Auswahl der wissenschaftlichen Literatur zum Thema „Ndongo-Bidyogo“
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Zeitschriftenartikel zum Thema "Ndongo-Bidyogo"
Celaya, Beatriz. „De victorias o derrotas: El metro, de Donato Ndongo-Bidyogo“. Romance Quarterly 57, Nr. 2 (29.01.2010): 142–57. http://dx.doi.org/10.1080/08831150903504745.
Der volle Inhalt der QuelleKoné, Ténon. „EL BARCO COMO CRONOTOPO EN EL METRO DE DONATO NDONGO-BIDYOGO“. Perífrasis. Revista de Literatura, Teoría y Crítica 6, Nr. 11 (Januar 2015): 37–51. http://dx.doi.org/10.25025/perifrasis201561103.
Der volle Inhalt der QuelleDÍAZ-SZMIDT, RENATA. „ZRANIONA PAMIĘĆ I HISTORYCZNA TRAUMA W LITERATURZE GWINEI RÓWNIKOWEJ. TWÓRCZOŚĆ DONATA NDONGO BIDYOGI“. AFRYKA 50, Nr. 50 (20.02.2020): 81–98. http://dx.doi.org/10.32690/afr50.4.
Der volle Inhalt der QuelleArbeláez, Olga. „GEOGRAFÍAS IMPOSIBLES: HOGAR Y NACIÓN EN LAS NOVELAS DE DONATO NDONGO-BIDYOGO“. Revista Iberoamericana, Nr. 248-9 (09.12.2014): 1041–56. http://dx.doi.org/10.5195/reviberoamer.2014.7216.
Der volle Inhalt der QuellePhaf-Rheinberger, Ineke. „DONATO NDONGO-BIDYOGO: ENTREVISTA CON INEKE PHAF-RHEINBERGER EN MARZO DE 2017“. Nueva revista del Pacífico, Nr. 70 (Juni 2019): 164–66. http://dx.doi.org/10.4067/s0719-51762019000100164.
Der volle Inhalt der QuelleRizo, Elisa. „Una conversación entre guineoecuatorianos: Donato Ndongo Bidyogo y Juan Tomás Ávila Laurel“. Journal of Spanish Cultural Studies 7, Nr. 3 (November 2006): 259–70. http://dx.doi.org/10.1080/14636200601084063.
Der volle Inhalt der QuelleHyoyoung Park. „The Dictatorship of Equatorial Guinea and the Postcolonial Writing of Donato Ndongo Bidyogo“. Journal of Mediterranean Area Studies 18, Nr. 2 (Mai 2016): 63–83. http://dx.doi.org/10.18218/jmas.2016.18.2.63.
Der volle Inhalt der QuelleOtabela Mewolo, Joseph-Désiré. „La figura del dictador: Macías Nguema y Rafael Trujillo en Los poderes de la tempestad de Donato Ndongo Bidyogo y en La fiesta del chivo de Mario Vargas Llosa“. Connotas. Revista de crítica y teoría literarias, Nr. 02 (01.06.2004): 27–46. http://dx.doi.org/10.36798/critlit.v0i02.271.
Der volle Inhalt der QuelleDíaz-Szmidt, Renata. „O lugar do silêncio nas literaturas africanas. O não-dizível como o esquecimento pós-traumático nos textos de Angola e da Guinée Equatorial“. Studia Romanica Posnaniensia 50, Nr. 2 (05.10.2023): 3–15. http://dx.doi.org/10.14746/strop.2023.50.2.1.
Der volle Inhalt der QuelleBorst, Julia. „(Im)mobilities and migration in the work of César Mba Abogo and Donato Ndongo-Bidyogo“. Tydskrif vir Letterkunde 56, Nr. 1 (03.06.2019): 113–26. http://dx.doi.org/10.17159/2309-9070/tvl.v.56i1.6277.
