Auswahl der wissenschaftlichen Literatur zum Thema „Nature stories, american – history and criticism“
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Inhaltsverzeichnis
Machen Sie sich mit den Listen der aktuellen Artikel, Bücher, Dissertationen, Berichten und anderer wissenschaftlichen Quellen zum Thema "Nature stories, american – history and criticism" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Zeitschriftenartikel zum Thema "Nature stories, american – history and criticism"
Chernyshova, Svitlana. „The US migratory novel: toward the ideology of genre“. Journal of V. N. Karazin Kharkiv National University, Series "Philology", Nr. 92 (15.08.2023): 51–56. http://dx.doi.org/10.26565/2227-1864-2023-92-07.
Der volle Inhalt der QuelleNye, David E. „Technology, Nature, and American Origin Stories“. Environmental History 8, Nr. 1 (Januar 2003): 8. http://dx.doi.org/10.2307/3985970.
Der volle Inhalt der QuelleDraus-Kłobucka, Agata. „Las polacas w Buenos Aires: prostytutki w historii i kulturze“. Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 21 (23.12.2021): 272–90. http://dx.doi.org/10.24917/20811853.21.15.
Der volle Inhalt der QuelleHuguet, Montserrat. „The US American Self-criticism. Stories of Anger and Bewilderment“. REDEN. Revista Española de Estudios Norteamericanos 1, Nr. 1 (30.11.2019): 49–74. http://dx.doi.org/10.37536/reden.2019.1.1373.
Der volle Inhalt der QuelleReid, Margaret. „Narrative Silence in America's Stories“. Keeping Ourselves Alive 3, Nr. 2-3 (01.01.1993): 269–81. http://dx.doi.org/10.1075/jnlh.3.2-3.11nar.
Der volle Inhalt der QuelleDauber, Jeremy. „Comic Books, Tragic Stories: Will Eisner’s American Jewish History“. AJS Review 30, Nr. 2 (27.10.2006): 277–304. http://dx.doi.org/10.1017/s0364009406000134.
Der volle Inhalt der QuellePérez-Torres, Rafael. „Gatekeeping Stories of Dissent and Mobility“. American Literary History 31, Nr. 2 (2019): 312–24. http://dx.doi.org/10.1093/alh/ajz012.
Der volle Inhalt der QuelleLykins, Maxwell J. „Servile Stories and Contested Histories: Empire, Memory, and Criticism in Livy’s Ab Urbe Condita“. Polis: The Journal for Ancient Greek and Roman Political Thought 40, Nr. 2 (25.04.2023): 282–303. http://dx.doi.org/10.1163/20512996-12340409.
Der volle Inhalt der Quellede Groot, Renee. „What If the Pen Was Mightier Than the Sword? Civil War Alternate History as Social Criticism“. aspeers: emerging voices in american studies 10 (2017): 55–75. http://dx.doi.org/10.54465/aspeers.10-06.
Der volle Inhalt der QuelleFrymus, Agata. „Researching Black women and film history“. Alphaville: Journal of Film and Screen Media, Nr. 20 (27.01.2021): 228–36. http://dx.doi.org/10.33178/alpha.20.18.
Der volle Inhalt der QuelleDissertationen zum Thema "Nature stories, american – history and criticism"
Bell, Lucy Amelia Jane. „Configurations of the fragment : the Latin American short story at its limits“. Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.607767.
Der volle Inhalt der QuelleShishkin, Timur. „Marginalized Characters in Contemporary American Short Fiction“. PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/297.
Der volle Inhalt der QuelleYoung, Erin S. „Corporate heroines and utopian individualism: A study of the romance novel in global capitalism“. Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11460.
