Zeitschriftenartikel zum Thema „Music theory History 17th century“
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Parncutt, Richard. „The Tonic as Triad: Key Profiles as Pitch Salience Profiles of Tonic Triads“. Music Perception 28, Nr. 4 (01.04.2011): 333–66. http://dx.doi.org/10.1525/mp.2011.28.4.333.
Gehring (book editor), Ulrike, Pieter Weibel (book editor) und Jane Russell Corbett (review author). „Mapping Spaces: Networks of Knowledge in 17th Century Landscape Painting“. Renaissance and Reformation 40, Nr. 4 (28.01.2018): 211–13. http://dx.doi.org/10.33137/rr.v40i4.29288.
Guseinova, Zivar M. „The Theoretical Codex of the Mid-17th Century as a Phenomenon of Church-Singing Art“. Vestnik of Saint Petersburg University. Arts 11, Nr. 4 (2021): 589–606. http://dx.doi.org/10.21638/spbu15.2021.402.
Bocharov, Yury S. „Sinfonia and Ouverture in the Baroque Era: Terminological Aspect“. Vestnik of Saint Petersburg University. Arts 11, Nr. 3 (2021): 354–80. http://dx.doi.org/10.21638/spbu15.2021.301.
ATHANASSOPOULOU (Φ. ΑΘΑΝΑΣΟΠΟΥΛΟΥ), F. „The history of development of medicine through time: a repeated case“. Journal of the Hellenic Veterinary Medical Society 60, Nr. 2 (20.11.2017): 125. http://dx.doi.org/10.12681/jhvms.14921.
De Koninck, Tine. „Natascha Veldhorst, Sounding prose. Music in the 17th-century Dutch Novel“. Early Modern Low Countries 6, Nr. 1 (29.06.2022): 158–60. http://dx.doi.org/10.51750/emlc12178.
FADER, DON. „The Honnêête homme as Music Critic: Taste, Rhetoric, and Politesse in the 17th-Century French Reception of Italian Music“. Journal of Musicology 20, Nr. 1 (01.01.2003): 3–44. http://dx.doi.org/10.1525/jm.2003.20.1.3.
Сорокина, Т. Б. „Freethinking of the 17th Century: Edward Herbert’s Philosophy“. Диалог со временем, Nr. 79(79) (20.08.2022): 47–56. http://dx.doi.org/10.21267/aquilo.2022.79.79.002.
Burganova, Maria A. „LETTER FROM THE EDITOR“. Scientific and analytical journal Burganov House. The space of culture 18, Nr. 1 (10.03.2022): 6–9. http://dx.doi.org/10.36340/2071-6818-2022-18-1-6-9.
Kuzmina, Marina D. „“Alphabet Scribe” in the History of Russian Literature“. Philology 19, Nr. 9 (2020): 87–101. http://dx.doi.org/10.25205/1818-7919-2020-19-9-87-101.
Chambert-Loir, Henri. „Islamic Law in 17th Century Aceh“. Archipel, Nr. 94 (06.12.2017): 51–96. http://dx.doi.org/10.4000/archipel.444.
Cho, Byounghak, Sung Hoon Jeh und Kisun Kim. „17th-Century Manchu (Qing) records as sources of Mongolian history*“. Acta Orientalia Academiae Scientiarum Hungaricae 68, Nr. 4 (Dezember 2015): 415–23. http://dx.doi.org/10.1556/062.2015.68.4.3.
Stein, Beverly. „Carissimi's Tonal System and the Function of Transposition in the Expansion of Tonality“. Journal of Musicology 19, Nr. 2 (2002): 264–305. http://dx.doi.org/10.1525/jm.2002.19.2.264.
Žarskienė, Rūta. „The Sound of Trumpet will Stir the World and Raise the Dead: Prayers Accompanied by Brass Instruments in the Folk Piety Tradition“. Tautosakos darbai 55 (25.06.2018): 177–97. http://dx.doi.org/10.51554/td.2018.28504.
Dibbets, Geert R. W. „Dutch philology in the 16th and 17th century“. Historiographia Linguistica 15, Nr. 1-2 (01.01.1988): 39–61. http://dx.doi.org/10.1075/hl.15.1-2.04dib.
Escudé, Nuria, und Fabrizio Acanfora. „Music and Medicine in Spain: History and New Developments of a Growing Discipline“. Music and Medicine 10, Nr. 1 (25.01.2018): 45. http://dx.doi.org/10.47513/mmd.v10i1.600.