Der volle Inhalt der QuelleDissertationen zum Thema "Ndongo-Bidyogo"
Koné, Ténon. „Représentation du migrant noir africain (1980-2000) dans El Metro de Donato Ndongo-Bidyogo“. Perpignan, 2014. http://www.theses.fr/2013PERP1234.
Der volle Inhalt der QuellePuplampu, Margaret Nuerki. „La reconstrucción de la identidad en Las tinieblas de tu memoria negra de Donato Ndongo-Bidyogo“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ49581.pdf.
Der volle Inhalt der QuelleBohoussou, Adjo N'go Rosine. „Ecriture de la domination en Amérique Centrale (Guatemala) et en Guinée Equatoriale : une traversée critique des romans de Miguel Ángel Asturias, El papa verde (1954), et de Donato Ndongo-Bidyogo, Los poderes de la tempestad (1997)“. Electronic Thesis or Diss., Perpignan, 2024. https://theses-public.univ-perp.fr/2024PERP0012.pdf.
Der volle Inhalt der QuelleWhat does literature say and what can it do, especially in societies that have been marked by colonisation? These are the two main questions that this dissertation tries to answer. Prepared under the supervision of Professor Victorien Lavou (Université de Perpignan, France) and codirection of Professor Chantal Allela-Kwevi (Université Omar Bongo, Gabon), it is entitled: « Ecriture de la domination en Amérique Centrale (Guatemala) et en Guinée Equatoriale. Une traversée critique des romans de Miguel Ángel Asturias, El papa verde (1954), et de Donato Ndongo-Bidyogo, Los poderes de la tempestad (1997) ». Miguel Ángel Asturias and Donato Ndongo Bidyogo are two great figures of modern and contemporary literature from Guatemala and Equatorial Guinea. Their novels deal with bad governance, the terror installed by the regimes in place (this is most visible in Los poderes de la tempestad (1997), and the domination of the United States over Guatemala and the rest of Central America. To propose a cross-view between these two novels and, beyond, between these two regions of the World is also one of the main objectives of the dissestation. Indeed, there are few large-scale academic works that cross-reference the writing of these two writers, who have almost everything in contrary, except perhaps the fact that their countries were colonized by Spain. That said, if authorized critics recognize them as engaged writers, they are no less concerned with producing an engaging literature. This means that their works should not be reduced to a pamphlet in which they realistically denounce the misfortunes of their respective countries. The 'fictional' dimension of their novels should therefore not be lost sight of. Finally, this thesis attempts to account for the complex relationships between literatures, societies, and subjectivities in postcolonial societies
Biboumi, Jean de Dieu. „Le roman de dictature : de la colonie au "macisme" à travers Las tinieblas de tu memoria negra et Los poderes de la tempestad de Donato Ndongo Bidyogo, journaliste et écrivain équato-guinéen“. Perpignan, 2009. http://www.theses.fr/2009PERP0899.
Der volle Inhalt der QuelleBlack African literature written in French is present in a large range of works. Nevertheless we note that light has not been shed on Spanish-speaking African literature yet. This situation stems from the fact that Equatorial Guinea is the only African country where Spanish is spoken. As a result both Academic circles and literature critics fail to recognize this nation’s literature. We decide to study the latter not only to bring light on it but also to depict reality. As Equatorial Guinea was the only Spanish black settlement it is nurtured on Spanish tradition on the hand, and, on the other hand, on black African tradiction —this can explain this country’s particular feature. This paper tackles dictatorship as political regime in Equatorial Guinea. We aim at highlighting how Ndongo Bidyogo manages to render reality through fiction. Humanism and hope are part of his works and show how dictatorship influences people
Martinez, Kamir. „Entre violence et resistance : la réinsertion de la femme africaine subsaharienne dans l'histoire“. Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA018/document.