Der volle Inhalt der QuelleThis dissertation explores two subgenres of popular romance fiction that emerge in the 1990s: "corporate" and "paranormal" romance. While the formulaic conventions of popular romance have typically centralized the gendered tension between hero and heroine, this project reveals that "corporate" and "paranormal" romances negotiate a new primary conflict, the tension between work and home in the era of global capitalism. Transformations in political economy also occur at the level of personal and emotional life, which constitute the central problem that contemporary romances attempt to resolve. Drawing from sociological studies of globalization and intimacy, feminist criticism, and queer theory, I argue that these subgenres mark the transition from what David Harvey calls Fordist capitalism to flexible or global capitalism as the primary social condition negotiated in the popular romance. My analysis demonstrates that corporate and paranormal romance novels reflect changing ideals about intimacy in a globalized world that is increasingly influenced, socially and culturally, by the values and philosophies that dominate the marketplace. Each of these subgenres offers a distinct formal resolution to the cultural and social effects of a flexible capitalist economy. The "corporate" romances of Jayne Ann Krentz, Nora Roberts, Elizabeth Lowell, and Katherine Stone feature heroines who constantly navigate the dual and intersecting arenas of work and home in an effort to locate a balance that leads to success and happiness in both realms. In contrast, the "paranormal" romances of Laurell K. Hamilton, Charlaine Harris, Kelley Armstrong, and Carrie Vaughn dissolve the tension between home and work, or the private and the public, by affirming the heroine's open and endless pursuit of pleasure, adventure, and self-fulfillment. Such new forms of romantic fantasy at once reveal the tension in globalization and the domination of corporate and masculinist values that the novels hope to overcome.
Committee in charge: David Leiwei Li, Chair; Mary Elene Wood; Cynthia H. Tolentino; Jiannbin L. Shiao
Cleveland, William. „"Why is Everyone So Interested in Texts?": The Shifting Role of the Reader in the Genre of Hard-boiled Fiction“. Fogler Library, University of Maine, 2007. http://www.library.umaine.edu/theses/pdf/ClevelandW2007.pdf.
Der volle Inhalt der QuelleStrecker, Geralyn. „Reading prostitution in American fiction, 1893-1917“. Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1213148.
Der volle Inhalt der QuelleDepartment of English
Sipley, Tristan Hardy 1980. „Second nature: Literature, capital and the built environment, 1848--1938“. Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10911.
Der volle Inhalt der QuelleThis dissertation examines transatlantic, and especially American, literary responses to urban and industrial change from the 1840s through the 1930s. It combines cultural materialist theory with environmental history in order to investigate the interrelationship of literature, economy, and biophysical systems. In lieu of a traditional ecocritical focus on wilderness preservation and the accompanying literary mode of nature writing, I bring attention to reforms of the "built environment" and to the related category of social problem fiction, including narratives of documentary realism, urban naturalism, and politically-oriented utopianism. The novels and short stories of Charles Dickens, Herman Melville, Rebecca Harding Davis, Charlotte Perkins Gilman, Upton Sinclair, and Mike Gold offer an alternative history of environmental writing, one that foregrounds the interaction between nature and labor. Through a strategy of "literal reading" I connect the representation of particular environments in the work of these authors to the historical situation of actual spaces, including the western Massachusetts forest of Melville's "Tartarus of Maids," the Virginia factory town of Davis's Iron Mills, the Midwestern hinterland of Sinclair's The Jungle, and the New York City ghetto of Gold's Jews without Money. Even as these texts foreground the class basis of environmental hazard, they simultaneously display an ambivalence toward the physical world, wavering between pastoral celebrations and gothic vilifications of nature, and condemning ecological destruction even as they naturalize the very socio-economic forces responsible for such calamity. Following Raymond Williams, I argue that these contradictory treatments of nature have a basis in the historical relationship between capitalist society and the material world. Fiction struggles to contain or resolve its implication in the very culture that destroys the land base it celebrates. Thus, the formal fissures and the anxious eruptions of nature in fiction relate dialectically to the contradictory position of the ecosystem itself within the regime of industrial capital. However, for all of this ambivalence, transatlantic social reform fiction of the late-nineteenth and early-twentieth century provides a model for an environmentally-oriented critical realist aesthetic, an aesthetic that retains suspicion toward representational transparency, and yet simultaneously asserts the didactic, ethical, and political functions of literature.
Committee in charge: William Rossi, Chairperson, English; Henry Wonham, Member, English; Enrique Lima, Member, English; Louise Westling, Member, English; John Foster, Outside Member, Sociology
Tapley, Lance. „A Universal and Free Human Nature: Montaigne, Thoreau, and the Essay Genre“. Fogler Library, University of Maine, 2002. http://www.library.umaine.edu/theses/pdf/TapleyL2002.pdf.
Der volle Inhalt der QuellePotts, Dale E. „Woods Voices, Woods Knowledge: Work and Recreation in the Popular Literature of the Northeastern Forest, 1850-1963“. Fogler Library, University of Maine, 2007. http://www.library.umaine.edu/theses/pdf/PottsDE2007.pdf.
