Thematische Bibliographien / Nahum B

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Auswahl der wissenschaftlichen Literatur zum Thema „Nahum B“

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Veröffentlicht am 30. Juni 2021

Zuletzt aktualisiert am 1. Februar 2022

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Zeitschriftenartikel zum Thema "Nahum B"

Goss, Dixie J. „Translational Control.John W. B. Hershey, Michael B. Mathews , Nahum Sonenberg“. Quarterly Review of Biology 72, Nr. 2 (Juni 1997): 198. http://dx.doi.org/10.1086/419782.

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de Jesus Douglas, Eduardo. „The Colonial Self: Homosexuality and Mestizaje in the Art of Nahum B. Zenil“. Art Journal 57, Nr. 3 (1998): 14. http://dx.doi.org/10.2307/777965.

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de Jesús Douglas, Eduardo. „The Colonial Self: Homosexuality and Mestizaje in the Art of Nahum B. Zenil“. Art Journal 57, Nr. 3 (September 1998): 14–21. http://dx.doi.org/10.1080/00043249.1998.10791888.

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Berte, Odailso Sinvaldo. „O processo criativo como espaço-fronteiriço matricial“. Urdimento - Revista de Estudos em Artes Cênicas 2, Nr. 38 (22.09.2020): 1–32. http://dx.doi.org/10.5965/14145731023820200038.

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Este estudo objetiva pensar o processo de criação artística como espaço-fronteiriço matricial. Ancorado na abordagem metodológica da bricolagem, analisa-se a criação da obra de dança performativa Tú, él, nosostros tres, inspirada em obras dos artistas mexicanos Frida Kahlo, Arturo Estrada e Nahum B. Zenil. Com isso, o processo criativo é entendido como espaço/útero modelado por interconexões e permeabilidades, gerador da obra de arte e capaz de recriar o/a próprio/a artista.

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Pasaribu, Dedi Saputra, und Theodora Sinaga. „ANALISIS BENTUK, MAKNA DAN FUNGSI LAGU RURA SILINDUNG ARANSEMEN ERIZON RASIN KOTO KARYA GURU NAHUM SITUMORANG“. Grenek Music Journal 10, Nr. 1 (25.02.2021): 15. http://dx.doi.org/10.24114/grenek.v10i1.23539.

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Penelitian ini bertujuan untuk mengetahui bentuk, makna, dan fungsi lagu Rura Silindung aransemen Erizon Rasin Koto. Penelitian ini bersifat deskriptif kualitatif. Hasil penelitian membuktikan bahwa bentuk lagu Rura Silindung memiliki 6 motif dengan penambahan coda pada bar 33-36, memiliki 4 frase yang terdiri dari dua frase pertanyaan dan 2 frase jawaban, lagu ini juga merupakan lagu dua bagian yang terdiri dari A (a-a’) dan B (b-b’). Melodi, harmoni, dan ritme memiliki gaya dan karakteristik musik Samba, namun tetap dikolaborasikan dengan intrumen musik etnis Batak Toba, sehingga kesan dan nilai tradisi dari musik Batak Toba masih terlihat jelas. Namun terdapat kekurangan pada aransemen ini yaitu pada melodi m1 yang mengalami ketidaksesuain dengan makna syairnya. Lagu Rura Silindung yang diaransemen oleh Erizon Rasin koto ini merupakan karya dari komponis besar yang berasal dari Tanah Batak yaitu Guru Nahum Situmorang. Lagu ini memiliki makna akan keindahan alam Lembah Silindung, mewakili hati dan kehidupan masyarakat Silindung yang hidup damai, tentram dan saling berdampingan, lagu ini melambangkan ciri khas masyarakat Silindung. Lagu ini berfungsi sebagai lagu iringan pada berbagai acara adat, dan berfungsi sebagai lagu iringan pada pesta tahunan pada acara Panen Raya di Silindung, Tarutung.

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TUITE, M. „Translational control Edited by John W. B. Hershey, Michael B. Matthews and Nahum Sonnenberg, Cold Spring Harbor Laboratory Press, 1996. US$dollar;115.00 (xi + 794 pages) ISBN 0 87969 458 0“. Trends in Biochemical Sciences 21, Nr. 12 (Dezember 1996): 498–99. http://dx.doi.org/10.1016/s0968-0004(97)88387-9.

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Pain, Virginia M., und Nancy Standart. „Translational Control of Gene Expression, edited by Nahum Sonenberg, John W.B. Hershey, and Michael B. Mathews. 2000. Cold Spring Harbor, New York: Cold Spring Harbor Laboratory Press. Cloth, 1,020 pp. $113.“ RNA 7, Nr. 3 (März 2001): 331–33. http://dx.doi.org/10.1017/s1355838201002540.

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Shchukin, M. V. „n-Homogeneous C*-algebras“. Proceedings of the National Academy of Sciences of Belarus. Physics and Mathematics Series 57, Nr. 2 (16.07.2021): 185–89. http://dx.doi.org/10.29235/1561-2430-2021-57-2-185-189.

