Zeitschriftenartikel zum Thema „Music theory History 18th century“
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Yeon, Sang-Chun. „A Study of Music History of the 18th Century on the Basis of Dahlhaus's Music Historical Theory“. Yonsei Music Research 19 (30.11.2012): 73–97. http://dx.doi.org/10.16940/ymr.2012.19.73.
Protsiv, L. Y. „Music education in Ukraine: meetings in history“. Musical art in the educological discourse, Nr. 2 (2017): 73–77. http://dx.doi.org/10.28925/2518-766x.20172.717.
Martynova, Daria O. „Formation and Development of the Iconography of the Mesmeric Seance in the Second Half of the 18th — Late 19th Centuries“. Vestnik of Saint Petersburg University. Arts 11, Nr. 2 (2021): 224–42. http://dx.doi.org/10.21638/spbu15.2021.204.
Owczarek-Ciszewska, Joanna. „Hammer mechanism instruments and their role in shaping the composition style of pieces written for keyboard instruments in the period of 1730-1780, part 1“. Notes Muzyczny 1, Nr. 9 (20.06.2018): 43–64. http://dx.doi.org/10.5604/01.3001.0012.9898.
Kholodova, Mariya Vladimirovna. „Russian musical “Petersburgiana”: a historical journey“. PHILHARMONICA. International Music Journal, Nr. 4 (April 2020): 1–10. http://dx.doi.org/10.7256/2453-613x.2020.4.33543.
Bocharov, Yury S. „Sinfonia and Ouverture in the Baroque Era: Terminological Aspect“. Vestnik of Saint Petersburg University. Arts 11, Nr. 3 (2021): 354–80. http://dx.doi.org/10.21638/spbu15.2021.301.
ATHANASSOPOULOU (Φ. ΑΘΑΝΑΣΟΠΟΥΛΟΥ), F. „The history of development of medicine through time: a repeated case“. Journal of the Hellenic Veterinary Medical Society 60, Nr. 2 (20.11.2017): 125. http://dx.doi.org/10.12681/jhvms.14921.
Tsiuliupa, S. D. „Doctoral dissertations of wind instruments musicians in Ukraine (the end of XX – early XXI century)“. Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 54, Nr. 54 (10.12.2019): 24–39. http://dx.doi.org/10.34064/khnum1-54.02.
Liepiņa-Šarkovska, Ilze. „Contribution of the Latvian Brethren Congregations to the Musical Culture of the 18th Century: Preliminary Research Results, Basic Research Directions and Perspectives“. Letonica, Nr. 46 (August 2022): 100–117. http://dx.doi.org/10.35539/ltnc.2022.0046.i.l.s.100.117.
Ito, John Paul. „Koch’s Metrical Theory and Mozart’s Music“. Music Perception 31, Nr. 3 (Dezember 2012): 205–22. http://dx.doi.org/10.1525/mp.2014.31.3.205.
Paczkowski, Szymon. „Research on 18th Century Music in Poland. An Introduction“. Musicology Today 13, Nr. 1 (01.12.2016): 41–52. http://dx.doi.org/10.1515/muso-2016-0008.
Chelaru, Carmen. „History – Culture – Music in the Romanian Eighteenth Century“. Artes. Journal of Musicology 23, Nr. 1 (01.04.2021): 1–40. http://dx.doi.org/10.2478/ajm-2021-0001.
Stimson, S. C. „Political and economic theory in the 18th century“. History of the Human Sciences 21, Nr. 1 (Februar 2008): 161–65. http://dx.doi.org/10.1177/09526951080210010104.
Diergarten, Felix. „Time out of joint — Time set right: Principles of form in Haydn’s Symphony No. 39“. Studia Musicologica 51, Nr. 1-2 (01.03.2010): 109–26. http://dx.doi.org/10.1556/smus.51.2010.1-2.8.
Ferreirа, Manuel. „Beyond nations: A thematic history“. Muzikologija, Nr. 27 (2019): 163–86. http://dx.doi.org/10.2298/muz1927163f.
London, Justin. „Riepel and Absatz: Poetic and Prosaic Aspects of Phrase Structure in 18th-Century Theory“. Journal of Musicology 8, Nr. 4 (1990): 505–19. http://dx.doi.org/10.2307/763533.
London, Justin. „Riepel and Absatz: Poetic and Prosaic Aspects of Phrase Structure in 18th-Century Theory“. Journal of Musicology 8, Nr. 4 (Oktober 1990): 505–19. http://dx.doi.org/10.1525/jm.1990.8.4.03a00040.
