Auswahl der wissenschaftlichen Literatur zum Thema „Mythology, Classical – Poetry“
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Zeitschriftenartikel zum Thema "Mythology, Classical – Poetry"
Earthman, Elise Ann. „The Siren Song That Keeps Us Coming Back: Multicultural Resources for Teaching Classical Mythology“. English Journal 86, Nr. 6 (01.10.1997): 76–81. http://dx.doi.org/10.58680/ej19973435.
Der volle Inhalt der QuelleReid, Katie. „Richard Linche: The Fountain of Elizabethan Fiction“. Studies in Philology 120, Nr. 3 (Juni 2023): 527–56. http://dx.doi.org/10.1353/sip.2023.a903805.
Der volle Inhalt der QuelleMakhortova, Varvara. „Classical Antiquity in the Poetry of Sophia de Mello Breiner Andresen“. Stephanos Peer reviewed multilanguage scientific journal 44, Nr. 6 (30.12.2020): 96–102. http://dx.doi.org/10.24249/2309-9917-2020-44-6-96-102.
Der volle Inhalt der QuelleKarbashevska, O. V. „THE ORNITHOLOGICAL IMAGE-SYMBOL «EAGLE» IN LITERARY AND FOLK POETRY: BRITISH-UKRAINIAN CONTEXT“. PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, Nr. 2(54) (22.01.2019): 265–74. http://dx.doi.org/10.31471/2304-7402-2019-2(54)-265-274.
Der volle Inhalt der QuelleKluge, Sofie. „Amazonas del mar y sátiros acuáticos“. Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 44, Nr. 1 (06.03.2009): 94–111. http://dx.doi.org/10.1075/rro.44.1.06klu.
Der volle Inhalt der QuelleNavarrete, Miquel Àngel, und Josep Maria Sala-Valldaura. „La tela de Penelope: Entre la Grècia clàssica i la poesia catalana actual“. Zeitschrift für Katalanistik 1 (01.07.1988): 93–105. http://dx.doi.org/10.46586/zfk.1988.93-105.
Der volle Inhalt der QuelleMellor, Leo. „George Barker in the 1930s: Narcissus and the Autodidact“. Modernist Cultures 10, Nr. 2 (Juli 2015): 250–68. http://dx.doi.org/10.3366/mod.2015.0111.
Der volle Inhalt der QuelleHasan, Kamrul. „Mythology in Modern Literature: An Exploration of Myths and Legends in Sylvia Plath’s Poetry“. International Journal of English Literature and Social Sciences 8, Nr. 4 (2023): 294–301. http://dx.doi.org/10.22161/ijels.84.48.
Der volle Inhalt der QuelleLebedeva, Irena V. „Review of the Book “Monsters and Monarchs: Serial Killers in Classical Myths and History”“. Corpus Mundi 4, Nr. 1 (10.07.2023): 110–16. http://dx.doi.org/10.46539/cmj.v4i1.80.
Der volle Inhalt der QuellePersi, Ugo. „Античные мотивы в поэтическом мире Максимилиана Волошина. Aрхаизм или архаизирование ?“ Modernités Russes 15, Nr. 1 (2015): 315–23. http://dx.doi.org/10.3406/modru.2015.1042.
Der volle Inhalt der QuelleDissertationen zum Thema "Mythology, Classical – Poetry"
Ruutu, Hanna. „Patterns of transcendence : classical myth in Marina Tsvetaeva's poetry of the 1920s /“. Helsinki : Dep. of Slavonic and Baltic Languages and Literatures, 2006. http://www.loc.gov/catdir/toc/fy0803/2007465568.html.
Der volle Inhalt der QuelleMcKenna, Edward Francis. „Live or Die unmasking the mythologies of Anne Sexton's poetry /“. Thesis, Montana State University, 2008. http://etd.lib.montana.edu/etd/2008/mckenna/McKennaE0508.pdf.
Der volle Inhalt der QuelleBocksberger, Sophie Marianne. „Telamonian Ajax : a study of his reception in Archaic and Classical Greece“. Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:a9bacb2a-7ede-4603-9e6a-bf7f492332ed.
Der volle Inhalt der QuelleGinard, Puigserver Maria. „BIOI. Tradicions biogràfiques dels poetes mítics grecs“. Doctoral thesis, Universitat de Barcelona, 2015. http://hdl.handle.net/10803/314387.