Panov, Alexei A., und Ivan V. Rosanoff. „Performing Ornaments in English Harpsichord Music. Part II“. Vestnik of Saint Petersburg University. Arts 12, Nr. 1 (2022): 4–32. http://dx.doi.org/10.21638/spbu15.2022.101.
Abu-Manneh, Butrus. „TRANSFORMATIONS OF THE NAQSHBANDIYYA, 17TH-20TH CENTURY: INTRODUCTION“. Die Welt des Islams 43, Nr. 3 (2003): 303–8. http://dx.doi.org/10.1163/157006003322682627.
Grempler, Martina. „Deutsche Nationalidole in der italienischen Oper des 19. Jahrhunderts“. Studia Musicologica 52, Nr. 1-4 (01.03.2011): 351–61. http://dx.doi.org/10.1556/smus.52.2011.1-4.25.
Wiersma, Lisa. „‘Colouring’ — Material Depiction in Flemish and Dutch Baroque Art Theory“. Art and Perception 8, Nr. 3-4 (28.10.2020): 243–65. http://dx.doi.org/10.1163/22134913-bja10005.
Metan, Saskia. „Editorische Verflechtungen“. Zeitschrift für Slawistik 64, Nr. 4 (30.10.2019): 507–19. http://dx.doi.org/10.1515/slaw-2019-0029.
Lingold, Mary Caton. „In search of Mr Baptiste: on early Caribbean music, race, and a colonial composer“. Early Music 49, Nr. 1 (01.02.2021): 49–66. http://dx.doi.org/10.1093/em/caab002.
Pastukhov, Oleksandr. „Bassoon in the 16–17 centuries: the issues of the bassoon practice development“. Aspects of Historical Musicology 19, Nr. 19 (07.02.2020): 139–50. http://dx.doi.org/10.34064/khnum2-19.08.
Vagle, Wenche. „Rhetoric as a methodological basis for 17th-century linguistics“. Historiographia Linguistica 17, Nr. 3 (01.01.1990): 293–308. http://dx.doi.org/10.1075/hl.17.3.03vag.
Kardel, Troels. „Willis and steno on muscles: Rediscovery of a 17th‐century biological theory*“. Journal of the History of the Neurosciences 5, Nr. 2 (Juni 1996): 100–107. http://dx.doi.org/10.1080/09647049609525657.
Rescia, Laura. „Joseph Harris, Hidden Agendas: Cross-Dressing in 17th- Century France“. Studi Francesi, Nr. 148 (XLX | I) (01.04.2006): 147–48. http://dx.doi.org/10.4000/studifrancesi.30176.
Tindemans, Klaas. „The Politics of the Poetics: Aristotle and Drama Theory in 17th Century France“. Foundations of Science 13, Nr. 3-4 (10.07.2008): 325–36. http://dx.doi.org/10.1007/s10699-008-9131-1.
Sulistiono, Budi. „THE HISTORY OF TRADE OF THE NUSANTARA IN THE 17th CENTURY“. Khazanah: Jurnal Sejarah dan Kebudayaan Islam 11, Nr. 2 (16.12.2021): 157–70. http://dx.doi.org/10.15548/khazanah.v11i2.656.
Seifert, L. C. „Hidden Agendas: Cross-Dressing in 17th-Century France“. French Studies 62, Nr. 4 (01.10.2008): 474–75. http://dx.doi.org/10.1093/fs/knn077.
Hüllen, Werner. „Johann Joachim Becher (1635–1682), a little known opponent of Comenius’ Theory of Language and Language Learning“. Historiographia Linguistica 23, Nr. 1-2 (01.01.1996): 73–88. http://dx.doi.org/10.1075/hl.23.1-2.04hul.
Jokubaitis, Linas. „The Transformation of Scientific Political Philosophy into a Speculative Philosophy of History“. Problemos 97 (21.04.2020): 24–35. http://dx.doi.org/10.15388/problemos.97.2.
Hansen, Jette Barnholdt. „From Invention to Interpretation: The Prologues of the First Court Operas Where Oral and Written Cultures Meet“. Journal of Musicology 20, Nr. 4 (2003): 556–96. http://dx.doi.org/10.1525/jm.2003.20.4.556.
Werle, Dirk. „Lebenszeit und Weltzeit in epischen Versdichtungen der frühen Neuzeit“. Daphnis 49, Nr. 4 (12.10.2021): 641–54. http://dx.doi.org/10.1163/18796583-12340034.