Vekerdi, József. „An 18th-century Transylvanian Gypsy Vocabulary“. Acta Orientalia Academiae Scientiarum Hungaricae 59, Nr. 3 (September 2006): 347–60. http://dx.doi.org/10.1556/aorient.59.2006.3.5.
Dębowski, Marek. „A HUNDRED YEARS OF RESEARCH ON THE 18TH‑CENTURY THEATRE IN POLAND AND FRANCE“. Wiek Oświecenia, Nr. 38 (25.09.2022): 57–69. http://dx.doi.org/10.31338/0137-6942.wo.38.4.
Pilch, Marek. „Harpsichord or piano? Different concepts in the 18th century keyboard music“. Notes Muzyczny 1, Nr. 9 (20.06.2018): 65–87. http://dx.doi.org/10.5604/01.3001.0012.9899.
Burganova, Maria A. „LETTER FROM THE EDITOR“. Scientific and analytical journal Burganov House. The space of culture 18, Nr. 1 (10.03.2022): 6–9. http://dx.doi.org/10.36340/2071-6818-2022-18-1-6-9.
Head, R. „Music in 18th-century India: Ian Woodfield, Music of the Raj: a social and economic history of music in late eighteenth century Anglo-Indian society“. Early Music XXX, Nr. 2 (01.05.2002): 284–85. http://dx.doi.org/10.1093/em/xxx.2.284.
ALPERT, Michael. „The Secret Jews of 18th Century Madrid“. Revue des Études Juives 156, Nr. 1 (01.07.1997): 135–71. http://dx.doi.org/10.2143/rej.156.1.519375.
Poirier, Jean-Paul. „Electrical earthquakes: A short-lived theory in the 18th century“. Earth Sciences History 35, Nr. 2 (01.01.2016): 283–302. http://dx.doi.org/10.17704/1944-6178-35.2.283.
Žarskienė, Rūta. „The Sound of Trumpet will Stir the World and Raise the Dead: Prayers Accompanied by Brass Instruments in the Folk Piety Tradition“. Tautosakos darbai 55 (25.06.2018): 177–97. http://dx.doi.org/10.51554/td.2018.28504.
Svyrydenko, N. „Music in museum (second half of 20th century, Ukraine)“. Musical art in the educological discourse, Nr. 3 (2018): 61–65. http://dx.doi.org/10.28925/2518-766x.2018.3.6165.
Tudor, Brînduşa. „The Piano, A Perfect Musical Instrument – Beginnings and Evolution (18th – 19th Centuries)“. Review of Artistic Education 17, Nr. 1 (01.03.2019): 100–105. http://dx.doi.org/10.2478/rae-2019-0010.
BOON, JEAN PIERRE. „COMPLEXITY, TIME AND MUSIC“. Advances in Complex Systems 13, Nr. 02 (April 2010): 155–64. http://dx.doi.org/10.1142/s0219525910002529.
Lewandowski, Stephan. „Ambros Rieder (1771‒1855) and the Art of Preluding“. Scientific herald of Tchaikovsky National Music Academy of Ukraine, Nr. 134 (17.11.2022): 101–11. http://dx.doi.org/10.31318/2522-4190.2022.134.269621.
Penkova, Yana A. „About the history of indefinite pronouns: Quasi-relative constructions with ni budi and ni jest’ in 17th–18th century Russian language“. Vestnik of Saint Petersburg University. Language and Literature 18, Nr. 1 (2021): 114–37. http://dx.doi.org/10.21638/spbu09.2021.107.
Bartlett, Ian. „Thomas Philips, Lord Chesterfield and the Enigma of a Popular 18th-Century Ballad by William Boyce: A New Conspiracy Theory“. Musical Times 149, Nr. 1902 (01.04.2008): 26. http://dx.doi.org/10.2307/25434515.
TCHAROS, STEFANIE. „The Serenata in Early 18th––Century Rome: Sight, Sound, Ritual, and the Signification of Meaning“. Journal of Musicology 23, Nr. 4 (2006): 528–68. http://dx.doi.org/10.1525/jm.2006.23.4.528.
Eich, Thomas. „Everyday Life & Consumer Culture in 18th-Century Damascus“. Die Welt des Islams 51, Nr. 1 (2011): 122–24. http://dx.doi.org/10.1163/157006011x560576.
FADER, DON. „The Honnêête homme as Music Critic: Taste, Rhetoric, and Politesse in the 17th-Century French Reception of Italian Music“. Journal of Musicology 20, Nr. 1 (01.01.2003): 3–44. http://dx.doi.org/10.1525/jm.2003.20.1.3.