Der volle Inhalt der QuelleThe development of the biographical traditions of the Greek mythical poets started with the first Greek literary works and it lasted for centuries. Throughout this period these figures were adapted for different uses and they suited literary, cultic or political interests either particularly or collectively. Furthermore, the shaping of the traditions of these poets, generally considered previous to Homer, has similarities with the historical poets, philosophers, sages and others. So, the thesis analyses the main sets of biographical formulaic themes and the process in which these formulaic motifs were elaborated and reshaped. The poets studied are Thamyris, Orpheus, Musaeus, Eumolpus, Linus, Epimenides, Olen, Philammon and Amphion among others, and the topics are their genealogy and origin, poetic initiation and other traditional topics of the heroic biography (teacher-pupil relationship, travel, song contests, quarrel with authorities, inventions, establishment of new cults, death, heroization). The study of these biographical traditions has led to identify the equivalence among some formulaic themes and the intention to set up a hierarchy, tied to cultic context where these poets were used. Similarly, the biographemes contributed to assign them an authoritative role for the literary and religious tradition which took them as a referent, thanks to the constant and privileged relationship with deities.
Tronchet, Gilles. „La métamorphose à l'oeuvre recherches sur la poétique d'Ovide dans les "Métamorphoses /“. Louvain ; Paris : Peeters, 1998. http://catalogue.bnf.fr/ark:/12148/cb36709145t.
Der volle Inhalt der QuelleJolivet, Jean-Christophe. „Allusion et fiction épistolaire dans les "Héroïdes" : recherches sur l'intertextualité ovidienne /“. Rome : Paris : École française de Rome ; diff. De Boccard, 2001. http://catalogue.bnf.fr/ark:/12148/cb38807426b.
Der volle Inhalt der QuellePetrella, Bernardo Ballesteros. „Divine assemblies in early Greek and Mesopotamian narrative poetry“. Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:cfd1affe-f74b-48c5-98db-aba832a7dce8.
Der volle Inhalt der QuelleLagrou, Sarah. „La création poétique dans le théâtre grec classique ou comment surprendre toujours dans un cadre traditionnel : l’exemple du mythe d’Œdipe dans la tragédie grecque“. Thesis, Lille 3, 2016. http://www.theses.fr/2016LIL30012.
Der volle Inhalt der QuelleThe aim of this PhD thesis, based on Aeschylus’, Sophocles’ and Euripides’ treatments of the Oedipus myth, is to understand how Greek tragic playwrights – who aroused the public interest while always dealing with the same stories – managed to reinvent theatre and write new plays out of the same myths. Admittedly, mythical material was not fixed, yet, tragedy was a genre which structure was highly codified, and quite limited in terms of visual effects. Thus, it was mainly within the text itself that authors could intervene by way of an ever-repeated work on their own language. Therefore, it is the texts of tragedies themselves which are the subject of this study, and which will be explored from three different perspectives; hermeneutic, philological and comparative. This not only allows for an understanding of the deeper issues each text tackles, but also of the variations on the myth and the effects they create. The corpus (Aeschylus' Seven against Thebes, Sophocles' Antigone, Œdipus Rex, Œdipus at Colonus, Euripides' Phoenician Women) – limited yet reasonable – will be analysed rigorously and with as little a priori as possible. What is proposed in this study is a better understanding of how the mechanics of tragedy worked, as well as of how part of a poetics could evolve through perpetual renewal, as tragic poets explored the possibilities of their language, worked on representations and traditional materials they had inherited. The aim of this study is to better grasp the means of poetic creation in a given cultural context so as to gain the best possible understanding of the limits within which it took place. It also allows for a deepened understanding of a culture in which people still enjoyed plays while already knowing how they would end
Nagy, Szerdi. „Girl guides : towards a model of female guides in ancient epic“. Thesis, 2009. http://hdl.handle.net/10413/1123.
Der volle Inhalt der QuelleThesis (M.A.) - University of KwaZulu-Natal, Durban, 2009.
Steyn, Herco Jacobus. „Protean deities : classical mythology in John Keats’s ‘Hyperion poems’ and Dan Simmons’s Hyperion and The fall of Hyperion“. Diss., 2011. http://hdl.handle.net/10500/4908.
