Bücher zum Thema „National characteristics, Australian, in motion pictures“
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Rattigan, Neil. Images of Australia: 100 films of the new Australian cinema. Dallas: Southern Methodist University Press, 1991.
Graeme, Turner. National fictions: Literature, film, and the construction of Australian narrative. Sydney: Allen & Unwin, 1986.
Graeme, Turner. National fictions: Literature, film, and the construction of Australian narrative. 2. Aufl. St Leonards, NSW: Allen & Unwin, 1993.
Lewis, Glen. Australian movies and the American dream. New York: Praeger, 1987.
Myers, David A. Bleeding battlers from Ironbark: Australian myths in fiction & film, 1890s-1980s. Rockhampton, Qld., Australia: Capricornia Institute Publications, 1987.
Rebecca, Coyle, Hrsg. Reel tracks: Australian feature film music and cultural identities. Eastleigh, UK: John Libbey Pub., 2005.
Molloy, Bruce. Before the interval: Australian mythology and feature films, 1930-1960. St Lucia, Qld., Australia: University of Queensland Press, 1990.
O'Regan, Tom. Australian national cinema. London: Routledge, 1996.
Sue, Harris, und Ezra Elizabeth 1965-, Hrsg. France in focus: Film and national identity. Oxford: Berg, 2000.
Kinder, Marsha. Blood cinema: The reconstruction of national identity in Spain. Berkeley: University of California Press, 1993.
Chen, Linxia. Kua wen hua bei jing xia Zhongguo dian ying de guo jia xing xiang jian gou: With Chinese film to construct national image under the cross cultural background = Kua wenhua beijing xia Zhongguo dianying de guojia xingxiang jiangou. 8. Aufl. Beijing Shi: Ren min chu ban she, 2014.
Celli, Carlo. National identity in global cinema: How movies explain the world. New York, NY: Palgrave Macmillan, 2011.
Castillo, Jorge. Cine argentino e identidad cultural. [Resistencia, Chaco]: J. Castillo, 2003.
Ko, Mika. Japanese cinema and otherness: Nationalism, multiculturalism and the problem of Japaneseness. London: Routledge, 2010.
Davis, Darrell William. Picturing Japaneseness: Monumental style, national identity, Japanese film. New York: Columbia University Press, 1996.
Richards, Jeffrey J. Films and British national identity: From Dickens to Dad's army. Manchester, UK: Manchester University Press, 1997.
Mühlhahn, Klaus, und Clemens von Haselberg. Chinese identities on screen. Berlin: Lit, 2012.
Leech, Patrick, und G. Elisa Bussi. Schermi della dispersione: Cinema, storia e identità nazionale. Torino: Lindau, 2003.
Márquez, Juan Miguel Gutiérrez. Sombras en la caverna: El tempo vasco en el cine. Donostia: Eusko Ikaskuntza, 1997.
Higson, Andrew. Film England: Culturally English filmmaking since the 1990s. London: I.B. Tauris, 2011.
Epstein, William H., und R. Barton Palmer. Invented lives, imagined communities: The biopic and American national identity. Albany: State University of New York Press, 2016.
Saunders, Thomas J. Hollywood in Berlin: American cinema and Weimar Germany. Berkeley: University of California Press, 1994.
Holohan, Conn. Cinema on the periphery: Contemporary Irish and Spanish film. Dublin: Irish Academic Press, 2010.
Kīb, Najm al-Dīn Ghālib. Naẓarāt naqdīyah fī al-khayālah al-muʻāṣirah. 8. Aufl. Ṭarābulus, al-Jamāhīrīyah al-ʻArabīyah al-Lībīyah al-Shaʻbīyah al-Ishtirākīyah: al-Munshaʼah al-ʻĀmmah lil-Nashr wa-al-Tawzīʻ wa-al-Iʻlān, 1986.
Tristán, Miguel José, und Sandra Mattalía. Ficción o realidad?: La puesta en escena cinematográfica a fines del siglo XX como problemática de identidad. Villa María, Córdoba, Argentina?]: Eduvim, 2011.