Jokubaitis, Linas. „The Transformation of Scientific Political Philosophy into a Speculative Philosophy of History“. Problemos 97 (21.04.2020): 24–35. http://dx.doi.org/10.15388/problemos.97.2.
McCarthy, Muriel. „Public libraries in Ireland I. Archbishop Narcissus Marsh and the foundation of the first public library“. Art Libraries Journal 25, Nr. 3 (2000): 37–40. http://dx.doi.org/10.1017/s0307472200011767.
Hodacs, Hanna, und Mathias Persson. „Globalizing the savage: From stadial theory to a theory of luxury in late-18th-century Swedish discussions of Africa“. History of the Human Sciences 32, Nr. 4 (22.07.2019): 100–114. http://dx.doi.org/10.1177/0952695119836590.
Roos, Merethe. „USING SPEECH ACT THEORY AS A TOOL FOR UNDERSTANDING THE AUTHORSHIP OF BALTHASAR MÜNTER“. Wiek Oświecenia, Nr. 38 (25.09.2022): 114–29. http://dx.doi.org/10.31338/0137-6942.wo.38.7.
Bonamin, Leoni Villano, und Silvia Waisse. „Explanatory models for homeopathy: from the vital force to the current paradigm“. Homeopathy 105, Nr. 03 (August 2016): 280–85. http://dx.doi.org/10.1016/j.homp.2016.02.003.
Gessele, Cynthia M. „Base d'harmonie: A Scene from Eighteenth-Century French Music Theory“. Journal of the Royal Musical Association 119, Nr. 1 (1994): 60–90. http://dx.doi.org/10.1093/jrma/119.1.60.
Voll, John. „'ABDALLAH IBN SALIM AL-BASRI AND 18TH CENTURY HADITH SCHOLARSHIP“. Die Welt des Islams 42, Nr. 3 (2002): 356–72. http://dx.doi.org/10.1163/15700600260435029.
Pivovarova, Nadezhda V. „The Extant Heritage of Monastic Culture of the 17th Century. On the History of the Creation of the Sacristy in the Holy Trinity and St Alexander Nevsky Monastery“. Vestnik of Saint Petersburg University. Arts 12, Nr. 4 (2022): 708–23. http://dx.doi.org/10.21638/spbu15.2022.408.
Wright, O. „Çargâh in Turkish classical music: history versus theory“. Bulletin of the School of Oriental and African Studies 53, Nr. 2 (Juni 1990): 224–44. http://dx.doi.org/10.1017/s0041977x00026057.
Borovkova, Natalia V., Anastasiya R. Pilipenko und Mar’ya N. Yakimaha. „From England to Russia: Fluorite Vases from the Second Half of the 18th — Beginning of the 19th Centuries“. Vestnik of Saint Petersburg University. Arts 12, Nr. 2 (2022): 380–95. http://dx.doi.org/10.21638/spbu15.2022.208.
Blatter, Heinz, Ralf Greve und Ayako Abe-Ouchi. „A short history of the thermomechanical theory and modeling of glaciers and ice sheets“. Journal of Glaciology 56, Nr. 200 (2010): 1087–94. http://dx.doi.org/10.3189/002214311796406059.
Skop, Bartosz. „Organs at the church of St. Nicholas in Elbląg from the late 18th century until 1945“. Masuro-Warmian Bulletin 307, Nr. 1 (20.05.2020): 4–40. http://dx.doi.org/10.51974/kmw-134781.
Chelaru, Carmen. „History of Music – A Further Approach“. Artes. Journal of Musicology 25, Nr. 1 (01.04.2022): 26–46. http://dx.doi.org/10.2478/ajm-2022-0003.
BERNSTEIN, LAWRENCE F. „““Singende Seele”” or ““unsingbar””? Forkel, Ambros, and the Forces behind the Ockeghem Reception during the Late 18th and 19th Centuries“. Journal of Musicology 23, Nr. 1 (01.01.2006): 3–61. http://dx.doi.org/10.1525/jm.2006.23.1.3.
PALVA, H. „A 17th-18th Century Manuscript in Spoken Egyptian Arabic“. Le Muséon 120, Nr. 3 (31.12.2007): 395–434. http://dx.doi.org/10.2143/mus.120.3.2024682.
PALVA, Heikki. „A 17th-18th Century Manuscript in Spoken Egyptian Arabic“. Le Muséon 121, Nr. 1 (30.06.2008): 93–123. http://dx.doi.org/10.2143/mus.121.1.2120503.