Tretyakova, Marina. „Russian Travelers 17th Centuries about the Ceremony of Marriage of the Adriatic“. ISTORIYA 13, Nr. 1 (111) (2022): 0. http://dx.doi.org/10.18254/s207987840018931-3.
Jakovljevic, Branislav. „Wooster Baroque“. TDR/The Drama Review 54, Nr. 3 (September 2010): 87–122. http://dx.doi.org/10.1162/dram_a_00006.
Gessele, Cynthia M. „Base d'harmonie: A Scene from Eighteenth-Century French Music Theory“. Journal of the Royal Musical Association 119, Nr. 1 (1994): 60–90. http://dx.doi.org/10.1093/jrma/119.1.60.
PALVA, H. „A 17th-18th Century Manuscript in Spoken Egyptian Arabic“. Le Muséon 120, Nr. 3 (31.12.2007): 395–434. http://dx.doi.org/10.2143/mus.120.3.2024682.
PALVA, Heikki. „A 17th-18th Century Manuscript in Spoken Egyptian Arabic“. Le Muséon 121, Nr. 1 (30.06.2008): 93–123. http://dx.doi.org/10.2143/mus.121.1.2120503.
Shaheen, Jonathan L. „A Vitalist Shoal in the Mechanist Tide: Art, Nature, and 17th-Century Science“. Philosophies 7, Nr. 5 (08.10.2022): 111. http://dx.doi.org/10.3390/philosophies7050111.
Wright, O. „Çargâh in Turkish classical music: history versus theory“. Bulletin of the School of Oriental and African Studies 53, Nr. 2 (Juni 1990): 224–44. http://dx.doi.org/10.1017/s0041977x00026057.
Burmistrov, Konstantin Yu. „Moshe Cordovero’s Kabbalah and its reception in Europe at the end of the 17th century“. Philosophy Journal 15, Nr. 1 (2022): 21–36. http://dx.doi.org/10.21146/2072-0726-2022-15-1-21-36.
Watson, Christine. „Truth, Doubt and Hearsay in 17th-Century Russian News Translations“. Scando-Slavica 65, Nr. 2 (03.07.2019): 282–301. http://dx.doi.org/10.1080/00806765.2019.1672091.
Young, James O. „Assessing the Ethos Theory of Music“. Disputatio 13, Nr. 62 (01.12.2021): 283–97. http://dx.doi.org/10.2478/disp-2021-0015.
Penkova, Yana A. „About the history of indefinite pronouns: Quasi-relative constructions with ni budi and ni jest’ in 17th–18th century Russian language“. Vestnik of Saint Petersburg University. Language and Literature 18, Nr. 1 (2021): 114–37. http://dx.doi.org/10.21638/spbu09.2021.107.
Мальцева, А. А. „On Catalogues of Figures in Baroque Music Theory“. Научный вестник Московской консерватории, Nr. 4(35) (19.12.2018): 133–45. http://dx.doi.org/10.26176/mosconsv.2018.35.4.07.
Koo, Doyoung. „Items of Tributary Gifts (Pangmul 方物) Sent to the Ming Dynasty by Chosŏn and their Changing Trends“. International Journal of Korean History 26, Nr. 2 (31.08.2021): 151–80. http://dx.doi.org/10.22372/ijkh.2021.26.2.151.
Wess, Jane. „John Wallis (1616–1703). Mathematics, Music Theory, and Cryptography in 17th Century Oxford Oxford University Mathematical Institute, 9 June 2016“. BSHM Bulletin: Journal of the British Society for the History of Mathematics 31, Nr. 3 (September 2016): 252–53. http://dx.doi.org/10.1080/17498430.2016.1215868.
Avdeev, A. G., E. A. Okladnikova, Yu M. Svoisky und E. V. Romanenko. „A New Reading of the Inscriptions on the Handles of the Nominal Knives Found on the Sims Bay Shores“. Vestnik NSU. Series: History and Philology 21, Nr. 7 (08.09.2022): 134–49. http://dx.doi.org/10.25205/1818-7919-2022-21-7-134-149.
D’Angelo, Vincenzo. „Ital. eravassimo e altre forme verbali in -vassimo“. Zeitschrift für romanische Philologie 135, Nr. 2 (05.06.2019): 583–96. http://dx.doi.org/10.1515/zrp-2019-0030.
Guinle, Francis. „Review: Book: Poetry and Music in Seventeenth-Century England“. Cahiers Élisabéthains: A Journal of English Renaissance Studies 54, Nr. 1 (Oktober 1998): 156–57. http://dx.doi.org/10.1177/018476789805400130.