Bücher zum Thema „Music theory History 17th century“
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Rivera, Benito V. German music theory in the early 17th century: The treatises of Johannes Lippius. Rochester, N.Y: University of Rochester Press, 1995.
Palisca, Claude V. Music and ideas in the sixteenth and seventeenth centuries. Chicago: University of Chicago Press, 2006.
Lester, Joel. Between modes and keys: German theory, 1592-1802. Stuyvesant, NY: Pendragon Press, 1989.
Wardhaugh, Benjamin. Music, experiment and mathematics in England, 1653-1705. Aldershot, Hants, England: Ashgate, 2008.
Bayreuther, Rainer. Musikalische Norm um 1700. Berlin ; New York: De Gruyter, 2010.
Praetorius, Michael. Syntagma musicum III. Oxford: Oxford University Press, 2004.
Praetorius, Michael. Syntagma musicum III. Oxford: Oxford University Press, 2004.
Long, Pamela H. Sor Juana/música: How the Décima musa composed, practiced, and imagined music. New York: Lang, 2009.
Campion, Thomas. A new way of making fowre parts in counterpoint. Aldershot: Ashgate, 2003.
Sjökvist, Peter. The music theory of Harald Vallerius: Three dissertations from 17th-century Sweden. Uppsala: Uppsala Universitet, 2012.
Herissone, Rebecca. Music theory in seventeenth-century England. New York: Oxford University Press, 2000.
Pearsall, Edward. Twentieth-century music theory and practice. New York: Routledge, 2012.
Lester, Joel. Compositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1992.
Lester, Joel. Compositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1994.
Ledbetter, David. Harpsichord and lute music in 17th-century France. Bloomington: Indiana University Press, 1987.
Ledbetter, David. Harpsichord and lute music in 17th-century France. London: Macmillan, 1987.
Bianconi, Lorenzo. Music in the seventeenth century. Cambridge [Cambridgeshire]: Cambridge University Press, 1987.
Lowinsky, Edward E. Tonality and atonality in sixteenth-century music. New York: Da Capo Press, 1989.
Goodway, Martha. The metallurgy of 17th- and 18th- century music wire. Stuyvesant, NY: Pendragon Press, 1987.
Smith, Charlotte. A manual of sixteenth-century contrapuntal style. Newark: University of Delaware Press, 1989.
Blasius, Leslie David. The music theory of Godfrey Winham. Princeton, N.J: Dept. of Music, Princeton University, 1997.
Lowinsky, Edward E. Tonality and atonality in sixteenth-century music. New York, NY: Da Capo Press, 1990.
McClary, Susan. Desire and pleasure in seventeenth-century music. Berkeley: University of California Press, 2012.
McBeth, W. Francis. Twentieth century techniques of composition: For the beginning student. Arkadelphia, Arkansas: Delta Publications, 1994.
Brock, John. Introduction to organ playing in 17th & 18th century style. [United States]: Wayne Leupold Editions, 1991.
Wason, Robert W. Viennese harmonic theory from Albrechtsberger to Schenker and Schoenberg. Ann Arbor, Mich: UMI Research Press, 1985.
Wason, Robert W. Viennese harmonic theory from Albrechtsberger to Schenker and Schoenberg. Rochester, N.Y., USA: University of Rochester Press, 1995.
Kastner, Macario Santiago. The interpretation of 16th and 17th century Iberian keyboard music. Stuyvesant, NY: Pendragon Press, 1987.
Carlier, Gilles. On the dignity & the effects of music: Two fifteenth-century treatises. London: Institute of Advanced Musical Studies, King's College London, 1996.
Benham, Hugh. Baroque music in focus. London: Rhinegold, 2009.
Shannon, John R. The evolution of organ music in the 17th century: A study of European styles. North Carolina: McFarland, 2012.
1917-, Mann Alfred, und Parker Mary Ann 1951-, Hrsg. Eighteenth-century music in theory and practice: Essays in honor of Alfred Mann. Stuyvesant, NY: Pendragon Press, 1994.
Fabris, Dinko. Music in seventeenth-century Naples: Francesco Provenzale (1624-1704). Ashgate Publishing Limited: Burlington, VT, 2004.
Brett, Ursula. Music and ideas in seventeenth-century Italy: The Cazzati-Arrestipolemic. New York: Garland Pub, 1989.
Musical theory in the renaissance. Ashgate, 2013.
Rivera, Benito V. German Music Theory in the Early Seventeenth Century: The Treatises of Johannes Lippius. University of Rochester Press, 1996.
Owens, Jessie Ann. Charles Butler's Principles of Musick(1636). Taylor & Francis Group, 2023.
Towards tonality: Aspects of Baroque music theory. Leuven: Leuven University Press, 2007.
Bayreuther, Rainer. Musikalische Norm Um 1700. de Gruyter GmbH, Walter, 2010.
Borgerding, Todd C. Gender, Sexuality, and Early Music. Taylor & Francis Group, 2013.
Borgerding, Todd C. Gender, Sexuality, and Early Music. Taylor & Francis Group, 2013.
Borgerding, Todd C. Gender, Sexuality, and Early Music. Taylor & Francis Group, 2013.
Borgerding, Todd C. Gender, Sexuality, and Early Music. Taylor & Francis Group, 2013.
Gender, Sexuality, and Early Music. Routledge, 2015.
Praetorius, Michael, und Jeffery T. Kite-Powell. Syntagma Musicum III (Oxford Early Music Series). Oxford University Press, USA, 2004.
Smith, David J., Richelle Taylor und Smith David J. Jr. Networks of Music and Cultdure in the Late Sixteenth and Early Seventeenth Centuries. Taylor & Francis Group, 2013.
Coprario, Giovanni, und Thomas Campion. A New Way of Making Fowre Parts in Counterpoint/Rules How to Compose (Music Theory in Britain, 1500-1700: Critical Editions) (Music Theory in Britain, ... in Britain, 1500-1700: Critical Editions). Ashgate Publishing, 2003.
Carter, Tim, und John Butt. Cambridge History of Seventeenth-Century Music. Cambridge University Press, 2008.
McEnery, Anthony, und Helen Baker. Corpus Linguistics and 17th-Century Prostitution. Bloomsbury Academic, 2018.
Pearsall, Edward. Twentieth-Century Music Theory and Practice. Taylor & Francis Group, 2012.