Der volle Inhalt der QuelleEnglish Studies
M.A. (English)
Bücher zum Thema "Mythology, Classical – Poetry"
Fahey, Diane. Listening to a far sea. Alexandria, N.S.W: Hale & Iremonger, 1998.
Den vollen Inhalt der Quelle findenStallings, A. E. Archaic smile: Poems. Evansville, Ind: University of Evansville Press, 1999.
Den vollen Inhalt der Quelle findenWind, Chris. Myths. Sundridge, Ont: Magenta, 1988.
Den vollen Inhalt der Quelle findenShakespeare, William. Venus und Adonis ; Tarquin und Lukrezia: Zwei Gedichte : zweisprachige Ausgabe. München: Süddeutsche Zeitung, 2007.
Den vollen Inhalt der Quelle findenMalamud, Martha A. A poetics of transformation: Prudentius and classical mythology. Ithaca: Cornell University Press, 1989.
Den vollen Inhalt der Quelle finden1796-1867, Bulfinch Thomas, Hrsg. The classic myths in English literature and in art, based originally on Bulfinch's "Age of fable" (1855): Accompanied by an interpretative and illustrative commentary. Cheshire, Conn.?]: [Biblo-Moser], 1995.
Den vollen Inhalt der Quelle findenMonsigny. Mythology: Or, A history of the fabulous deities of the ancients; designed to facilitate the study of history, poetry, painting, &c. Randolph [Vt.]: Printed by Sereno Wright, for Thomas and Merrifiel, 1986.
Den vollen Inhalt der Quelle findenRevard, Stella Purce. Milton and the tangles of Neaera's hair: The making of the 1645 Poems. Columbia, Mo: University of Missouri Press, 1997.
Den vollen Inhalt der Quelle findenRuutu, Hanna. Patterns of transcendence: Classical myth in Marina Tsvetaeva's poetry of the 1920s. Helsinki: published by Dept. of Slavonic and Baltic Languages and Literatures, University of Helsinki, 2006.
Den vollen Inhalt der Quelle findenCossío, José María de. Fábulas mitológicas en España. Tres Cantos, Madrid: Istmo, 1998.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Mythology, Classical – Poetry"
Leask, Nigel. „Poetry and Mythology: the Coleridges and the Classical Revival“. In The Politics of Imagination in Coleridge’s Critical Thought, 147–55. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19283-0_15.
Der volle Inhalt der QuelleHoryna, Břetislav. „Prométheus například. Moc mýtu, distance a přihlížení podle Hanse Blumenberga“. In Filosofie jako životní cesta, 130–45. Brno: Masaryk University Press, 2019. http://dx.doi.org/10.5817/cz.muni.p210-9458-2019-8.
Der volle Inhalt der QuelleHutchinson, G. O. „Parmenides, On Nature“. In Motion in Classical Literature, 191–214. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198855620.003.0007.
Der volle Inhalt der QuelleHopkins, David. „Introduction: Reception as Conversation“. In Conversing with Antiquity, 1–36. Oxford University PressOxford, 2008. http://dx.doi.org/10.1093/oso/9780199560349.003.0001.
Der volle Inhalt der QuelleHutchinson, G. O. „Sophocles, Philoctetes and Oedipus at Colonus“. In Motion in Classical Literature, 153–90. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198855620.003.0006.
Der volle Inhalt der QuelleHassan, Waïl S. „Brazilian Mu‘allaqa“. In Arab Brazil, 211–43. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197688762.003.0010.
Der volle Inhalt der QuelleBorchmeyer, Dieter. „In Search of a Lost Style: Wagner’s Ideal of ‘Classical Form’“. In Richard Wagner, 75–86. Oxford University PressNew York, NY, 1991. http://dx.doi.org/10.1093/oso/9780193153226.003.0007.
Der volle Inhalt der QuelleLerer, Seth. „Transitions“. In The Oxford History of Poetry in English, 19–33. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198830696.003.0002.
Der volle Inhalt der QuelleHopkins, David. „Some Varieties of Pope’s Classicism“. In Conversing with Antiquity, 250–69. Oxford University PressOxford, 2008. http://dx.doi.org/10.1093/oso/9780199560349.003.0011.
Der volle Inhalt der QuelleHaubenreich, Jacob. „‘My whole being fell silent, and read’: Peter Handke’s Hölderlin and Heidegger Reception“. In Hölderlin's Philosophy of Nature, 178–96. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474454155.003.0010.
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