Bücher zum Thema „Musical pitch“
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Kopytman, Mark Ruvimovich. Pitch graph. 2. Aufl. Jerusalem, Israel: Jerusalem Academy of Music and Dance, Oscar Brietbart Research Center, 2002.
Krumhansl, Carol L. Cognitive foundations of musical pitch. New York: Oxford University Press, 1990.
Lerdahl, Fred. Tonal pitch space. New York: Oxford University Press, 2001.
Lerdahl, Fred. Tonal pitch space. Oxford: Oxford University Press, 2005.
Saishō, Hazuki. Zettai onkan =: Absolute pitch. Tōkyō: Shōgakkan, 1998.
Lucy, Charles E. H. Pitch, pi and other musical paradoxes: A practical guide to natural microtonality. London: Lucy Scale Developments, 1987.
Fricke, Jobst Peter. Intonation und musikalisches Hören. Osnabrück: Electronic Publishing, 2012.
Ebeling, Martin. Tonhöhe: Physikalisch, musikalisch, psychologisch, mathematisch. Frankfurt am Main: P. Lang, 1999.
Bruce, Haynes. A history of performing pitch: The story of "A". Lanham, MD: Scarecrow Press, 2003.
Kınıklı, Nuriye Esra. Analiz yöntemlerine genel bakiş ve analizde SPT yöntemi. Eskişehir: Anadolu Üniversitesi yayınları, 2008.
Martin, Feierabend John, Hrsg. The book of pitch exploration. Chicago: GIA Publications, 2000.
Čharœ̄nsuk, Sukrī. Sīang læ rabop sīang dontrī Thai. Nakhon Pathom]: Witthayālai Duriyāngkhasin, Mahāwitthayālai Mahidon, 2003.
Honti, Rita. Principles of pitch organization in Bartók's Duke Bluebeard's Castle. 2. Aufl. Helsinki: Faculty of Arts, Dept. of Musicology, University of Helsinki, 2007.
Honti, Rita. Principles of pitch organization in Bartók's Duke Bluebeard's Castle. Helsinki: Faculty of Arts, Dept. of Musicology, University of Helsinki, 2006.
Vurma, Allan. Voice quality and pitch in singing: Some aspects of perception and production = Häälekvaliteet ja helikõrgus laulmisel : mõningad taju ja moodustusega seotud aspektid. Tallinn: Estonian Academy of Music and Theater, Department of Musicology, 2007.
Alekseev, Ė. Rannefolʹklornoe intonirovanie: Zvukovysotnyĭ aspekt. Moskva: Vses. izd-vo "Sov. kompozitor", 1986.
Komaragiri, Madhu Mohan. Pitch analysis in South Indian music: With a critical examination of the theory of 22 śruti-s. New Delhi: Munshiram Manoharlal Publishers, 2013.
Śuklā, Madhurānī. "Kāku" kā sāṅgītika vivecana. Ilāhābāda: Pāṭhaka Pablikeśana, 2003.
Schuijer, Michiel. Analyzing atonal music: Pitch-class set theory and its contexts. Rochester, NY: University of Rochester Press, 2008.
Zwang, Gérard. Le diapason. Montpellier, France: Sauramps, 1998.
Bernier, Nicolas. Sur le diapason: Autour d'un cycle de création, entre son, science et lumière. Dijon: Les Presses du réel, 2019.
Stevenson, John R. Rhythm and pitch: An integrated approach to sightsinging. Englewood Cliffs, N.J: Prentice-Hall, 1986.
Feierabend, John Martin. The book of pitch exploration: Can your voice do this? Chicago, Ill: GIA Publications, 2003.
Ratio, Symposium (1992 Hague Netherlands). The Ratio book: A documentation of The Ratio Symposium, Royal Conservatory, The Hague, 14-16 December 1992. Köln, Germany: Feedback Studio, 2001.
Goetze, Mary. Factors affecting accuracy in children's singing. [Ann Arbor: s.n.], 1985.
Miśrā, Kāntā Prasāda. Svara, vijñāna evaṃ gaṇita. Naī Dillī: Kanishka Pabliśarsa, Ḍisṭrībyūṭarsa, 2009.
