047/intjecse/v14i3.1306.

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Pawar, Rinku. „THE “INDIANNESS” IN THE ENGLISH POETRY OF NISSIM EZEKIEL- A STUDY OF HIS WRITINGS THROUGH THE PARADIGMS OF BELONGING FOR BELONGINGNESS.“ Towards Excellence, 31.03.2022, 1547–53. http://dx.doi.org/10.37867/te1401139.

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Ezekiel a prominent poet of the post-independence phase was born on 16th December 1924 to Moses Ezekiel and Diana Ezekiel of a Ben-Israel Jewish family in chawl of the Byculla Bride in Bombay. Ezekiel is one of those few men of letters who became a legend in his life time, by virtue of his creative and critical potentialities as manifested in his writings. He is or will be forever remembered as a poet. His career spans over a period a over half a century having nearly three hundreds poems including eight volumes. His most notable quality was a certain magic which drew people towards him. As Lal expresses “Mr. Nissim Ezekiel is, I think one of our better poets because he is the most consistent in maintaining a happy balance between experiment in technique and the introspective urge. Now and then the balance is replaced by a fusion and the result is a memorable poem”. The poems are carefully crafted and more interesting is the fact that Ezekiel uses the colloquial medium into his poems making use of the finest lyrics in order to peruse his dream of hunting his homeland simultaneously declaring himself to be an “Indian” beyond doubt.

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Padmanabhan, Radhika, und B. J. Geetha. „IN THE ANGST OF THE INVISIBLE EXISTENCE: MIRRORING THE EXISTENTIAL DILEMMA USING BODILY METAPHORS IN THE SELECTED POEMS OF JAYANTA MAHAPATRA AND KEKI N DARUWALLA“. ShodhKosh: Journal of Visual and Performing Arts 3, Nr. 2SE (20.06.2023). http://dx.doi.org/10.29121/shodhkosh.v3.i2se.2022.252.

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Indian English poetry since the culmination of the colonial phase took a decisive and deliberately marked shift from the slavish imitation of the romantic writers like Keats, Byron, Shelly, and Wordsworth to a more progressive and experimental style with methodical and thematic innovativeness. It was known as post-independence poetry which heralded the arrival of a new way of composing poems with an indigenous ‘Indianness’ essence, sabotaging the strong clutches of its colonizer’s English mother tongue. Some of the greatest contributors include Nissim Ezekiel, Dom Moraes, P. Lal, Adil Jussawalla, A. K. Ramanujan, R. Parthasarathy, Gieve Patel, Arvind Mehrotra, Pritish Nandy, Kamala Das, K. N. Daruwalla, Shiv Kumar, Jayanta Mahapatra, Meena Alexander, Agha Shahid Ali, Vikram Seth, Manohar Shetty, etc. A large section of poetry produced by these avant-garde writers was based on raw human experiences and expressions with overtones of psychoanalysis, existentialism, surrealism, etc. Another major experimentation conducted by the modern Indian poets was the incorporation of symbols and metaphors, which made an allusive reference to the unvoiced pathos of the survival guilt of the modern Indian man. With the emergent uncertainties and disillusionment of the post-independence scenario, themes like an identity crisis, alienation, feminist concerns, Marxism, etc were projected as close allies with the existential concerns of the era. Using Foucault’s discourse of society on ‘subject’ and ‘power’ in the molding of the individual’s self, the present study marks an attempt to demonstrate how the two selected poets Jayanta Mahapatra and Keki N Daruwalla try to reflect their existential concerns and post-colonial ‘angst’ by meticulously employing differently disabled bodily metaphors.

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„Aspects of Nature in Nissim Ezekiel’s Poetry: an Exploration of Indian Cultural Ethos“. International Journal on Studies in English Language and Literature 5, Nr. 12 (2017). http://dx.doi.org/10.20431/2347-3134.0512002.

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Zeitschriftenartikel zum Thema „Nissim Ezekiel“

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