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The classical results by J. Fell, J. Tomiyama, M. Takesaki describe n-homogeneous С*-algebras as algebras of all continuous sections for an appropriate algebraic bundle. By using this realization, several authors described the set of n-homogeneous С*-algebras with different spaces of primitive ideals. In 1974 F. Krauss and T. Lawson described the set of all n-homogeneous С*-algebras whose space Prim of primitive ideals is homeomorphic to the sphere S2. Suppose the space PrimA of primitive ideals is homeomorphic to the sphere S3 for some n-homogeneous С*-algebra A. In this case, these authors showed that the algebra A is isomorphic to the algebra C(S3,Cn×n). If n ≥ 2 then there are countably many pairwise non-isomorphic n-homogeneous С*-algebras A such that PrimA ≅ S 4. Further, let n ≥ 3. There is only one n-homogeneous С*-algebra A such that PrimA ≅ S 5. There are two non-isomorphic 2-homogeneous С*-algebras A and B with space PrimA ≅ S 5. On the other hand, algebraic bundles over the torus T 2 are described by a residue class [p] in Z/nZ = π1(PUn). Two such bundles with classes [pi] produce isomorphic С*-algebras if and only if [p1] = ±[p2]. An algebraic bundle over the torus T 3 is determined by three residue classes in Z/nZ. Anatolii Antonevich and Nahum Krupnik introduced some structures on the set of algebraic bundles over the sphere S2. Algebraic bundles over the compact connected two-dimensional oriented manifolds were considered by the author. In this case, the set of non-equivalent algebraic bundles over such space is like the set of algebraic bundles over the torus T2. Further advances could be in describing the set of algebraic bundles over the 3-dimensional manifolds.

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Parsels, Leslie A. „Translational Control of Gene Expression. Cold Spring Harbor Monograph Series, Volume 39. Edited by Nahum Sonenberg, John W B Hershey, and Michael B Mathews. Cold Spring Harbor (New York): Cold Spring Harbor Laboratory Press. $115.00. x + 1020 p; ill.; index. ISBN: 0–87969–568–4. 2000.“ Quarterly Review of Biology 77, Nr. 1 (März 2002): 57. http://dx.doi.org/10.1086/343604.

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Ubrihien, Rodney P., Anne M. Taylor, Frank Krikowa und William A. Maher. „Stable isotope analysis to detect copper (Cu) accumulation in species with high endogenous Cu concentrations: linking Cu accumulation with toxic effects in the gastropod Bembicium nanum“. Marine and Freshwater Research 68, Nr. 11 (2017): 2087. http://dx.doi.org/10.1071/mf16405.

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Tissue metal concentrations are widely used as indicators of environmental contamination. High endogenous concentrations of essential metals such as copper (Cu) can mask changes in tissue metal concentrations. Experiments using enriched isotopes can provide greater insight into endogenous Cu exchange and more broadly the exposure–bioaccumulation–response relationship. The aim of the present study was to investigate the effect of Cu exposure through the dietary uptake route in the intertidal gastropod Bembicium nanum. The marine alga Tetraselmis chuii was cultured at different Cu concentrations and fed to B. nanum. The Cu concentrations in T. chuii and B. nanum were analysed. Effects were measured using the biomarkers – total antioxidant capacity, lipid peroxidation and lysosomal membrane destabilisation in B. nanum. Dietary uptake of Cu in B. nanum was investigated with a feeding experiment using a 65Cu isotopically enriched solution. Although there were no significant differences in the Cu concentrations in B. nanum, lysosomal membrane destabilisation increased with the dietary Cu concentration. The 65Cu experiment demonstrated that B. nanum accumulated Cu under the experimental conditions. The study showed that tissue Cu concentrations are not always indicative of effects in organisms and that enriched isotope analysis assists in understanding the exposure–bioaccumulation–response relationship.

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Dissertationen zum Thema "Nahum B"

Solís, Salazar Sofía Guadalupe. „La pintura de Nahum B. Zenil: identidad nacional e identidad sexual“. Doctoral thesis, Universitat Autònoma de Barcelona, 2013. http://hdl.handle.net/10803/129508.