Der volle Inhalt der QuelleZachik-Smith, Susie. „Romance by the book: A morphological analysis of the popular romance“. CSUSB ScholarWorks, 1993. https://scholarworks.lib.csusb.edu/etd-project/810.
Der volle Inhalt der QuelleRobinson, Laura M. „Educating the reader, negotiation in nineteenth-century popular girls' stories“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0007/NQ27853.pdf.
Der volle Inhalt der QuelleBücher zum Thema "Nature stories, american – history and criticism"
Quirk, Tom. Mark Twain and human nature. Columbia: University of Missouri Press, 2007.
Den vollen Inhalt der Quelle findenBrian, Richardson. Unlikely stories: Causality and the nature of modern narrative. Newark: University of Delaware Press, 1997.
Den vollen Inhalt der Quelle findenMyers, Jeffrey. Converging stories: Race, ecology, and environmental justice in American literature. Athens: University of Georgia Press, 2005.
Den vollen Inhalt der Quelle findenH, Lutts Ralph, Hrsg. The wild animal story. Philadelphia: Temple University Press, 1998.
Den vollen Inhalt der Quelle findenNelson, Barney. The wild and the domestic: Animal representation, ecocriticism, and western American literature. Reno: University of Nevada Press, 2000.
Den vollen Inhalt der Quelle findenCollins, Carolyn Strom. Inside The secret garden: A treasury of crafts, recipes, and activities. New York: HarperCollinsPublishers, 2001.
Den vollen Inhalt der Quelle findenBixler, Phyllis. The secret garden: Nature's magic. New York: Twayne Publishers, 1996.
Den vollen Inhalt der Quelle findenCollins, Carolyn Strom. Inside the Secret Garden: A Treasury of Crafts, Recipes, and Activities. New York: HarperCollinsPublishers, 2001.
Den vollen Inhalt der Quelle findenThoreau, Henry David. An American landscape. New York: Paragon House, 1991.
Den vollen Inhalt der Quelle findenThoreau, Henry David. An American landscape. New York: Marlowe & Co., 1995.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Nature stories, american – history and criticism"
Kartal, Semiha. „The Journey Of Love(Before Sunrise/Before Sunset/Before Midnight)“. In Architecture in Cinema, 159–64. BENTHAM SCIENCE PUBLISHERS, 2024. http://dx.doi.org/10.2174/9789815223316124010020.
Der volle Inhalt der QuelleGates, Henry Louis. „Good-bye, Columbus? Notes on the Culture of Criticism“. In The American Literary History Reader, 245–61. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195095043.003.0012.
Der volle Inhalt der QuelleTaylor, Melanie Benson. „Doom and Deliverance: Faulkner’s Dialectical Indians“. In Faulkner and the Native South, 33–49. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496818096.003.0003.
Der volle Inhalt der Quelle„The Problem of Failure in American History“. In The Lost Lectures of C. Vann Woodward, herausgegeben von Natalie J. Ring und Sarah E. Gardner, 249–64. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190863951.003.0016.
Der volle Inhalt der QuelleRafter, Nicole. „The History of Crime Films“. In Shots in the Mirror, 21–60. Oxford University PressNew York, NY, 2006. http://dx.doi.org/10.1093/oso/9780195175059.003.0002.
Der volle Inhalt der QuelleRennie, David A. „Laurence Stallings“. In American Writers and World War I, 134–53. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198858812.003.0007.
Der volle Inhalt der QuelleFessenbecker, Patrick. „Introduction: In Defence of Paraphrase“. In Reading Ideas in Victorian Literature, 1–38. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474460606.003.0001.
Der volle Inhalt der QuelleKim, Dong Hoon. „Migrating with the Movies: Japanese Settler Film Culture“. In Eclipsed Cinema. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474421805.003.0004.
Der volle Inhalt der QuelleYandell, Kay. „Engineering Eden in Walt Whitman’s “Passage to India”“. In Telegraphies, 129–57. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190901042.003.0006.
Der volle Inhalt der QuelleKeel, Terence. „Superseding Christian Truth“. In Divine Variations. Stanford University Press, 2018. http://dx.doi.org/10.11126/stanford/9780804795401.003.0003.
Der volle Inhalt der Quelle