Zeitschriftenartikel zum Thema „National socialism and art“
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MATTL, SIEGFRIED. „THE AMBIVALENCE OF MODERNISM FROM THE WEIMAR REPUBLIC TO NATIONAL SOCIALISM AND RED VIENNA“. Modern Intellectual History 6, Nr. 1 (April 2009): 223–34. http://dx.doi.org/10.1017/s1479244308002011.
Kolcheva, E. M. „100 years of Mari fine art: socialist realism (late 1930s – 1980s)“. Finno-Ugric World 14, Nr. 1 (22.04.2022): 100–115. http://dx.doi.org/10.15507/2076-2577.014.2022.01.100-115.
Jelavich, P. „Review article. National socialism, art and power in the 1930s“. Past & Present 164, Nr. 1 (01.08.1999): 244–65. http://dx.doi.org/10.1093/past/164.1.244.
Eickhoff, Martijn. „German archaeology and National Socialism. Some historiographical remarks“. Archaeological Dialogues 12, Nr. 1 (Juni 2005): 73–90. http://dx.doi.org/10.1017/s1380203805001595.
Soloshenko, Viktoriia. „Hildebrand Gurlitt’s Art Activities as a Reflection of the National Socialism Epoch“. Mìžnarodnì zv’âzki Ukraïni: naukovì pošuki ì znahìdki, Nr. 28 (05.12.2019): 231–52. http://dx.doi.org/10.15407/mzu2019.28.231.
Bogdanova, Zlatina. „The “Banner of Peace” assembly as a national brand of Bulgaria during socialism“. Bulletin de l'Institut etnographique 70, Nr. 2 (2022): 83–101. http://dx.doi.org/10.2298/gei2202083b.
Dow, James R. „German Volkskunde and National Socialism“. Journal of American Folklore 100, Nr. 397 (Juli 1987): 300. http://dx.doi.org/10.2307/540327.
PULOY, M. G. „HIGH ART AND NATIONAL SOCIALISM, PART I: The Linz Museum as ideological arena“. Journal of the History of Collections 8, Nr. 2 (01.01.1996): 201–15. http://dx.doi.org/10.1093/jhc/8.2.201.
Stackelberg, Roderick. „?Cultural aspects of national socialism?“ Dialectical Anthropology 12, Nr. 2 (1987): 253–60. http://dx.doi.org/10.1007/bf00263329.
PULOY, M. G. „HIGH ART AND NATIONAL SOCIALISM, PART II: Hitler's Linz collection: acquisition, predation and restitution“. Journal of the History of Collections 10, Nr. 2 (01.01.1998): 207–24. http://dx.doi.org/10.1093/jhc/10.2.207.
McClelland, Charles E., und Geoffrey J. Giles. „Students and National Socialism in Germany“. German Studies Review 9, Nr. 2 (Mai 1986): 434. http://dx.doi.org/10.2307/1429069.
Enkhtur, Munkh-Uchral. „The Making and Remaking of a National People’s Hero and Exemplar in Mongolia’s Socialist, Nationalist and Democratic Mobilisations“. Inner Asia 23, Nr. 2 (18.11.2021): 190–211. http://dx.doi.org/10.1163/22105018-12340171.
Kal, Elżbieta. „“Sprawa realizmu w plastyce kształtującej”. Design i jego krytyka wobec realizmu socjalistycznego“. Załącznik Kulturoznawczy, Nr. 6 (2019): 121–54. http://dx.doi.org/10.21697/zk.2019.6.06.
Jaskot, P. B. „Art and Politics in National Socialist Germany“. Oxford Art Journal 22, Nr. 1 (01.01.1999): 176–84. http://dx.doi.org/10.1093/oxartj/22.1.176.
Grama, Emanuela. „Arbiters of Value: The Nationalization of Art and the Politics of Expertise in Early Socialist Romania“. East European Politics and Societies: and Cultures 33, Nr. 3 (24.01.2019): 656–76. http://dx.doi.org/10.1177/0888325418821425.
Ryu, Seung-Ju. „Socialist Construction and National Culture Inheritance: North Korea in the 1950s“. Korea Association of World History and Culture 64 (30.09.2022): 53–84. http://dx.doi.org/10.32961/jwhc.2022.09.64.53.