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Nahum B. Zenil es reconocido primordialmente por su obra pictórica elaborada durante la década de los ochenta y los noventa. La crítica y la historia del arte han demarcado las interpretaciones que hasta ahora han caracterizado a sus piezas en dos posturas disímiles: la paternalista noción de la confesión como la liberación de una opresión íntima y la satanización de la escatología y la exhibición del cuerpo. La presente investigación tiene como objetivo brindar argumentos teóricos que revivan el valor crítico de su obra en los términos que siguen: la reiteración de la cita homosexual en sus autorretratos fragmentan la relación entre la normatividad del género y la identidad nacional. Para este propósito, esta tesis propone un marco metodológico que desglosa la lógica de la matriz heterosexual en sincronía con la construcción de la mexicanidad. Es decir, el aparato discursivo que fomenta la congruencia entre una identidad sexual en conjunto con la noción de pertenencia a una cultura y a un territorio. Este análisis va de la mano de la teoría de la performatividad de Judith Butler y los estudios profusos sobre el nacionalismo y la identidad homosexual en México de Carlos Monsiváis.
Nahum B. Zenil is recognized primarily for his paintings from the eighties and nineties. Art history and art criticism have circumscribed the interpretations that have characterized his pieces until the moment into two dissimilar stances: the paternalistic notion of confession as releasing an intimate oppression and the demonization of eschatology and exhibitionism of the body. This research aims to provide theoretical arguments to reinforce the critical value of his work in the following terms: the reiteration of homosexual citation in his self-portraits subverts the relationship between gender normativity and national identity. For this purpose, this thesis proposes a methodological framework that breaks the logic of heterosexuality in synchrony with the construction of mexican identity. That is to say, the discursive apparatus that promotes congruence between sexual identity in conjunction with the notion of belonging to a culture and a territory. This analysis is developed under the parameters of performativity exposed by Judith Butler and the profuse studies on nationalism and homosexual identity in Mexico elaborated by Carlos Monsivais.

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Duran-Garcia, Omar. „Aesthetic Misdiagnoses: Biomedicine, Homosexualities, and Medical Cultures in Mexico, 1953-2006“. Thesis, 2021. https://doi.org/10.7916/d8-7ch5-9x51.

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This dissertation examines the role of scientific and medical disciplines in the construction of homosexuality in Mexico, and how non-normative gender and sexual subjects engaged in political activism, body modifications, and aesthetic production to challenge the pathologizing discourses reinforced by the increasing authority of the biomedical sciences. Chapter 1 examines the role of photography as a medical instrument in the first documented sex-reassignment treatment in the Western Hemisphere performed by Mexican physician and sexologist Rafael Sandoval Camacho in the early 1950s, and how his patient Marta Olmos, Mexico’s first transsexual woman, embraced photojournalism as a medium to document, archive, and validate her identity as a woman. In chapter 2, I examine the popular phenomenon of publishing photographs of erotized trans sex workers known as Mujercitos during the 1970s in Alarma!, Mexico’s most influential crime tabloid magazine, and how these marginalized subjects appropriated biomedical technologies like “sex hormones” intended to regulate gender and sexual deviance to construct bodily identities that challenged the medical and criminological positions on the essentialist natures of gender expression, sexual desire, and the sexed body. Chapter 3 examines the early gay narrative of Luis Zapata and José Rafael Calva that emerged in conjunction to Mexico’s Homosexual Liberation Movement in the late 1970s. My analysis demonstrates how Zapata’s El vampiro de la colonia Roma [Adonis García: A Picaresque Novel] (1979), and Calva’s Utopía gay [Gay Utopia] (1983) present sharp critiques shared by Mexico’s homosexual liberation groups on the growing authority of disciplines like psychiatry, psychoanalysis, and biomedicine in pathologizing homosexuality. Chapter 4 examines the changing understandings of homosexuality, homosexual desire, and the homosexual body during the HIV/AIDS crisis through the work of Julio Galán, Nahum B. Zenil, and art collective Taller Documentación Visual. My analysis presents the role of the HIV virus not as an explicit visual reference but rather as an elusive, spectral, and dangerous entity that is identifiable through the aesthetic and formal composition of the artists’ works, best exemplified by the references to condoms as physical and symbolic devices in the mediation of gay sexual contact and desire. This dissertation demonstrates the critical roles of biomedicine, criminology, sexology, and psychiatry in regulating diverse forms of Mexican homosexualities, while simultaneously functioning as liminal disciplines strategically adopted by homosexual subjects to redefine, shape, and validate their desired bodily, sexual, and subjective identities.

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Bücher zum Thema "Nahum B"

Zenil, Nahum B. Nahum B. Zenil: Witness to the Self = testigo del ser. San Francisco: The Mexican Museum, 1996.

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Nahum B. Zenil: Witness to the Self. Mexican Museum, 1996.

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Buchteile zum Thema "Nahum B"

„elizabeth cotten/nahum chandler“. In B Jenkins, 44–46. Duke University Press, 2010. http://dx.doi.org/10.2307/j.ctv11315fs.34.

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„Chapter 2 Shelah b. Mubashshir Ben Nahum“. In “The Compassionate and Benevolent”: Jewish Ruling Elites in the Medieval Islamicate World, 91–107. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110713619-007.

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„Appendix B:“. In Nahua and Maya Catholicisms, 269–73. Stanford University Press, 2013. http://dx.doi.org/10.2307/j.ctvr33br9.19.

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„Naum Korzhavin (b. 1925)“. In An Anthology of Jewish-Russian Literature: Two Centuries of Dual Identity in Prose and Poetry, 701–5. Routledge, 2015. http://dx.doi.org/10.4324/9781315706474-85.

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