Scharf, Inga. Nation and identity in the new German cinema: Homeless at home. New York, NY: Routledge, 2008.
Doncheva, Gergana. Obrazŭt na Balkanite v balkanski i zapadni filmi: Strategii za predstavi︠a︡ne. Veliko Tŭrnovo: Faber, 2010.
Geiger, Jeffrey. American documentary film: Projecting the nation. Edinburgh: Edinburgh University Press, 2011.
Munk, Yael. Golim bi-gevulam: Ha-ḳolnoʻa ha-Yiśre'eli be-mifneh ha-elef = Israeli cinema at the turn of the millennium. Raʻananah: ha-Universiṭah ha-Petuḥah, 2012.
Rommel-Ruiz, W. Bryan. American history goes to the movies: Hollywood and the American experience. New York: Routledge, 2011.
Jablonska, Alejandra. Cristales del tiempo: Pasado e identidad de las películas mexicanas contemporáneas. México, D. F: Universidad Pedagógica Nacional, 2009.
Congress, Société d'études et de recherches sur le cinéma anglophone (France). Europe et Hollywood à l'écran: Regards croisés = European and Hollywood cinema : cultural exchanges. Paris: Michel Houdiard Éditeur, 2012.
Naḥḥās, Hāshim. al- Huwīyah al-qawmīyah fī al-sīnimā al-ʻArabīyah: Dirāsah istiṭlāʻīyah mustaqbalīyah. [Cairo]: al-Hayʼah al-Miṣrīyah al-ʻĀmmah lil-Kitāb, 1986.
Lunde, Arne Olav. Nordic exposures: Scandinavian identities in classical Hollywood cinema. Seattle: University of Washington Press, 2010.
McLaughlin, Noah. French films and national identity. Amherst, NY: Cambria Press, 2010.
Cavallo, Pietro. Viva l'Italia: Storia, cinema e identità nazionale (1932-1962). Napoli: Liguori, 2009.
McLaughlin, Noah. French war films and national identity. Amherst, NY: Cambria Press, 2010.
McLaughlin, Noah. French war films and national identity. Amherst, NY: Cambria Press, 2010.
Westermann, Bärbel. Nationale Identität im Spielfilm der fünfziger Jahre. Frankfurt am Main: Peter Lang, 1990.
Debs, Sylvie. Cinéma et littérature au Brésil: Les mythes du Sertào : emergence d'une identité nationale. Paris: L'Harmattan, 2002.
E, Pease Donald, Hrsg. National identities and post-Americanist narratives. Durham, N.C: Duke University Press, 1994.
Ko, Mika. Japanese cinema and otherness: Nationalism, multiculturalism and the problem of Japanesenesss. New York, NY: Routledge, 2009.
Erausquin, Estela. Héroes de película: El mito de los héroes en el cine argentino. Buenos Aires: Editorial Biblos, 2008.
Schacht, Daniel Alexander. Fluchtpunkt Provinz: Der neue Heimatfilm zwischen 1968 und 1972. Münster: MAKS Publikationen, 1991.
Erol, Sema Ali. Makedon sinemasında öteki olarak "Türk". Skopje: Yeni Balkan Dooel, 2012.
Wallengren, Ann-Kristin. Välkommen hem Mr Swanson: Svenska emigranter och svenskhet på film. Lund: Nordic Academic Press, 2013.
Girelli, Elisabetta. Beauty and the beast: Italianness in British cinema. Bristol: Intellect, 2009.
Munich, Adrienne. Fashion in film. Bloomington: Indiana University Press, 2011.
1943-, Ryan Judith, Wallace-Crabbe Chris und Harvard University. Committee on Australian Studies., Hrsg. Imagining Australia: Literature and culture in the new new world. Cambridge, Mass: Harvard University Committee on Australian Studies, 2004.
O'Regan, Tom. Australian National Cinema. Taylor & Francis Group, 2005.