Sumner, Carolyne. „Writing for CBC Wartime Radio Drama: John Weinzweig, Socialism, and the Twelve-Tone Dilemma“. Articles 36, Nr. 2 (01.10.2018): 77–88. http://dx.doi.org/10.7202/1051600ar.
Chytry, Josef. „The Timeliness of Martin Heidegger's National Socialism“. New German Critique, Nr. 58 (1993): 86. http://dx.doi.org/10.2307/488388.
Soloshenko, Viktoriia. „Overcoming the Burdensome Nazi Legacy in Germany’s Cultural Sphere (on the Example of the German Art Institutions“. Diplomatic Ukraine, Nr. XX (2019): 720–28. http://dx.doi.org/10.37837/2707-7683-2019-47.
Gundler, Bettina. „Promoting German Automobile Technology and the Automobile Industry: The Motor Hall at the Deutsches Museum, 1933–1945“. Journal of Transport History 34, Nr. 2 (Dezember 2013): 117–39. http://dx.doi.org/10.7227/tjth.34.2.3.
Payandeh, Mehrdad. „The Limits of Freedom of Expression in the Wunsiedel Decision of the German Federal Constitutional Court“. German Law Journal 11, Nr. 7-8 (01.08.2010): 929–42. http://dx.doi.org/10.1017/s2071832200018939.
GROSSMANN, ATINA. „Feminist Debates about Women and National Socialism“. Gender & History 3, Nr. 3 (September 1991): 350–58. http://dx.doi.org/10.1111/j.1468-0424.1991.tb00137.x.
Goggin, Mary-Margaret. „"Decent" vs. "Degenerate" Art: The National Socialist Case“. Art Journal 50, Nr. 4 (1991): 84. http://dx.doi.org/10.2307/777328.
Broszat, Martin, und Saul Friedlander. „A Controversy about the Historicization of National Socialism“. New German Critique, Nr. 44 (1988): 85. http://dx.doi.org/10.2307/488148.
Lovin, Clifford R., und Roderick Stackelberg. „Idealism Debased: From Volkisch Ideology to National Socialism“. German Studies Review 8, Nr. 1 (Februar 1985): 169. http://dx.doi.org/10.2307/1429647.
Peralta García, Yankel. „El mal, la macroeconomía y el nacionalsocialismo“. En-Claves del pensamiento JULIO-DICIEMBRE, Nr. 32 (23.08.2022): e534-e534. http://dx.doi.org/10.46530/ecdp.v0i32.e534.
Vasylenko, Kateryna. „Ukrainianization of national opera theater“. Collection of scientific works “Notes on Art Criticism”, Nr. 39 (01.09.2021): 251–55. http://dx.doi.org/10.32461/2226-2180.39.2021.238734.
Crawford, Sally, und Katharina Ulmschneider. „Paul Jacobsthal's Early Celtic Art, his anonymous co-author, and National Socialism: new evidence from the archives“. Antiquity 85, Nr. 327 (Februar 2011): 129–41. http://dx.doi.org/10.1017/s0003598x0006748x.
Vande Winkel, Roel. „Karl Ritter. His Life and ‘Zeitfilms’ under National Socialism“. Historical Journal of Film, Radio and Television 33, Nr. 2 (Juni 2013): 349–51. http://dx.doi.org/10.1080/01439685.2013.793016.
Michaud, Éric. „The total work of art and totalitarianism“. Thesis Eleven 152, Nr. 1 (19.05.2019): 3–18. http://dx.doi.org/10.1177/0725513619850904.
Ndoja, Davjola. „German National Socialist Black Metal: Contemporary Neo‑Nazism and the Ongoing Struggle with Antisemitism“. History of Communism in Europe 10 (2019): 169–89. http://dx.doi.org/10.5840/hce2019108.
Péteri, Lóránt. „National Icon and Cultural Ambassador: Zoltán Kodály in the Musical Life of State Socialist Hungary“. Polski Rocznik Muzykologiczny 19, Nr. 1 (01.12.2021): 147–81. http://dx.doi.org/10.2478/prm-2021-0011.
Hughes, John Jay. „Bishop von Galen: German Catholicism and National Socialism (review)“. Catholic Historical Review 89, Nr. 2 (2003): 321–25. http://dx.doi.org/10.1353/cat.2003.0119.
Rot, Avraham. „Expressionism and Deutsche Physik: Gottfried Benn, Hugo Dingler and »The Collapse of Science«, 1927–1933“. Scientia Poetica 26, Nr. 1 (21.11.2022): 83–124. http://dx.doi.org/10.1515/scipo-2022-004.