Miśrā, Kāntā Prasāda. Svara, vijñāna evaṃ gaṇita. Naī Dillī: Kanishka Pabliśarsa, Ḍisṭrībyūṭarsa, 2009.
Whiting, Caroline. Auditory imagery-its role in musical performance: An experiment in pitch and rhythm imaging. Guildford: University of Surrey, 1986.
Whiting, Caroline. Auditory imagery: Its role in musical performance : an experiment in pitch and rhythm imagery. (Guildford): (University of Surrey), 1986.
Dibble, Cynthia A. Videotape pitch discrimination instruction of five-year-old children from different home musical environments. Ann Arbor, Michigan: University Microfilms International, 1985.
Garam, Lajos. The influence of the spatial-temporal structure of movement on intonation during changes of position in violin playing. [Helsinki: Sibelius-Akatemia, 1990.
Misakyan, Talar. Perception of musical rhythm and pitch in children and adolescents with spina bifida and hydrocephalus. Ottawa: National Library of Canada, 2003.
Frece, Robert James de. The relationship of French-immersion education to tonal skills of first and fourth-grade Canadian children. [Oregon: s.n.], 1988.
Jasen, Paul C. Low end theory: Bass, bodies and the materiality of sonic experience. New York: Bloomsbury Academic, 2016.
Kumāra, Rīnā. Hindustanī saṅgīta kā avalokana "Kāku" ke ādhāra para. Naī Dillī: Kanishka Pabliśarsa, Ḍisṭrībyūṭarsa, 2008.
Kumāra, Rīnā. Hindustanī saṅgīta kā avalokana "Kāku" ke ādhāra para. Naī Dillī: Kanishka Pabliśarsa, Ḍisṭrībyūṭarsa, 2008.
Rüütel, I. A study of pitch contours and the scale structure in Votic folk music. Tallinn: Academy of Sciences of the Estonian S.S.R., Division of Social Sciences, 1985.
Kupferstein, Henny. Perfect pitch in the key of autism: A guide for educators, parents, and the musically gifted. Bloomington, IN: iUniverse, 2016.
Cordes, Inge. Der Zusammenhang kultureller und biologischer Ausdrucksmuster in der Musik. Münster: Lit, 2005.
Rapkin, Mickey. Pitch Perfect. New York: Penguin Group USA, Inc., 2008.
H, Edskes Cor, Davidsson Hans, Peeters Paul 1953- und Edskes Cor H, Hrsg. Cornelius H. Edskes, Doctor Honoris Causa: Publication in honor of Cornelius H. Edskes : curriculum vitae, bibliography, essay : Über die Stimmtonhöhe und Temperatur der Arp Schnitger-Orgel von St. Jacobi in Hamburg = On the pitch and temperament of the Arp Schnitger organ in St. Jacobi, Hamburg. Göteborg: Dept. of Musicology, Göteborg University, 1996.
Lerdahl, Fred. Tonal Pitch Space. Oxford University Press, Incorporated, 2004.
Lerdahl, Fred. Tonal Pitch Space. Oxford University Press, 2001.
Ellis, Alexander John. The History Of Musical Pitch. Franklin Classics, 2018.
Ellis, Alexander John. The History Of Musical Pitch. Franklin Classics, 2018.
Lerdahl, Fred. Tonal Pitch Space. Oxford University Press, USA, 2004.
Vance, Thomas Franklin. Variation in Pitch Discrimination Within the Tonal Range. Creative Media Partners, LLC, 2015.
Hal Leonard Publishing Corporation (COR). Exploring Double Notes For Organs, Pianos and Electronic Keyboards - A special supplementary edition teaching how to create two-part harmony by playing "double notes" in the melody. Hal Leonard Corporation, 1990.
Vance, Thomas Franklin. Variation in Pitch Discrimination Within the Tonal Range. Creative Media Partners, LLC, 2018.
Haynes, Bruce. History of Performing Pitch: The Story Of 'A'. Scarecrow Press, Incorporated, 2002.