Der volle Inhalt der QuelleIn relation to the immediate history, contemporary African literature contributes to the denunciation of the violence of postcolonial regimes and civil wars. These new forms of writing are characterized both by the urgency and by the intention to move away from European forms, giving rise to a universalizing writing and the claim of the novel as a work of art. This contribution is proposed, from nine Francophone, Anglophone and Hispanophone novels published between 1990 and 2000, to explore and analyse the reintegration of Sub-Saharan African women in the official archives. Through fictional testimonies inspired by real facts and stories of the private sphere, these authors create a new imagination about African women evolving between violence and resistance. Through an interdisciplinary approach, we will try to identify the images of the woman in these novels, as well as the stylistic and linguistic means in the process of the reinterpretation of the archives and the reintegration of the African Sub-Saharan woman in history
En relación a la historia inmediata, la literatura africana contemporánea contribuye a la denuncia de la violencia de los regímenes poscoloniales y de las guerras civiles. Estas nuevas formas de escritura se caracterizan tanto por la urgencia de escribir como por la intención de alejarse de las formas de expresión europeas, dando lugar a una escritura universal y a la reivindicación de la novela como obra de arte. Esta contribución se propone de explorar y analizar la reintegración de las mujeres africanas subsaharianas a los archivos oficiales, a partir de nueve novelas de expresión francesa, inglesa y española, publicadas entre 1990 y 2000. A través de testimonios ficticios inspirados por hechos reales e historias de la vida privada, estos autores y autoras crean una nueva imagen de las mujeres africanas desenvolviéndose entre la violencia y la resistencia. A través de un enfoque interdisciplinario, intentaremos identificar las imágenes de la mujer en estas novelas, así como el estilo y el lenguaje en el proceso de reinterpretación de los archivos y la reintegración de la mujer africana subsahariana en la historia
Bücher zum Thema "Ndongo-Bidyogo"
Mewolo, Joseph-Désiré Otabela. Entre estética y compromiso: La obra de Donato Ndongo-Bidyogo. Madrid: Universidad Nacional de Educación a Distancia, 2008.
Den vollen Inhalt der Quelle findenSosthéne, Onomo-Abena, Hrsg. Entre estética y compromiso: La obra de Donato Ndongo-Bidyogo. Madrid: Universidad Nacional de Educación a Distancia, 2008.
Den vollen Inhalt der Quelle findenMewolo, Joseph-Désiré Otabela. Entre estética y compromiso: La obra de Donato Ndongo-Bidyogo. Madrid: Universidad Nacional de Educación a Distancia, 2008.
Den vollen Inhalt der Quelle findenJonsson, Herbert, Lovisa Berg, Chatarina Edfeldt und Bo G. Jansson, Hrsg. Narratives Crossing Borders: The Dynamics of Cultural Interaction. Stockholm University Press, 2021. http://dx.doi.org/10.16993/bbj.
Der volle Inhalt der QuelleBuchteile zum Thema "Ndongo-Bidyogo"
Borst, Julia. „Ndongo-Bidyogo, Donato“. In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2021. http://dx.doi.org/10.1007/978-3-476-05728-0_23231-1.
Der volle Inhalt der QuelleBorst, Julia. „Ndongo-Bidyogo, Donato: Tinieblas de tu memoria negra“. In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2021. http://dx.doi.org/10.1007/978-3-476-05728-0_23232-1.
Der volle Inhalt der QuelleTybinko, Anna. „All That Glitters: Questioning the Spanish El Dorado through Rachid Nini’s and Donato Ndongo-Bidyogo’s Narratives of Migration“. In Migrant Frontiers, 185–212. Liverpool University Press, 2023. http://dx.doi.org/10.3828/liverpool/9781802070514.003.0011.
Der volle Inhalt der QuelleMagrinyà, Carles. „Liminality, Migration and Transgression in El Metro by Donato Ndongo-Bidyogo“. In Narratives Crossing Borders: The Dynamics of Cultural Interaction, 339–56. Stockholm University Press, 2021. http://dx.doi.org/10.16993/bbj.o.
Der volle Inhalt der QuelleBermúdez, Silvia. „“Africa begins in …”: Donato Ndongo Bidyogo’s and Francisco Zamora Loboch’s Transatlantic Cartographies“. In Transatlantic Studies, 338–47. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620252.003.0028.
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