Loustau, Marc Roscoe. „Politics of the Blessed Lady: Catholic Art in the Contemporary Hungarian Culture Industry“. Religions 12, Nr. 8 (27.07.2021): 577. http://dx.doi.org/10.3390/rel12080577.
Wiktor, Zbigniew, und Wei Xiao. „Thoughts on the Theoretical Problems in the Book of Xi Jinping , Zarządzanie Chinami I [The Governance of China I], Wydawnictwo (Publishing House) Adam Marszałek, Toruń 2019, pp. 572“. Reality of Politics 10, Nr. 1 (31.03.2019): 189–224. http://dx.doi.org/10.15804/rop201914.
Sovtić, Nemanja. „Rudolf Bruči and the criticism of the European avant-garde“. Studia Musicologica 56, Nr. 4 (Dezember 2015): 429–41. http://dx.doi.org/10.1556/6.2015.56.4.10.
Peters, Olaf. „From “Degenerate Art” to “Looted Art”: Developments and Consequences of National Socialist Cultural Policy“. New German Critique 44, Nr. 1 130 (Februar 2017): 9–33. http://dx.doi.org/10.1215/0094033x-3705676.
Tagangaeva, Maria. „“Socialist in content, national in form:” the making of Soviet national art and the case of Buryatia“. Nationalities Papers 45, Nr. 3 (Mai 2017): 393–409. http://dx.doi.org/10.1080/00905992.2016.1247794.
Tsalikis, George. „Evaluation of the Socialist Health Policy in Greece“. International Journal of Health Services 18, Nr. 4 (Oktober 1988): 543–61. http://dx.doi.org/10.2190/m3te-l30h-tyhw-hkqh.
John S. Conway. „Hitler’s Priests: Catholic Clergy and National Socialism (review)“. Catholic Historical Review 95, Nr. 2 (2009): 409–10. http://dx.doi.org/10.1353/cat.0.0361.
Vogt, Erik. „Music drama and politics: Philippe Lacoue-Labarthe and Alain Badiou on Richard Wagner's idea of the 'Gesamtkunstwerk'“. New Sound, Nr. 42 (2013): 62–70. http://dx.doi.org/10.5937/newso1342062v.
Bollenbeck, Georg. „German Kultur, the Bildungsburgertum, and Its Susceptibility to National Socialism“. German Quarterly 73, Nr. 1 (2000): 67. http://dx.doi.org/10.2307/408163.
Grill, Johnpeter Horst, und Stefan Kuhl. „The Nazi Connection: Eugenics, American Racism, and German National Socialism“. German Studies Review 19, Nr. 1 (Februar 1996): 174. http://dx.doi.org/10.2307/1431738.
Rundell, Richard J., Hilmar Hoffmann, John A. Broadwin und V. R. Berghahn. „The Triumph of Propaganda: Film and National Socialism, 1933-1945“. German Studies Review 20, Nr. 1 (Februar 1997): 178. http://dx.doi.org/10.2307/1432365.
Kater, Michael H. „Conflict in Society and Culture: The Challenge of National Socialism“. German Studies Review 15, Nr. 2 (Mai 1992): 289. http://dx.doi.org/10.2307/1431167.
Georgescu, Diana. „Small Comrades as Historians and Ethnographers: Performativity, Agency, and the Socialist Pedagogy of Citizenship in Ceaușescu's Romania, 1969–1989“. Slavic Review 78, Nr. 01 (2019): 74–102. http://dx.doi.org/10.1017/slr.2019.9.
Zivancevic, Jelena. „Soviet in content - people’s in form: The building of Farming Cooperative Centres and the Soviet-Yugoslav dispute, 1948-1950“. Spatium, Nr. 25 (2011): 39–49. http://dx.doi.org/10.2298/spat1125039z.
Isto, Raino. „“I Lived without Seeing These Art Works”: (Albanian) Socialist Realism and/against Contemporary Art“. ARTMargins 10, Nr. 2 (Juni 2021): 29–49. http://dx.doi.org/10.1162/artm_a_00291.
Vollgraff, Matthew. „Introduction: Race and Landscape in Nazi Germany*“. Zeitschrift für Kunstgeschichte 85, Nr. 3 (01.09.2022): 289–308. http://dx.doi.org/10.1515/zkg-2022-3002.